In the latest episode of "Star Trek: Lower Decks," called "Hear All, Trust Nothing," the U.S.S. Cerritos visits Deep Space Nine, the space station featured in the 1993 "Star Trek" series of the same name. The last audiences had seen of the station was in the final episode of "Deep Space Nine," which aired in 1999. In the timeline of "Star Trek," however, only about seven or eight years had passed since that episode ("DS9" left off in 2375 and "Lower Decks" is currently in 2382 or 2383), meaning the station would look more or less familiar to fans. The Promenade is still in business, Morn is still drinking at Quark's, and some familiar characters are still living there. Returning to reprise their roles are Armin Shimerman as Quark and Nana Visitor as Col. Kira Nerys.
Col. Kira, like so much of "Deep Space Nine," was a unique creation in "Star Trek.
Col. Kira, like so much of "Deep Space Nine," was a unique creation in "Star Trek.
- 9/30/2022
- by Witney Seibold
- Slash Film
Exclusive: Soap veteran Trevor St. John is coming to Genoa City. The former star of One Life To Live is joining the cast of CBS’ The Young and the Restless.
Sadly, details about his new role are being kept under wraps. He begins taping this month and begin appearing on the sudser later this Fall.
St. John is best known for his 10-year run as Todd Manning/Victor Lord, Jr. on ABC’s One Life to Live. He was most recently seen on ABC’s Promised Land and his past credits include a series regular role on Roswell, New Mexico and Patrick Wang’s critically acclaimed independent drama films, In the Family and The Grief of Others.
St. John is represented by Brs/Gage Talent Agency and Tim Taylor at Luber Roklin Management.
The Young and the Restless will begin its 50th season in September. The series is broadcast weekdays on...
Sadly, details about his new role are being kept under wraps. He begins taping this month and begin appearing on the sudser later this Fall.
St. John is best known for his 10-year run as Todd Manning/Victor Lord, Jr. on ABC’s One Life to Live. He was most recently seen on ABC’s Promised Land and his past credits include a series regular role on Roswell, New Mexico and Patrick Wang’s critically acclaimed independent drama films, In the Family and The Grief of Others.
St. John is represented by Brs/Gage Talent Agency and Tim Taylor at Luber Roklin Management.
The Young and the Restless will begin its 50th season in September. The series is broadcast weekdays on...
- 8/2/2022
- by Lynette Rice
- Deadline Film + TV
Over the last few years Andrew Ahn has cemented himself as one of the most promising talents in American independent cinema. His first feature, the underrated Spa Night, was an incredibly moving and personal look into a closeted Korean-American man’s struggles with his sexuality and the duty he feels towards his family. Ahn’s empathetic sensibilities were further amplified by his follow-up Driveways, which offered a blend of personal and communal specificity. He’s proven his skills as a quiet dramatist, able to convey the burdens and tragedies of life without pivoting over into melodramatic flourishes—a naturalistic world-building reminiscent of Patrick Wang and Kelly Reichardt, though with a gentler, somewhat simpler touch.
This makes Fire Island, his third feature, a particularly interesting pivot. Instead of being another quietly emotional character piece he’s delivered a joyous romantic comedy, filled to the brim with bright colors, broad comedic beats,...
This makes Fire Island, his third feature, a particularly interesting pivot. Instead of being another quietly emotional character piece he’s delivered a joyous romantic comedy, filled to the brim with bright colors, broad comedic beats,...
- 6/2/2022
- by Logan Kenny
- The Film Stage
(Welcome to The Daily Stream, an ongoing series in which the /Film team shares what they've been watching, why it's worth checking out, and where you can stream it.)The Movie: "A Bread Factory"
Where You Can Stream It: Ovid, Kanopy, Topic, and Fandor
The Pitch: Patrick Wang's gentle, conversational, warm, glorious poem "A Bread Factory" is, at its heart, about the value of art. Simultaneously sprawling and intimately handcrafted, "A Bread Factory" will feel comforting and familiar to anyone who has been involved in theater, anyone who loves spending time in libraries, and anyone who has a favorite local diner. It will also feel stressful and oppressive...
The post The Daily Stream: A Bread Factory Provides a Whole Meal appeared first on /Film.
Where You Can Stream It: Ovid, Kanopy, Topic, and Fandor
The Pitch: Patrick Wang's gentle, conversational, warm, glorious poem "A Bread Factory" is, at its heart, about the value of art. Simultaneously sprawling and intimately handcrafted, "A Bread Factory" will feel comforting and familiar to anyone who has been involved in theater, anyone who loves spending time in libraries, and anyone who has a favorite local diner. It will also feel stressful and oppressive...
The post The Daily Stream: A Bread Factory Provides a Whole Meal appeared first on /Film.
- 3/17/2022
- by Witney Seibold
- Slash Film
Box office dominated by holdovers including ‘Uncharted’, ‘Sing 2’.
Channing Tatum comedy Dog and Altitude documentary The Real Charlie Chaplin are debuting in a quiet weekend for new openers at the UK-Ireland box office.
Directed by Tatum and Reid Carolin from a screenplay by Carolin, Dog stars Tatum in the story of a US army ranger who must escort the dog of his fallen commander to the funeral. Entertainment Film Distributors is releasing the title in the UK and Ireland.
Animal-themed titles can be a profitable venture: eOne’s Clifford The Big Red Dog opened to a healthy £1.29m in December,...
Channing Tatum comedy Dog and Altitude documentary The Real Charlie Chaplin are debuting in a quiet weekend for new openers at the UK-Ireland box office.
Directed by Tatum and Reid Carolin from a screenplay by Carolin, Dog stars Tatum in the story of a US army ranger who must escort the dog of his fallen commander to the funeral. Entertainment Film Distributors is releasing the title in the UK and Ireland.
Animal-themed titles can be a profitable venture: eOne’s Clifford The Big Red Dog opened to a healthy £1.29m in December,...
- 2/18/2022
- by Ben Dalton
- ScreenDaily
Starting with In the Family’s discreetly told story of a family trauma, Wang’s films, seen together, showcase a civically minded vision that demands attention
Fittingly for self-distributed works by a true American independent, Patrick Wang’s four features to date stand tall with a graceful and tenacious outsiderdom. Their handmade quality and occasional rough edges may have made them a hard sell, but this seems unfair. There’s a collectivist spirit, moral conviction and self-taught experimentalism at work here – the latter given increasing room to express itself as Wang has gradually untethered himself from realism – that demands attention.
