Indie News
As part of the Marché du Film at Cannes, Byron Allen’s Freestyle Digital Media has acquired the North American rights to thriller The Ghost Trap, The Hollywood Reporter can exclusively reveal.
It focuses on a young lobsterman who is forced to choose between right and wrong when his girlfriend suffers a traumatic head injury after being swept off his boat by a rogue wave, and a rival lobster family sabotages his gear. A deadly trap war ensues.
Zak Steiner (White Men Can’t Jump, Euphoria), Greer Grammer (Awkward, Deadly Illusions), Sarah Catherine Hook (First Kill, The White Lotus) and Steven Ogg (The Walking Dead, Westworld) are set to star.
The supporting cast includes Taylor Takahashi (Boogie), Xander Berkeley (The Terminator, Apollo 13), Sarah Clarke (Twilight), Billy Wirth (The Lost Boys) and Heather Thomas (The Fall Guy).
On his feature directorial debut, James Khanlarian directs from K. Stephens’ script, based on...
It focuses on a young lobsterman who is forced to choose between right and wrong when his girlfriend suffers a traumatic head injury after being swept off his boat by a rogue wave, and a rival lobster family sabotages his gear. A deadly trap war ensues.
Zak Steiner (White Men Can’t Jump, Euphoria), Greer Grammer (Awkward, Deadly Illusions), Sarah Catherine Hook (First Kill, The White Lotus) and Steven Ogg (The Walking Dead, Westworld) are set to star.
The supporting cast includes Taylor Takahashi (Boogie), Xander Berkeley (The Terminator, Apollo 13), Sarah Clarke (Twilight), Billy Wirth (The Lost Boys) and Heather Thomas (The Fall Guy).
On his feature directorial debut, James Khanlarian directs from K. Stephens’ script, based on...
- 5/17/2024
- by Lily Ford
- The Hollywood Reporter - Movie News
Neon has bought North American rights to “The Unknown” (“L’Inconnue”), the hotly anticipated next movie from “Anatomy of a Fall”’s Oscar-winning co-writer Arthur Harari.
As revealed by Variety earlier this week, the movie will star Léa Seydoux (“Dune 2”) and is being represented in international markets. Harari is rolling off of “Anatomy of a Fall” which he co-wrote with director Justine Triet, abd won an Oscar, two Golden Globes, a BAFTA and the Palme d’Or at last year’s Cannes Film Festival.
The deal was negotiated by Neon’s president of acquisitions and production Jeff Deutchman with producer Nicolas Anthomé on behalf of the filmmakers, and marks Neon’s second collaboration with Harari following last year’s “Anatomy of a Fall” which Neon acquired out of Cannes in 2023 before it won the Palme d’Or for that year. This deal further cements Neon’s commitment to bringing top-of-the-line international cinema to U.
As revealed by Variety earlier this week, the movie will star Léa Seydoux (“Dune 2”) and is being represented in international markets. Harari is rolling off of “Anatomy of a Fall” which he co-wrote with director Justine Triet, abd won an Oscar, two Golden Globes, a BAFTA and the Palme d’Or at last year’s Cannes Film Festival.
The deal was negotiated by Neon’s president of acquisitions and production Jeff Deutchman with producer Nicolas Anthomé on behalf of the filmmakers, and marks Neon’s second collaboration with Harari following last year’s “Anatomy of a Fall” which Neon acquired out of Cannes in 2023 before it won the Palme d’Or for that year. This deal further cements Neon’s commitment to bringing top-of-the-line international cinema to U.
- 5/17/2024
- by Elsa Keslassy
- Variety - Film News
BuzzFeed Studios and actor and comedian Lil Rel Howery are partnering on “Saving the Neighborhood,” a new series examining the “existential threats” facing neighborhoods across America. Howery will serve as both the director and the series’s host.
The first season of “Saving the Neighborhood” examines the impact of environmental racism on Black and Brown communities across the U.S. – from Howery’s hometown of Chicago to the water crises in Jackson, Miss., and Flint, Mich., to toxic dumps and incinerators in New York and California. He will meet communities around the country fighting for environmental justice.
BuzzFeed Studios’ slate...
The first season of “Saving the Neighborhood” examines the impact of environmental racism on Black and Brown communities across the U.S. – from Howery’s hometown of Chicago to the water crises in Jackson, Miss., and Flint, Mich., to toxic dumps and incinerators in New York and California. He will meet communities around the country fighting for environmental justice.
BuzzFeed Studios’ slate...
- 5/17/2024
- by Brent Lang
- Variety - TV News
It’s hard to remember the last time a director prominently displayed their own vagina onscreen. Statistically speaking, most of them wouldn’t be able to do it if they tried. But Noémie Merlant has never shied away from an opportunity to redefine how female bodies are depicted on film, and “The Portrait of a Lady on Fire” star’s recent pivot behind the camera has only emboldened her efforts to reject the male gaze by inviting her characters to reclaim its oppressive hyper-sexualization on their own terms.
Needless to say, she’s happy to lead by example in her poisoned but delicious midnight snack of a second feature. Playing Élise, a C-list starlet who’s recently been cast as Marilyn Monroe in a TV movie (only to steal her boyfriend’s car and flee the set in a panic), Merlant crashes into “The Balconettes” dolled up to look like...
Needless to say, she’s happy to lead by example in her poisoned but delicious midnight snack of a second feature. Playing Élise, a C-list starlet who’s recently been cast as Marilyn Monroe in a TV movie (only to steal her boyfriend’s car and flee the set in a panic), Merlant crashes into “The Balconettes” dolled up to look like...
- 5/19/2024
- by David Ehrlich
- Indiewire
When Glen Powell was inducted into the Texas Film Hall of Fame in Austin May 15, there was one obvious person to give him the honor: The director who discovered Powell, when the actor was just 14 years old, Robert Rodriguez.
Powell grew up in Austin right at the moment that it was starting to become a solid film production hub, thanks in large part to Rodriguez, the auteur behind “El Mariachi” and “From Dusk Till Dawn” and who’d founded Austin’s Troublemaker Studios. When Rodriguez was casting for “Spy Kids 3-D: Game Over,” he was looking for a number of “local hires” to round out the cast.
“I remember distinctly how surprised I was [by Powell] because we’d cast a bunch of people from L.A.,” Rodriguez told IndieWire at the red carpet for the induction — which was also the Austin premiere of Netflix’s “Hit Man,” starring Powell and directed by Richard Linklater.
Powell grew up in Austin right at the moment that it was starting to become a solid film production hub, thanks in large part to Rodriguez, the auteur behind “El Mariachi” and “From Dusk Till Dawn” and who’d founded Austin’s Troublemaker Studios. When Rodriguez was casting for “Spy Kids 3-D: Game Over,” he was looking for a number of “local hires” to round out the cast.
“I remember distinctly how surprised I was [by Powell] because we’d cast a bunch of people from L.A.,” Rodriguez told IndieWire at the red carpet for the induction — which was also the Austin premiere of Netflix’s “Hit Man,” starring Powell and directed by Richard Linklater.
- 5/18/2024
- by Christian Blauvelt
- Indiewire
Jane Schoenbrun’s “I Saw the TV Glow” is a singular work of cinema, a film that earned rave reviews for committing to its distinct aesthetic and exploration of the ways that our attachments to pop culture that feel disposable to others can be linked to trans identity. But despite many hailing it as a perfect standalone movie, the filmmaker believes there might be even more stories to tell in the world of Owen and “The Pink Opaque.”
In a new interview with USA Today, Schoenbrun refused to rule out the possibility of making a sequel to “I Saw the TV Glow,” explaining that they’d be open to approaching the story again from a different perspective.
