Dark is getting the trilogy treatment. Co-creator Baran bo Odar recently announced Netflix has renewed the TV show for a third and final season.
The German-language series follows four families who discover secrets about themselves and their community through the use of a wormhole located beneath the local power plant. The cast includes Baran bo Odar, Jantje Friese, Louis Hofman, Angela Winkler, Lisa Vicari, and Karoline Eichhorn.
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The German-language series follows four families who discover secrets about themselves and their community through the use of a wormhole located beneath the local power plant. The cast includes Baran bo Odar, Jantje Friese, Louis Hofman, Angela Winkler, Lisa Vicari, and Karoline Eichhorn.
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- 5/31/2019
- by TVSeriesFinale.com
- TVSeriesFinale.com
"Everything is connected." Netflix just released the premiere date and a new preview for season two of Dark.
The German-language series follows four families who discover secrets about themselves and their community through the use of a wormhole located beneath the local power plant. The cast includes Baran bo Odar, Jantje Friese, Louis Hofman, Angela Winkler, Lisa Vicari, and Karoline Eichhorn.
Read More…...
The German-language series follows four families who discover secrets about themselves and their community through the use of a wormhole located beneath the local power plant. The cast includes Baran bo Odar, Jantje Friese, Louis Hofman, Angela Winkler, Lisa Vicari, and Karoline Eichhorn.
Read More…...
- 4/27/2019
- by TVSeriesFinale.com
- TVSeriesFinale.com
Looking past the regular popular streaming playlists, audiences can find quality television shows to binge made in countries both across the pond and south of the border. Read on to find the best international television shows to watch this summer.
Breathe
“Breathe,” starring R. Madhavan and Amit Sadh, is an Indian thriller that features a cat-and-mouse story as a police detective tries to solve a string of murders of organ donors. His prime suspect is a father desperately seeking a donor to save his dying son.
How to Watch: Amazon Prime
Cable Girls
This Spanish period drama follows four women working in Madrid’s first and only telephone company in 1929 right before the global financial crash. The show showcases the hardships working women faced during the time period and how they overcame them. The series stars Blanca Suárez, Maggie Civantos, Ángela Cremonte, and Nadia de Santiago.
How to Watch: Netflix...
Breathe
“Breathe,” starring R. Madhavan and Amit Sadh, is an Indian thriller that features a cat-and-mouse story as a police detective tries to solve a string of murders of organ donors. His prime suspect is a father desperately seeking a donor to save his dying son.
How to Watch: Amazon Prime
Cable Girls
This Spanish period drama follows four women working in Madrid’s first and only telephone company in 1929 right before the global financial crash. The show showcases the hardships working women faced during the time period and how they overcame them. The series stars Blanca Suárez, Maggie Civantos, Ángela Cremonte, and Nadia de Santiago.
How to Watch: Netflix...
- 6/21/2018
- by Ellis Clopton
- Variety Film + TV
[Editor’s Note: The following contains spoilers from the entirety of Netflix’s series “Dark.”]
Netflix’s German supernatural mystery thriller doesn’t fit neatly into any puzzle box, but it sure is addictive and intriguing. Initially built around the case of a missing boy in Winden, “Dark” quickly bursts through the confines of the small town — not by reaching beyond its borders, but beyond its time. The curious time travel element, however, is a tricky one, and two warring forces are trying to control it. Unfortunately, it seems that many young boys have been caught in the middle.
The time travel occurs in 33-year increments, which creates a curious connection with Winden’s past, present, and future. In particular, viewers have gotten to know the young, middle-aged, and older versions of the same characters that hail from a few major families. Trying to keep the various surnames, generations, and each person’s secrets straight is difficult enough, but throw in a kidnapping priest,...
Netflix’s German supernatural mystery thriller doesn’t fit neatly into any puzzle box, but it sure is addictive and intriguing. Initially built around the case of a missing boy in Winden, “Dark” quickly bursts through the confines of the small town — not by reaching beyond its borders, but beyond its time. The curious time travel element, however, is a tricky one, and two warring forces are trying to control it. Unfortunately, it seems that many young boys have been caught in the middle.
The time travel occurs in 33-year increments, which creates a curious connection with Winden’s past, present, and future. In particular, viewers have gotten to know the young, middle-aged, and older versions of the same characters that hail from a few major families. Trying to keep the various surnames, generations, and each person’s secrets straight is difficult enough, but throw in a kidnapping priest,...
- 12/8/2017
- by Hanh Nguyen
- Indiewire
[Editor’s Note: The following contains spoilers from the entirety of Netflix’s series “Dark.”]