Especially impressive is Wang’s 2011 debut In the Family (****) – starring Wang himself as Joey Williams, a Texan interior designer whose partner Cody (Trevor St John) is killed in a car accident. Cody’s will, written long before their relationship, states that his sister Eileen (Kelly McAndrew) should act as guardian...
Fittingly for self-distributed works by a true American independent, Patrick Wang’s four features to date stand tall with a graceful and tenacious outsiderdom. Their handmade quality and occasional rough edges may have made them a hard sell, but this seems unfair. There’s a collectivist spirit, moral conviction and self-taught experimentalism at work here – the latter given increasing room to express itself as Wang has gradually untethered himself from realism – that demands attention.
Especially impressive is Wang’s 2011 debut In the Family (****) – starring Wang himself as Joey Williams, a Texan interior designer whose partner Cody (Trevor St John) is killed in a car accident. Cody’s will, written long before their relationship, states that his sister Eileen (Kelly McAndrew) should act as guardian...
- 2/14/2022
- by Phil Hoad
- The Guardian - Film News
Exclusive: Gia Sandhu (The Mysterious Benedict Society) has signed on to executive produce and star in Alterations, the first feature from writer-director Sean Wainsteim.
In the film, a woman and a non-verbal girl serving as live-in caregivers are invited to stay in a house where their every desire is fulfilled, as long as they mend mysterious clothing for fairytale creatures.
Sandhu will play Leila, the woman traveling with rebellious 12-year-old Nadia and a suitcase of her belongings, who is desperate for a safe place to call home. When she finds a situation that seems too good to be true, she’s willing to ignore some… odd occurrences and make the best of things. As she starts to uncover her role in a larger narrative, Leila is forced to balance her time with Nadia with explorations into her own power, creativity and ability to change.
Rosemary Dunsmore, John Stocker and Shazdeh Kapadia...
In the film, a woman and a non-verbal girl serving as live-in caregivers are invited to stay in a house where their every desire is fulfilled, as long as they mend mysterious clothing for fairytale creatures.
Sandhu will play Leila, the woman traveling with rebellious 12-year-old Nadia and a suitcase of her belongings, who is desperate for a safe place to call home. When she finds a situation that seems too good to be true, she’s willing to ignore some… odd occurrences and make the best of things. As she starts to uncover her role in a larger narrative, Leila is forced to balance her time with Nadia with explorations into her own power, creativity and ability to change.
Rosemary Dunsmore, John Stocker and Shazdeh Kapadia...
- 10/20/2021
- by Matt Grobar
- Deadline Film + TV
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
30 Years of The Film Foundation
Equally impressive as his towering career is Martin Scorsese’s dedication to restoring previously lost classics and championing underseen gems with The Film Foundation. Now celebrating 30 years, they’ve been given the spotlight on The Criterion Channel, featuring a wealth of highlights as well as a conversation between Scorsese and Ari Aster. The lineup of essentials includes The Broken Butterfly (1919), Trouble in Paradise (1932), It Happened One Night (1934), L’Atalante (1934), The Long Voyage Home (1940) The Chase (1946), The Red Shoes (1948), The River (1951), Moulin Rouge (1952), The Bigamist (1953), Ugetsu (1953), Senso (1954), The Big Country (1958), Shadows (1959), The Cloud-Capped Star (1960), Primary (1960), The Connection (1961), Salvatore Giuliano (1962), The Masque of the Red Death (1964), Once Upon a Time in the West...
30 Years of The Film Foundation
Equally impressive as his towering career is Martin Scorsese’s dedication to restoring previously lost classics and championing underseen gems with The Film Foundation. Now celebrating 30 years, they’ve been given the spotlight on The Criterion Channel, featuring a wealth of highlights as well as a conversation between Scorsese and Ari Aster. The lineup of essentials includes The Broken Butterfly (1919), Trouble in Paradise (1932), It Happened One Night (1934), L’Atalante (1934), The Long Voyage Home (1940) The Chase (1946), The Red Shoes (1948), The River (1951), Moulin Rouge (1952), The Bigamist (1953), Ugetsu (1953), Senso (1954), The Big Country (1958), Shadows (1959), The Cloud-Capped Star (1960), Primary (1960), The Connection (1961), Salvatore Giuliano (1962), The Masque of the Red Death (1964), Once Upon a Time in the West...
- 11/20/2020
- by Jordan Raup
- The Film Stage
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
Bang Gang (A Modern Love Story) (Eva Husson)
A post-9/11 world rife with domestic terrorism is one our youth should be allowed to avoid. Parents seek an escape as well, though, something that risks leaving their kids alone without supervision for longer than recommended. This concept is never more prevalent than within the affluent sector of society where expendable income and exotic jobs leave a ton of latchkey children trying to defeat boredom. Internet connectivity provides whatever their hearts desire, freedom the ample opportunity to do as they please. Social pressures must be relieved and sex is easily the quickest and cheapest way to do so.
Bang Gang (A Modern Love Story) (Eva Husson)
A post-9/11 world rife with domestic terrorism is one our youth should be allowed to avoid. Parents seek an escape as well, though, something that risks leaving their kids alone without supervision for longer than recommended. This concept is never more prevalent than within the affluent sector of society where expendable income and exotic jobs leave a ton of latchkey children trying to defeat boredom. Internet connectivity provides whatever their hearts desire, freedom the ample opportunity to do as they please. Social pressures must be relieved and sex is easily the quickest and cheapest way to do so.
- 10/4/2019
- by Jordan Raup
- The Film Stage
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
A Bread Factory (Patrick Wang)
With a small theatrical release and its runtime of four hours (split across two parts) it’s not particularly surprising that Patrick Wang’s A Bread Factory went overlooked last fall, but one should seek it out–and it’s now finally arriving on streaming. One of the best American indies of the year, it is a Rivettian look at an upstate theater company that takes both an authentic look at the mechanics of survival in the arts and a fanciful approach at showing the joy of performance. I don’t imagine the entire thing will work for everyone, but there...
