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- Quinn was born in Dublin, Ireland, and moved to the United States with his mother and two sisters in 1988. His first role was as a pool shark in the Richard Marx video Satisfied. He later landed a major role in the John Travolta film Shout (1991), where he shared a screen kiss with Gwyneth Paltrow. He went on to have roles in a number of other movies and television series. His most notable roles were as Becky's husband, Mark, on Roseanne (1988) and half-demon Doyle on the WB's Angel (1999). He died of a heroin overdose in 2002.
- Actor
- Soundtrack
River Phoenix was born River Jude Bottom in Madras, Oregon. His mother, Arlyn (Dunetz), a Bronx-born secretary, and his father, John Bottom, a carpenter, met in California in 1968. They worked as itinerant fruit pickers, and later joined the Children of God religious group (John was originally Catholic, while Arlyn was born Jewish). By the time River was two, they were living in South America, where John was the sect's Archbishop of Venezuela. They later left the group and, in 1977, moved back to the United States, changing their last name to "Phoenix". They lived with River's maternal grandparents in Florida, and later moved to Los Angeles. His parents encouraged all of their children to get into movies and, by age ten, River was acting professionally on TV. His film debut was in Explorers (1985), followed rapidly by box-office successes with Stand by Me (1986) and The Mosquito Coast (1986), and as young Indiana in Indiana Jones and the Last Crusade (1989). His role as Danny Pope in Running on Empty (1988) earned him an Academy Award nomination as Best Supporting Actor. His best role was probably Mike, the hustler in My Own Private Idaho (1991).
A dedicated animal-rights activist and environmentalist, River was a strict vegetarian and a member of PeTA (People for the Ethical Treatment of Animals). River was a talented musician as well as an actor, and he played guitar, sang, and wrote songs for his band, Aleka's Attic, which also included his sister Rain Phoenix, while living in Gainsville, Florida. Although the band never released its own album, their song "Across the Way" can be found on PeTA's "Tame Yourself" album, used to fight animal abuse. River was in the middle of filming Dark Blood (2012), playing the character Boy when he died. The film couldn't be finished due to too many unfilmed crucial scenes. His mother was later sued.
River died of acute multiple drug intoxication involving lethal levels of cocaine and morphine at age 23 outside the Viper Room, Johnny Depp's Los Angeles club.- Actress
- Soundtrack
Carolyn Sue Jones was born in 1930, in Amarillo, Texas, to homemaker Chloe (or Cloe) Jeanette Southern (1906-1979), and Julius Alfred Jones (1897-1979), a barber. Her sister was Bette (later Mrs. Moriarty). Carolyn was an imaginative child, much like her mother; she and her mother shared the same birthday (April 28).
In 1934, her father abandoned the family and her mother moved them in with her own parents, also in Amarillo. As a child, Carolyn suffered from severe asthma. Although she loved movies, she was often too sick to attend, so she listened to her favorites, Danny Kaye and Spike Jones and read as many movie fan magazines as she could. She dreamed of attending the famed Pasadena Playhouse and received many awards at school for speech, poetry, and dramatics. In 1947, she was accepted as a student at the Pasadena Playhouse, and her grandfather agreed to pay for her classes. She worked in summer stock to supplement her income, graduating in 1950.
She gave herself a complete head-to-toe makeover, including painful cosmetic nose surgery to make herself ready for movie roles. Working as an understudy at the Players Ring Theater, she stepped in when the star left to get married. She was seen by a talent scout from Paramount and given a screen test, which went well. She made her first appearance in The Turning Point (1952). She did some other work during her 6-month contract, but when it ended, Paramount, suffering from television's impact, let it lapse. She quipped, "They let me and 16 secretaries go!"
She started working in television but kept busy on stage as well. There, she met a fellow Texan, a young man named Aaron Spelling, and they became a couple. She made a breakthrough in the 3-D movie House of Wax (1953) and garnered excellent reviews. Aaron was still struggling, so he felt he wasn't able to propose to Carolyn; she finally proposed to him. They were married in April 1953. Neither was earning much, but they really enjoyed each other and their life. Many saw them as an ideal couple. She decided against having children as she felt she could not juggle the demands of both a career and a family.
Columbia Pictures saw her and wanted to test her for the part of prostitute Alma Burke in From Here to Eternity (1953), but she got extremely sick with pneumonia and the part went to Donna Reed, nine years older, who won an Academy Award. Jones did, however, achieve success in the science-fiction classic Invasion of the Body Snatchers (1956), a subtle allegory of the times (McCarthyism). And the famous filmmaker Alfred Hitchcock cast her in The Man Who Knew Too Much (1956) opposite James Stewart and Doris Day. Meanwhile, Aaron had little success as an actor and Carolyn pushed him to become a writer, even threatening to leave him. She constantly promoted his scripts whenever she could and he was ultimately hired by Dick Powell. Carolyn, meanwhile, was successful once more in The Bachelor Party (1957) (famous line, "Just say you love me--you don't have to mean it!"). For this role, she surprised cast members by dyeing her hair black and cutting it short. This stunning look served her well for a number of roles. For her eight minutes on screen, she received glowing reviews and was nominated for an Academy Award but lost. However, she did win the Golden Globe Award and the Laurel Award for Marjorie Morningstar (1958). She followed this with an impressive appearance in King Creole (1958), generally regarded as Elvis Presley's best film. She then gave arguably her best performance ever in Career (1959), but the film was not commercially successful. She played a serious role in this, leaving the kooky role she might have played to Shirley MacLaine.