Netflix’s German supernatural mystery thriller doesn’t fit neatly into any puzzle box, but it sure is addictive and intriguing. Initially built around the case of a missing boy in Winden, “Dark” quickly bursts through the confines of the small town — not by reaching beyond its borders, but beyond its time. The curious time travel element, however, is a tricky one, and two warring forces are trying to control it. Unfortunately, it seems that many young boys have been caught in the middle.
The time travel occurs in 33-year increments, which creates a curious connection with Winden’s past, present, and future. In particular, viewers have gotten to know the young, middle-aged, and older versions of the same characters that hail from a few major families. Trying to keep the various surnames, generations, and each person’s secrets straight is difficult enough, but throw in a kidnapping priest, arcane references,...
Netflix’s German supernatural mystery thriller doesn’t fit neatly into any puzzle box, but it sure is addictive and intriguing. Initially built around the case of a missing boy in Winden, “Dark” quickly bursts through the confines of the small town — not by reaching beyond its borders, but beyond its time. The curious time travel element, however, is a tricky one, and two warring forces are trying to control it. Unfortunately, it seems that many young boys have been caught in the middle.
The time travel occurs in 33-year increments, which creates a curious connection with Winden’s past, present, and future. In particular, viewers have gotten to know the young, middle-aged, and older versions of the same characters that hail from a few major families. Trying to keep the various surnames, generations, and each person’s secrets straight is difficult enough, but throw in a kidnapping priest, arcane references,...
- 12/8/2017
- by Hanh Nguyen
- Indiewire
Chicago – Reminiscent of “The Vanishing” and “Memories of Murder,” Baran bo Odar’s “The Silence” is one of the most acclaimed international thrillers of the year. This excellent work focuses more on the people wrapped up in grief and sin than the mystery itself, and heralds the arrival of a great new talent. What I love so much about the Music Box Films Blu-ray release of the film is the way it highlights the talent of the man who made it, including two short films he produced before this full-length debut in their entirety.
Rating: 4.0/5.0
Not only is it a Great film on its own (running nearly an hour), what’s so interesting about watching “Unter der Sonne” (which is about the ’80s summer in which a poor kid fell in lust with his cousin) in relation to “The Silence” is the visual commonalities the two films share. As a...
Rating: 4.0/5.0
Not only is it a Great film on its own (running nearly an hour), what’s so interesting about watching “Unter der Sonne” (which is about the ’80s summer in which a poor kid fell in lust with his cousin) in relation to “The Silence” is the visual commonalities the two films share. As a...
- 7/30/2013
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Chicago – With echoes of “The Vanishing” and “Memories of Murder,” Baran bo Odar’s dread-filled “The Silence” is a character-based thriller that focuses more on the people wrapped up in its web of perversion and murder than the crimes themselves. It’s an accomplished debut with a notable German cast that falters only a bit in terms of plotting and pacing but still heralds the arrival of a confident director who works well with both actors and visual composition. “The Silence” can be punishingly bleak and even depressing but it’s undeniably well-made and performed at the same time.
Rating: 4.0/5.0
Two men – Peer (Ulrich Thomsen) and Timo (Wotan Wilke Mohring) – sit and watch a film in a darkened room. Timo’s stunned, ashamed reaction makes it clear that the film is not a happy one. They get in a car and drive off, passing a young girl named Pia on a bike.
Rating: 4.0/5.0
Two men – Peer (Ulrich Thomsen) and Timo (Wotan Wilke Mohring) – sit and watch a film in a darkened room. Timo’s stunned, ashamed reaction makes it clear that the film is not a happy one. They get in a car and drive off, passing a young girl named Pia on a bike.
- 3/14/2013
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Chicago – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of movie passes up for grabs to the advance screening of the icy German thriller “The Silence” at Chicago’s Music Box Theatre!
“The Silence,” which you’ll love if you like “The Killing,” stars Ulrich Thomsen, Claudia Michelsen, Wotan Wilke Möhring, Katrin Saß, Sebastian Blomberg, Burghart Klaußner and Karoline Eichhorn from writer and director Baran bo Odar based on the novel by Jan Costin Wagner.
To win your free “The Silence” passes courtesy of HollywoodChicago.com, just get interactive with our unique Hookup technology below. That’s it! This screening is on Tuesday, March 12, 2013 at 7:30 p.m. at the Music Box Theatre at 3733 N. Southport Ave. in Chicago. The more social actions you complete, the more points you score and the higher yours odds of winning!
Before entering, make sure you allow pop-ups.
“The Silence,” which you’ll love if you like “The Killing,” stars Ulrich Thomsen, Claudia Michelsen, Wotan Wilke Möhring, Katrin Saß, Sebastian Blomberg, Burghart Klaußner and Karoline Eichhorn from writer and director Baran bo Odar based on the novel by Jan Costin Wagner.