A Bread Factory (Patrick Wang)
With a small theatrical release and its runtime of four hours (split across two parts) it’s not particularly surprising that Patrick Wang’s A Bread Factory went overlooked last fall, but one should seek it out–and it’s now finally arriving on streaming. One of the best American indies of the year, it is a Rivettian look at an upstate theater company that takes both an authentic look at the mechanics of survival in the arts and a fanciful approach at showing the joy of performance. I don’t imagine the entire thing will work for everyone, but there...
- 9/27/2019
- by Jordan Raup
- The Film Stage
Irish comedies have won big at this year's Fleadh, while Patrick Wang's A Bread Factory scooped the Award for Best International Film. It's a wrap for the 31st edition of the Galway Film Fleadh, the Republic of Ireland's leading film festival. Yesterday, Sunday 14 July, the event came to a close after the screening of Ivan Kavanagh's new western Never Grow Old, starring Emile Hirsch and John Cusack in the lead roles. As always, the historic Town Hall Theatre hosted the awards ceremony. This year's edition saw the triumph of two Irish comedies – namely, Shelly Love's A Bump Along the Way, the recipient of the Award for Best First Feature, and Mike Ahern and Enda Loughman's Extra Ordinary, crowned Best Irish Feature. Incidentally, the latter also won the Best Film Award and the Audience Award at the Neuchâtel International Fantastic Film Festival this weekend (see the news). Other prestigious.
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSTerrence Malick's A Hidden Life.The various lineups for Cannes 2019 have been announced: the Official Selection of the Cannes Film Festival, and the separate but simultaneous events, the Directors' Fortnight, Critics' Week, and Acid.Stephen Chow has confirmed that he will be directing the follow-up to his 2004 film Kung Fu Hustle, in which he also starred as the lead character. Recommended Viewinga tense and harrowing trailer for Ava Duvernay's When They See Us, a miniseries that follows the plight of the Central Park Five, five boys falsely accused of brutally raping a jogger. The series, which spans from 1989 to 2014, also marks another collaboration between Duvernay and cinematographer Bradford Young.Flying Lotus and David Lynch come together for the song "Fire is Coming," off of Flying Lotus's new album Flamagra. The music video, which...
- 4/24/2019
- MUBI
NEWSCharles Burnett's Killer of SheepTwo exciting stories involving two forerunners of the L.A. Rebellion: Charles Burnett is set to direct the film Steal Away, about the escape of former slave-turned-politician Robert Smalls; while Julie Dash will be helming Lionsgate's Angela Davis biopic. GammaRay and Celestial pictures will be hosting a Shaw Brothers movie marathon on Twitch that will continue from February 4 to February 8. The globally-streaming marathon includes 44 full-length features from the Shaw Brothers’ catalog, so make sure to clear your calendars! Recommended VIEWINGThe release of Harmony Korine's long awaited follow-up to his lightening-in-a-bottle movie Spring Breakers is finally near. Here's a new trailer for the Miami-set, Matthew McConaughey-starring odyssey.A lovely miniature play with form: the U.S. trailer for Hong Sang-soo's Hotel by the River. Meanwhile, we are currently running a retrospective of Hong's films in the UK entitled Solving Puzzles: The Cinema of Hong Sang-soo.
- 1/31/2019
- MUBI
It’s a new Indie Beat, and joining us on this episode is filmmaker Patrick Wang.
Patrick spent some time directing and acting in theater productions before bursting onto the scene with his debut feature “In The Family.” The film follows a man, played by Wang, struggling to retain custody of his son after the death of his lover, the biological father of said child. Running nearly three hours with plenty of long takes, ‘Family’ had a rough time finding a home until its premiere at the Hawaii International Film Festival.
Continue reading Filmmaker Patrick Wang Talks Directing And Self-Distribution [Indie Beat Podcast] at The Playlist.
Patrick spent some time directing and acting in theater productions before bursting onto the scene with his debut feature “In The Family.” The film follows a man, played by Wang, struggling to retain custody of his son after the death of his lover, the biological father of said child. Running nearly three hours with plenty of long takes, ‘Family’ had a rough time finding a home until its premiere at the Hawaii International Film Festival.
Continue reading Filmmaker Patrick Wang Talks Directing And Self-Distribution [Indie Beat Podcast] at The Playlist.
- 1/9/2019
- by Christopher Bell
- The Playlist
There are a multitude of reasons why any film may get unfairly overlooked. It could be a lack of marketing resources to provide a substantial push, or, due to a minuscule roll-out, not enough critics and audiences to be the champions it might require. It could simply be the timing of the picture itself; even in the world of studio filmmaking, some features take time to get their due. With an increasingly crowded marketplace, there are more reasons than ever that something might not find an audience and we’ve rounded up the releases that deserved more attention.
Note that all of the below films made less than $500K at the domestic box office at the time of posting–Netflix/VOD figures are not accounted for, as they normally aren’t made public–and are, for the most part, left out of most year-end conversations. Sadly, many documentaries would qualify for this list,...
Note that all of the below films made less than $500K at the domestic box office at the time of posting–Netflix/VOD figures are not accounted for, as they normally aren’t made public–and are, for the most part, left out of most year-end conversations. Sadly, many documentaries would qualify for this list,...
- 12/20/2018
- by The Film Stage
- The Film Stage
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSNicolas Roeg on the set of The Man Who Fell to EarthThis is a rather tragic week in cinema history, with the passing of filmmakers Nicolas Roeg and Bernardo Bertolucci, screenwriter and playwright William Goldman, and character actor Ricky Jay. We will miss these visionaries and their singular artistry.In partnership with U.K. charity Changing Faces, which aims to "remove the stigma around disfigurement," the BFI has announced it will no longer provide funding to films that feature "facially-scarred villains." This initiative is in addition to the institution's new diversity commitment. Recommending Viewinga stunning trailer for Jean-Luc Godard's The Image Book, premiering soon in U.K. cinemas on December 2nd, and on Mubi there starting December 3rd. For Filmkrant, Cristina Álvarez López & Adrian Martin's latest video essay on the use of archival...
- 12/4/2018
- MUBI
“The kids need a future,” a city council member tells Dorothea (Tyne Daly) half way through the first of Patrick Wang’s two-part A Bread Factory: “they need to learn about the world.” Forty years prior to the exchange, Dorothea and her partner Greta (Elizabeth Henry-Macari) bought a bakery in the fictional upstate New York town of Checkford, and turned it into the Bread Factory, an arts center the married couple has fought hard to keep afloat through the years. Cash and funds have historically been finite and resources volatile—but while stage director Dorothea and actress Greta powered through the decades with indomitable determination and grit, the creation of a bigger arts institute in the opposite side of town, led by a couple of world-renowned Chinese performance artists, May Ray (Janet Hsieh and George Young), is poised to spell the end of the Factory’s illustrious work. The center...