As Aaron's career soared, the marriage started to fail. They separated in October 1963 and amicably divorced in August 1965, with Carolyn asking for no alimony. They remained friends. She worked at various roles including two episodes of Burke's Law (1963) for which she received a Golden Globe nomination. Soon, she got the part for which she will best be remembered, that of Morticia Addams in The Addams Family (1964). She spent two years in this role. Her costume was designed to copy the cartoon drawings and no doubt inspired such imitators as Cassandra Peterson (Elvira, Mistress of the Dark). The show went head-to-head with The Munsters (1964) and Bewitched (1964).
The show was a hit and she received all the fame she had craved. However, the network decided to cancel the show, despite its success, after only two years. Typecast as Morticia but without the income that a few more years would have provided, she found life difficult and roles few. While acting on the road, she married her voice coach, Herbert Greene, a well-known and respected Broadway conductor and musical director, and they moved together to Palm Springs, California. After seven years, she left him and returned to Hollywood, determined to try to restart her career. She was surprisingly successful and performed in several shows, including Wonder Woman (1975), where she played Hippolyta, the mother of Wonder Woman (Lynda Carter) and Wonder Girl (Debra Winger). She also appeared in the landmark miniseries Roots (1977). She appeared in four episodes of Fantasy Island (1977) and one episode of The Love Boat (1977), two shows produced by her former husband, Aaron Spelling. In 1979, both of Jones's parents died; her mother from pancreatic cancer. She took on the role of Myrna Clegg on the soap Capitol (1982) from 1982 to 1983, despite having been diagnosed with colon cancer in 1981. She underwent aggressive treatment for the cancer, but it returned during her time on the show and she was told it was terminal.
She played some scenes despite being confined to a wheelchair and working in great pain. Knowing time was short, she married her boyfriend of five years, Peter Bailey-Britton, in September 1982. She died on August 3, 1983, aged 53. She had told her sister Bette that she wanted her epitaph to be "She gave joy to the world." She certainly had many friends who loved her greatly, and many fans who enjoyed her wonderful performances.- John Daniel Tooz Matuszak was an American professional football defensive lineman in the National Football League and also an actor. Matuszak was born in Oak Creek, Wisconsin. He attended the University of Tampa and played for their football team. Matuszak also played for various NFL teams; his longest stint of six years having been spent with the Oakland/Los Angeles Raiders, and later joining the Houston Oilers. While playing for the Oilers, he joined the Houston Texans of the World Football League (WFL), playing a total of seven plays before a restraining order was served to him during a game, barring him from playing for two teams at the same time.
His first major role as an actor was in the 1979 movie "North Dallas Forty" as a football player. He also appeared in the movies "Caveman", "The Ice Pirates", and "One Crazy Summer" but is known for his role in "The Goonies". He also had guest appearances on popular TV shows "Perfect Strangers", "M*A*S*H", "The Dukes of Hazzard", "Hunter", "Silver Spoons", "The A-Team", "1st & Ten", "Miami Vice" and "Cheers". He died on June 17, 1989 aged 38 due to a heart failure. - Actor
- Soundtrack
Stanley Kamel was born in New Brunswick, New Jersey on January 1, 1943 and was raised in South River, New Jersey. He attended high school at Rutgers Prepatory School (graduated 1961) in Somerset, New Jersey and received his college degree from the Boston University School of Fine Arts in 1965. Kamel got his start in acting with bit parts off-Broadway before his big break into television (as a regular cast member) portraying Eric Peters #2 on Days of Our Lives (1965) from 1972 to 1976.
He played a lot of different characters over the years, and his face was well known to most. He had a recurring role as the unscrupulous psychiatrist, Dr. Graham Lester on Murder One (1995). He also had recurring roles on the hits Melrose Place (1992) and Beverly Hills, 90210 (1990). Late in his career, Kamel was probably best known for playing Dr. Charles Kroger on Monk (2002) starring Tony Shalhoub.
On April 8, 2008, Kamel was found dead in his Hollywood Hills (Los Angeles) home by his long time agents, Donna Massetti and Marilyn Szatmary, having died of a heart attack. Kamel was only 65 years old.- Actor
- Writer
- Director
His father, Richard Head Welles, was a well-to-do inventor, his mother, Beatrice (Ives) Welles, a beautiful concert pianist; Orson Welles was gifted in many arts (magic, piano, painting) as a child. When his mother died in 1924 (when he was nine) he traveled the world with his father. He was orphaned at 15 after his father's death in 1930 and became the ward of Dr. Maurice Bernstein of Chicago. In 1931, he graduated from the Todd School in Woodstock, Illinois. He turned down college offers for a sketching tour of Ireland. He tried unsuccessfully to enter the London and Broadway stages, traveling some more in Morocco and Spain, where he fought in the bullring.
Recommendations by Thornton Wilder and Alexander Woollcott got him into Katharine Cornell's road company, with which he made his New York debut as Tybalt in 1934. The same year, he married, directed his first short, and appeared on radio for the first time. He began working with John Houseman and formed the Mercury Theatre with him in 1937. In 1938, they produced "The Mercury Theatre on the Air", famous for its broadcast version of "The War of the Worlds" (intended as a Halloween prank). His first film to be seen by the public was Citizen Kane (1941), a commercial failure losing RKO $150,000, but regarded by many as the best film ever made. Many of his subsequent films were commercial failures and he exiled himself to Europe in 1948.
