“Furiosa: A Mad Max Saga” maintained a narrow win at the South Korea weekend box office in its second week of release. The highest new release was local crime drama “The Plot.”
Total weekend revenues in Korean cinemas were a modest $8.91 million. That figure keeps a post-covid recovery on course, but progress is slow and incomplete.
“Furiosa” earned $2.24 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That gives it a 12-day cumulative total of $7.90 million.
With some thematic resemblance to Soi Cheang’s celebrated Hong Kong film “Accident,” the story of “The Plot” involves a gang who design murders to look like everyday occurrences. The gang takes a job to kill a prosecutor, but its leader is worried that he is being gaslighted.
The film opened on Wednesday, as is the norm for most titles in Korea, and...
Total weekend revenues in Korean cinemas were a modest $8.91 million. That figure keeps a post-covid recovery on course, but progress is slow and incomplete.
“Furiosa” earned $2.24 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That gives it a 12-day cumulative total of $7.90 million.
With some thematic resemblance to Soi Cheang’s celebrated Hong Kong film “Accident,” the story of “The Plot” involves a gang who design murders to look like everyday occurrences. The gang takes a job to kill a prosecutor, but its leader is worried that he is being gaslighted.
The film opened on Wednesday, as is the norm for most titles in Korea, and...
- 6/3/2024
- by Patrick Frater
- Variety Film + TV
from our special envoy Jean-Marc Thérouanne at the Cannes Film Festival.
From May 14 to 25, 2024, Far East Asia is represented in competition by the film “Caught by the Tides” by the master of Chinese cinema of the sixth generation, Jia Zhang-ke. This film, in small impressionist touches, tells the evolution of China in this first quarter of the 21st century. Jia Zhang-ke tries to describe it through the songs marking the collective memory. He multiplies the winks to his work of fifteen films, time markers flowing inexorably.
Jia Zhang-ke and Zhao Tao in Grand Théâtre Lumiere Gala presentation of Caught by the Tides. (Photo credit Fica)
The Indian subcontinent is back in competition, after a long 30-year eclipse, with the film All We Imagine As Light by director Payal Kapadia, recognized in Cannes by the Golden Eye Award for his documentary film Une nuit sans savoir selected at the Directors' Fortnight...
From May 14 to 25, 2024, Far East Asia is represented in competition by the film “Caught by the Tides” by the master of Chinese cinema of the sixth generation, Jia Zhang-ke. This film, in small impressionist touches, tells the evolution of China in this first quarter of the 21st century. Jia Zhang-ke tries to describe it through the songs marking the collective memory. He multiplies the winks to his work of fifteen films, time markers flowing inexorably.
Jia Zhang-ke and Zhao Tao in Grand Théâtre Lumiere Gala presentation of Caught by the Tides. (Photo credit Fica)
The Indian subcontinent is back in competition, after a long 30-year eclipse, with the film All We Imagine As Light by director Payal Kapadia, recognized in Cannes by the Golden Eye Award for his documentary film Une nuit sans savoir selected at the Directors' Fortnight...
- 6/1/2024
- by Panos Kotzathanasis
- AsianMoviePulse
On the occasion of Twilight of the Warriors: Walled In getting one of the top places in Hong Kong box office, Panos Kotzathanasis, Adriana Rosati and Rhythm Zaveri discuss about making fun out of chaos, Kowloon and the way it was ‘remade' for the purposes of the film, Sammo Hung and Louis Koo, the action scenes, the cinematography, the mess of the ending and how it works, local street food and whether Soi Cheang's next film will be great or a bust...
- 5/30/2024
- by Adriana Rosati
- AsianMoviePulse
“The Last Frenzy,” a comedy film about a dying man’s last hurrah, retained the top spot in mainland Chinese cinemas for the third weekend of its four weeks on release. Other signs of theatrical malaise were plentiful.
“The Last Frenzy” earned $5.8 million (RMB41.5 million) between Friday and Sunday, according to data from consultancy firm Artisan Gateway. That lifted its total to within a whisker of the $100 million landmark, at $98 million (RMB696 million) since releasing on May 1.
“Twilight of the Warriors: Walled In,” the Soi Cheang-directed crime action film set in Hong Kong’s now demolished Kowloon Walled City, held on to second place. It earned $4.9 million and has a cumulative of $86.2 million.
“Kingdom of the Planet of the Apes,” which two weeks earlier had been the biggest title before slipping to fourth, regained a position. In third, it earned $2.8 million for a cumulative of $25.6 million, since debuting in...
“The Last Frenzy” earned $5.8 million (RMB41.5 million) between Friday and Sunday, according to data from consultancy firm Artisan Gateway. That lifted its total to within a whisker of the $100 million landmark, at $98 million (RMB696 million) since releasing on May 1.
“Twilight of the Warriors: Walled In,” the Soi Cheang-directed crime action film set in Hong Kong’s now demolished Kowloon Walled City, held on to second place. It earned $4.9 million and has a cumulative of $86.2 million.
“Kingdom of the Planet of the Apes,” which two weeks earlier had been the biggest title before slipping to fourth, regained a position. In third, it earned $2.8 million for a cumulative of $25.6 million, since debuting in...
- 5/27/2024
- by Patrick Frater
- Variety Film + TV
Unfolding in the cramped corridors of Hong Kong’s Kowloon Walled City (it was one of the most dangerously dense urban areas on Earth before being demolished in 1993), Soi Cheang’s ’80s-set “Twilight of the Warriors: Walled In” delivers on its blockbuster action promise. However, its martial arts spectacle is scattered across a sprawling refugees-and-triads saga that, while adequately laying foundation for the aforementioned fisticuffs, is seldom coherent or engaging on its own.
Based on the Chinese comic “City of Darkness” by Andy Seto, the film follows Chan Lok-kwun (Raymond Lam), a mainland refugee trying to pay his way to a fake ID by winning bare-knuckle brawls. When he ends up double crossed by remorseless triad leader Mr. Big (legendary actor-director Sammo Hung), the desperate outsider steals a satchel of the head honcho’s cocaine and makes a run for the Walled City, which Cheang and cinematographer Cheng Siu-keung capture as a darkened citadel,...
Based on the Chinese comic “City of Darkness” by Andy Seto, the film follows Chan Lok-kwun (Raymond Lam), a mainland refugee trying to pay his way to a fake ID by winning bare-knuckle brawls. When he ends up double crossed by remorseless triad leader Mr. Big (legendary actor-director Sammo Hung), the desperate outsider steals a satchel of the head honcho’s cocaine and makes a run for the Walled City, which Cheang and cinematographer Cheng Siu-keung capture as a darkened citadel,...
- 5/21/2024
- by Siddhant Adlakha
- Variety Film + TV
“The Last Frenzy,” a comedy film about a dying man’s last hurrah, returned to the top spot in mainland Chinese cinemas in its third weekend of release.
“Kingdom of the Planet of the Apes,” which a week earlier had been the biggest title, slipped to fourth place.
In another China disappointment for Hollywood, “The Fall Guy” opened outside the Chinese top ten. Universal Pictures estimates that it earned $900,000 from 10,000 screens. Another data provider Ent Group provisionally reports that the film took $740,000 over three days.
The broader picture, however, shows that there was little difference in performance among the top four titles and a lowish nation-wide aggregate of just $37.1 million. Theatrical momentum, which has made China the world’s biggest cinema market so far this year, is beginning to slow in the flat spot between the May Day holiday and China’s own summer season.
Consultancy firm, Artisan Gateway calculates...
“Kingdom of the Planet of the Apes,” which a week earlier had been the biggest title, slipped to fourth place.
In another China disappointment for Hollywood, “The Fall Guy” opened outside the Chinese top ten. Universal Pictures estimates that it earned $900,000 from 10,000 screens. Another data provider Ent Group provisionally reports that the film took $740,000 over three days.