- 11/26/2018
- MUBI
“A Bread Factory,” written and directed by Patrick Wang, is a drama that tickles your spirit in a special, buoyant way. It’s set in the small town of Checkford, N.Y. (it was shot in the picturesque historical village of Hudson), and though Wang has conceived the film as an epic — it’s four hours long, and is being shown in two parts, each of which is presented as a movie unto itself — “A Bread Factory” revolves around something that may sound astonishingly minor: a community arts center, the sort of homespun place that presents plays, chamber-music concerts, and art shows and hosts the occasional visiting luminary and features after-school programs for children.
The center is called the Bread Factory (that’s because it’s situated in an old bread factory), and it’s been run for 40 years by its two founders, crusty WASPy Dorothea (Tyne Daly) and elegant...
The center is called the Bread Factory (that’s because it’s situated in an old bread factory), and it’s been run for 40 years by its two founders, crusty WASPy Dorothea (Tyne Daly) and elegant...
- 10/27/2018
- by Owen Gleiberman
- Variety Film + TV
Patrick Wang (a 25 New Face alum) takes a painstakingly nuanced, intimate approach to delicate subjects, specifically the ways in which we deal with — and don’t deal with — loss and the rippling effects in life after a death. His first feature, the breathtaking, Independent Spirit Award-nominated In the Family, and 2015’s Cannes and SXSW-screening The Grief of Others, which will finally be hitting theaters November 2nd, would make for a great marathon viewing alone. (Provided it came with a big box of Kleenex.) And now Wang has created a work that is simultaneously lighter in tone, and his […]...
- 10/26/2018
- by Lauren Wissot
- Filmmaker Magazine-Director Interviews
Patrick Wang (a 25 New Face alum) takes a painstakingly nuanced, intimate approach to delicate subjects, specifically the ways in which we deal with — and don’t deal with — loss and the rippling effects in life after a death. His first feature, the breathtaking, Independent Spirit Award-nominated In the Family, and 2015’s Cannes and SXSW-screening The Grief of Others, which will finally be hitting theaters November 2nd, would make for a great marathon viewing alone. (Provided it came with a big box of Kleenex.) And now Wang has created a work that is simultaneously lighter in tone, and his […]...
- 10/26/2018
- by Lauren Wissot
- Filmmaker Magazine - Blog
There’s nothing else out there like Patrick Wang’s two-part, four-hour labor of love, “A Bread Factory,” and that’s wholly a good thing.
A lovably oddball, ticklish and moving tapestry about the struggle to save a beleaguered community arts center, its specialness derives not from a mercenary thirst to ignore convention, but rather a desire to refract humanity with passion and delight. Through bursts of comedy, poignancy, conflict, song, dance, and theatrical whimsy, what emerges is akin to a homespun symphony of soulfulness.
Seven years ago, Wang unveiled an astonishing debut, “In the Family,” itself an intimate opus (at three hours) of profound understanding, about a gay man’s fraught custody battle with his deceased partner’s prejudiced relatives. Embedded with moral clarity and carefully turned psychological tension, it came seemingly out of nowhere and heralded an emotionally astute new filmic talent. That it’s still little-seen seems wrong,...
A lovably oddball, ticklish and moving tapestry about the struggle to save a beleaguered community arts center, its specialness derives not from a mercenary thirst to ignore convention, but rather a desire to refract humanity with passion and delight. Through bursts of comedy, poignancy, conflict, song, dance, and theatrical whimsy, what emerges is akin to a homespun symphony of soulfulness.
Seven years ago, Wang unveiled an astonishing debut, “In the Family,” itself an intimate opus (at three hours) of profound understanding, about a gay man’s fraught custody battle with his deceased partner’s prejudiced relatives. Embedded with moral clarity and carefully turned psychological tension, it came seemingly out of nowhere and heralded an emotionally astute new filmic talent. That it’s still little-seen seems wrong,...
- 10/25/2018
- by Robert Abele
- The Wrap
Patrick Wang’s unlikely two-part comic epic A Bread Factory is set in Checkford, New York, a quiet town where residents gossip over coffee at Sam’s diner about the goings on at the school board, the town council, and the Bread Factory, the community arts center that is the soul of the town. Long ago in Checkford’s…...
- 10/23/2018
- by Ignatiy Vishnevetsky on Film, shared by Ignatiy Vishnevetsky to The A.V. Club
- avclub.com
What does it say about the current state of American cinema that filmmaker Patrick Wang’s brand of humanism could be considered radical? Most of our homegrown dramatists aren’t interested in the complexities of inner tumult, just the surface level conflict and pain it tends to foster. Making matters worse, the Academy Awards don’t tend to reward serious artists dealing with the nuances of psychological distress. Wang is different from his peers in so many respects, but the most important has to do with his refusal to see human emotion through such a binary lens; for him, trauma and healing are permanently intertwined and mirrored experiences. With this motif as their guiding light, Wang’s first two features—2011’s In the Family and 2015’s The Grief of Others—daringly suggest that even the most traumatically broken individual can heal under the right circumstances. His invaluable optimism does not...
- 10/22/2018
- MUBI
He first came to our attention as one of the producers on Patrick Wang’s The Grief of Others and Trey Edward Shults’ Krisha, but it’s with his Grand Jury Prize winning Sundance short Thunder Road where Jim Cummings firmly becomes his own “boss.” Fast-forward to a successful Kickstarter campaign for the feature film version, the producer-director-writer-actor would commence shooting in November, win the Grand Jury prize at SXSW in March and would move onto France for the international premiere in the Acid section at the Cannes Film Festival. While not necessarily issue-oriented but there contains a subtext that this acerbic dramedy is a pleasant shapeshifter in terms of tone with several unexpected emotional state of mind resting places for it’s protagonist. …...