In 1956, he directed Touch of Evil (1958); it failed in the United States but won a prize at the 1958 Brussels World's Fair. In 1975, in spite of all his box-office failures, he received the American Film Institute's Lifetime Achievement Award, and in 1984, the Directors Guild of America awarded him its highest honor, the D.W. Griffith Award. His reputation as a filmmaker steadily climbed thereafter.- Actor
- Director
- Writer
Anthony Perkins was born April 4, 1932 in New York City, to Janet Esselstyn (Rane) and Osgood Perkins, an actor of both stage and film. His father died when he was five. Anthony's paternal great-grandfather was engraver Andrew Varick Stout Anthony. Perkins attended the Brooks School, the Browne & Nichols School, Columbia University and Rollins College. He made his screen debut in The Actress (1953), and was nominated for a Best Supporting Actor Oscar Friendly Persuasion (1956). Four years later, he appeared in what would be his most noted role, Norman Bates in Psycho (1960), memorializing him into film history forever.- Actor
- Producer
- Director
Mickey Rooney was born Joe Yule Jr. on September 23, 1920 in Brooklyn, New York. He first took the stage as a toddler in his parents vaudeville act at 17 months old. He made his first film appearance in 1926. The following year, he played the lead character in the first Mickey McGuire short film. It was in this popular film series that he took the stage name Mickey Rooney. Rooney reached new heights in 1937 with A Family Affair, the film that introduced the country to Andy Hardy, the popular all-American teenager. This beloved character appeared in nearly 20 films and helped make Rooney the top star at the box office in 1939, 1940 and 1941. Rooney also proved himself an excellent dramatic actor as a delinquent in Boys Town (1938) starring Spencer Tracy. In 1938, he was awarded a Juvenile Academy Award.
Teaming up with Judy Garland, Rooney also appeared in a string of musicals, including Babes in Arms (1939) the first teenager to be nominated for an Oscar for Best Actor in a leading role, Strike Up the Band (1940), Babes on Broadway (1941), and Girl Crazy (1943). He and Garland immediately became best of friends. "We weren't just a team, we were magic," Rooney once said. During that time he also appeared with Elizabeth Taylor in the now classic National Velvet (1944). Rooney joined the service that same year, where he helped to entertain the troops and worked on the American Armed Forces Network. He returned to Hollywood after 21 months in Love Laughs at Andy Hardy (1946), did a remake of a Robert Taylor film, The Crowd Roars (1932) called Killer McCoy (1947) and portrayed composer Lorenz Hart in Words and Music (1948). He also appeared in Breakfast at Tiffany's (1961), starring Audrey Hepburn and George Peppard. Rooney played Hepburn's Japanese neighbor, Mr. Yunioshi. A sign of the times, Rooney played the part for comic relief which he later regretted feeling the role was offensive. He once again showed his incredible range in the dramatic role of a boxing trainer with Anthony Quinn and Jackie Gleason in Requiem for a Heavyweight (1962). In the late 1960s and 1970s Rooney showed audiences and critics alike why he was one of Hollywood's most enduring stars. He gave an impressive performance in Francis Ford Coppola's 1979 film The Black Stallion (1979), which brought him an Academy Award nomination as Best Actor in a Supporting Role. He also turned to the stage in 1979 in Sugar Babies with Ann Miller, and was nominated for a Tony Award. During that time he also portrayed the Wizard in The Wonderful Wizard of Oz with Eartha Kitt at New York's Madison Square Garden, which also had a successful run nationally.
Rooney appeared in four television series': The Mickey Rooney Show (1954) (1954-1955), a comedy sit-com in 1964 with Sammee Tong called Mickey, One of the Boys in 1982 with Dana Carvey and Nathan Lane, and The New Adventures of the Black Stallion (1990) from 1990-1993. In 1981, Rooney won an Emmy Award for his portrayal of a mentally challenged man in Bill (1981). The critical acclaim continued to flow for the veteran performer, with Rooney receiving an honorary Academy Award "in recognition of his 60 years of versatility in a variety of memorable film performances". More recently he has appeared in such films as Night at the Museum (2006) with Ben Stiller and The Muppets (2011) with Amy Adams and Jason Segel.
Rooney's personal life, including his frequent trips to the altar, has proved to be just as epic as his on-screen performances. His first wife was one of the most beautiful women in Hollywood, actress Ava Gardner. Mickey permanently separated from his eighth wife Jan in June of 2012. In 2011 Rooney filed elder abuse and fraud charges against stepson Christopher Aber and Aber's wife. At Rooney's request, the Superior Court issued a restraining order against the Aber's demanding they stay 100 yards from Rooney, as well as Mickey's other son Mark Rooney and Mark's wife Charlene. Just prior, Rooney mustered the strength to break his silence and appeared before the Senate in Washington D.C. telling of his own heartbreaking story of abuse in an effort to live a peaceful, full life and help others who may be similarly suffering in silence.