The broader picture, however, shows that there was little difference in performance among the top four titles and a lowish nation-wide aggregate of just $37.1 million. Theatrical momentum, which has made China the world’s biggest cinema market so far this year, is beginning to slow in the flat spot between the May Day holiday and China’s own summer season.
Consultancy firm, Artisan Gateway calculates...
- 5/20/2024
- by Patrick Frater
- Variety Film + TV
Hong Kong action thriller Twilight Of The Warriors: Walled In, which screened at Cannes this week, is set to become a trilogy, reuniting director Soi Cheang and producers John Chong and Wilson Yip.
Like the first film, the two new instalments will be based on the novel City Of Darkness by Yuyi. Both are expected to go into production around the same time next year on newly built extensive sets, according to Angus Chan of Entertaining Power, who owns the film rights to the novel.
The second instalment, Twilight Of The Warriors: Dragon Throne will be set in the 1950s and 1960s,...
Like the first film, the two new instalments will be based on the novel City Of Darkness by Yuyi. Both are expected to go into production around the same time next year on newly built extensive sets, according to Angus Chan of Entertaining Power, who owns the film rights to the novel.
The second instalment, Twilight Of The Warriors: Dragon Throne will be set in the 1950s and 1960s,...
- 5/19/2024
- ScreenDaily
One of the most anticipated movies of the year, Soi Cheang's “Twilight of the Warrior: Walled In” is a true powerhouse, featuring all those elements that made Hk action one of the most popular genres internationally. And even more so, an all star cast including Sammo Hung, Louis Koo, Raymond Lam, Philip Ng in the protagonists' seat, Kenji Kawai in the soundtrack, and John Chong and Wilson Yip as producers. The story is based on the novel by Yu Yi and the manhua by Andy Seto.
Twilight of the Warriors: Walled In will be released in in UK and Irish cinemas from 24 May, courtesy of Trinity CineAsia
The film begins in a past arc, when Cyclone, a newcomer in Kowloon Walled City, and his gang fought the leader of the area, Lui and his right hand, The King of Killers Jin, eventually managing to win and take over. In the 80s,...
Twilight of the Warriors: Walled In will be released in in UK and Irish cinemas from 24 May, courtesy of Trinity CineAsia
The film begins in a past arc, when Cyclone, a newcomer in Kowloon Walled City, and his gang fought the leader of the area, Lui and his right hand, The King of Killers Jin, eventually managing to win and take over. In the 80s,...
- 5/17/2024
- by Panos Kotzathanasis
- AsianMoviePulse
Since it was first announced back in 2013, the nostalgia-fuelled martial arts epic set within the labyrinthine back alleys of Kowloon Walled City has nurtured a mythical status to rival the notorious neighbourhood itself. Development of the project dates back to the early 2000s, with such prestigious names as John Woo, Johnnie To, Chow Yun-fat and Donnie Yen rumoured to be attached at one point or other. Filming finally commenced in November 2021, at the height of the pandemic lockdown, with director Soi Cheang at the helm, and Louis Koo, Raymond Lam, Sammo Hung and Philip Ng headlining the cast for Koo’s production company One Cool Films. Opening under the unwieldy English title Twilight of the Warriors: Walled In, the 80s-set gangland throwdown opened...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 5/11/2024
- Screen Anarchy
Soi Cheang’s action feature Twilight Of The Warriors: Walled In topped the Hong Kong box office over the Labour Day holiday and opened strongly in mainland China.
The feature took $2.7m (Hk$21.1m) from its first five days on local release (May 1-5), including $677,000 (Hk$5.3m) on its opening day – the second biggest opening day ever for a Hong Kong film.
Set in the 1980s against the backdrop of the now demolished Kowloon Walled City, which was a notorious slum for crime and gangs, the cast includes rising stars such as Raymond Lam and Terrance Lau opposite established stars Louis Koo,...
The feature took $2.7m (Hk$21.1m) from its first five days on local release (May 1-5), including $677,000 (Hk$5.3m) on its opening day – the second biggest opening day ever for a Hong Kong film.
Set in the 1980s against the backdrop of the now demolished Kowloon Walled City, which was a notorious slum for crime and gangs, the cast includes rising stars such as Raymond Lam and Terrance Lau opposite established stars Louis Koo,...
- 5/6/2024
- ScreenDaily
Gang Dong-won once again stars in an adaptation of an Asian film, this time Soi Cheang's 2009 work “Accident”, with Lee Yo-sup's second directorial work “The Plot”.
Synopsis
Young-il leads a contract killing group that includes Jackie, Wol-cheon and Jeom-man. His job in the group is that of the designer. He designs murders into perfect accidental deaths, but he gets involved in an unexpected incident and struggles to survive while suspecting everyone around him to find out who is behind the accident after barely surviving.
In addition to Gang Dong-won, who seems to be taking on Louis Koo's role from the original, “The Plot” also stars Lee Mu-saeng, Lee Mi-seok, Lee Hyun-wook, Tang Joon-sang and Lee Dong-hwi, among others. It will be releasing in South Korean theatres on May 29th, 2024.
Synopsis
Young-il leads a contract killing group that includes Jackie, Wol-cheon and Jeom-man. His job in the group is that of the designer. He designs murders into perfect accidental deaths, but he gets involved in an unexpected incident and struggles to survive while suspecting everyone around him to find out who is behind the accident after barely surviving.
In addition to Gang Dong-won, who seems to be taking on Louis Koo's role from the original, “The Plot” also stars Lee Mu-saeng, Lee Mi-seok, Lee Hyun-wook, Tang Joon-sang and Lee Dong-hwi, among others. It will be releasing in South Korean theatres on May 29th, 2024.
- 5/2/2024
- by Rhythm Zaveri
- AsianMoviePulse
Trinity CineAsia has acquired UK and Ireland rights to Twilight Of The Warriors: Walled In, the Hong Kong period action drama that will screen at Cannes next month, in a deal with Media Asia.
Directed by Soi Cheang, the highly anticipated feature is set to be released in Hong Kong and China on May 1 before it plays in the Midnight Screenings section of Cannes. An opening date in the UK and Ireland has yet to be announced but Trinity CineAsia said it is “scheduled for release across cinemas nationwide soon after” the festival, which runs May 14-25.
Distribution deals were...
Directed by Soi Cheang, the highly anticipated feature is set to be released in Hong Kong and China on May 1 before it plays in the Midnight Screenings section of Cannes. An opening date in the UK and Ireland has yet to be announced but Trinity CineAsia said it is “scheduled for release across cinemas nationwide soon after” the festival, which runs May 14-25.
Distribution deals were...
- 4/29/2024
- ScreenDaily
“Twilight of the Warriors: Walled In,” a Hong Kong-produced action thriller, took the top spot at the mainland China box office over the latest weekend. But it was a quiet session and came ahead of a welter of new releases targeting the May Day public holiday.
The film, which is among those that have a Wednesday (May 1) official release date, earned $5.5 million (RMB38.9 million) between Friday and Sunday, according to data from consultancy firm Artisan Gateway.
The nationwide weekend total was a slender $18.7 million. That was the quietest theatrical weekend in China since the end of the country’s official anti-covid policies in December 2022.
Directed by the prolific Soi Cheang, “Twilight” stars the veteran martial arts star Sammo Hung and actor-producer Louis Koo in a tale of a youngster who stumbles his way into Kowloon’s notorious Walled City and discovers a new kind of order within its seemingly criminal chaos.
The film, which is among those that have a Wednesday (May 1) official release date, earned $5.5 million (RMB38.9 million) between Friday and Sunday, according to data from consultancy firm Artisan Gateway.
The nationwide weekend total was a slender $18.7 million. That was the quietest theatrical weekend in China since the end of the country’s official anti-covid policies in December 2022.