- 10/9/2018
- by Eric Lavallée
- IONCINEMA.com
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.Recommended VIEWINGFinally, it’s here: Netflix’s trailer for their restoration and reconstruction of Orson Welles' final and previously unfinished The Other Side of the Wind, starring John Huston and Peter Bogdanovich.A dreamy, sun-bathed trailer for Carlos Reygadas's Our Time, about a Mexican family that raises fighting bulls, and a young horse trainer who enters and disrupts their lives. The Venice-bound film is Reygadas's first since his 2012 Post Tenebras Lux. Behold, the official trailer for Luca Guadagnino's Suspiria, cut with an erratic rhythm that blurs the line between violent bodily contortions and interpretive dance. The film has been acquired by Mubi to show in UK cinemas on November 16.The trailer for Rialto Pictures's new 4K restoration of Jean-Pierre Melville's little-seen When You Read This Letter (1953). The film, which...
- 8/29/2018
- MUBI
Thunder Road
Before unleashing one of the all-time best shorts to bust a move out of Sundance with the Short Film Grand Jury Prize winner, Jim Cummings was a name we were familiar with Patrick Wang’s The Grief of Others, Trey Edward Shults’ Krisha and now we know him as a creator in creative overdrive, having shot five shorts and a TV Mini-Series since the Sundance win.
Continue reading...
Before unleashing one of the all-time best shorts to bust a move out of Sundance with the Short Film Grand Jury Prize winner, Jim Cummings was a name we were familiar with Patrick Wang’s The Grief of Others, Trey Edward Shults’ Krisha and now we know him as a creator in creative overdrive, having shot five shorts and a TV Mini-Series since the Sundance win.
Continue reading...
- 1/17/2018
- by Eric Lavallée
- IONCINEMA.com
Double feature are sequels to In The Family, The Grief Of Others.
Patrick Wang and Vanishing Angle announce don Tuesday that Tyne Daly, Janeane Garofalo, James Marsters, Nana Visitor, and Brian Murray have joined the cast of double feature project A Bread Factory (Parts One and Two).
The two films are currently shooting in Hudson, New York and are sequels to Wang’s In The Family and The Grief Of Others.
Matt Miller and Daryl Freimark are producing A Bread Factory (Parts One and Two).
Wang wrote the screenplays and directs the comedic dramas set in a small-town community arts centre, which he said created a good setting “for thinking about many big themes: art and commerce, globalization, gentrification, changing social institutions, and new technology.”
Additional key cast members include Glynnis O’Connor, Jessica Pimentel, Amy Carlson, and Trevor St. John, and opera star Martina Arroyo and real-life couple Taiwanese television personality Janet Hsieh and Singapore star George Young...
Patrick Wang and Vanishing Angle announce don Tuesday that Tyne Daly, Janeane Garofalo, James Marsters, Nana Visitor, and Brian Murray have joined the cast of double feature project A Bread Factory (Parts One and Two).
The two films are currently shooting in Hudson, New York and are sequels to Wang’s In The Family and The Grief Of Others.
Matt Miller and Daryl Freimark are producing A Bread Factory (Parts One and Two).
Wang wrote the screenplays and directs the comedic dramas set in a small-town community arts centre, which he said created a good setting “for thinking about many big themes: art and commerce, globalization, gentrification, changing social institutions, and new technology.”
Additional key cast members include Glynnis O’Connor, Jessica Pimentel, Amy Carlson, and Trevor St. John, and opera star Martina Arroyo and real-life couple Taiwanese television personality Janet Hsieh and Singapore star George Young...
- 5/2/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Tyne Daly (upcoming Spider-Man: Homecoming), Buffy The Vampire Slayer alum James Marsters, Nana Visitor (Star Trek: Deep Space Nine), Janeane Garofalo (Wet Hot American Summer), and Brian Murray have signed on for the double feature project, A Bread Factory from directors Patrick Wang and Vanishing Angle. The pics, currently in production in New York, are written by Wang and revolve around a small town community arts center. Wang’s other directorial credits include In The…...
- 5/2/2017
- Deadline
Tyne Daly and Janeane Garofolo are set to topline The Bread Factory (Parts One & Two), the latest feature from writer-director Patrick Wang.
James Marsters, Nana Visitor and Brian Murray are also set to star in the features, which are dramedies set at a community arts center.
The ensemble cast also includes Glynnis O’Connor, Orange Is the New Black's Jessica Pimentel, Blue Bloods' Amy Carlson and Trevor St. John, as well as opera singer Martina Arroyo, Taiwanese television personality Janet Hsieh and Singapore star George Young.
Matt Miller and Daryl Freimark will produce the sequels, which are currently filming in New York.
...
James Marsters, Nana Visitor and Brian Murray are also set to star in the features, which are dramedies set at a community arts center.
The ensemble cast also includes Glynnis O’Connor, Orange Is the New Black's Jessica Pimentel, Blue Bloods' Amy Carlson and Trevor St. John, as well as opera singer Martina Arroyo, Taiwanese television personality Janet Hsieh and Singapore star George Young.
Matt Miller and Daryl Freimark will produce the sequels, which are currently filming in New York.
...
- 5/2/2017
- by THR Staff
- The Hollywood Reporter - Movie News
Michael Almereyda will be in Berlin and discuss Experimenter on the opening night of the eighth edition of Unknown Pleasures, the festival of American Independent Film. Brigitta Wagner will be on hand for screenings of Rosehill with Kate Chamuris and Josephine Decker and Patrick Wang will be in town for the first screening of The Grief of Others. There'll be a special program of films by Ed Pincus plus Frederick Wiseman's In Jackson Heights, Travis Wilkerson's Machine Gun or Typewriter?, Thom Andersen's Juke: Passages from the Films of Spencer Williams, Stephen Cone's Henry Gamble's Birthday Party, Paul Thomas Anderson's Junun and Nathan Silver's Stinking Heaven. » - David Hudson...
- 5/10/2016
- Keyframe
Michael Almereyda will be in Berlin and discuss Experimenter on the opening night of the eighth edition of Unknown Pleasures, the festival of American Independent Film. Brigitta Wagner will be on hand for screenings of Rosehill with Kate Chamuris and Josephine Decker and Patrick Wang will be in town for the first screening of The Grief of Others. There'll be a special program of films by Ed Pincus plus Frederick Wiseman's In Jackson Heights, Travis Wilkerson's Machine Gun or Typewriter?, Thom Andersen's Juke: Passages from the Films of Spencer Williams, Stephen Cone's Henry Gamble's Birthday Party, Paul Thomas Anderson's Junun and Nathan Silver's Stinking Heaven. » - David Hudson...