Rooney requested through the Superior Court to permanently reside with his son Mark Rooney, who is a musician and Marks wife Charlene, an artist, in the Hollywood Hills. He legally separated from his eighth wife in June of 2012. Ironically, after eight failed marriages he never looked or felt better and finally found happiness and peace in the single life. Mickey, Mark and Charlene focused on health, happiness and creative endeavors and it showed. Mickey Rooney had once again landed on his feet reminding us that he was a survivor. Rooney died on April 6th 2014. He was taking his afternoon nap and never woke. One week before his death Mark and Charlene surprised him by reunited him with a long lost love, the racetrack. He was ecstatic to be back after decades and ran into his old friends Mel Brooks and Dick Van Patten.- Actress
- Soundtrack
She was truly one mother of a mom...on stage, on film and on TV. A favorite firecracker on 80s and 90s television, tiny character player Estelle Getty became best known for her carping, meddlesome moms -- complete with bemused, cynical looks, irreverent digs and dead-pan Henny Youngman-like one-liners. Blunt and down-to-earth off-stage as she was on-, she scored big points with both the young and the old...and all those who fell in between. The middle-class masses and society's underdogs deemed Estelle one of their own. The star who had a hard time playing the star card also taught an earnest lesson to the millions of actor wannabes that it was never too late to get into the big leagues, pursue your dream and come out a winner. After nearly five decades of stage work, she achieved "overnight" stardom at age 62. Ill health forced her retirement in 2000 after only a decade and a half of celebrity. Yet even something as sinister as Lewy body dementia, a degenerative brain disease, couldn't take away her indomitable spirit and feistiness. The affliction, which slowly clouds then erases the memory banks, should have claimed her a couple of years after its detection, but she proved the doctors wrong and lived nearly eight years from its onset, dying peacefully in her Hollywood home on July 22, 2008.
Getty was born Estelle Scher on July 25, 1923, on the Lower East Side of Manhattan in New York City, the daughter of Sarah (Lacher) and Charles Scher, Polish Jewish immigrants who worked in the glass business. Starry-eyed as a very young child when her father first took her to see a vaudeville show at the New York Academy of Music, Estelle already had a mindset about her future. She almost immediately started taking singing, dancing and acting lessons and, following her graduation from Seward Park High School, she began building up experience in the Yiddish theater. She even attempted the stand-up comedy stage on the Catskills "borscht belt" circuit in upstate New York, but it was a time of rampant sexism and women comics were a rarity and seldom successful. She wasn't. Her young life took an abrupt, post-World War II turn when she married New York businessman Arthur Gettleman at age 24 in December of 1947 (she went on to use a derivative of her married last name for the stage). Not your typical domesticated wife by any stretch of the imagination, Estelle nevertheless raised two children, sons Barry and Carl, and worked as a secretary for various companies.
Determined as ever to be an actress, she found moderate compensation performing in community theatre plays. Adept at playing abrasive, insinuating types, she had an innate gift for comedy and stole many scenes in such light-hearted plays as "Arsenic and Old Lace," "Blithe Spirit," "6 Rms Riv Vu," "Light Up the Sky" and "Lovers and Other Strangers". On the flip side, Estelle demonstrated surprising dramatic stamina in such classics as "All My Sons," "The Glass Menaqerie" and "Death of a Salesman." Following decades of obscurity, it was her connection to the actor/playwright Harvey Fierstein that turned the tide and started the ball rolling. Forging a deep friendship in the late 70s after appearing in small New York theaters together, and after considerable prodding by Estelle, Harvey wrote a part for his diminutive friend in the ground-breaking, autobiographical "Torch Song Trilogy". Playing Harvey's recalcitrant mother, the show eventually made it to Broadway and Estelle's big debut was a resounding success. Winning the Helen Hayes Award for her performance, she played the feisty foil to Fierstein's raspy-voiced drag queen for five years.
While on tour with the play in Los Angeles, Estelle secured an audition for and won the role of viper-tongued Sicilian mama Sophia Petrillo on The Golden Girls (1985). She nearly lost out on the part when it was thought that she appeared too young to play Bea Arthur's mother. In truth, Estelle was 14 months younger than Bea. Given another go-around, and this time donning a grey wig, age makeup and frumpy apparel, Estelle fully convinced the powers-that-be that she WAS Sophia and the rest is history. The role was a breath of fresh air during an era of strong political correctness. A seven-time consecutive Emmy Award nominee for "Best Supporting Actress Award," she took home the trophy in 1988. In both 1991 and 1992 Estelle won the American Comedy Award for "Best Supporting Actress" in a series. The Sophia character was so popular she even went on to play the impish octogenarian in several other shows, including two "Golden Girls" spin-offs -- the short-lived The Golden Palace (1992) and "Empty Nest". Estelle went on to mother other stars on the big screen as well, including Cher in Mask (1985) and Sylvester Stallone in Stop! Or My Mom Will Shoot (1992), in the latter of which she received second billing. The one maternal film role she wanted more than anything did not come her way. When Torch Song Trilogy (1988) was made into a film, actor Fierstein needed star power surrounding him. Anne Bancroft replaced Estelle in the part and she was heartbroken. The movie itself lost much of its impact in its transition from the stage. At the peak of her TV fame, Estelle wrote a 1988 autobiography entitled "If I Knew Then, What I Know Now... So What?" with Steve Delsohn.