“I’ve been thinking about it for quite a while. I always ask myself, ‘Where do the characters go? Is there anywhere else after this?'” Schoenbrun said. “Sometimes there’s not an answer that deserves further exploration,...
In a new interview with USA Today, Schoenbrun refused to rule out the possibility of making a sequel to “I Saw the TV Glow,” explaining that they’d be open to approaching the story again from a different perspective.
“I’ve been thinking about it for quite a while. I always ask myself, ‘Where do the characters go? Is there anywhere else after this?'” Schoenbrun said. “Sometimes there’s not an answer that deserves further exploration,...
- 5/18/2024
- by Christian Zilko
- Indiewire
Bravo’s “Vanderpump Rules” has long been one of unscripted television’s most formally adventurous series, with a cinematic grammar that constantly evolves to express the feelings and ideas at each season’s center. Last season, for example, editor Jesse Friedman explored the “Scandoval” situation in which longtime cast member Tom Sandoval cheated on his girlfriend Ariana Madix by telling the story in reverse — a technique that had more in common with the work of Christopher Nolan and Harold Pinter than with other shows in the world of reality TV, and one that provided the perfect visual corollary for Ariana and her friends’ piecing together of the narrative. For the Season 11 finale, Friedman once again took some audacious stylistic risks that paid off not only emotionally, but indicated how the show as a whole might be coming to the end of an era.
The final moments of the season finale...
The final moments of the season finale...
- 5/18/2024
- by Jim Hemphill
- Indiewire
Few filmmakers have ever sacrificed more for their craft than Mohammad Rasoulof, the Iranian director who has faced non-stop legal pressure from his country’s government in recent years over his politically charged films. Rasoulof, who has been arrested and imprisoned on multiple occasions, is bringing his latest film, “The Seed of the Sacred Fig,” to the Main Competition at the 2024 Cannes Film Festival. But weeks before the film — which follows a judge in Tehran navigating political fallout from protests — was set to debut on the Croisette, Rasoulof was sentenced to eight years of imprisonment and a flogging in Iran.
Many interpreted the sentence as an attempt to force Rasoulof to pull his provocative film from Cannes. But the auteur soon fled the authoritarian country and found shelter in Germany with the hope of attending his film’s premiere this week. In a new interview with The Guardian, conducted from an undisclosed location,...
Many interpreted the sentence as an attempt to force Rasoulof to pull his provocative film from Cannes. But the auteur soon fled the authoritarian country and found shelter in Germany with the hope of attending his film’s premiere this week. In a new interview with The Guardian, conducted from an undisclosed location,...
- 5/18/2024
- by Christian Zilko
- Indiewire
Fresh off his brief but scene-stealing performance in “Civil War,” Jesse Plemons is reteaming with six-time Academy Award-nominated filmmaker Yorgos Lanthimos for his next film, now titled “Bugonia,” which has landed at Focus Features for North America. Plemons is also one of the many ensemble talents in Lanthimos’ “Kinds Of Kindness,” which just premiered at the Cannes Film Festival and co-stars Emma Stone, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie, and Hunter Schafer (read our review).
Continue reading Jesse Plemons Joins Emma Stone In Yorgos Lanthimos’ ‘Bugonia’ For Focus Features at The Playlist.
Continue reading Jesse Plemons Joins Emma Stone In Yorgos Lanthimos’ ‘Bugonia’ For Focus Features at The Playlist.
- 5/18/2024
- by Rodrigo Perez
- The Playlist
Harmony Korine’s AggroDr1ft unfurls through sheets of kaleidoscopic color — neon shades of gold, aqua and red — that ripple and pulse, achieving almost an intelligence of their own as they add expressionistic textures to the film’s Miami-set tale of a melancholy hitman out for a demonic Final Boss. And while the narrative recalls, at times, Robert E. Howard, Michael Mann and Grand Theft Auto, the film’s genuinely unique method of production allows its hallucinatory vibe — aided by an insidious AraabMuzik score — to reign supreme. Working with his team at new production outfit Edglrd, including creative director Joao […]
The post “The Fact That It’s Thermal Imagery, It Hits Memory in a Different Way”: Edglrd Creative Director Joao Rosa on Harmony Korine’s Visionary AggroDr1ft first appeared on Filmmaker Magazine.
The post “The Fact That It’s Thermal Imagery, It Hits Memory in a Different Way”: Edglrd Creative Director Joao Rosa on Harmony Korine’s Visionary AggroDr1ft first appeared on Filmmaker Magazine.
- 5/18/2024
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
Harmony Korine’s AggroDr1ft unfurls through sheets of kaleidoscopic color — neon shades of gold, aqua and red — that ripple and pulse, achieving almost an intelligence of their own as they add expressionistic textures to the film’s Miami-set tale of a melancholy hitman out for a demonic Final Boss. And while the narrative recalls, at times, Robert E. Howard, Michael Mann and Grand Theft Auto, the film’s genuinely unique method of production allows its hallucinatory vibe — aided by an insidious AraabMuzik score — to reign supreme. Working with his team at new production outfit Edglrd, including creative director Joao […]
The post “The Fact That It’s Thermal Imagery, It Hits Memory in a Different Way”: Edglrd Creative Director Joao Rosa on Harmony Korine’s Visionary AggroDr1ft first appeared on Filmmaker Magazine.
The post “The Fact That It’s Thermal Imagery, It Hits Memory in a Different Way”: Edglrd Creative Director Joao Rosa on Harmony Korine’s Visionary AggroDr1ft first appeared on Filmmaker Magazine.
- 5/18/2024
- by Scott Macaulay
- Filmmaker Magazine - Blog
You haven’t lived until you’ve seen a movie musical where the words “mammoplasty, vaginoplasty, rhinoplasty” play out in song. Nor have you lived until you’ve seen that same movie musical in which Selena Gomez says the words “My pussy still hurts when I think of you.” And you’ve never seen a movie musical at all about transness that takes as bold of swings as Jacques Audiard‘s “Emilia Pérez,” which is stylistically unforgettable while missing the crucial element that makes any movie musical work: Actually good, memorable songs.
Audiard is the 72-year-old French director known ever for dipping into other worlds and genres that are far from his own as a cis white guy from Europe. His 2015 Palme d’Or winner “Dheepan” was a story of Tamil refugees who’ve fled Sri Lankan civil war for Paris. “The Sisters Brothers” was his attempt at a western...
Audiard is the 72-year-old French director known ever for dipping into other worlds and genres that are far from his own as a cis white guy from Europe. His 2015 Palme d’Or winner “Dheepan” was a story of Tamil refugees who’ve fled Sri Lankan civil war for Paris. “The Sisters Brothers” was his attempt at a western...
- 5/18/2024
- by Ryan Lattanzio
- Indiewire
Cannes – You have to give Jacques Audiard credit. The famed French filmmaker has proven time and time again he isn’t afraid to take big swings. And with “Emilia Perez,” he’s attempting to hit one all the way across the Atlantic. Debuting at the 2024 Cannes Film Festival in competition, “Perez” is a Mexican-set musical melodrama with a narrative that seemingly knows no bounds. And yet, even at its most unwieldy, Audiard’s cinematic skill and Zoe Saldana‘s at times dazzling performance make it hard to ignore.
Continue reading ‘Emilia Perez’ Review: Zoe Saldana Sings In Jacques Audiard’s Audacious Movie Musical [Cannes] at The Playlist.
Continue reading ‘Emilia Perez’ Review: Zoe Saldana Sings In Jacques Audiard’s Audacious Movie Musical [Cannes] at The Playlist.
- 5/18/2024
- by Gregory Ellwood
- The Playlist
I’m going to tell you something that will instantly rattle a millennial body to its core: “Glee,” the Fox musical dramedy that became a phenomenon before becoming a dark cultural tale, premiered 15 years ago, on May 19, 2009.
