Directed by
James Desmarais | ||
Tim Doyle | ||
David Lipman | ||
Robert Rhine |
Writing Credits (in alphabetical order)
Gil Christner | ... | (written by) |
Tim Doyle | ||
Mark Kadlec | ... | (written by) |
David Lipman | ... | (written by) |
Steve McCambridge | ... | (written by) |
Robert Rhine | ||
Brad Slaight | ... | (written by) |
Cast (in credits order)
Produced by
Dennis J. Carlo | ... | executive producer |
Connie Kingrey | ... | executive producer |
David Lipman | ... | producer |
Charles Luria | ... | executive producer |
Eric Parkinson | ... | executive producer |
Dean Ramser | ... | line producer |
Robert Rhine | ... | producer |
Vicki Rhine | ... | associate producer |
Ivor Royston | ... | executive producer |
Cinematography by
Thomas E. Spalding | ... | director of photography |
Editing by
Bob Applegate | ... | video tape editor |
David L. Bertman | ||
James Desmarais | ||
Robert Rhine | ||
Raoul Rosenberg |
Art Direction by
Holly Durham |
Costume Design by
Robin Cook | ||
Julie Rhine |
Makeup Department
Theresa Baca | ... | makeup artist |
Jane Ballard | ... | make-up |
Katie Crocker | ... | make up |
Shane McMahon | ... | additional makeup artist |
Christopher Nelson | ... | make up |
Patti Olsen | ... | make-up |
Francisco X. Pérez | ... | effects makeup (as Frank Carrisosa) |
Lorraine Watson | ... | hair |
Production Management
Daniella Louisoder | ... | production manager |
Second Unit Director or Assistant Director
Patricia Hollander | ... | assistant director |
Karen Kasaba | ... | assistant director |
Brad Zutuat | ... | assistant director |
Art Department
Wanda 'Beau' Peterson | ... | set designer |
Phil Zarling | ... | props |
Sound Department
Bill Anderson | ... | post-production sound |
Brian Bennett | ... | sound effects |
Lindsay Bigelow | ... | post-production sound |
John Boegehold | ... | sound designer |
Kirk Brer | ... | sound |
Rebecca Goldsmith | ... | sound boom |
Rob Ke | ... | sound |
Ken Merriman | ... | sound recordist |
John Pooley | ... | post-production sound |
Charlie Shepard | ... | location sound (as Charlie Sheppard) |
Tony Smyles | ... | sound mixer: Hairline |
Camera and Electrical Department
Gary Armstrong | ... | grip |
Todd Busch | ... | lighting assistant |
Shanna Disk | ... | camera |
Bob Grant | ... | camera / lighting |
Mehrdad Haghiri | ... | grip |
Michael Huvar | ... | grip |
David Jaffe | ... | assistant camera |
Shawn Lee | ... | grip |
Ed Mooradian | ... | assistant camera |
Rudy Narbon | ... | assistant camera |
Darrell Roberts | ... | gaffer |
Francisco Rodiguez | ... | grip |
Peter Shaner | ... | lighting (as Pete Shaner) |
Bill Thompson | ... | grip |
David Thompson | ... | still photographer |
Jonathan Tucker | ... | best boy |
Costume and Wardrobe Department
Jane Ballard | ... | wardrobe |
Gayle Hayashi | ... | wardrobe mistress |
Editorial Department
Charles Bernuth | ... | editing consultant |
Helaine Bruck | ... | assistant videotape editor |
David Thompson | ... | assistant videotape editor |
Music Department
John Boegehold | ... | composer: song "Road Lawyers" |
Tony Smyles | ... | Hairline / music mixer / music scoring mixer |
Edward David Zeliff | ... | composer: theme music |
Script and Continuity Department
Myra Chason | ... | script supervisor |
Fran Houk | ... | script supervisor |
Richard Kraft | ... | script supervisor |
Constance Stewart | ... | script supervisor |
Debra Von Bernuth | ... | script supervisor |
Additional Crew
Chris Banks | ... | production assistant |
Charles Bernuth | ... | budget |
Tim Biddle | ... | production assistant |
Pam Boddie | ... | still photgrapher |
Jason Bootman | ... | production assistant |
Paul Clatworthy | ... | faculty advisor |
Arthur Dryer | ... | vehicle constructor |
David Howard | ... | faculty advisor |
John Howe | ... | faculty advisor |
Cynthia Hunter | ... | production assistant |
Shelly Johnson | ... | additional photographic services |
Kevin Kemper | ... | production manager |
George Lohr | ... | faculty advisor |
Bob Miller | ... | faculty advisor |
Earl Roth | ... | faculty advisor |
Catherine Rowand | ... | still photgrapher |
Edgar Stroke | ... | special limbo consultant |
Al York | ... | technical advisor |
Gregg Zamarin | ... | motorcyclist |
Mort Zarcoff | ... | faculty advisor |
Phil Zarling | ... | production assistant |
John Zutuat | ... | production assistant |
Thanks
Michael Ahnemann | ... | special thanks |
Arnold Baker | ... | special thanks |
Arnold Baker | ... | special thanks |
Gail Blumberg | ... | special thanks |
Jim Caplan | ... | special thanks |
Jim Daniel | ... | special thanks |
Linda Dorn | ... | special thanks |
Stacy Gabrielson | ... | special thanks |
Leon Gladstone | ... | special thanks |
Crystal Gonzales | ... | additional thanks |
Joanne Held | ... | special thanks |
Edwardo Herrera | ... | special thanks |
June Krisel | ... | special thanks |
Mira Loma | ... | special thanks |
George Maxwell | ... | special thanks |
Michael Mayhew | ... | special thanks |
Br. Phillip | ... | special thanks |
Mary Remi | ... | special thanks (as Sr. Mary Remi) |
David Rever | ... | special thanks |
Rose Rever | ... | special thanks |
Robin U. Russin | ... | special thanks (as Robin Russin) |
Leroy Schmaltz | ... | special thanks |
Eric Sherman | ... | special thanks |
Daniel Van Meter | ... | special thanks |