Directed by the prolific Soi Cheang, “Twilight” stars the veteran martial arts star Sammo Hung and actor-producer Louis Koo in a tale of a youngster who stumbles his way into Kowloon’s notorious Walled City and discovers a new kind of order within its seemingly criminal chaos.
- 4/29/2024
- by Patrick Frater
- Variety Film + TV
Bill Kong is cautious, vastly experienced and has an impeccable reputation as a key gateway between Hollywood and China to maintain. He is someone far more likely to deadpan than gush.
So, to hear him getting into high gear with a pitch for his bucket list martial arts movie project “The Furious” immediately invites comparison with previous Kong-produced action pictures including Oscar-winner “Crouching Tiger, Hidden Dragon,” “Jet Li’s Fearless” or the Zhang Yimou-directed “Hero.”
“I’m going to do an action movie that rocks the world. And to prove that Hong Kong still has something to give the film industry. I want to show that Asian people can still make an action movie that is better than the rest of the world,” Kong tells Variety.
Significantly, “The Furious” is a project made by Hong Kong, rather than made in Hong Kong. Kong’s Edko Films is financing and producing.
So, to hear him getting into high gear with a pitch for his bucket list martial arts movie project “The Furious” immediately invites comparison with previous Kong-produced action pictures including Oscar-winner “Crouching Tiger, Hidden Dragon,” “Jet Li’s Fearless” or the Zhang Yimou-directed “Hero.”
“I’m going to do an action movie that rocks the world. And to prove that Hong Kong still has something to give the film industry. I want to show that Asian people can still make an action movie that is better than the rest of the world,” Kong tells Variety.
Significantly, “The Furious” is a project made by Hong Kong, rather than made in Hong Kong. Kong’s Edko Films is financing and producing.
- 4/25/2024
- by Patrick Frater
- Variety Film + TV
Despite the efforts of festivals around the world, releasing and distribution companies, and streaming channels, which have gotten rather more intense during the last few years, the majority of titles produced in Japan, S. Korea and Hong Kong, which number hundreds every year remain unknown, particularly to the Western audience. As such, we decided to focus on this type of films exactly for our April-May tribute. And to be totally sincere, not all will be great just definitely worth watching. Here is the first batch
1. Three Resurrected Drunkards (1969) by Nagisa Oshima (Japan)
“Three Resurrected Drunkards” is an excellent sample of the cinematic tendencies of both Oshima and a whole group that tried to renovate cinema during the end of the 60s and the 70s, by combining new cinematic approaches with pointed sociopolitical commentary. The result definitely demands some knowledge of the climate of the era and the overall mentality of the Japanese towards foreigners,...
1. Three Resurrected Drunkards (1969) by Nagisa Oshima (Japan)
“Three Resurrected Drunkards” is an excellent sample of the cinematic tendencies of both Oshima and a whole group that tried to renovate cinema during the end of the 60s and the 70s, by combining new cinematic approaches with pointed sociopolitical commentary. The result definitely demands some knowledge of the climate of the era and the overall mentality of the Japanese towards foreigners,...
- 4/19/2024
- by Panos Kotzathanasis
- AsianMoviePulse
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSThe Pill Pounder.The Brussels International Fantastic Film Festival is known for audiences who talk back to the screen, but such rowdiness took a dark turn last weekend at a screening of Love Lies Bleeding (2024), during which homophobic and misogynistic taunts caused more than 60 attendees to walk out and then to stage a protest at the cinema door, which was broken up by the police.Italy’s right-wing government has left the country’s motion-picture industry stalled in uncertainty as they debate new regulations to tax incentives for film and television production, some of which may give preference to films “tied to Italy’s national identity.”Ten of thirteen IATSE locals now have tentative agreements with AMPTP. Talks...
- 4/17/2024
- MUBI
With Cannes Film Festival kicking off in less than a month, one title that is sure to rile up the crowds is the Midnight screening selection of Soi Cheang’s Hong Kong martial arts actioner Twilight of the Warriors: Walled In. Led by the formidable action duo of Louis Koo and Sammo Hung, it’ll premiere in Hong Kong and China a bit prior, on May 1, and has been picked up by Well Go USA for a subsequent U.S. release. Ahead of the premieres, the first trailer has now arrived.
Set in the 1980s inside the Kowloon Walled City, “a dangerous Chinese enclave within British colonial Hong Kong,” the story “follows a troubled youth as he accidentally enters the Walled City, discovers order amidst the chaos, and gains life lessons as he gets closer to the denizens as they resist a villainous invasion.”
Check out the trailer and poster below.
Set in the 1980s inside the Kowloon Walled City, “a dangerous Chinese enclave within British colonial Hong Kong,” the story “follows a troubled youth as he accidentally enters the Walled City, discovers order amidst the chaos, and gains life lessons as he gets closer to the denizens as they resist a villainous invasion.”
Check out the trailer and poster below.
- 4/16/2024
- by Jordan Raup
- The Film Stage
Hong Kong’s biggest ever local hit A Guilty Conscience was named best film at the 42nd Hong Kong Film Awards (Hkfa), while Mad Fate’s Soi Cheang took best director and The Goldfinger swept six awards including best actor for Tony Leung.
A Guilty Conscience producer Bill Kong received the top award on stage from acclaimed Japanese director Hirokazu Kore-eda. That was the only win on the night for the courtroom drama, which went into the awards ceremony with 10 nominations.
Scroll down for full winners list
Murder mystery Mad Fate scooped three awards comprising best screenplay, best editing and best director for Cheang.
A Guilty Conscience producer Bill Kong received the top award on stage from acclaimed Japanese director Hirokazu Kore-eda. That was the only win on the night for the courtroom drama, which went into the awards ceremony with 10 nominations.
Scroll down for full winners list
Murder mystery Mad Fate scooped three awards comprising best screenplay, best editing and best director for Cheang.
- 4/15/2024
- ScreenDaily
Crime drama “The Goldfinger” was the numerical winner at the Hong Kong Film Awards, where it won six prizes on Sunday. But it missed out on the best film prize, which went to box office record breaker “A Guilty Conscience.”
“The Goldfinger,” a retro financial thriller starring Tony Leung Chiu-wai and Andy Lau Tak-wah, earned a slew of technical award as well as the lead actor prize for Leung.
Two films took three prizes each: “In Broad Daylight,” an investigation into abuse at a care home, and “Mad Fate,” Soi Cheang’s grungy examination of superstition in the city. “In Broad Daylight,” which opened anonymously this weekend in mainland Chinese cinemas, picked up three performance awards — best actress award for Jennifer Yu, best supporting actor for David Chiang and best supporting actress for Rachel Leung. “Mad Fate,” which premiered in Berlin in February 2023, picked up the best director award, best...
“The Goldfinger,” a retro financial thriller starring Tony Leung Chiu-wai and Andy Lau Tak-wah, earned a slew of technical award as well as the lead actor prize for Leung.
Two films took three prizes each: “In Broad Daylight,” an investigation into abuse at a care home, and “Mad Fate,” Soi Cheang’s grungy examination of superstition in the city. “In Broad Daylight,” which opened anonymously this weekend in mainland Chinese cinemas, picked up three performance awards — best actress award for Jennifer Yu, best supporting actor for David Chiang and best supporting actress for Rachel Leung. “Mad Fate,” which premiered in Berlin in February 2023, picked up the best director award, best...
- 4/15/2024
- by Patrick Frater
- Variety Film + TV
Legal drama A Guilty Conscience took the top award for best film at this year’s Hong Kong Film Awards, while crime thriller The Goldfinger was the biggest winner overall with six prizes, including best actor for Tony Leung Chiu-wai.
A Guilty Conscience, produced by Edko Films, holds the record for the highest-grossing Hong Kong film ever with a gross of around $15M. It tells the story of a lawyer trying to free a client convicted due to his own negligence, who has to go up against one of Hong Kong’s most powerful business families.