To make you feel slightly better about the passage of time, that date is a bit of a cheat: Because Fox suspected it had an honest-to-goodness hit on its hands, the network premiered the first episode after the “American Idol” Season 8 finale in May, before beginning the full season a few months later in September.
Still, May 19 was the day the world first was re-reminded of the wonder of “Don’t Stop Believin,’” witnessed the instantly iconic combo of cringe and charisma that was Rachel Berry/Lea Michele, and considered the shocking declaration that someone could be both an athlete and a singer.
If you aren’t a recovering Gleek, one of the...
To make you feel slightly better about the passage of time, that date is a bit of a cheat: Because Fox suspected it had an honest-to-goodness hit on its hands, the network premiered the first episode after the “American Idol” Season 8 finale in May, before beginning the full season a few months later in September.
Still, May 19 was the day the world first was re-reminded of the wonder of “Don’t Stop Believin,’” witnessed the instantly iconic combo of cringe and charisma that was Rachel Berry/Lea Michele, and considered the shocking declaration that someone could be both an athlete and a singer.
If you aren’t a recovering Gleek, one of the...
- 5/18/2024
- by Erin Strecker
- Indiewire
I somehow lost my Sundance 2024 hat before arriving in Cannes. I was forced to take it off for the automated passport control in Paris, as it would’ve obscured my face too much for the fancy camera technology that only worked for about every third person in line. Walking to my next terminal with my luggage, it started raining and I went to put my hat on only to realize it was no longer poking out from the top of my purse. How is it that I managed to lose my one token of legitimacy immediately upon arriving in France? […]
The post Sartorial Losses and Nervous Excitement: Producer Stephanie Roush’s’ Cannes Diary #1 first appeared on Filmmaker Magazine.
The post Sartorial Losses and Nervous Excitement: Producer Stephanie Roush’s’ Cannes Diary #1 first appeared on Filmmaker Magazine.
- 5/18/2024
- by Stephanie Roush
- Filmmaker Magazine-Director Interviews
I somehow lost my Sundance 2024 hat before arriving in Cannes. I was forced to take it off for the automated passport control in Paris, as it would’ve obscured my face too much for the fancy camera technology that only worked for about every third person in line. Walking to my next terminal with my luggage, it started raining and I went to put my hat on only to realize it was no longer poking out from the top of my purse. How is it that I managed to lose my one token of legitimacy immediately upon arriving in France? […]
The post Sartorial Losses and Nervous Excitement: Producer Stephanie Roush’s’ Cannes Diary #1 first appeared on Filmmaker Magazine.
The post Sartorial Losses and Nervous Excitement: Producer Stephanie Roush’s’ Cannes Diary #1 first appeared on Filmmaker Magazine.
- 5/18/2024
- by Stephanie Roush
- Filmmaker Magazine - Blog
The Paul Schrader Renaissance began the moment “First Reformed” debuted to the director’s best reviews in at least 15 years, back in 2017. The spiritual trilogy formed around it — “The Card Counter” and “Master Gardener” — have fostered in a new generation’s mind this frankly narrow vision of what constitutes a Paul Schrader movie: men in rooms, pens across diaries, peculiar revenge plots.
It’s likely that audiences anticipating another drama in which a man’s profession comes dressed as the sick soul of America will be baffled by “Oh, Canada,” his newest feature now in competition at the Cannes Film Festival. It’s based on Russell Banks’ 2021 novel “Foregone.” Those well-acquainted with Schrader’s half-century of cinema may find themselves on the edge of bafflement with this film, which uses the last will and testament of documentary filmmaker Leonard Fife (Richard Gere) as a trickle-down device for 55 years of guilt,...
It’s likely that audiences anticipating another drama in which a man’s profession comes dressed as the sick soul of America will be baffled by “Oh, Canada,” his newest feature now in competition at the Cannes Film Festival. It’s based on Russell Banks’ 2021 novel “Foregone.” Those well-acquainted with Schrader’s half-century of cinema may find themselves on the edge of bafflement with this film, which uses the last will and testament of documentary filmmaker Leonard Fife (Richard Gere) as a trickle-down device for 55 years of guilt,...
- 5/18/2024
- by Nick Newman
- Indiewire
A searching and scattershot portrait of displacement that’s as likely to resonate with Jia Zhang-ke devotees as it is to mystify those who are new to his work, “Caught by the Tides” finds the Chinese auteur returning the most pivotal characters and locations that have defined his movies over the last two decades. Then again, perhaps it would be more accurate to say that he never left them.
Tracing the faintest contours of a scripted love story around the scaffolding of some documentary footage that Jia has collected over the course of 22 years, this elusive chimera of a film strains to literalize the delicate relationship between time and memory — a theme that has become increasingly central to the director’s work since the Three Gorges Dam was constructed in 2006 (see: “Still Life”), submerging 13 entire cities and forever displacing the millions of people who once lived in them. Here, even...
Tracing the faintest contours of a scripted love story around the scaffolding of some documentary footage that Jia has collected over the course of 22 years, this elusive chimera of a film strains to literalize the delicate relationship between time and memory — a theme that has become increasingly central to the director’s work since the Three Gorges Dam was constructed in 2006 (see: “Still Life”), submerging 13 entire cities and forever displacing the millions of people who once lived in them. Here, even...
- 5/18/2024
- by David Ehrlich
- Indiewire
The best part of “Savages” is its opening scene, which says less about the overall quality of Claude Barras’ sophomore feature and more about the strength of the vignette that establishes the stop-motion movie’s world. Against atmospheric music, the quote “The world does not belong to us. We borrow it from our children” flashes on screen, followed by images of a lushly rendered clay forest, brimming with life and energy. An adorable baby orangutan is briefly threatened by a small but deadly snake, before being rescued and cared for by his protective mother. Atop a tree, the mother gently breastfeeds her young son, in an idyllic image that is quickly disrupted by the sound of chainsaws, and abruptly, the tree falls to the ground, revealing a construction site filled with lumber and a factory spewing pollution into the air. The title “Savages” comes on screen against this image, and...
- 5/18/2024
- by Wilson Chapman
- Indiewire
Cannes: You are no doubt familiar with the work of Renate Reinsve. The Norwegian actress earned accolades for her performance in Joachim Trier’s stellar “The Worst Person in the World,” and if you happened to attend the 2024 Sundance Film Festival this past January, you may have seen her in Aaron Schimberg’s lauded “A Different Man.” Reinsive has already proven her prowess as an actress, but there is a scene in her latest endeavor, “Armand,” which, and excuse the justified hyperbole, is simply startling.
Continue reading ‘Armand’ Review: Renate Reinsve Is Simply Spectacular As A Mother In The Crosshairs [Cannes] at The Playlist.
Continue reading ‘Armand’ Review: Renate Reinsve Is Simply Spectacular As A Mother In The Crosshairs [Cannes] at The Playlist.
- 5/18/2024
- by Gregory Ellwood
- The Playlist
Diaries are written in secrecy, free-flowing thoughts anchored to the page as if the ink could stop memories from vanishing through the hands of time. Filmmaker Paul Schrader understands the lingering, often quiet desperation of journaling like few filmmakers do. From “Taxi Driver” to “Master Gardener,” the director’s work returns time and time to a man sitting by a desk with only an open journal, his words, and a small lamp for company.
Continue reading ‘Oh, Canada’ Review: Richard Gere & Jacob Elordi Are Brilliant In Paul Schrader’s Moving Contemplation Of Legacy [Cannes] at The Playlist.
Continue reading ‘Oh, Canada’ Review: Richard Gere & Jacob Elordi Are Brilliant In Paul Schrader’s Moving Contemplation Of Legacy [Cannes] at The Playlist.