- 5/10/2016
- Fandor: Keyframe
Commonly known as a lieu that breeds new filmmaking talents, Nicholas Bell and I look back at the filmmakers who made the most noteworthy splash at this year’s Sundance Film Festival. Here are our Top 10 New Voices countdown:
#10. Jim Cummings – Thunder Road (Short)
Producer on Patrick Wang’s The Grief of Others and Trey Edward Shults’s Krisha, Jim Cummings showed everyone who is the “boss” with the devilishly funny, conceptually sophisticated and fastidiously well executed short film. In one stroke, Cummings demonstrates a formal rigour, an impressionable, sumptuous pulse and fall-out-of-your-seat choreography. Winner of the top prize with the Short Film Grand Jury Prize, Thunder Road is a crowd pleaser and one heck of a lucky charm calling card. (El)
#9. Bernardo Britto – Jacqueline (Argentine)
On our radar two years back with his animated short (Yearbook), we were quite surprised by the form and the off the chart text...
#10. Jim Cummings – Thunder Road (Short)
Producer on Patrick Wang’s The Grief of Others and Trey Edward Shults’s Krisha, Jim Cummings showed everyone who is the “boss” with the devilishly funny, conceptually sophisticated and fastidiously well executed short film. In one stroke, Cummings demonstrates a formal rigour, an impressionable, sumptuous pulse and fall-out-of-your-seat choreography. Winner of the top prize with the Short Film Grand Jury Prize, Thunder Road is a crowd pleaser and one heck of a lucky charm calling card. (El)
#9. Bernardo Britto – Jacqueline (Argentine)
On our radar two years back with his animated short (Yearbook), we were quite surprised by the form and the off the chart text...
- 2/4/2016
- by IONCINEMA.com Contributing Writers
- IONCINEMA.com
In the new issue of Jacobin, Eileen Jones looks into why Buster Keaton hasn't been alone in his sympathy for the Confederacy. Also in today's roundup: Terence Nance's rap response to Straight Outta Compton, plus essays on Robert Bresson's The Devil, Probably, Michael Ritchie's Prime Cut, George Miller's Mad Max: Fury Road, Preston Sturges, Andrei Tarkovsky’s Stalker, Barbara Steele, and Patrick Wang's The Grief of Others. Book reviews: Jonathan Rosenbaum on Richard Brody's biography of Jean-Luc Godard, the Nyt on Brian Kellow's biography of Hollywood agent Sue Mengers, the Film Stage on a new book on Bill Murray—and more. » - David Hudson...
- 8/21/2015
- Fandor: Keyframe
In the new issue of Jacobin, Eileen Jones looks into why Buster Keaton hasn't been alone in his sympathy for the Confederacy. Also in today's roundup: Terence Nance's rap response to Straight Outta Compton, plus essays on Robert Bresson's The Devil, Probably, Michael Ritchie's Prime Cut, George Miller's Mad Max: Fury Road, Preston Sturges, Andrei Tarkovsky’s Stalker, Barbara Steele, and Patrick Wang's The Grief of Others. Book reviews: Jonathan Rosenbaum on Richard Brody's biography of Jean-Luc Godard, the Nyt on Brian Kellow's biography of Hollywood agent Sue Mengers, the Film Stage on a new book on Bill Murray—and more. » - David Hudson...
- 8/21/2015
- Keyframe
There's a companion site for the new edition of Thomas Elsaesser and Malte Hagener's Film Theory: an Introduction Through the Senses that's chock full of some of the best recent audiovisual essays on cinema. Also in today's roundup: Jean-Luc Godard's illustrated scenario for Film Socialisme; Martin Scorsese on three of his favorite actresses, Gene Tierney, Olivia de Havilland and Teresa Wright; Kenneth Turan on Dorothy Arzner; J. Hoberman on Nadav Lapid; David Fear's interview with Julien Temple and Neil Fox's with Alex Ross Perry; Joe Swanberg and Kris Swanberg in conversation; and Adam Schartoff's interviews with James Ponsoldt (The End of the Tour), Patrick Wang (The Grief of Othersv) and Alex R. Johnson (Two Step). » - David Hudson...
- 8/2/2015
- Fandor: Keyframe
There's a companion site for the new edition of Thomas Elsaesser and Malte Hagener's Film Theory: an Introduction Through the Senses that's chock full of some of the best recent audiovisual essays on cinema. Also in today's roundup: Jean-Luc Godard's illustrated scenario for Film Socialisme; Martin Scorsese on three of his favorite actresses, Gene Tierney, Olivia de Havilland and Teresa Wright; Kenneth Turan on Dorothy Arzner; J. Hoberman on Nadav Lapid; David Fear's interview with Julien Temple and Neil Fox's with Alex Ross Perry; Joe Swanberg and Kris Swanberg in conversation; and Adam Schartoff's interviews with James Ponsoldt (The End of the Tour), Patrick Wang (The Grief of Othersv) and Alex R. Johnson (Two Step). » - David Hudson...
- 8/2/2015
- Keyframe
In today's roundup of news and views: Charles Mudede on John Sayles's The Brother from Another Planet, André Gregory and Wallace Shawn's list of top ten Criterion releases, Terrence Rafferty on Bernhard Wicki’s The Bridge, Mike D'Angelo on John Ford and Native Americans, Philippa Snow on Ana Lily Armirpour's A Girl Walks Home Alone at Night and Jonathan Glazer's Under the Skin, Patrick Wang on Lisa Joyce's performance in Jonathan Demme's A Master Builder, Kevin Hatch on Bruce Conner, Ryan Gilbey on Wim Wenders, interviews with Jia Zhangke, Hannah Gross and Deragh Campbell—and more. » - David Hudson...
- 6/29/2015
- Fandor: Keyframe
In today's roundup of news and views: Charles Mudede on John Sayles's The Brother from Another Planet, André Gregory and Wallace Shawn's list of top ten Criterion releases, Terrence Rafferty on Bernhard Wicki’s The Bridge, Mike D'Angelo on John Ford and Native Americans, Philippa Snow on Ana Lily Armirpour's A Girl Walks Home Alone at Night and Jonathan Glazer's Under the Skin, Patrick Wang on Lisa Joyce's performance in Jonathan Demme's A Master Builder, Kevin Hatch on Bruce Conner, Ryan Gilbey on Wim Wenders, interviews with Jia Zhangke, Hannah Gross and Deragh Campbell—and more. » - David Hudson...