Emperor Motion Pictures’ The Goldfinger, about one of Hong Kong’s biggest financial scandals, also picked up awards for best cinematography, best art direction, best costume and make-up design, best sound design and best visual effects.
In Broad Daylight, about a reporter exposing cases of abuse in a care home, scooped three acting awards for actress Jennifer Yu,...
A Guilty Conscience, produced by Edko Films, holds the record for the highest-grossing Hong Kong film ever with a gross of around $15M. It tells the story of a lawyer trying to free a client convicted due to his own negligence, who has to go up against one of Hong Kong’s most powerful business families.
Emperor Motion Pictures’ The Goldfinger, about one of Hong Kong’s biggest financial scandals, also picked up awards for best cinematography, best art direction, best costume and make-up design, best sound design and best visual effects.
In Broad Daylight, about a reporter exposing cases of abuse in a care home, scooped three acting awards for actress Jennifer Yu,...
- 4/15/2024
- by Liz Shackleton
- Deadline Film + TV
Among the high-profile filmmakers selected for this year’s Cannes Film Festival is a wave of upcoming talent from Asia and the Middle East, including the first Indian feature chosen for Competition in 30 years and the first film from Saudi Arabia to ever make the Official Selection.
While Cannes has a reputation for bringing back familiar names year after year, the line-up for the 77th edition does feature several rising filmmakers and not just in the “discovery” strands of the selection.
Making her first appearance in Competition is Indian filmmaker Payal Kapadia with All We Imagine As Light. It marks...
While Cannes has a reputation for bringing back familiar names year after year, the line-up for the 77th edition does feature several rising filmmakers and not just in the “discovery” strands of the selection.
Making her first appearance in Competition is Indian filmmaker Payal Kapadia with All We Imagine As Light. It marks...
- 4/12/2024
- ScreenDaily
The Cannes Premiere section stocked up on films from France with Alain Guiraudie’s Misericorde among the mix, the Out of Competition section added a Canuck oddity from Winnipeger Guy Maddin and co., the Midnight Section Screenings landed Nicolas Cage starring The Surfer by Lorcan Finnegan and Sergei Loznitsa once again drops a docu film on the Croisette with an item in the Special Screenings section. Here are nineteen titles that dropped this morning:
Cannes Premiere
“C’est Pas Moi,” Leos Carax
“En Fanfare” (“The Matching Bang”), Emmanuel Courcol
“Everybody Loves Touda,” Nabil Ayouch
“Le Roman de Jim,” Arnaud Larrieu and Jean-Marie Larrieu
“Misericorde,” Alain Guiraudie
“Rendez-Vous Avec Pol Pot,” Rithy Panh
Out Of Competition
“Furiosa: A Mad Max Saga,” George Miller
“Horizon, an American Saga,” Kevin Costner
“Rumours,” Evan Johnson, Galen Johnson, Guy Maddin
“She’s Got No Name,” Chan Peter Ho-Sun
Midnight Screenings
“I, the Executioner,” Seung Wan Ryoo
“The Balconettes...
Cannes Premiere
“C’est Pas Moi,” Leos Carax
“En Fanfare” (“The Matching Bang”), Emmanuel Courcol
“Everybody Loves Touda,” Nabil Ayouch
“Le Roman de Jim,” Arnaud Larrieu and Jean-Marie Larrieu
“Misericorde,” Alain Guiraudie
“Rendez-Vous Avec Pol Pot,” Rithy Panh
Out Of Competition
“Furiosa: A Mad Max Saga,” George Miller
“Horizon, an American Saga,” Kevin Costner
“Rumours,” Evan Johnson, Galen Johnson, Guy Maddin
“She’s Got No Name,” Chan Peter Ho-Sun
Midnight Screenings
“I, the Executioner,” Seung Wan Ryoo
“The Balconettes...
- 4/12/2024
- by Eric Lavallée
- IONCINEMA.com
Cannes announced the official selection for this year, and the Asian representation is quite strong. India finds its way back to the main competition after 30 years, with “All We Imagine as Light” while Jia Zhangke returns with “Caught By The Tides” . Also of note is the presence of the first Saudi Arabian film in the official selection with “Norah”, which premiered last year in Red Sea. Here are all the entries we know of so far. More info will be added as we get closer to the festival.
All We Imagine as Light by Payal Kapadia (India) Caught by the Tides by Jia Zhang-Ke (China) Norah by Tawfik Alzaidi (Saudi Arabia) Black Dog by Guan Hu (China) My Sunshine by Hiroshi Okuyama (Japan) Santosh by Sandhya Suri (India) Viet and Nam by Truong Minh Quý (Vietnam) She's Got No Name by Peter Chan Ho-Sun Twilight of the Warrior Walled In...
All We Imagine as Light by Payal Kapadia (India) Caught by the Tides by Jia Zhang-Ke (China) Norah by Tawfik Alzaidi (Saudi Arabia) Black Dog by Guan Hu (China) My Sunshine by Hiroshi Okuyama (Japan) Santosh by Sandhya Suri (India) Viet and Nam by Truong Minh Quý (Vietnam) She's Got No Name by Peter Chan Ho-Sun Twilight of the Warrior Walled In...
- 4/11/2024
- by Panos Kotzathanasis
- AsianMoviePulse
Despite having directed some excellent films, as in the case of “Dog Bite Dog” and “Love Battlefield” and a masterpiece in “Limbo”, Soi Cheang's filmography is actually filled with titles of questionable quality, to say the least. “Shamo” which is based on the homonymous manga written by Izo Hashimoto and illustrated by Akio Tanaka definitely lies in the second category.
on Amazon by clicking on the image below
In an expectedly failed effort to fit 34 volumes of a manga into a 105 minutes movie, the script revolves around Ryo Narushima, a young man who ended up in prison for killing his parents. While inside, he is being tortured and abused, with the permission of the notorious warden, Principal Saeki, who seems at least as sinister as the convicts. Just before he commits suicide, though, Ryo is saved by Kenji, a karate master who is in prison for killing the Japanese Prime minister,...
on Amazon by clicking on the image below
In an expectedly failed effort to fit 34 volumes of a manga into a 105 minutes movie, the script revolves around Ryo Narushima, a young man who ended up in prison for killing his parents. While inside, he is being tortured and abused, with the permission of the notorious warden, Principal Saeki, who seems at least as sinister as the convicts. Just before he commits suicide, though, Ryo is saved by Kenji, a karate master who is in prison for killing the Japanese Prime minister,...
- 4/11/2024
- by Panos Kotzathanasis
- AsianMoviePulse
Descubre las películas que estarán en Cannes 2024: una lista completa de todas las secciones.
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
- 4/11/2024
- by Marta Medina
- mundoCine
Ali Abbasi’s Donald Trump drama The Apprentice, Anora, the latest from The Florida Project and Red Rocket director Sean Baker, and Andrea Arnold’s Bird, starring Barry Keoghan and Franz Rogowski, are among the highlights of this year’s Cannes Film Festival competition.
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
- 4/11/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSThe Truman Show.Joana Vicente has resigned from her post at the helm of the Sundance Film Festival after less than three years. Some industry sources have pointed to a contentious relationship with the board on fundraising matters as one possible explanation.This year’s Cannes Film Festival will open with Quentin Dupieux’s The Second Act, a surrealist backstage comedy starring Léa Seydoux, Vincent Lindon, Louis Garrel, and Raphaël Quenard.Concerns about copyright, continuity, tech business models, and the uncanny valley lead industry insiders to speculate that generative AI won’t soon be making its big-screen debut, though it will increasingly be a part of pre-production workflows.Christopher Nolan’s Oppenheimer (2023) has opened in Japan to mixed...
- 4/3/2024
- MUBI
Paramount Plus
Beverley McGarvey has been appointed president of Network 10, head of streaming and regional lead for Australia and New Zealand, with immediate effect by Paramount Global. She reports to Pam Kaufman, president & CEO of international markets, global consumer products and experiences at the group. The role gives her oversight of Network 10 and its portfolio of brands, including 10 Play.