- 5/18/2024
- by Rafa Sales Ross
- The Playlist
Dearest readers: It’s Bridgerton Week at IndieWire. We’re celebrating the new season by diving deep on one of the best romance shows on TV.
The world of “Bridgerton” is no stranger to competition. Among London’s elite, wealthy debutantes and ambitious suitors vie for attention and supremacy on every level, from status and title to the very notion of a “diamond” — the best the season has to offer. What better way to celebrate the eagerly awaited Season 3 (Part 1 now streaming and Part 2 due June 13) than by revisiting past and previous diamonds?
Now that there are fully 20 of them out in the world, we decided to rank the best “Bridgerton” episodes, and to not overly favor any one season over another. A show doesn’t become an overnight popular horny period sensation without some certified bangers (pun intended), so we revisited Seasons 1 and 2 along with Season 3 – Part 1 to pull the greatest hits.
The world of “Bridgerton” is no stranger to competition. Among London’s elite, wealthy debutantes and ambitious suitors vie for attention and supremacy on every level, from status and title to the very notion of a “diamond” — the best the season has to offer. What better way to celebrate the eagerly awaited Season 3 (Part 1 now streaming and Part 2 due June 13) than by revisiting past and previous diamonds?
Now that there are fully 20 of them out in the world, we decided to rank the best “Bridgerton” episodes, and to not overly favor any one season over another. A show doesn’t become an overnight popular horny period sensation without some certified bangers (pun intended), so we revisited Seasons 1 and 2 along with Season 3 – Part 1 to pull the greatest hits.
- 5/18/2024
- by Proma Khosla
- Indiewire
While “Bridgerton” is known for its steamy sex scenes, Season 3 lead star Nicola Coughlan asked for even more sultry moments onscreen.
The actress told Stylist (via Buzzfeed) that she wanted to be “very naked” for a particular scene in the latest Netflix season.
“I specifically asked for certain lines and moments to be included,” Coughlan said of working with intimacy coordinator Lizzy Talbot. “There’s one scene where I’m very naked on camera, and that was my idea, my choice. It just felt like the biggest ‘fuck you’ to all the conversation surrounding my body; it was amazingly empowering. I felt beautiful in the moment, and I thought, ‘When I’m 80, I want to look back on this and remember how fucking hot I looked!'”
She added of collaborating with Talbot, “You go, ‘Ok, what do I want to show? What don’t I want to show? What’s scripted,...
The actress told Stylist (via Buzzfeed) that she wanted to be “very naked” for a particular scene in the latest Netflix season.
“I specifically asked for certain lines and moments to be included,” Coughlan said of working with intimacy coordinator Lizzy Talbot. “There’s one scene where I’m very naked on camera, and that was my idea, my choice. It just felt like the biggest ‘fuck you’ to all the conversation surrounding my body; it was amazingly empowering. I felt beautiful in the moment, and I thought, ‘When I’m 80, I want to look back on this and remember how fucking hot I looked!'”
She added of collaborating with Talbot, “You go, ‘Ok, what do I want to show? What don’t I want to show? What’s scripted,...
- 5/18/2024
- by Samantha Bergeson
- Indiewire
Friday at Cannes saw three competition entries make their debut at the Palais: Yorgos Lanthimos’ perverse triptych “Kinds of Kindness,” starring Jesse Plemons, Emma Stone, and Willem Dafoe: Paul Schrader’s “Oh, Canada,” his first competition bow in decades and starring Richard Gere, Jacob Elordi, and Uma Thurman; and Emanuel Parvu’s Romanian drama “Three Kilometers to the End of the World,” added late to the competition.
The entire cast came out to a Croisette packed with starry-eyed passersby and ramparts of street security for “Kinds of Kindness,” Lanthimos’ follow-up to “Poor Things,” which he shot in New Orleans while the latter Oscar winner was in post-production. First reactions call the film a dark and twisted return to form for Lanthimos, who is back in “Dogtooth” and “Killing of a Sacred Deer” mode here with his co-writer Efthimis Filippou. Lanthimos has competed or the Palme twice before with “Sacred Deer” and “The Lobster,...
The entire cast came out to a Croisette packed with starry-eyed passersby and ramparts of street security for “Kinds of Kindness,” Lanthimos’ follow-up to “Poor Things,” which he shot in New Orleans while the latter Oscar winner was in post-production. First reactions call the film a dark and twisted return to form for Lanthimos, who is back in “Dogtooth” and “Killing of a Sacred Deer” mode here with his co-writer Efthimis Filippou. Lanthimos has competed or the Palme twice before with “Sacred Deer” and “The Lobster,...
- 5/18/2024
- by Ryan Lattanzio
- Indiewire
The lush opening shots of “Savanna and the Mountain” introduce us to Covas do Barroso, a remote Portuguese village that time forgot. The townspeople are quite content to live a pastoral life of ranching and subsistence farming that hasn’t changed much over the past century. But Paolo Carneiro’s Cannes documentary quickly reveals that changes are coming to their lives whether they like it or not. The only question is whether they allow their town to be turned into something unrecognizable, or devote their lives to political activism with the hopes of stopping it.
Covas do Barroso sits on top of massive lithium deposits, and a British company called Savannah Resources has begun the legal proceedings to use eminent domain to build Europe’s largest open-cast lithium mine where the town currently stands. It’s a tale as old as time: Businessmen and politicians flood the region with promises...
Covas do Barroso sits on top of massive lithium deposits, and a British company called Savannah Resources has begun the legal proceedings to use eminent domain to build Europe’s largest open-cast lithium mine where the town currently stands. It’s a tale as old as time: Businessmen and politicians flood the region with promises...
- 5/18/2024
- by Christian Zilko
- Indiewire
Directors’ Fortnight is always a chance to catch films at the Cannes Film Festival off the main drag of the Croisette, out of the main competition, and with an eye toward boundary-breaking works. Mahdi Fleifel’s Directors’ Fortnight world premiere “To a Land Unknown” is the only Palestinian feature to screen at the festival, and IndieWire shares the exclusive trailer below.
The film follows Chatila (Mahmood Bakri) and Reda (Aram Sabbah), cousins and refugees stranded in Athens and trying to reach Germany. To escape Greece, they hatch a plan to pose as smugglers taking hostages, with dire consequences for their friendship. “It’s especially moving to me, in these incredible times, to present a Palestinian film at Cannes. As Palestinians, we challenge media stereotypes, but more importantly, we defy invisibility, a struggle we’ve faced since the beginning. Our stories are needed now more than ever,” Fleifel, born in Dubai...
The film follows Chatila (Mahmood Bakri) and Reda (Aram Sabbah), cousins and refugees stranded in Athens and trying to reach Germany. To escape Greece, they hatch a plan to pose as smugglers taking hostages, with dire consequences for their friendship. “It’s especially moving to me, in these incredible times, to present a Palestinian film at Cannes. As Palestinians, we challenge media stereotypes, but more importantly, we defy invisibility, a struggle we’ve faced since the beginning. Our stories are needed now more than ever,” Fleifel, born in Dubai...
- 5/18/2024
- by Ryan Lattanzio
- Indiewire
Cannes – They may have already collaborated on three feature films and a short, but get one thing straight. Emma Stone isn’t Yorgos Lanthimos‘ muse. It’s the other way around. As the two-time Best Actress winner noted with a sly wink during the “Kinds of Kindness” press conference, “He’s my muse.”
Read More: Cannes Film Festival 2022: The 22 Films Everyone Will Be Buzzing About
Stone was joined by co-stars Jesse Plemmons, Willem Dafoe, Joe Alwyn, Hong Chau, Hunter Schafer, Margaret Qualley, and Mamoudou Athie to discuss “Kinds” with the global press, but the subject kept coming back to Lanthimos.