The diminutive dynamo (4'10") with a big heart was an outspoken activist for gay rights and she regularly involved herself in AIDS causes, part of it propelled by a nephew who was diagnosed and later succumbed to the disease. She also became a spokesperson for Alternative Living for the Aging, a nonprofit organization that locates cooperative housing for senior citizens. In 2000, Getty stopped making public appearances after her health and mind began its slow decline. One of her last sightings was in the L.A. audience of "The Vagina Monologues," which starred "Golden Girls" co-star Rue McClanahan. Misdiagnosed as having both Parkinson's and Alzheimer's diseases, it was later learned she was suffering from advanced dementia. Estelle died of complications from her disease just three days before her 85th birthday. Long-time husband Arthur, who was only 5'3" tall himself, never adjusted to Estelle's meteoric rise and the media attention that had accompanied it. He quietly maintained her parents' glass business far from the Hollywood glitz...in Florida. He died in 2004. Lifetime television hosted a "Golden Girls" reunion, but by this time Estelle was too ill to appear. Shortly after her death on July 22, 2008, and in tribute to Ms. Getty, Lifetime, which shows reruns of "The Golden Girls" almost on a daily basis, announced that it would air ten episodes of the series featuring the "best of Sophia". A simple, unadorned service was conducted, as she would have wanted, and she was interred at Hollywood Forever Memorial Park in Los Angeles.- Actress
- Soundtrack
Glynis Johns was the daughter of actor Mervyn Johns. Best known for her light comedy roles and often playful flirtation, Glynis was born in South Africa while her parents were on tour there (her mother was a concert pianist) but was always proud of her Welsh roots and took delight in playing the female lead (opposite Richard Burton) in the classic Under Milk Wood (1971). She was probably best known for her role as the suffragette mother in Mary Poppins (1964) although she is probably best loved for her fishy roles in Miranda (1948) and Mad About Men (1954). She had earlier showed she could take on the serious roles as well as in Frieda (1947). Most recently seen (at the time of writing) in Superstar (1999). Johns died in 2024, aged 100, having never received the damehood she had richly deserved for decades. Predeceased by her only son, she was survived by a grandson,Thomas Forwood, and three great-grandchildren.- Actor
- Writer
- Music Department
John Belushi was born in Chicago, Illinois, USA, on January 24, 1949, to Agnes Demetri (Samaras) and Adam Anastos Belushi, a restaurant owner. His father was an Albanian immigrant, from Qytezë, and his mother was also of Albanian descent. He grew up in Wheaton, where the family moved when he was six. Though a young hellion in grade school, John became the perfect all-American boy during his high school years where he was co-captain of the Wheaton Central High School football team and was elected homecoming king his senior year. He also developed an interest in acting and appeared in the high school variety show. Encouraged by his drama teacher, John decided to put aside his plans to become a football coach to pursue a career in acting.
After graduation in 1967, John performed in summer stock in rural Indiana in a variety of roles from "Cardinal Wolsey" in "Anne of a Thousand Days" to a comic detective in "Ten Little Indians". In the fall of his freshman year at the University of Wisconsin at Whitewater, John changed his image into a bad-boy appearance by growing his hair long and began to have problems with discipline and structure of attending classes.
Dropping out of Wisconsin, John spent the next two years at the College of DuPage, a junior college a few miles from his parents' Wheaton home, where his father began persuading him to become a partner in his restaurant, but John still preferred acting. While attending DuPage, John helped found the "West Compass Players", an improv comedy troupe patterned after Chicago's famous "Second City" ensemble.
In 1971, John made the leap to "Second City" itself where he performed in various on-stage comic performances with others, who included Harold Ramis and Joe Flaherty. John loved his life at "Second City" where he performed six nights a week, perfecting the physical "gonzo" style of comedy he later made famous.
A year later, John and his live-in girlfriend from his high school years, Judith Belushi-Pisano, moved to New York because John had joined the cast of National Lampoon's Lemmings, an off-Broadway rock musical revue that was originally booked for a six-week run but played to full crowds for nearly 10 months.
In 1973, John was hired as a writer for the syndicated National Lampoon's Radio Hour which became the National Lampoon Show in 1975. John's big break came that same year when he joined the ground-breaking TV variety series Saturday Night Live (1975) which made him a star. The unpredictable, aggressively physical style of humor that he began on "Second City" flowered on SNL.
In 1978, while still working on Saturday Night Live (1975), John appeared in the movie Goin' South (1978) which starred and was directed by Jack Nicholson. It was here that director John Landis noticed John and decided to cast him in his movie National Lampoon's National Lampoon's Animal House (1978). John's minor role as the notorious, beer-swilling "Bluto" made it a box-office smash and the year's top grossing comedy. Despite appearing in only a dozen scenes, John's performance stole the movie, which portrays college fraternity shenanigans at a small college set in the year 1962.
In 1979, John along with fellow SNL regular Dan Aykroyd quit the series to pursue movie projects. John and Dan Aykroyd appeared in minor roles in Steven Spielberg's financially unsuccessful 1941 (1979) and, the following year, in John Landis' The Blues Brothers (1980). Around this time, John's drug use began escalating. Cocaine, which was ubiquitous in show-business circles in the 1970's, became his drug of choice. After he first experimented with cocaine in the mid 1970s, John almost immediately became addicted to it. His frequent cocaine sniffing binges became a source of friction between him and Judy, whom he married in 1976.
John's love for blues and soul music inspired the "Blues Brothers". He and Aykroyd first appeared as Joliet Jake and Elwood Blues, a pair of white soul men dressed in black suits, skinny ties, fedora hats and Rayban sunglasses, as a warm-up act before the telecasts of Saturday Night Live (1975). Building on the success of their acts and the release of their album "A Briefcase Full of Blues", John and Dan Aykroyd starred in the movie, which gave John a chance to act with his favorite musical heroes including Ray Charles, James Brown and Aretha Franklin.