To win your free “The Silence” passes courtesy of HollywoodChicago.com, just get interactive with our unique Hookup technology below. That’s it! This screening is on Tuesday, March 12, 2013 at 7:30 p.m. at the Music Box Theatre at 3733 N. Southport Ave. in Chicago. The more social actions you complete, the more points you score and the higher yours odds of winning!
Before entering, make sure you allow pop-ups.
- 3/11/2013
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Rotterdam this year has offered one certifiable giant discovery in international cinema: German filmmaker Dominik Graf, revealed in a simultaneously introductory and interventionist retrospective programmed by Christoph Huber and Olaf Möller. An incredibly prolific filmmaker beginning in the late 1970s, Graf has interwoven his cinema into the fabric of the German television industry, producing a body of work ranging from television episodes, made-for-tv films, essay movies, documentaries, and a handful of films intended for the cinema.
Yet despite Graf's prodigious output of nearly sixty works, its primarily creation for national television has meant that it has been essentially unavailable to English-speaking audiences prior to Rotterdam's 17 film retrospective. The first film of his I saw was Komm mir nicht nach (Don't Follow Me Around) in the middle of the Dreileben trilogy in 2010, notably another for-television project, but one which had festival and theatrical ambitions beyond German living rooms, perhaps due...
Yet despite Graf's prodigious output of nearly sixty works, its primarily creation for national television has meant that it has been essentially unavailable to English-speaking audiences prior to Rotterdam's 17 film retrospective. The first film of his I saw was Komm mir nicht nach (Don't Follow Me Around) in the middle of the Dreileben trilogy in 2010, notably another for-television project, but one which had festival and theatrical ambitions beyond German living rooms, perhaps due...
- 2/6/2013
- by Daniel Kasman
- MUBI
In one of those serendipitous quirks of scheduling that festival-going sometimes throws up, I saw what are currently my favourite male and females performances among 2010's new films in consecutive screenings on the final Saturday of the Viennale.
Attentive readers of this site will already be familiar with my enthusiasm for Mišel Matičević and his work in Thomas Arslan's In the Shadows(Im Schatten)—itself one of the year's most outstanding world-premieres—which I wrote about in my dispatches from the Berlinale back in February.
Over eight months later I had my second viewing of the picture, an absorbingly low-key, stripped down neo-noir that showcases the strengths of what's become known as the "Berlin School," built four-square around the very precise, very physical, largely wordless turn from Matičević ("stone-faced," according to Variety's enthusiastic belated review, published in the wake of the picture's early October screening at the Vancouver Film Festival.
Attentive readers of this site will already be familiar with my enthusiasm for Mišel Matičević and his work in Thomas Arslan's In the Shadows(Im Schatten)—itself one of the year's most outstanding world-premieres—which I wrote about in my dispatches from the Berlinale back in February.
Over eight months later I had my second viewing of the picture, an absorbingly low-key, stripped down neo-noir that showcases the strengths of what's become known as the "Berlin School," built four-square around the very precise, very physical, largely wordless turn from Matičević ("stone-faced," according to Variety's enthusiastic belated review, published in the wake of the picture's early October screening at the Vancouver Film Festival.
- 11/10/2010
- MUBI
"A Map of the Heart" (Der Felsen) is a dreary tale about a distraught tourist losing her emotional balance on the Mediterranean island of Corsica. Hoping to sell audiences on its deeper meanings, though, veteran German director Dominik Graf lavishes every trick of lighting and video camerawork he knows on this meager story populated with many unsympathetic characters.
It's No Sale, but, hey, you can't blame a guy for trying. You can, however, blame him for trite characters, contrived situations and implausible coincidences. Even these Graf and co-writer Markus Busch try to explain away by unraveling the tale within the African tradition of improvisational storytelling. Practitioners, who still ply this trade in Corsica, must link three random objects with an impromptu story, thus excusing the weird contours of its plot lines.
Mostly, Graf makes himself the movie's star by using the story as a pretext for his self-serving visuals. There will always be critics, some adult moviegoers and even festival juries impressed by such showoffs, so who knows how this competition film will fare at the Berlin International Film Festival? In the commercial marketplace, though, "Map" can expect only the shortest of theatrical runs.
Katrin's (Karoline Eichhorn) holiday becomes a nightmare when her married lover (Ralph Herforth) informs her that his wife is pregnant. (Doesn't your heart go out to her already?) When he splits, the unhinged Katrin strays from her "tourist sanctuary" to the company of male lowlifes who seemingly lurk around every corner on Corsica.