McGarvey will maintain her current responsibilities, overseeing all original content out of Australia in alignment with Paramount’s global studio organisation and the businesses’ commercial capabilities. She will also continue to lead Paramount+ in Australia, reporting to Marco Nobili, EVP and international Gm of Paramount+.
“Beverley is one of Australia’s leading media executives and has a proven track record of driving creative and commercial success in one of our most important, priority markets,” said Kaufman.
“We are well-positioned to maintain our strong position in Australia as the only...
Beverley McGarvey has been appointed president of Network 10, head of streaming and regional lead for Australia and New Zealand, with immediate effect by Paramount Global. She reports to Pam Kaufman, president & CEO of international markets, global consumer products and experiences at the group. The role gives her oversight of Network 10 and its portfolio of brands, including 10 Play.
McGarvey will maintain her current responsibilities, overseeing all original content out of Australia in alignment with Paramount’s global studio organisation and the businesses’ commercial capabilities. She will also continue to lead Paramount+ in Australia, reporting to Marco Nobili, EVP and international Gm of Paramount+.
“Beverley is one of Australia’s leading media executives and has a proven track record of driving creative and commercial success in one of our most important, priority markets,” said Kaufman.
“We are well-positioned to maintain our strong position in Australia as the only...
- 3/18/2024
- by Patrick Frater
- Variety Film + TV
Hong Kong Film Development Council (Hkfdc) has announced the first ten projects to receive grants under its Content Development Scheme for Streaming Platforms.
The ten projects, which will now enter phase two of the scheme, include series to be directed and/or produced by leading Hong Kong filmmakers such as Lawrence Ah Mon, Derek Yee, Peter Ho-sun Chan and Kenneth Bi (see full list of grantees below).
Shortlisted teams will each receive Hk$0.6M to Hk$1.2M as a script development fee for developing a production proposal and full scripts of an entire mini-series.
Winning teams selected to enter phase three will each receive Hk$4.5M to produce the first one or first two episodes of a series. Together with the script development fee, each final winning team will be awarded a total of up to Hk$5.7M.
Hkfdc chairman Wilfred Wong, said: “This new Scheme launched under the Film...
The ten projects, which will now enter phase two of the scheme, include series to be directed and/or produced by leading Hong Kong filmmakers such as Lawrence Ah Mon, Derek Yee, Peter Ho-sun Chan and Kenneth Bi (see full list of grantees below).
Shortlisted teams will each receive Hk$0.6M to Hk$1.2M as a script development fee for developing a production proposal and full scripts of an entire mini-series.
Winning teams selected to enter phase three will each receive Hk$4.5M to produce the first one or first two episodes of a series. Together with the script development fee, each final winning team will be awarded a total of up to Hk$5.7M.
Hkfdc chairman Wilfred Wong, said: “This new Scheme launched under the Film...
- 3/13/2024
- by Liz Shackleton
- Deadline Film + TV
Trinity CineAsia has acquired UK and Ireland rights to We 12, the upcoming action comedy starring all 12 members of Cantopop boy band Mirror, in a deal with Hong Kong’s Makerville.
The film will open in UK and Ireland cinemas on March 29, the day after its release in Hong Kong through Edko Films, and coincides with the Easter holiday weekend.
Directed by Berry Ho and written by Lai Sze Cheung, the story follows 12 members of an underground organisation who secretly maintain peace in the world using a range of extraordinary skills. After long being separated, they must reunite to steal an...
The film will open in UK and Ireland cinemas on March 29, the day after its release in Hong Kong through Edko Films, and coincides with the Easter holiday weekend.
Directed by Berry Ho and written by Lai Sze Cheung, the story follows 12 members of an underground organisation who secretly maintain peace in the world using a range of extraordinary skills. After long being separated, they must reunite to steal an...
- 3/13/2024
- ScreenDaily
China’s Alibaba Digital Media & Entertainment Group and Hong Kong’s Media Asia Group announced a slate of new projects today at Filmart.
Among the new projects are Born Evil Seed by Time Still Turns The Pages director Nick Cheuk; crime thriller The Other One by Fung Chih Chiang (A Witness Out Of The Blue); and mystery thriller Behind The Scene, directed by David Lee Kwong Yiu and produced by Andrew Lau.
Alibaba Pictures president Li Jie and Media Asia Group CEO Yip Chai Tuck both attended the joint press conference held in Filmart’s Moonlight Theatre, which saw director Soi Cheang,...
Among the new projects are Born Evil Seed by Time Still Turns The Pages director Nick Cheuk; crime thriller The Other One by Fung Chih Chiang (A Witness Out Of The Blue); and mystery thriller Behind The Scene, directed by David Lee Kwong Yiu and produced by Andrew Lau.
Alibaba Pictures president Li Jie and Media Asia Group CEO Yip Chai Tuck both attended the joint press conference held in Filmart’s Moonlight Theatre, which saw director Soi Cheang,...
- 3/11/2024
- ScreenDaily
Chinese tech and media giant Alibaba is investing $640M (Hk$5Bn) into Hong Kong’s creative industries over the next five years.
The funding will come via multiple divisions in Alibaba’s Digital Media and Entertainment Group, including Alibaba Pictures and streaming platform Youku.
The plan, called the “Hong Kong Cultural and Art Industry Revitalisation Program,” is a joint initiative of Alibaba and leading Hong Kong production companies including Edko Films, Mandarin Motion Pictures, Media Asia, Universe Entertainment, One Cool Group, Shaw Brothers and Emperor Motion Pictures.
Beijing-headquartered Alibaba Pictures also said it would make Hong Kong its second headquarters. The film outfit will also fund scholarships for 20 filmmakers studying at the Hong Kong Baptist University Academy of Film.
“Filmmakers who are rooted in the city’s culture, possess a blend of eastern aesthetics and international perspective will be the key to maintaining our distinctive competitiveness in the global motion picture market,...
The funding will come via multiple divisions in Alibaba’s Digital Media and Entertainment Group, including Alibaba Pictures and streaming platform Youku.
The plan, called the “Hong Kong Cultural and Art Industry Revitalisation Program,” is a joint initiative of Alibaba and leading Hong Kong production companies including Edko Films, Mandarin Motion Pictures, Media Asia, Universe Entertainment, One Cool Group, Shaw Brothers and Emperor Motion Pictures.
Beijing-headquartered Alibaba Pictures also said it would make Hong Kong its second headquarters. The film outfit will also fund scholarships for 20 filmmakers studying at the Hong Kong Baptist University Academy of Film.
“Filmmakers who are rooted in the city’s culture, possess a blend of eastern aesthetics and international perspective will be the key to maintaining our distinctive competitiveness in the global motion picture market,...
- 3/11/2024
- by Liz Shackleton
- Deadline Film + TV
Hong Kong’s One Cool Film group has announced five new movies, revealed through exclusive teasers and posters on the opening day of FilMart.
Upcoming films include “Love Lies,” starring Sandra Ng and M.C. Cheung Tinfu; “The Trier of Fact,” directed by Calvin Tong and featuring Louis Koo and Eddie Peng; “The Way We Talk,” produced, written and directed by Adam Wong, with Neo Yau, Chung Suet Ying and Ng Tsz Ho Marco in leading roles; “Good Game,” helmed by Dickson Leung, written by Lily He Xin and Sheng Ling Xiu Zhong, and starring Andrew Lam, Will Or and Yanny Chan; and “Behind the Shadows,” produced by Soi Cheang, directed by Jonathan Li and Chou Man Yu, and starring Koo, Chrissie Chou and Liu Kuan Ting.
“Love Lies,” which will premiere at the 48th Hong Kong Intl. Film Festival, tells the tale of an internet romance scam. Ng recommended Cheung,...