Although John's reputation for being an off-screen party animal is legendary, his generous side is less well known. Using some of his money, he bought his father a ranch outside San Diego for him to live. John helped set up some of his Chicago friends with their own businesses and even financially helped his younger brother, Jim Belushi, who followed his older brother's path to both "Second City" and Saturday Night Live (1975).
In 1981, John appeared in the movie Continental Divide (1981), playing a hard-nosed Chicago newspaperman who finds romance in Colorado with eagle expert Blair Brown. That same year, John and Dan Aykroyd appeared again in the movie Neighbors (1981), which gave them a chance to reverse roles, with John playing a straight-arrow family man whose life is turned upside down when a wild family man (Aykroyd) moves in next door.
In January 1982, John began work on the screenplay for another movie to be titled "Noble Rot". Also, John had checked into a bungalow at the Chateau Marmont, a popular celebrity hotel in Los Angeles. John's drug use had been steadily increasing for over a year now, which alarmed his wife and friends, but he continued to promise Judy that he would quit someday. On March 5, 1982, John Belushi was found dead in his hotel room at the age of 33. The local coroner gave the cause of death as a lethal injection of cocaine and heroin. Several years later, John's drug dealing/drug user companion during his final weeks, Cathy Evelyn Smith, was tried and sentenced to three years in prison for supplying John with the drugs. Close friend James Taylor sang "That Lonesome Road" at a memorial service at Martha's Vineyard cemetery where John was buried.- Actress
- Soundtrack
Born in Santa Cruz, California, Beverly Garland studied dramatics under Anita Arliss, the sister of renowned stage and screen star George Arliss. She acted in a little theater in Glendale then in Phoenix after her family relocated to Arizona. Garland also worked in radio and appeared scantily-clad in a few risqué shorts before making her feature film debut in a supporting part in D.O.A. (1949). Her husbands include actor Richard Garland, and land developer Fillmore Crank, who built 2 hotels which bear her name. Ms. Garland's longest runs were on Scarecrow and Mrs. King (1983) and My Three Sons (1960). Later on she guest-starred on a number of TV shows, including The Guardian (2001), on CBS, and Weakest Link (2001), on NBC, and maintained her continuing roles on 7th Heaven (1996), on the WB (now the CW), and Port Charles (1997), on ABC, which began in the 1990s.
In 1983, Ms. Garland received her star on the Hollywood Walk of Fame. In 2001, in recognition of her 50 years in show business, the Pacific Pioneer Broadcasters inducted her into its Hall of Fame. Ms. Garland has two very significant historical television "firsts": she was television's first policewoman as the star of Decoy (1957), and, more importantly, the series gave her the honor of becoming the first actress to star in a television dramatic series. After her husband of 39 years died in 1999, Beverly continued to operate the 255-room Beverly Garland Holiday Inn in North Hollywood (with the assistance of three of her four children). Beverly Garland died at age 82 in her home in the Hollywood Hills, Los Angeles, California on 5 December, 2008.- Actor
- Producer
- Writer
James Grover Franciscus graduated magna cum laude from Yale University in 1957 with a B.A. in English and theater. His father, John Allen Franciscus, was a pilot killed in action during WWII. His mother was named Loraine (nee Grover) and he had one sibling, a brother named John. Mr. Franciscus is best known for his work in television, including Naked City (1958), The Investigators (1961), Mr. Novak (1963) and Longstreet (1971). He also made numerous guest appearances in other popular television programs, starred in numerous television movies, and appeared in numerous feature films. In the mid 1980s, he became dissatisfied with the roles offered to him and turned his attention to screen writing. As co-founder of Omnibus Productions, he produced many classic films, such as Heidi (1968), Jane Eyre (1970), David Copperfield (1970), Kidnapped (1971), and The Red Pony (1973). An avid tennis player, he founded the James Franciscus Celebrity Tennis Tournament in the mid 1970s to raise money for multiple sclerosis research and victims (his mother suffered from this disease). He also enjoyed sky diving and scuba diving. He married Kathleen 'Kitty' Wellman, daughter of director William A. Wellman, on March 28, 1960, and fathered four daughters (Jamie, Kellie, Corie and Jolie). A devoted family man, his contracts often stipulated that he not be required to work past 6:00 pm. After his divorce from Wellman, he married second wife Carla in 1980 and continued to live on his two acre North Hollywood estate until his death.- Actor
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For such a diminutive (4' 11") frame, character actor Leslie (Allen) Jordan had a tall talent for scene-stealing. Hailing from the South, as his dead-giveaway drawl quickly exposed, he was born in Memphis, Tennessee, on April 29, 1955, and raised in a highly conservative, deeply religious atmosphere in Chattanooga, Tennessee. His father, a Lieutenant Colonel with the Army, was killed in a plane crash when he was only 11.
Uncertain about his direction in life, an inescapable propensity for comedy and high camp, not to mention an impish mug and pocket-sized structure, led him straight to Los Angeles in an attempt to break into commercials and on-camera work. Following training with acting coach Carolyne Barry, who ran the Professional Artist's Group during the 80s, Leslie soon found himself highly marketable in commercial spots (Doritos, Fosters Beer, etc.). TV would invariably be the next step, finding him progressively better parts on such programs as "The Fall Guy," "The Wizard," "Night Court," "Newhart" and "Midnight Caller." He then earned a regular role on the short-lived comedy-fantasy series The People Next Door (1989) starring Alan Parker. Inspired by "The Far Side" comic strip, the show starred Jeffrey Jones as a cartoonist who could materialize his wild imagination.