Continue reading Emma Stone On Yorgos Lanthimos: “He’s My Muse” [Cannes] at The Playlist.
Read More: Cannes Film Festival 2022: The 22 Films Everyone Will Be Buzzing About
Stone was joined by co-stars Jesse Plemmons, Willem Dafoe, Joe Alwyn, Hong Chau, Hunter Schafer, Margaret Qualley, and Mamoudou Athie to discuss “Kinds” with the global press, but the subject kept coming back to Lanthimos.
Continue reading Emma Stone On Yorgos Lanthimos: “He’s My Muse” [Cannes] at The Playlist.
- 5/18/2024
- by Gregory Ellwood
- The Playlist
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Is This What I Told Myself It Would Be?
Directed by Marjane Satrapi and written by Michael R. Perry, “The Voices” has a phenomenal trailer — snappy, stunning, and with a hunky Chinese Elvis impersonator! I would know; I’ve seen it dozens of times in the decade since Lionsgate made the movie: a feature that, up until now, I haven’t watched and will be using this week’s IndieWire After Dark to recommend to myself. Let me (us?) explain.
This buzzy Sundance breakout from 2014 — starring a sweetie pie Ryan Reynolds...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Is This What I Told Myself It Would Be?
Directed by Marjane Satrapi and written by Michael R. Perry, “The Voices” has a phenomenal trailer — snappy, stunning, and with a hunky Chinese Elvis impersonator! I would know; I’ve seen it dozens of times in the decade since Lionsgate made the movie: a feature that, up until now, I haven’t watched and will be using this week’s IndieWire After Dark to recommend to myself. Let me (us?) explain.
This buzzy Sundance breakout from 2014 — starring a sweetie pie Ryan Reynolds...
- 5/18/2024
- by Alison Foreman
- Indiewire
Illustrations by Maddie Fischer.As part of our Cannes 2024 coverage, we invited critics, filmmakers, and programmers to give their first impressions of the festival. Sign up for the Weekly Edit to receive exclusive reports from the Croisette straight to your inbox.Giovanni Marchini CamiaThe reconstruction of Napoléon, as seen by Abel Gance, was the first film to play at this year’s festival—after the Berlinale’s TinyHouse, this is symbolism at its most ready-made. Impossible to watch this inordinately glorious, inordinately chauvinistic film at Cannes without thinking of Thierry Frémaux, the festival world’s very own Napoleon, the man everyone loves to hate. As rumors of an impending labor strike and #MeToo bombshell crescendoed ahead of that evening’s opening ceremony, no image could have been more fitting than Napoleon braving a furious storm on a rickety fishing boat, a French flag fashioned into a sail as his only lifeline.
- 5/17/2024
- MUBI
Dabney Coleman, one of the best-known character actors of the late 20th century, has died at the age of 92. The news of his death has been confirmed by IndieWire.
In a statement obtained from his manager Jeffrey Goldberg, Coleman’s daughter Quincy wrote, “My father, Dabney Wharton Coleman, took his last earthly breath peacefully and exquisitely at 92 in his Santa Monica home on Thursday May 16th, 2024 at 1:50pm. My father crafted his time here on earth with a curious mind, a generous heart, and a soul on fire with passion, desire, and humor that tickled the funny bone of humanity. As he lived, he moved through this final act of his life with elegance, excellence and mastery. A teacher, a hero, and a king, Dabney Coleman is a gift and blessing in life and in death as his spirit will shine through his work, his loved ones and his legacy…...
In a statement obtained from his manager Jeffrey Goldberg, Coleman’s daughter Quincy wrote, “My father, Dabney Wharton Coleman, took his last earthly breath peacefully and exquisitely at 92 in his Santa Monica home on Thursday May 16th, 2024 at 1:50pm. My father crafted his time here on earth with a curious mind, a generous heart, and a soul on fire with passion, desire, and humor that tickled the funny bone of humanity. As he lived, he moved through this final act of his life with elegance, excellence and mastery. A teacher, a hero, and a king, Dabney Coleman is a gift and blessing in life and in death as his spirit will shine through his work, his loved ones and his legacy…...
- 5/17/2024
- by Christian Zilko
- Indiewire
“How can so much suffering have no meaning?”
That’s a question posed by decorated documentary filmmaker Leonard Fife in Paul Schrader’s meandering ode to death, dying, aging, and regret, “Oh, Canada.” It’s inevitably one also felt by audiences who will be left bewildered by the Oscar-nominated filmmaker’s most experimental and alienating work in some time, which loses itself in the process.
With “Oh, Canada,” Schrader splices timelines, color palettes, and aspect ratios to tell Fife’s story as a now-revered nonfiction movie-maker who fled the United States in the late 1960s for Canada to avoid the Vietnam War draft. Schrader is a gifted filmmaker who has given us so much more than “First Reformed” and “The Card Counter,” the only movies audiences of late seem to remember him by. He’s not unfamiliar with unpacking a great and morally complicated artist’s work in wildly subversive...
That’s a question posed by decorated documentary filmmaker Leonard Fife in Paul Schrader’s meandering ode to death, dying, aging, and regret, “Oh, Canada.” It’s inevitably one also felt by audiences who will be left bewildered by the Oscar-nominated filmmaker’s most experimental and alienating work in some time, which loses itself in the process.
With “Oh, Canada,” Schrader splices timelines, color palettes, and aspect ratios to tell Fife’s story as a now-revered nonfiction movie-maker who fled the United States in the late 1960s for Canada to avoid the Vietnam War draft. Schrader is a gifted filmmaker who has given us so much more than “First Reformed” and “The Card Counter,” the only movies audiences of late seem to remember him by. He’s not unfamiliar with unpacking a great and morally complicated artist’s work in wildly subversive...
- 5/17/2024
- by Ryan Lattanzio
- Indiewire
Bowen Yang realized that he couldn’t defy gravity — or sleep deprivation — when filming “Wicked.”
The “SNL” star told Vanity Fair that he found it “mentally fraying” to fly back and forth between the “Wicked” production in London and his weekly sketch series in New York City. Even “SNL” creator Lorne Michaels seemingly warned Yang against spreading himself too thin.
“This is when Lorne Michaels comes in,” Yang said. “Whatever you think about the situation, however you think it’s unique to you, however you think you might be the exception to the rule, Lorne is here to be like, ‘Actually, it might not be so good on the body for you to fly back and forth between New York and London to go shoot a movie.'”
Yang admitted that he was referencing “Wicked” as the most recent example of balancing both his TV and film obligations.
“I’ll say ‘Wicked,...
The “SNL” star told Vanity Fair that he found it “mentally fraying” to fly back and forth between the “Wicked” production in London and his weekly sketch series in New York City. Even “SNL” creator Lorne Michaels seemingly warned Yang against spreading himself too thin.
“This is when Lorne Michaels comes in,” Yang said. “Whatever you think about the situation, however you think it’s unique to you, however you think you might be the exception to the rule, Lorne is here to be like, ‘Actually, it might not be so good on the body for you to fly back and forth between New York and London to go shoot a movie.'”
Yang admitted that he was referencing “Wicked” as the most recent example of balancing both his TV and film obligations.
“I’ll say ‘Wicked,...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
Once again, IndieWire reached out to the directors of photography whose feature films are premiering at the 2024 Cannes Film Festival to find out which cameras and lenses they used and — more importantly — why these were the right tools to create the look and visual language. We are delighted that more cinematographers than ever responded this year.