Upcoming films include “Love Lies,” starring Sandra Ng and M.C. Cheung Tinfu; “The Trier of Fact,” directed by Calvin Tong and featuring Louis Koo and Eddie Peng; “The Way We Talk,” produced, written and directed by Adam Wong, with Neo Yau, Chung Suet Ying and Ng Tsz Ho Marco in leading roles; “Good Game,” helmed by Dickson Leung, written by Lily He Xin and Sheng Ling Xiu Zhong, and starring Andrew Lam, Will Or and Yanny Chan; and “Behind the Shadows,” produced by Soi Cheang, directed by Jonathan Li and Chou Man Yu, and starring Koo, Chrissie Chou and Liu Kuan Ting.
“Love Lies,” which will premiere at the 48th Hong Kong Intl. Film Festival, tells the tale of an internet romance scam. Ng recommended Cheung,...
- 3/11/2024
- by Faye Bradley
- Variety Film + TV
As Filmart gets underway, Hong Kong’s major production companies, including Edko Films, Emperor Motion Pictures (Emp), Media Asia, One Cool Group and Universe Entertainment, will be unveiling their new titles in enormous booths at the front of the trade show floor, some of which will be as elaborate as film sets.
Many of the films they are launching are big-budget Hong Kong-China co-productions, featuring top Hong Kong stars and directors, and aimed at audiences in both China and Hong Kong. Emp has Derek Kwok’s Raging Havoc, starring Andy Lau and Nicholas Tse; Mandarin Motion Pictures has The Prosecutor, starring and directed by Donnie Yen; and Media Asia is launching four new titles headed by Behind The Scene, produced by Infernal Affairs director Andrew Lau. One Cool’s slate includes a trio of action films starring Louis Koo and produced by Soi Cheang.
But behind all the glamour, stars and action,...
Many of the films they are launching are big-budget Hong Kong-China co-productions, featuring top Hong Kong stars and directors, and aimed at audiences in both China and Hong Kong. Emp has Derek Kwok’s Raging Havoc, starring Andy Lau and Nicholas Tse; Mandarin Motion Pictures has The Prosecutor, starring and directed by Donnie Yen; and Media Asia is launching four new titles headed by Behind The Scene, produced by Infernal Affairs director Andrew Lau. One Cool’s slate includes a trio of action films starring Louis Koo and produced by Soi Cheang.
But behind all the glamour, stars and action,...
- 3/11/2024
- by Liz Shackleton
- Deadline Film + TV
“In Broad Daylight,” an expose of real events in a care home for the elderly, dominated the nominations for the Hong Kong Film Awards.
The Lawrence Kan-directed comedy-drama received 16 nominations, at the Tuesday nominations event, including best picture and best new director as well as others for cinematography, editing sound design and original song.
The story sees an investigative reporter go under cover to expose cruelty and other wrong-doings at the Rainbow Bridge Care Home. It premiered last year at the Shanghai film festival and was a highlight of the New York Asian Film Festival, but came away empty-handed from the Golden Horse Film Awards, where it had been nominated in five categories. It enjoyed its commercial release in Hong Kong in November.
Other contenders in the Hkfa best film category are: Nick Cheung’s “Time Still Turns the Pages,” Soi Cheang’s “Mad Fate,” Felix Chong’s “The Goldfinger...
The Lawrence Kan-directed comedy-drama received 16 nominations, at the Tuesday nominations event, including best picture and best new director as well as others for cinematography, editing sound design and original song.
The story sees an investigative reporter go under cover to expose cruelty and other wrong-doings at the Rainbow Bridge Care Home. It premiered last year at the Shanghai film festival and was a highlight of the New York Asian Film Festival, but came away empty-handed from the Golden Horse Film Awards, where it had been nominated in five categories. It enjoyed its commercial release in Hong Kong in November.
Other contenders in the Hkfa best film category are: Nick Cheung’s “Time Still Turns the Pages,” Soi Cheang’s “Mad Fate,” Felix Chong’s “The Goldfinger...
- 2/8/2024
- by Patrick Frater
- Variety Film + TV
Lawrence Kan’s newsroom drama In Broad Daylight leads the pack going into the 42nd Hong Kong Film Awards with 16 nominations.
The feature, which follows an undercover journalist who exposes the abuse of residents in a nursing home, secured nods in all but three of the 19 categories. It marks the second feature by Kan and proved the fourth highest grossing local film in 2023.
Scroll down for full list of nominations
Also gaining multiple nominations was Nick Cheuk’s emotive drama Time Still Turns The Pages and Felix Chong’s financial crime extravaganza The Goldfinger, which secured 12 nods apiece, while Jack Ng...
The feature, which follows an undercover journalist who exposes the abuse of residents in a nursing home, secured nods in all but three of the 19 categories. It marks the second feature by Kan and proved the fourth highest grossing local film in 2023.
Scroll down for full list of nominations
Also gaining multiple nominations was Nick Cheuk’s emotive drama Time Still Turns The Pages and Felix Chong’s financial crime extravaganza The Goldfinger, which secured 12 nods apiece, while Jack Ng...
- 2/6/2024
- ScreenDaily
Festival Merger
The Indian Film Festival of Los Angeles and The India Center Foundation, two non-profit organizations working with South Asian film in the U.S., have agreed to merge. Already long-time collaborators, Iffla and Icf will, among other things, work closely to incubate and launch an industry development program to showcase the next generation of South Asian talent to studios, funders and media executives.
“We saw an opportunity to scale our work nationally as one of the leading supporters of emerging creative talent in the diaspora. By joining forces with Iffla we can bring much needed resources to support the stories that need to be told in the media. Our stories,” said Priya Giri Desai, a co-founder of Icf.
“[Icf] have been a financial and creative partner to Iffla over numerous festivals already, which makes this a natural fit. I have no doubt that we can bring even greater impact together.
The Indian Film Festival of Los Angeles and The India Center Foundation, two non-profit organizations working with South Asian film in the U.S., have agreed to merge. Already long-time collaborators, Iffla and Icf will, among other things, work closely to incubate and launch an industry development program to showcase the next generation of South Asian talent to studios, funders and media executives.
“We saw an opportunity to scale our work nationally as one of the leading supporters of emerging creative talent in the diaspora. By joining forces with Iffla we can bring much needed resources to support the stories that need to be told in the media. Our stories,” said Priya Giri Desai, a co-founder of Icf.
“[Icf] have been a financial and creative partner to Iffla over numerous festivals already, which makes this a natural fit. I have no doubt that we can bring even greater impact together.
- 1/17/2024
- by Patrick Frater
- Variety Film + TV
Following the masterful “Limbo”, all fans of (classic) Hong Kong cinema were eagerly awaiting Soi Cheang's next step, with the director opting for an even more classic Hk approach, that will remind many of the Wa Ka-fai, Johnnie To classic, “Mad Detective” with the latter actually being the producer of “Mad Fate”.
Mad Fate is screening at San Diego Asian Film Festival
Although the movie begins in a supernatural, but also slightly comical fashion, having occultist Feng Shui Master temporarily bury a woman underground in a cemetery in order to change her fate, it soon turns into crime thriller territory. During the same night, the Master ends up by chance in an apartment that functions as a brothel, where eventually a heinous crime is committed by The Murderer, a serial killer who has a tendency to be triggered by rain storms into killing sex workers. On the scene, there are also present Siu-tung,...
Mad Fate is screening at San Diego Asian Film Festival
Although the movie begins in a supernatural, but also slightly comical fashion, having occultist Feng Shui Master temporarily bury a woman underground in a cemetery in order to change her fate, it soon turns into crime thriller territory. During the same night, the Master ends up by chance in an apartment that functions as a brothel, where eventually a heinous crime is committed by The Murderer, a serial killer who has a tendency to be triggered by rain storms into killing sex workers. On the scene, there are also present Siu-tung,...