Leslie began in films in the late 1980s with a bit part in the Richard Pryor comedy Moving (1988) and followed it with the role of Iggy, a hunch-backed Igor counterpart, in the whacked horror spoof Frankenstein General Hospital (1988) starring comic actor Mark Blankfield as the mad doctor. In primarily low-budget film projects at the onset, Leslie was part of such off-the-wall material as Ski Patrol (1990), Missing Pieces (1991), Hero (1992), Jason Goes to Hell (1993), Barcelona (1994), Eat Your Heart Out (1997) and Black Velvet Pantsuit (1995), to name a few.
Into the 1990s, Leslie involved himself more and more into writing. Avid L.A. theatergoers would recognize him for such prone-to-misfit characters as Brother Boy, an institutionalized drag queen, in "Sordid Lives," and Peanut, a habitual barfly, in "Southern Baptist Sissies." His own one-man testimonials, such as the off-Broadway "Hysterical Blindness" and "Like a Dog on Linoleum," display his adeptness at baring his soul and exposing his childhood agonies on stage amid laughter and tears. These highly introspective shows, however, came at a price. A self-proclaimed substance abuser and sexaholic, Jordan finally faced his inner demons and reached full recovery in 1996.
TV was an exceptionally inviting medium over the years with a number of offbeat roles coming his way. Noted for his catchy guest work on such shows as Murphy Brown (1988), Lois & Clark: The New Adventures of Superman (1993), Caroline in the City (1995), Star Trek: Voyager (1995), and Weird Science (1994), among many others, he was also a supporting regular on various series including the comedy Top of the Heap (1991) starring Joseph Bologna and pre-Friends (1994), Matt LeBlanc; the legal series Reasonable Doubts (1991) in a season (1992-1993) as an assistant public defender; the crime drama Bodies of Evidence (1992) starring Jennifer Hortin and George Clooney; and the John Ritter/Markie Post romantic comedy Hearts Afire (1992).
Into the millennium, he got to experienced the joy of seeing one of his own writing projects come to full fruition with the semi-autobiographical film Lost in the Pershing Point Hotel (2000). He was also given the chance to recreate his "Big Brother" role in Sordid Lives (2000) to the big screen. The work continued to flow in such film supports as I'll Wave Back (2000), The Gristle (2001), Moving Alan (2003), the short film Farm Sluts (2003), Madhouse (2004), another short film Sissy Frenchfry (2005), Undead or Alive: A Zombedy (2007), Eating Out: All You Can Eat (2009), Mangus! (2011), the critically-acclaimed [link=tt1454029, his stage role as "Peanut" in the gay-themed Southern Baptist Sissies (2013) written and directed by Del Shores, another co-star role as an HOA "dictator" in Whoa! (2013), Lucky Dog (2015), Fear, Inc. (2016), the "Sordid Lives" sequel A Very Sordid Wedding (2017) and the romantic film Until We Meet Again (2022).
TV was even better to him with both delightful and sadly touching work on such series as Ally McBeal (1997), Boston Public (2000), Judging Amy (1999), Monk (2002), Reba (2001), Boston Legal (2004), Ugly Betty (2006), Desperate Housewives (2004), Raising Hope (2010), and American Horror Story (2011). The topper, however, was Leslie's dryly cynical, part-time role as mincing elitist Beverley Leslie, the tiny thorn in Megan Mullally's backside on the resoundingly popular sitcom Will & Grace (1998). Leslie went on to earn an Emmy trading wicked barbs with Mullally's Karen character, playing the hilarity up for all its worth. He also appeared in the cult TV movie The Last Sharknado: It's About Time (2018).- Actress
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One of television's premier African-American series stars, elegant actress, singer and recording artist Diahann Carroll was born Carol Diann (or Diahann) Johnson on July 17, 1935, in the Bronx, New York. The first child of John Johnson, a subway conductor, and Mabel Faulk Johnson, a nurse; music was an important part of her life as a child, singing at age six with her Harlem church choir. While taking voice and piano lessons, she contemplated an operatic career after becoming the 10-year-old recipient of a Metropolitan Opera scholarship for studies at New York's High School of Music and Art. As a teenager she sought modeling work but it was her voice, in addition to her beauty, that provided the magic and the allure.
When she was 16, she teamed up with a girlfriend from school and auditioned for Arthur Godfrey's Talent Scouts show using the more exotic sounding name of Diahann Carroll. She alone was invited to appear and won the contest. She subsequently performed on the daily radio show for three weeks. In her late teens, she began focusing on a nightclub career and it was here that she began formulating a chic, glamorous image. Another TV talent show appearance earned her a week's engagement at the Latin Quarter.
Broadway roles for black singers were rare but at age nineteen, Diahann was cast in the Harold Arlen/Truman Capote musical "House of Flowers". Starring the indomitable Pearl Bailey, Diahann held her own quite nicely in the ingénue role. While the show itself was poorly received, the score was heralded and Diahann managed to introduce two song standards, "A Sleepin' Bee" and "I Never Has Seen Snow", both later recorded by Barbra Streisand.