The following list includes both documentaries and fiction films playing throughout the festival. They run a gamut from small films that crafted their looks by making the most of the constraints on their shoots and budgets to the biggest summer blockbusters aiming for the largest (IMAX) screens. There are a healthy number of repeat collaborations between cinematographers and directors who, at this point, are used to being each others’ partners in crime and speaking the same visual language, as well as first-time partnerships where the collaboration opened up new possibilities for each. There are...
The following list includes both documentaries and fiction films playing throughout the festival. They run a gamut from small films that crafted their looks by making the most of the constraints on their shoots and budgets to the biggest summer blockbusters aiming for the largest (IMAX) screens. There are a healthy number of repeat collaborations between cinematographers and directors who, at this point, are used to being each others’ partners in crime and speaking the same visual language, as well as first-time partnerships where the collaboration opened up new possibilities for each. There are...
- 5/17/2024
- by Sarah Shachat
- Indiewire
After much hemming and hawing and a little bit of teases about his appearance, Oscar-winning actor Cillian Murphy has been confirmed for Sony’s “28 Years Later” horror thriller.
Sony chief Tom Rothman revealed the news in a new interview with Deadline. “Yes [Murphy will return], but in a surprising way and in a way that grows, let me put it that way,” Rothman said.
Continue reading Cillian Murphy Confirmed For Danny Boyle’s ‘28 Years Later’ at The Playlist.
Sony chief Tom Rothman revealed the news in a new interview with Deadline. “Yes [Murphy will return], but in a surprising way and in a way that grows, let me put it that way,” Rothman said.
Continue reading Cillian Murphy Confirmed For Danny Boyle’s ‘28 Years Later’ at The Playlist.
- 5/17/2024
- by Edward Davis
- The Playlist
“Jaws” in 1975 is remembered as the movie that birthed the summer global blockbuster; its many children include “Star Wars,” Raiders of the Lost Ark,” “E.T.: The Extra-Terrestrial,” “Top Gun,” “Ghostbusters,” “Ghost,” “Twister,” “The Lion King,” “Independence Day,” “Speed,” and “Men in Black.” Today, that bloodline is threatened with extinction.
On the surface, that seems ridiculous — summer box office is still defined by blockbusters — but today that means sequels. It’s become exceedingly rare for studios to invest over $100 million in a summer movie with an original screenplay that’s not already part of a franchise. That’s what makes Paramount Pictures’ $110 million “If” such an outlier.
Still, being that exception also hands writer-director John Krasinski a double-edged sword. Those original blockbusters — all released between 1975-1999 — ended up with domestic gross totals, in 2024 ticket price terms, of over $400 million. Consensus on opening weekend for “If” has been around $40 million,...
On the surface, that seems ridiculous — summer box office is still defined by blockbusters — but today that means sequels. It’s become exceedingly rare for studios to invest over $100 million in a summer movie with an original screenplay that’s not already part of a franchise. That’s what makes Paramount Pictures’ $110 million “If” such an outlier.
Still, being that exception also hands writer-director John Krasinski a double-edged sword. Those original blockbusters — all released between 1975-1999 — ended up with domestic gross totals, in 2024 ticket price terms, of over $400 million. Consensus on opening weekend for “If” has been around $40 million,...
- 5/17/2024
- by Tom Brueggemann
- Indiewire
Margaret Qualley and Demi Moore are teased as playing the same character for feminist body-horror thriller “The Substance.”
The Cannes feature, which premieres in competition at the festival, has already been picked up by Mubi for worldwide distribution. French director Coralie Fargeat helms her sophomore film, following her debut “Revenge” which premiered at TIFF in 2017.
“The Substance” is titled for a mysterious serum that transforms users into the ideal versions of themselves. The elusive official synopsis reads: “It generates another you. A new, younger, more beautiful, more perfect you. And there’s only one rule: You share time. One week for you. One week for the new you. Seven days each. A perfect balance. Easy. Right? If you respect the balance…what could possibly go wrong?”
The teaser shows Moore intently watching an ad for the substance injection and contemplating undergoing its cellular division. Could Qualley be who Moore transforms into?...
The Cannes feature, which premieres in competition at the festival, has already been picked up by Mubi for worldwide distribution. French director Coralie Fargeat helms her sophomore film, following her debut “Revenge” which premiered at TIFF in 2017.
“The Substance” is titled for a mysterious serum that transforms users into the ideal versions of themselves. The elusive official synopsis reads: “It generates another you. A new, younger, more beautiful, more perfect you. And there’s only one rule: You share time. One week for you. One week for the new you. Seven days each. A perfect balance. Easy. Right? If you respect the balance…what could possibly go wrong?”
The teaser shows Moore intently watching an ad for the substance injection and contemplating undergoing its cellular division. Could Qualley be who Moore transforms into?...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
In “The Big Cigar,” contradictions weigh heavily on Huey P. Newton (played by the magnificent André Holland). He sees them everywhere. For instance, Huey notes that the NRA contradicted their general ideology by helping the GOP pass gun control laws in the 1960s, all because they were afraid of the group Newton co-founded: the Black Panthers. He’s also keenly aware of the contradiction inherent to a Black man being “set free” from a prison of bars and stone into the prison of the American way. “Contrary to propagated belief, I’m not living to die, but I am refusing to live without liberation,” Huey says during his opening voice-over narration.
He even acknowledges the contradiction inherent to “The Big Cigar” itself, saying, “The story I’m about to tell you is true. […] But it is coming through the lens of Hollywood, so let’s see how much of my...
He even acknowledges the contradiction inherent to “The Big Cigar” itself, saying, “The story I’m about to tell you is true. […] But it is coming through the lens of Hollywood, so let’s see how much of my...
- 5/17/2024
- by Ben Travers
- Indiewire
Earlier this week, comedy writer/director Judd Apatow ended his 30-year relationship with his agency UTA, Deadline describing it as a “magical run” (lol). Trades run lip service-y pieces like this all the time: actors, filmmakers, and talent-changing agencies as a way to generate press for these companies and as tacit understanding for staying in good favor with agents who are the ones often feeding them leaks, exclusives, and scoops.
So, other than Apatow leaving an agency he loyally stuck with for 30 years, there’s no real story there.
Continue reading 3 Judd Apatow Projects Apparently Couldn’t Get Greenlit, Including A Cancel Comedy Starring Zach Galifianakis [Report] at The Playlist.
So, other than Apatow leaving an agency he loyally stuck with for 30 years, there’s no real story there.
Continue reading 3 Judd Apatow Projects Apparently Couldn’t Get Greenlit, Including A Cancel Comedy Starring Zach Galifianakis [Report] at The Playlist.
- 5/17/2024
- by Edward Davis
- The Playlist
The Cannes Film Festival is many things: A prestigious platform for the best of world cinema, a massive industry event where film acquisitions get made, a testament to the French film industry’s classism and rampant sexual abuse. But more than anything, it’s one of the world’s greatest photo opps.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
- 5/17/2024
- by Wilson Chapman
- Indiewire
IATSE, the International Alliance of Theatrical Stage Employees, announced Friday, May 17 that it has for now concluded negotiations on its Basic Agreement with the AMPTP without yet reaching a tentative agreement on a new contract.
The guild expects to resume talks for the Basic Agreement in early June and will now shift its focus to its Area Standards Agreement, which covers film and TV workers outside of Los Angeles and encompasses another 23 locals around the country. Negotiations for that contract, as previously scheduled, will begin May 20 and continue through May 31. All of this follows IATSE’s 13 individual locals each reaching a tentative deal with the AMPTP on issues specific to their locals.
IATSE’s Basic Agreement contract and the Asa do not expire until July 31, so not reaching a deal does not mean talks broke down. However, some members are demanding more transparency. Earlier this week, a group known as...