- 6/29/2015
- Keyframe
We're rounding up reviews, interviews, clips and trailers for films screening at this year's BAMcinemaFest: Alex Ross Perry's Queen of Earth, James Ponsoldt's The End of the Tour, Sean Baker's Tangerine, Stephen Winter's Jason and Shirley, Nathan Silver's Stinking Heaven, Sebastián Silva's Nasty Baby, Todd Rohal's Uncle Kent 2, Jennifer Phang's Advantageous, Kris Swanberg's Unexpected, Patrick Wang's The Grief of Others, Les Blank's A Poem Is a Naked Person, Jem Cohen's Counting, Larry Clark's Kids—and more. » - David Hudson...
- 6/17/2015
- Fandor: Keyframe
We're rounding up reviews, interviews, clips and trailers for films screening at this year's BAMcinemaFest: Alex Ross Perry's Queen of Earth, James Ponsoldt's The End of the Tour, Sean Baker's Tangerine, Stephen Winter's Jason and Shirley, Nathan Silver's Stinking Heaven, Sebastián Silva's Nasty Baby, Todd Rohal's Uncle Kent 2, Jennifer Phang's Advantageous, Kris Swanberg's Unexpected, Patrick Wang's The Grief of Others, Les Blank's A Poem Is a Naked Person, Jem Cohen's Counting, Larry Clark's Kids—and more. » - David Hudson...
- 6/17/2015
- Keyframe
Patrick Wang’s The Grief of Others set for international premiere in the selection.
France’s Association for the Diffusion of Independent Cinema (Acid) has unveiled the line-up for its 22nd Cannes showcase, running May 14-23.
The initiative aimed at giving greater visibility to up and coming, indie filmmakers will screen nine works – five of them first features and six of them without a distributor.
They include Us filmmaker Patrick Wang’s The Grief of Others, which premiered at SXSW earlier this year.
An adaptation of Leah Hager Cohen’s novel about a family who come to terms with the recent loss of a baby through the arrival of a pregnant, teenager stepdaughter in their care, it is Wang’s second film after the much-praised In the Family.
Paris-based Ed Distribution has just acquired the film for France.
Launched in 1993, Acid’s Cannes showcase has put the spotlight on more than 200 works on the Croisette including early works...
France’s Association for the Diffusion of Independent Cinema (Acid) has unveiled the line-up for its 22nd Cannes showcase, running May 14-23.
The initiative aimed at giving greater visibility to up and coming, indie filmmakers will screen nine works – five of them first features and six of them without a distributor.
They include Us filmmaker Patrick Wang’s The Grief of Others, which premiered at SXSW earlier this year.
An adaptation of Leah Hager Cohen’s novel about a family who come to terms with the recent loss of a baby through the arrival of a pregnant, teenager stepdaughter in their care, it is Wang’s second film after the much-praised In the Family.
Paris-based Ed Distribution has just acquired the film for France.
Launched in 1993, Acid’s Cannes showcase has put the spotlight on more than 200 works on the Croisette including early works...
- 4/23/2015
- ScreenDaily
The Association for Independent Film Distribution announced that it'll be screening nine features from May 13 through 23 in Cannes, five of them world premieres: Lionel Baier's La vanité, Emilie Brisavoine's Pauline s'arrache, Philippe Fernandez's Cosmodrama, Benoît Forgeard's Gaz de France, Julia Kowalski's Crache coeur, Nathan Nicholovitch's De l'ombre il y a, João Pedro Plácido's Volta a terra, Anna Roussillon's I Am the People and Patrick Wang's The Grief of Others. Plus: Ken Loach leads a protest against the Locarno Film Festival for its partnership with the Israeli Film Fund. And Toronto's jumping on the television bandwagon. » - David Hudson...
- 4/21/2015
- Keyframe
The Association for Independent Film Distribution announced that it'll be screening nine features from May 13 through 23 in Cannes, five of them world premieres: Lionel Baier's La vanité, Emilie Brisavoine's Pauline s'arrache, Philippe Fernandez's Cosmodrama, Benoît Forgeard's Gaz de France, Julia Kowalski's Crache coeur, Nathan Nicholovitch's De l'ombre il y a, João Pedro Plácido's Volta a terra, Anna Roussillon's I Am the People and Patrick Wang's The Grief of Others. Plus: Ken Loach leads a protest against the Locarno Film Festival for its partnership with the Israeli Film Fund. And Toronto's jumping on the television bandwagon. » - David Hudson...
- 4/21/2015
- Fandor: Keyframe
Adapted by writer-director Patrick Wang from Leah Hager Cohen's 2011 novel, The Grief of Others touches on several of the same themes as Wang's feature-length debut, In the Family. Though staying clear of gender issues this time around, Wang uses The Grief of Others as a vessel to further contemplate the [de]construction of family following a traumatic moment. For the most part, Wang maintains a cold and stoic distance from his subjects, as if approaching filmmaking by way of psychology. An astutely profound rendering of human behavior, Wang frames most of the scenes in static wide-shots, permitting us to observe the Ryries via a clinically disconnected perspective.
- 3/20/2015
- by Don Simpson
- SmellsLikeScreenSpirit
Writer-director Patrick Wang's 2011 debut "In the Family" was a sprawling, astute look at a southern gay man coping with his partner's sudden death and attempting to care for his young child. Its measured approach and extensive running time limited its commercial appeal, but over the course of many months and the accumulation of critical acclaim, the movie became a definite sleeper hit. For his follow-up, "The Grief of Others," Wang adapts Leah Hager Cohen's 2011 novel into another quietly engaging look at family bonds troubled by unexpected death. While not as uniformly engaging as Wang's debut, the new movie once again showcases the filmmaker's tender, exacting technique, offering further confirmation of his emerging talent. Read More: The 2015 Indiewire Sundance Bible Wang's latest drama focuses on the turmoil facing the Ryries family in the immediate aftermath of tragedy. Married couple Ricky (Wendy Moniz) and John (Trevor St. John) cope with death of their.