She falls in with a German youth named Malte (Antonio Wannek), who turns out to be a resident of a nearby camp of juvenile delinquents. His puppy-dog devotion to Katrin distracts her from the island's other sexual warriors. Malte goes AWOL from the camp, taking Katrin and his 11-year-old brother Kai (Sebastian Urzendowsky) on a volatile journey into the mountains.
What Malte's brother is doing on Corsica is never explained. Kai spends most of his time collecting junk from the beaches and trying to convince German tourists to adopt him.
The story bears scant scrutiny, but the characters are noteworthy for being among the most dislikable encountered in recent movies. Seemingly, they all lack brains, morality or even survival instincts. Wannek's Malte is the most viable character, an instinctual, amoral youth thrown for a loop by his first encounter with absolute love. Eichhorn projects an earthy sensuality, but Katrin is such a dummy that she can do little but go for broke in playing the emotive extremes.
The movie is jumpy and impressionistic, with the fatalistic drone of an unknown narrator playing against Hana Mullner's nervous editing and cinematographer Benedict Neuenfels' mix of light levels and weather conditions.
A MAP OF THE HEART
Kinowelt/ZDF/Bavaria Film
Producer: Gloria Burkert
Director: Dominik Graf
Screenwriters: Markus Busch, Dominik Graf
Director of photography: Benedict Neuenfels
Production designer: Claus Jurgen Pfeiffer
Music: Dieter Schleip
Costume designer: Barbara Grupp
Editor: Hana Mullner
Color/stereo
Cast:
Katrin: Karoline Eichhorn
Malte: Antonio Wannek
Kai: Sebastian Urzendowsky
Jurgen: Ralph Herforth
Robert: Peter Lohmeyer
Running time -- 116 minutes
No MPAA rating...
It's No Sale, but, hey, you can't blame a guy for trying. You can, however, blame him for trite characters, contrived situations and implausible coincidences. Even these Graf and co-writer Markus Busch try to explain away by unraveling the tale within the African tradition of improvisational storytelling. Practitioners, who still ply this trade in Corsica, must link three random objects with an impromptu story, thus excusing the weird contours of its plot lines.
Mostly, Graf makes himself the movie's star by using the story as a pretext for his self-serving visuals. There will always be critics, some adult moviegoers and even festival juries impressed by such showoffs, so who knows how this competition film will fare at the Berlin International Film Festival? In the commercial marketplace, though, "Map" can expect only the shortest of theatrical runs.
Katrin's (Karoline Eichhorn) holiday becomes a nightmare when her married lover (Ralph Herforth) informs her that his wife is pregnant. (Doesn't your heart go out to her already?) When he splits, the unhinged Katrin strays from her "tourist sanctuary" to the company of male lowlifes who seemingly lurk around every corner on Corsica.
She falls in with a German youth named Malte (Antonio Wannek), who turns out to be a resident of a nearby camp of juvenile delinquents. His puppy-dog devotion to Katrin distracts her from the island's other sexual warriors. Malte goes AWOL from the camp, taking Katrin and his 11-year-old brother Kai (Sebastian Urzendowsky) on a volatile journey into the mountains.
What Malte's brother is doing on Corsica is never explained. Kai spends most of his time collecting junk from the beaches and trying to convince German tourists to adopt him.
The story bears scant scrutiny, but the characters are noteworthy for being among the most dislikable encountered in recent movies. Seemingly, they all lack brains, morality or even survival instincts. Wannek's Malte is the most viable character, an instinctual, amoral youth thrown for a loop by his first encounter with absolute love. Eichhorn projects an earthy sensuality, but Katrin is such a dummy that she can do little but go for broke in playing the emotive extremes.
The movie is jumpy and impressionistic, with the fatalistic drone of an unknown narrator playing against Hana Mullner's nervous editing and cinematographer Benedict Neuenfels' mix of light levels and weather conditions.
A MAP OF THE HEART
Kinowelt/ZDF/Bavaria Film
Producer: Gloria Burkert
Director: Dominik Graf
Screenwriters: Markus Busch, Dominik Graf
Director of photography: Benedict Neuenfels
Production designer: Claus Jurgen Pfeiffer
Music: Dieter Schleip
Costume designer: Barbara Grupp
Editor: Hana Mullner
Color/stereo
Cast:
Katrin: Karoline Eichhorn
Malte: Antonio Wannek
Kai: Sebastian Urzendowsky
Jurgen: Ralph Herforth
Robert: Peter Lohmeyer
Running time -- 116 minutes
No MPAA rating...
- 2/27/2002
- The Hollywood Reporter - Movie News
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