The guild expects to resume talks for the Basic Agreement in early June and will now shift its focus to its Area Standards Agreement, which covers film and TV workers outside of Los Angeles and encompasses another 23 locals around the country. Negotiations for that contract, as previously scheduled, will begin May 20 and continue through May 31. All of this follows IATSE’s 13 individual locals each reaching a tentative deal with the AMPTP on issues specific to their locals.
IATSE’s Basic Agreement contract and the Asa do not expire until July 31, so not reaching a deal does not mean talks broke down. However, some members are demanding more transparency. Earlier this week, a group known as...
- 5/17/2024
- by Brian Welk
- Indiewire
David Cronenberg shocked the cinema world two years ago when he came out of retirement and showed up at the Cannes Film Festival with a new film, “Crime Of The Future.” 2014’s “Map To The Stars,” which also had a Cannes premiere, was initially supposed to be Cronenberg’s last. Now, will the Canadian auteur’s latest, “The Shrouds,” be his swan song?
Continue reading ‘The Shrouds’: David Cronenberg Remains Uncertain If His Latest Film Will Be His Last: “I Really Don’t Know” at The Playlist.
Continue reading ‘The Shrouds’: David Cronenberg Remains Uncertain If His Latest Film Will Be His Last: “I Really Don’t Know” at The Playlist.
- 5/17/2024
- by Ned Booth
- The Playlist
Glen Powell’s journey to superstardom began in a creative writing class at Austin’s Westwood High School. He was the only one of the kids who was trying his hand at writing screenplays.
“My teacher, Dr. [F.J.] Schaak was like, ‘Hey, you love writing screenplays. There is no better guy than Richard Linklater. Study all of his movies,'” the actor told IndieWire.
Through Schaak, Powell, who’d already been pursuing acting — his name is still written on the dressing room wall of Austin’s Paramount Theatre, where he performed in “The Sound of Music” as a teenager — met Linklater as well. And Linklater’s longtime editor Sandra Adair spoke to his class.
“I remember watching ‘Waking Life’ in his class, and obviously ‘Dazed,'” Powell said. “And we were sitting there going, ‘Man, this guy can do ‘Before Sunset,’ all these things,’ and we were just like, ‘This guy can kind of do anything,...
“My teacher, Dr. [F.J.] Schaak was like, ‘Hey, you love writing screenplays. There is no better guy than Richard Linklater. Study all of his movies,'” the actor told IndieWire.
Through Schaak, Powell, who’d already been pursuing acting — his name is still written on the dressing room wall of Austin’s Paramount Theatre, where he performed in “The Sound of Music” as a teenager — met Linklater as well. And Linklater’s longtime editor Sandra Adair spoke to his class.
“I remember watching ‘Waking Life’ in his class, and obviously ‘Dazed,'” Powell said. “And we were sitting there going, ‘Man, this guy can do ‘Before Sunset,’ all these things,’ and we were just like, ‘This guy can kind of do anything,...
- 5/17/2024
- by Christian Blauvelt
- Indiewire
Cannes: If you’ve ever seen an Eastern European movie at a major film festival, there’s one thing you can count on, a corrupt police or judicial system at the center of it. That may seem like a generalization, but institutional corruption has been a centerpiece in Romanian film, especially over the past two decades. It’s no surprise then that Emanuel Parvu‘s “Three Kilometers to the End of the World” is driven by that narrative even when it’s not the most compelling part of the story.
Continue reading ‘Three Kilometers To The End Of The World’ Review: A Harrowing Drama Of Corruption & Ignorance [Cannes] at The Playlist.
Continue reading ‘Three Kilometers To The End Of The World’ Review: A Harrowing Drama Of Corruption & Ignorance [Cannes] at The Playlist.
- 5/17/2024
- by Gregory Ellwood
- The Playlist
Kino Lorber is expanding its streaming footprint. The boutique art-house distributor just launched its own SVOD platform, the Kino Film Collection.
The new app is available now as a standalone service on Apple TV, Fire TV, Android TV, and Roku, and it will feature hundreds of movies from Kino Lorber’s film library of more than 4,000 titles. Subscriptions will begin at $5.99 per month.
In November 2023, Kino Lorber launched an Amazon Prime Video channel; you can still access its titles there. But having its own service puts the company in the race alongside other niche streaming options in the space, like the Criterion Channel ($10.99/month) or Mubi ($14.99/month).
As part of the launch, Kino Film Collection curated a selection of titles that showcase auteurs who have played at Cannes; the 2024 film festival is currently ongoing. The collection includes early movies from Yorgos Lanthimos, Jia Zhangke, and Ken Loach, as well as...
The new app is available now as a standalone service on Apple TV, Fire TV, Android TV, and Roku, and it will feature hundreds of movies from Kino Lorber’s film library of more than 4,000 titles. Subscriptions will begin at $5.99 per month.
In November 2023, Kino Lorber launched an Amazon Prime Video channel; you can still access its titles there. But having its own service puts the company in the race alongside other niche streaming options in the space, like the Criterion Channel ($10.99/month) or Mubi ($14.99/month).
As part of the launch, Kino Film Collection curated a selection of titles that showcase auteurs who have played at Cannes; the 2024 film festival is currently ongoing. The collection includes early movies from Yorgos Lanthimos, Jia Zhangke, and Ken Loach, as well as...
- 5/17/2024
- by Brian Welk
- Indiewire
“Three Kilometers to the End of the World,” the new film from Romanian actor turned filmmaker Emanuel Parvu, feels old-fashioned in its conceit and approach to a homophobic attack that spurs a remote Romanian village into moral panic. It’s obvious from the first frames what Parvu owes to Cristian Mungiu, the great Romanian filmmaker whom Parvu starred for in the film “Graduation.” “Three Kilometers” employs a clinical-distance perspective toward the story of how a brutally beaten, closeted 17-year-old’s trauma is doubted and exploited by his parents and townspeople. The feature, Parvu’s third, blends suspenseful procedural with family drama but is missing a key point of view: That of the victim, whose assault is a Trojan horse into the film’s more macro interest in how bigotry and conformity entwine, and how emotionally repressed adults deal with teen homosexuality when it hits close to home.
On Western screens of all sizes,...
On Western screens of all sizes,...
- 5/17/2024
- by Ryan Lattanzio
- Indiewire
The horror genre is off to a strong start in 2024 thanks to films like “Immaculate,” “Abigail,” and “In A Violent Nature.” But 2025 is already shaping out to be a banner year, with many genre entries getting new theatrical premiere dates this week. So what’s next year’s most anticipated horror movie on the docket? It could be Sony‘s “I Know What You Did Last Summer” remake, which THR reports will hit theaters on July 18, 2025.
Continue reading New ‘Insidious,’ ‘I Know What You Did Last Summer,’ & New Blumhouse Horrors Land 2025 Release Dates at The Playlist.
Continue reading New ‘Insidious,’ ‘I Know What You Did Last Summer,’ & New Blumhouse Horrors Land 2025 Release Dates at The Playlist.
- 5/17/2024
- by Ned Booth
- The Playlist
Dearest readers: It’s Bridgerton Week at IndieWire. We’re celebrating the new season by diving deep on one of the best romance shows on TV.
When “Bridgerton” first premiered on Netflix at the end of 2020, one could argue it was received with fascination above all. Though executive producer Shonda Rhimes had already built up a brand with elements that viewers would expect from every TV show that bears her name, this collaboration with creator Chris Van Dusen was taking a lot of big swings in its attempt to adapt Julia Quinn’s beloved romance series.
There was the diverse casting, the idea that it was taking the romance TV genre to the most mainstream platform it has ever had, and that it was a costume drama with a noticeable budget at that, but one innovative piece of its success that goes underwritten is the inclusion of an anachronistic score.