- 3/16/2015
- by Eric Kohn
- Indiewire
Whether you're following all the festival's developments from Texas or somewhere else in the world, we've assembled this quick handy guide to all the features playing at SXSW. Two-thirds of this year's lineup are world premieres, but for those titles that have played at Sundance and elsewhere, we've included the Criticwire Grade Average that those films have already accumulated. Members from our Criticwire Network will be posting grades and reviews throughout their time in Austin, so we'll refresh this list as the festival progresses. SXSW 2015: The Lineup (Last updated: March 16th, 6:45 Am Est) Narrative Feature Competition "6 Years," directed by Hannah Fidell "The Boy," directed by Craig Macneill "Creative Control," directed by Benjamin Dickinson "Funny Bunny," directed by Alison Bagnall "The Grief of Others," directed by Patrick Wang "Krisha," directed by Trey Edward...
- 3/16/2015
- by Indiewire
- Indiewire
Amy Schumer and Bill Hader in TrainwreckPhoto: Universal Pictures With Sundance just wrapping up and Berlin starting up in a few days, we are now immersed in the year-long barrage of film festivals. One such festival in South By Southwest. A few weeks back they announced the first seven films of their program, including the opening night film Brand: A Second Coming. Today, they have revealed the rest of the features to be shown in March (except for the midnight program), and some of it has me very excited. The bigger titles announced do not do much for me. Paul Feig's Spy, starring Melissa McCarthy, and the Will Ferrell/Kevin Hart starrer Get Hard leave a lot to be desired in terms of anticipation, as does a work in progress cut of Judd Apatow's latest film Trainwreck. I'm guessing an Apatow work in progress is probably around three and a half hours.
- 2/3/2015
- by Mike Shutt
- Rope of Silicon
With Sundance in the rear view mirror and Berlin just around the corner, another huge festival that’s now very much in mind is the 2015 South By Southwest Film Festival (SXSW 2015), to be held in Austin, Texas, this March. And this year, the lineup looks no less eclectic than in any previous year for the festival.
SXSW 2015 will see the debut of two big-studio comedies (Paul Feig’s Spy, starring Melissa McCarthy; and Etan Cohen’s Get Hard, starring Will Ferrell and Kevin Hart), some red-hot documentaries (none more so than Alex Gibney’s Steve Jobs: The Man in the Machine) and a vast array of smaller indie titles. Intriguingly, Judd Apatow’s Amy Schumer vehicle Trainwreck will be screened as a work-in-progress.
Elsewhere, Alex Garland’s well-received Ex Machina will be making an appearance, as will Ryan Gosling’s much-maligned Lost River. And curiously, there will be a...
SXSW 2015 will see the debut of two big-studio comedies (Paul Feig’s Spy, starring Melissa McCarthy; and Etan Cohen’s Get Hard, starring Will Ferrell and Kevin Hart), some red-hot documentaries (none more so than Alex Gibney’s Steve Jobs: The Man in the Machine) and a vast array of smaller indie titles. Intriguingly, Judd Apatow’s Amy Schumer vehicle Trainwreck will be screened as a work-in-progress.
Elsewhere, Alex Garland’s well-received Ex Machina will be making an appearance, as will Ryan Gosling’s much-maligned Lost River. And curiously, there will be a...
- 2/3/2015
- by Isaac Feldberg
- We Got This Covered
South by Southwest, the multi-faceted film, music and technology festival held annually in Austin, TX will feature such upcoming films as Paul Feig’s Spy, David Gordon Green’s Manglehorn, Alex Gibney’s documentary Steve Jobs: The Man in the Machine, and Ondi Timoner’s Russell Brand profile Brand: A Second Coming as headliners in this year’s film festival lineup.
SXSW runs from March 13 to 21 in Austin and is now in its 22nd year. Variety has details of the 145 films and 100 world premieres bowing at this year’s festival. Brand, as previously reported, will be the festival’s opening night film.
Other notable titles on the list are the Will Ferrell/Kevin Hart comedy Get Hard, a rough cut of Judd Apatow’s Trainwreck, the directorial debut of 28 Days Later screenwriter Alex Garland, Ex Machina, and a new comedy by Michael Showalter, Hello, My Name is Doris.
On the small screen,...
SXSW runs from March 13 to 21 in Austin and is now in its 22nd year. Variety has details of the 145 films and 100 world premieres bowing at this year’s festival. Brand, as previously reported, will be the festival’s opening night film.
Other notable titles on the list are the Will Ferrell/Kevin Hart comedy Get Hard, a rough cut of Judd Apatow’s Trainwreck, the directorial debut of 28 Days Later screenwriter Alex Garland, Ex Machina, and a new comedy by Michael Showalter, Hello, My Name is Doris.
On the small screen,...
- 2/3/2015
- by Brian Welk
- SoundOnSight
Top brass at the 22nd South By Southwest (SXSW) Film Conference and Festival have announced the feature line-up for the upcoming festival, set to run from March 13-21 in Austin, Texas.
SXSW will showcase 145 features. The line-up includes 60 films from first-time film-makers and comprises 100 world premieres, 13 North American premieres and 11 Us premieres.
Head of film Janet Pierson and her team of programmers culled selections from a record 2,385 feature-length submissions composed of 1,614 Us and 771 international features. The record of 7,335 total submissions marks a 13% gain on 2014.
For the first time the number of films in the juried Narrative Feature and Documentary Feature selections have risen from eight to ten. The complete Conference line-up and schedule will be released on February 17.
Besides the Narrative Feature Competition and Documentary Feature Competition selections listed below, feature entries include Judd Apatow’s work-in-progress comedy Trainwreck starring Amy Schumer in Special Events, music film 808 (pictured) in 24 Beats Per Second and Alex Garland’s sci-fi...
SXSW will showcase 145 features. The line-up includes 60 films from first-time film-makers and comprises 100 world premieres, 13 North American premieres and 11 Us premieres.
Head of film Janet Pierson and her team of programmers culled selections from a record 2,385 feature-length submissions composed of 1,614 Us and 771 international features. The record of 7,335 total submissions marks a 13% gain on 2014.
For the first time the number of films in the juried Narrative Feature and Documentary Feature selections have risen from eight to ten. The complete Conference line-up and schedule will be released on February 17.
Besides the Narrative Feature Competition and Documentary Feature Competition selections listed below, feature entries include Judd Apatow’s work-in-progress comedy Trainwreck starring Amy Schumer in Special Events, music film 808 (pictured) in 24 Beats Per Second and Alex Garland’s sci-fi...
- 2/3/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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