- 11/12/2023
- by Panos Kotzathanasis
- AsianMoviePulse
Just when you thought that the style of Hk action movies is long since gone, here comes “Limbo” to prove the exact opposite, in a rather impressive title that seems to combine “Seven”, Kim Ki-duk’s “Pieta” and Johnnie To’s action aesthetics in the most artful way possible.
on Amazon by clicking on the image below
The film was initially reviewed back in 2021, when it premiered in Berlinale. However, now that one of the best movies of that year is getting a much awaited physical release in North America, we thought it was time to revisit the article.
Rookie, dandy-looking policeman Will Ren has his work cut out for him, since his first case is pursuing an obsessive and especially brutal murderer of women who has a fetish with cutting arms, and his partner is the almost ragtag, not-above-using-violence- to-get-what-he-wants, veteran cop Cham Lau. As Will soon realizes that his colleague,...
on Amazon by clicking on the image below
The film was initially reviewed back in 2021, when it premiered in Berlinale. However, now that one of the best movies of that year is getting a much awaited physical release in North America, we thought it was time to revisit the article.
Rookie, dandy-looking policeman Will Ren has his work cut out for him, since his first case is pursuing an obsessive and especially brutal murderer of women who has a fetish with cutting arms, and his partner is the almost ragtag, not-above-using-violence- to-get-what-he-wants, veteran cop Cham Lau. As Will soon realizes that his colleague,...
- 10/18/2023
- by Panos Kotzathanasis
- AsianMoviePulse
The crime thriller topped the box office in China.
Hong Kong’s One Cool Pictures is bringing Chinese crime thriller Dust To Dust to the Asian Contents & Film Market, returning to the Busan market as an exhibitor for the first time since the Covid pandemic.
The company has picked up international sales rights to feature excluding mainland China, where it topped the box office for 18 days and has grossed more than $60.5m (RMB473m), following its release on September 9.
The film received its world premiere at the Shanghai International Film Festival in June, where it won a best actor award...
Hong Kong’s One Cool Pictures is bringing Chinese crime thriller Dust To Dust to the Asian Contents & Film Market, returning to the Busan market as an exhibitor for the first time since the Covid pandemic.
The company has picked up international sales rights to feature excluding mainland China, where it topped the box office for 18 days and has grossed more than $60.5m (RMB473m), following its release on September 9.
The film received its world premiere at the Shanghai International Film Festival in June, where it won a best actor award...
- 10/6/2023
- by Silvia Wong
- ScreenDaily
"Red eyes are an ominous sign. It's when you will kill." Illume Films has revealed an official trailer for an indie Hong Kong mystery thriller film titled Mad Fate, from filmmaker Soi Cheang. This first premiered at the 2023 Berlin Film Festival earlier this year, and also played at the Hong Kong Film Festival in March. It's now set to open in the US this August. The film stars Gordon Lam as a fortune-teller who crosses paths with a young man with a strong desire to commit murder and tries to change the latter's destiny in various ways. It's a stylish genre film with a few twists & turns. Also starring Lokman Yeung, Berg Ng, Ng Wing Sze, and Peter Chan. Reviews describe this one as: "Part grisly murder mystery, part pitch-black absurdist comedy feverishly musing on destiny and free will, Soi Cheang’s follow-up to Limbo sees the director again mining...
- 7/28/2023
- by Alex Billington
- firstshowing.net
This year's Nifff was quite intently focused on Asian cinema. It was not only the retrospective of Katsuhito Ishii, but also the Asian competition, with “Marry My Dead Body” receiving the Audience Award and the fact that Nuhash Humayun's “Foreigners Only” won both the Youth Award and the Audience Award for Best Short Film. Most of all, however, because “Tiger Stripes” was the winner of the Grant Award, the H.R. Giger “Narcisse” for Best Feature. Even UK-produced, “Raging Grace”, which won two awards, has Filipino Max Eigenmann as its protagonist.
Our coverage includes interviews with the person of honor (Ishii) along with the big winner Amanda Nell Eu and Anurag Kashyap, whose film “Kennedy” also screened.
You can check the full articles by clicking on the titles
Interview with Katsuhito Ishii Film Review: Tiger Stripes (2023) by Amanda Nell Eu
The metaphor for the body changes women experience when their...
Our coverage includes interviews with the person of honor (Ishii) along with the big winner Amanda Nell Eu and Anurag Kashyap, whose film “Kennedy” also screened.
You can check the full articles by clicking on the titles
Interview with Katsuhito Ishii Film Review: Tiger Stripes (2023) by Amanda Nell Eu
The metaphor for the body changes women experience when their...
- 7/10/2023
- by AMP Group
- AsianMoviePulse
Following the masterful “Limbo”, all fans of (classic) Hong Kong cinema were eagerly awaiting Soi Cheang's next step, with the director opting for an even more classic Hk approach, that will remind many of the Wa Ka-fai, Johnnie To classic, “Mad Detective” with the latter actually being the producer of “Mad Fate”.
“Mad Fate” is screening at Neuchatel International Fantastic Film Festival
Although the movie begins in a supernatural, but also slightly comical fashion, having occultist Feng Shui Master temporarily bury a woman underground in a cemetery in order to change her fate, it soon turns into crime thriller territory. During the same night, the Master ends up by chance in an apartment that functions as a brothel, where eventually a heinous crime is committed by The Murderer, a serial killer who has a tendency to be triggered by rain storms into killing sex workers. On the scene, there are also present Siu-tung,...
“Mad Fate” is screening at Neuchatel International Fantastic Film Festival
Although the movie begins in a supernatural, but also slightly comical fashion, having occultist Feng Shui Master temporarily bury a woman underground in a cemetery in order to change her fate, it soon turns into crime thriller territory. During the same night, the Master ends up by chance in an apartment that functions as a brothel, where eventually a heinous crime is committed by The Murderer, a serial killer who has a tendency to be triggered by rain storms into killing sex workers. On the scene, there are also present Siu-tung,...
- 7/3/2023
- by Panos Kotzathanasis
- AsianMoviePulse
On July 14, 2023, the New York Asian Film Foundation and Film at Lincoln Center will kick off the 22nd edition of the New York Asian Film Festival (Nyaff), with 60+ new and classic titles, a greatly expanded selection of short films, and an exciting slate of celebrated guests from Asia and the diaspora. The festival runs from July 14–30, 2023 at Film at Lincoln Center (Flc), with a special weekend of screenings (July 21–23) at a new venue, the historic Barrymore Film Center in Fort Lee, New Jersey, the birthplace of the motion picture industry in America.
“As filmmakers from Asia continue to earn the lion's share of top awards (and attention) on the international film festival circuit, this year's selection shows that those are still trees hiding a forest of talent,” said Samuel Jamier, executive director of Nyaff and president of the New York Asian Film Foundation. “We are thrilled to offer a platform...
“As filmmakers from Asia continue to earn the lion's share of top awards (and attention) on the international film festival circuit, this year's selection shows that those are still trees hiding a forest of talent,” said Samuel Jamier, executive director of Nyaff and president of the New York Asian Film Foundation. “We are thrilled to offer a platform...
- 6/20/2023
- by Adriana Rosati
- AsianMoviePulse
Nyaff unveils first wave of features from China, Hong Kong, Japan and beyond.
The New York Asian Film Festival (Nyaff) has unveiled the first wave of features for its 22nd edition and announced that Japanese actor Ryohei Suzuki will receive the Screen International Rising Star award.
Nyaff will run from July 14-30 at the city’s Film at Lincoln Center, with a programme of more than 60 titles, and Suzuki will be presented with the award recognising emerging talent from East Asia on July 15.
Suzuki has been acting on screen for more than 15 years, with a string of roles in Japanese...