When “Bridgerton” first premiered on Netflix at the end of 2020, one could argue it was received with fascination above all. Though executive producer Shonda Rhimes had already built up a brand with elements that viewers would expect from every TV show that bears her name, this collaboration with creator Chris Van Dusen was taking a lot of big swings in its attempt to adapt Julia Quinn’s beloved romance series.
There was the diverse casting, the idea that it was taking the romance TV genre to the most mainstream platform it has ever had, and that it was a costume drama with a noticeable budget at that, but one innovative piece of its success that goes underwritten is the inclusion of an anachronistic score.
- 5/17/2024
- by Marcus Jones
- Indiewire
Two-time Oscar winner Emma Stone further expands her cinematic universe alongside auteur Yorgos Lanthimos with their latest collaboration “Kinds of Kindness.”
Yet while “Poor Things” was an Academy Award-winning feature, the Cannes premiere for “Kinds of Kindness” seemed to puzzle critics and fans alike. The feature, which was originally titled “And”, is Lanthimos’ eighth film and co-stars Willem Dafoe, Margaret Qualley, Jesse Plemons, Hunter Schafer, Joe Alwyn, Hong Chau, and Mamoudou Athie.
Lanthimos previously described the contemporary anthology film as being “three different stories, with four or five actors who play one part in each story, so they all play three different parts,” which, according to the director, was “almost like making three films” in one.
Lanthimos reunited with frequent screenwriter collaborator Efthimis Filippou to pen the script for “Kinds of Kindness.” The duo previously co-wrote Lanthimos’ “Dogtooth,” “The Lobster,” “The Killing of a Sacred Deer,” and “Alps.”
The IndieWire...
Yet while “Poor Things” was an Academy Award-winning feature, the Cannes premiere for “Kinds of Kindness” seemed to puzzle critics and fans alike. The feature, which was originally titled “And”, is Lanthimos’ eighth film and co-stars Willem Dafoe, Margaret Qualley, Jesse Plemons, Hunter Schafer, Joe Alwyn, Hong Chau, and Mamoudou Athie.
Lanthimos previously described the contemporary anthology film as being “three different stories, with four or five actors who play one part in each story, so they all play three different parts,” which, according to the director, was “almost like making three films” in one.
Lanthimos reunited with frequent screenwriter collaborator Efthimis Filippou to pen the script for “Kinds of Kindness.” The duo previously co-wrote Lanthimos’ “Dogtooth,” “The Lobster,” “The Killing of a Sacred Deer,” and “Alps.”
The IndieWire...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
It feels like it’s been months or even years that we’ve all known that Timothée Chalamet would star in a Blue De Chanel advertisement directed by Martin Scorsese (“Killers Of The Flower Moon”). The pair, who conducted some interviews last year, particularly one for GQ, are clearly mutual admirers of one another. Still, the ad, seen in glimpses and shortened teasers, has never been unveiled in full until now.
Continue reading Watch: The Martin Scorsese Directed Chanel Ad Starring Timothée Chalamet Is Finally Out at The Playlist.
Continue reading Watch: The Martin Scorsese Directed Chanel Ad Starring Timothée Chalamet Is Finally Out at The Playlist.
- 5/17/2024
- by Edward Davis
- The Playlist
Robert is a New Orleans businessman so devoted to his boss that he allows him to control every detail of his schedule down to the minute, from what time he goes to bed at night to what time he makes love to his wife in the morning. Daniel is a police officer who becomes suspicious of his wife after she returns to him from being lost at sea; convinced that she’s been replaced by an impostor, he asks the supposed doppelgänger to commit increasingly demented acts of self-harm as a test of her love. Andrew is a loyal cultist whose leaders instruct him to scour the bayou area in search of a prophesied girl with the power to heal the dead.
On paper, these characters may not seem to have much in common. In Yorgos Lanthimos’ “Kinds of Kindness,” however, the echoes that reverberate between them eventually grow so...
On paper, these characters may not seem to have much in common. In Yorgos Lanthimos’ “Kinds of Kindness,” however, the echoes that reverberate between them eventually grow so...
- 5/17/2024
- by David Ehrlich
- Indiewire
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More to explore
Yorgos Lanthimos to Reunite With Emma Stone, Jesse Plemons for Alien Conspiracy Drama ‘Bugonia’ at Focus Features
- 5/18/2024
- by Matt Donnelly
- Variety Film + TV
Dabney Coleman, ‘9 to 5’ Star Who Made a Career Out of Playing Jerks, Dies at 92
- 5/17/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Kevin Costner’s Western Epic ‘Horizon: An American Saga’ Sells Wide Ahead of Cannes Premiere (Exclusive)
- 5/17/2024
- by Leo Barraclough
- Variety - Film News
New ‘Insidious’ Film Confirmed as Sony Sets August 2025 Release Date
- 5/17/2024
- by J. Kim Murphy
- Variety - Film News
Neon Buys ‘The Unknown’ With Lea Seydoux, ‘Anatomy of a Fall’ Writer Arthur Harari Directing
- 5/17/2024
- by Elsa Keslassy
- Variety - Film News
Dabney Coleman, ‘9 to 5’ Star Who Made a Career Out of Playing Jerks, Dies at 92
- 5/17/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Daisy Ridley on Becoming a Swimmer For ‘Young Woman and the Sea’ and Hoping to Reunite with John Boyega in New ‘Star Wars’ Film
- 5/17/2024
- by Kirsten Chuba
- The Hollywood Reporter - Movie News
Sutton Foster Will Star in ‘Once Upon a Mattress’ on Broadway
- 5/17/2024
- by Caitlin Huston
- The Hollywood Reporter - Movie News
Jennifer Lopez Is the Ultimate Latina Rom-Com Queen
- 5/14/2024
- by Zayda Rivera
- Popsugar.com
Aida Rodriguez: Unpacking My Childhood Traumas Through Comedy Is Cathartic
- 5/6/2024
- by Aida Rodriguez
- Popsugar.com
Yorgos Lanthimos to Reunite With Emma Stone, Jesse Plemons for Alien Conspiracy Drama ‘Bugonia’ at Focus Features
- 5/18/2024
- by Matt Donnelly
- Variety Film + TV
Box Office: John Krasinski’s Ryan Reynolds ‘IF’ Movie Starts Off With $1.8M in Previews
- 5/17/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Kevin Costner’s Western Epic ‘Horizon: An American Saga’ Sells Wide Ahead of Cannes Premiere (Exclusive)
- 5/17/2024
- by Leo Barraclough
- Variety - Film News
New ‘Insidious’ Film Confirmed as Sony Sets August 2025 Release Date
- 5/17/2024
- by J. Kim Murphy
- Variety - Film News
Neon Buys ‘The Unknown’ With Lea Seydoux, ‘Anatomy of a Fall’ Writer Arthur Harari Directing
- 5/17/2024
- by Elsa Keslassy
- Variety - Film News
Buzzfeed Studios, Lil Rel Howery Partner on Docuseries ‘Saving The Neighborhood’ (Exclusive)
- 5/17/2024
- by Brent Lang
- Variety - TV News
SNL Video: Jake Gyllenhaal and Sabrina Carpenter’s Scooby-Doo Parody Ends in a Violent Bloodbath
- 5/19/2024
- by Dave Nemetz
- TVLine.com
Live: Jake Gyllenhaal / Sabrina Carpenter SNL Hot Take Show – S49 E20
- 5/19/2024
- by Saturday Night Network
- LateNighter
Jake Gyllenhaal Sings Boyz II Men in ‘SNL’ Season 49 Finale Opening Monologue
- 5/19/2024
- by Aramide Tinubu
- Variety - TV News
‘SNL’ Cold Open Riffs on Trump Trial and His VP Picks
- 5/19/2024
- by Anne McCarthy
- Variety - TV News