The New York Asian Film Festival (Nyaff) has unveiled the first wave of features for its 22nd edition and announced that Japanese actor Ryohei Suzuki will receive the Screen International Rising Star award.
Nyaff will run from July 14-30 at the city’s Film at Lincoln Center, with a programme of more than 60 titles, and Suzuki will be presented with the award recognising emerging talent from East Asia on July 15.
Suzuki has been acting on screen for more than 15 years, with a string of roles in Japanese...
- 6/15/2023
- by Michael Rosser
- ScreenDaily
Bali International Film Festival (Balinale) kicks off its 16th edition from Thursday, 1 June until Sunday, 4 June 2023 bringing together a diverse group of acclaimed filmmakers and prominent professionals from the film, entertainment, and creative industries to celebrate cinema.
Balinale showcases the finest Indonesian and International movies.
Over our 4-day event will present forty-five films from thirteen countries at Park23 Creative Hub Cinema Xxi, Tuban Kuta, Bali. Several of these films are world, Asian, and international premieres. Opening Balinale is A Guilty Conscience directed by Jack Ng. actor, Dee Ho, will be at the festival to present the film.
Notable films include Sisu from Finland, directed by Jalmari Helander; Klondike from Ukraine, directed by Maryna Er Gorbach; Where the Wind Blows from Hong Kong, directed by Philip Yung; and Women Talking from the United States, directed by Sarah Polley.
In competition 2023
In 2023, the festival's juried competition will present awards in several artistic and technical categories: Narrative Features,...
Balinale showcases the finest Indonesian and International movies.
Over our 4-day event will present forty-five films from thirteen countries at Park23 Creative Hub Cinema Xxi, Tuban Kuta, Bali. Several of these films are world, Asian, and international premieres. Opening Balinale is A Guilty Conscience directed by Jack Ng. actor, Dee Ho, will be at the festival to present the film.
Notable films include Sisu from Finland, directed by Jalmari Helander; Klondike from Ukraine, directed by Maryna Er Gorbach; Where the Wind Blows from Hong Kong, directed by Philip Yung; and Women Talking from the United States, directed by Sarah Polley.
In competition 2023
In 2023, the festival's juried competition will present awards in several artistic and technical categories: Narrative Features,...
- 6/1/2023
- by Rhythm Zaveri
- AsianMoviePulse
The 25th edition marks a return in-person after being cancelled last year.
Han Yan’s Love Never Ends is set to open the 25th Shanghai International Film Festival (Siff), which has also revealed the nominations for its Golden Goblet Awards.
The romance drama is adapted from a cartoon of the same name created by Kang Full. Ni Dahong, Kara Wai, Tony Leung Ka-Fai and Cecilia Yip play two elderly couples who show it is never too late to love.
Director Han previously directed 2015’s Go Away Mr. Tumor and 2020’s A Little Red Flower. Love Never Ends is set for...
Han Yan’s Love Never Ends is set to open the 25th Shanghai International Film Festival (Siff), which has also revealed the nominations for its Golden Goblet Awards.
The romance drama is adapted from a cartoon of the same name created by Kang Full. Ni Dahong, Kara Wai, Tony Leung Ka-Fai and Cecilia Yip play two elderly couples who show it is never too late to love.
Director Han previously directed 2015’s Go Away Mr. Tumor and 2020’s A Little Red Flower. Love Never Ends is set for...
- 5/30/2023
- by Silvia Wong
- ScreenDaily
Mubi has announced its lineup of streaming offerings for next month, including David Easteal’s The Plains (one of the best films we saw on the festival circuit last year), Christophe Honoré’s Winter Boy, Koji Fukada’s 10-part series The Real Thing, Bruce Labruce’s Saint-Narcisse, and more.
Additional highlights include three films by Joan Micklin Silver, additions to their Lars von Trier series, Sylvain Chomet’s The Triplets of Belleville, Sally Potter’s Orlando, Steven Soderbergh’s Haywire, Nadav Lapid’s Synonyms, and more.
Check out the lineup below and get 30 days free here.
April 1 – Henry Fool, directed by Hal Hartley
April 2 – Waltz with Bashir, directed by Ari Folman
April 3 – The All-Round Reduced Personality – Redupers, directed by Helke Sander | What Sets Us Free? German Feminist Cinema
April 4 – Saint-Narcisse, directed by Bruce Labruce
April 5 – Jaime Francisco, directed by Javier Rodríguez | Brief Encounters
April 6 – Hester Street, directed by Joan Micklin...
Additional highlights include three films by Joan Micklin Silver, additions to their Lars von Trier series, Sylvain Chomet’s The Triplets of Belleville, Sally Potter’s Orlando, Steven Soderbergh’s Haywire, Nadav Lapid’s Synonyms, and more.
Check out the lineup below and get 30 days free here.
April 1 – Henry Fool, directed by Hal Hartley
April 2 – Waltz with Bashir, directed by Ari Folman
April 3 – The All-Round Reduced Personality – Redupers, directed by Helke Sander | What Sets Us Free? German Feminist Cinema
April 4 – Saint-Narcisse, directed by Bruce Labruce
April 5 – Jaime Francisco, directed by Javier Rodríguez | Brief Encounters
April 6 – Hester Street, directed by Joan Micklin...
- 3/23/2023
- by Leonard Pearce
- The Film Stage
“We 12,” a movie featuring the entire group of 12 Mirror Canto-pop stars is part of the expanding production slate of Makerville, the talent and production arm of Hong Kong telecoms and TV group Pccw.
The development is paralleled by an expansion of the production operations of Viu, Pccw’s multi-territory video streamer which recently confirmed its profitability.
Makerville is the talent agency behind Mirror, which was created in 2018 through the “Good Night Show – Kingmaker” talent show on ViuTV, a Pccw terrestrial channel. And it was able to put all the band members on stage Wednesday at a promotional event within the FilMart rights market in Hong Kong.
Few details of the “We 12” film have yet been disclosed other than its screenwriter Bobo Cheung, director Berry Ho and producer George King. Sources close to Pccw say that it is being fully-financed by the group and could be completed by the end of the year.
The development is paralleled by an expansion of the production operations of Viu, Pccw’s multi-territory video streamer which recently confirmed its profitability.
Makerville is the talent agency behind Mirror, which was created in 2018 through the “Good Night Show – Kingmaker” talent show on ViuTV, a Pccw terrestrial channel. And it was able to put all the band members on stage Wednesday at a promotional event within the FilMart rights market in Hong Kong.
Few details of the “We 12” film have yet been disclosed other than its screenwriter Bobo Cheung, director Berry Ho and producer George King. Sources close to Pccw say that it is being fully-financed by the group and could be completed by the end of the year.
- 3/15/2023
- by Patrick Frater
- Variety Film + TV
Consultancy Moebius Entertainment launched in October 2022.
Former Media Asia exec Fred Tsui’s new company Moebius Entertainment – a consultancy for content development, sales and acquisitions, festival strategies, co-production and investments – has revealed it is working with Hong Kong filmmakers Peter Chan and Louis Koo.
Tsui launched the company last October and specifies that both Chan’s newly established Changin’ Pictures and Louis Koo’s One Cool Pictures have their own sales teams, but that he is consulting for the filmmakers on a project-by-project basis.
“If it’s big enough to require Hollywood money for investment or co-productions, or perhaps it...
Former Media Asia exec Fred Tsui’s new company Moebius Entertainment – a consultancy for content development, sales and acquisitions, festival strategies, co-production and investments – has revealed it is working with Hong Kong filmmakers Peter Chan and Louis Koo.
Tsui launched the company last October and specifies that both Chan’s newly established Changin’ Pictures and Louis Koo’s One Cool Pictures have their own sales teams, but that he is consulting for the filmmakers on a project-by-project basis.
“If it’s big enough to require Hollywood money for investment or co-productions, or perhaps it...
- 3/15/2023
- by Jean Noh
- ScreenDaily
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