In 1954 she and Ms. Bailey supported a riveting Dorothy Dandridge as femme fatale Carmen Jones (1954) in an all-black, updated movie version of the Georges Bizet opera "Carmen." Diahann later supported Ms. Dandridge again in Otto Preminger's cinematic retelling of Porgy and Bess (1959). During this time she also grew into a singing personality on TV while visiting such late-nite hosts as Jack Paar and Steve Allen and performing.
Unable to break through into the top ranks in film (she appeared in a secondary role once again in Paris Blues (1961), a Paul Newman/Joanne Woodward vehicle), Diahann returned to Broadway. She was rewarded with a Tony Award for her exceptional performance as a fashion model in the 1962 musical "No Strings," a bold, interracial love story that co-starred Richard Kiley. Richard Rodgers, whose first musical this was after the death of partner Oscar Hammerstein, wrote the part specifically for Diahann, which included her lovely rendition of the song standard "The Sweetest Sounds." By this time she had already begun to record albums ("Diahann Carroll Sings Harold Arlen" (1957), "Diahann Carroll and Andre Previn" (1960), "The Fabulous Diahann Carroll" (1962). Nightclub entertaining filled up a bulk of her time during the early-to-mid 1960s, along with TV guest appearances on Carol Burnett, Judy Garland, Andy Williams, Dean Martin and Danny Kaye's musical variety shows.
Little did Diahann know that in the late 1960s she would break a major ethnic barrier on the small screen. Though it was nearly impossible to suppress the natural glamour and sophistication of Diahann, she touchingly portrayed an ordinary nurse and widow struggling to raise a small son in the series Julia (1968). Despite other Black American actresses starring in a TV series (i.e., Hattie McDaniel in "Beulah"), Diahann became the first full-fledged African-American female "star" -- top billed, in which the show centered around her lead character. The show gradually rose in ratings and Diahann won a Golden Globe award for "Best Newcomer" and an Emmy nomination. The show lasted only two seasons, at her request.
A renewed interest in film led Diahann to the dressed-down title role of Claudine (1974), as a Harlem woman raising six children on her own. She was nominated for an Oscar in 1975, but her acting career would become more and more erratic after this period. She did return, however, to the stage with productions of "Same Time, Next Year" and "Agnes of God". While much ado was made about her return to series work as a fashionplate nemesis to Joan Collins' ultra-vixen character on the glitzy primetime soap Dynasty (1981), it became much about nothing as the juicy pairing failed to ignite. Diahann's character was also a part of the short-lived "Dynasty" spin-off The Colbys (1985).
Throughout the late 1980s and early 90s she toured with her fourth husband, singer Vic Damone, with occasional acting appearances to fill in the gaps. Some of her finest work came with TV-movies, notably her century-old Sadie Delany in Having Our Say: The Delany Sisters' First 100 Years (1999) and as troubled singer Natalie Cole's mother in Livin' for Love: The Natalie Cole Story (2000). She also portrayed silent screen diva Norma Desmond in the musical version of "Sunset Blvd." and toured America performing classic Broadway standards in the concert show "Almost Like Being in Love: The Lerner and Loewe Songbook." She then had recurring roles on Grey's Anatomy (2005) and White Collar (2009).
Diahann Carroll died on October 4, 2019, in Los Angeles, California.- Actress
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Penny Marshall was born Carole Penny Marshall on October 15, 1943 in Manhattan. The Libra was 5' 6 1/2", with brown hair and green eyes. She was the daughter of Marjorie (Ward), a tap dance teacher, and Anthony "Tony" Marshall, an industrial film director. She was the younger sister of filmmakers Garry Marshall and Ronny Hallin. Her father was of Italian descent, originally surnamed "Masciarelli," and her mother was of German, Scottish, English, and Irish ancestry.
Penny was known in her family as "the bad one"... because not only did she walk on the ledge of her family's apartment building, but she snuck into the movies as a child and even dated a guy named "Lefty." She attended a private girls' high school in New York and then went to the University of New Mexico for two and a half years. There, Penny got pregnant with daughter, Tracy Reiner, and soon after married the father, Michael Henry, in 1961. The couple divorced two years later in 1963. She worked as a secretary for awhile. Her film debut came from her brother Garry Marshall, who put her in the movie How Sweet It Is! (1968) with the talented Debbie Reynolds and James Garner. She also did a dandruff commercial with Farrah Fawcett - the casting people, of course, giving Farrah the part of the "beautiful girl" and Penny the part of the "plain girl." This only added to Penny's insecurity with her looks.
She then married Rob Reiner on April 10, 1971, shortly after getting her big television break as Oscar Madison's secretary, Myrna Turner, on The Odd Couple (1970). She also played Mary Richards' neighbor, Paula Kovacks, on The Mary Tyler Moore Show (1970) for a couple of episodes. However, her Laverne & Shirley (1976) fame came when her brother needed two women to play "fast girls" who were friends of Arthur Fonzarelli and would date Fonzie and Richie Cunningham on Happy Days (1974). Penny had been working on miscellaneous writing projects ("My Country Tis Of Thee", a bicentennial spoof for Francis Ford Coppola and "Paper Hands" about the Salem Witch Trials) with writing partner Cindy Williams. Cindy happened to be a friend and ex-girlfriend of Henry Winkler's, so Garry asked the two to play the parts of these girls. The audience saw their wonderful chemistry, and loved them so much, a spin-off was created for them.
Penny was well-known as Laverne DeFazio. She and Rob had divorced in 1980. The show ended three years later, half a year after Cindy Williams left the show due to pregnancy (her first baby, Emily, from now ex-husband Bill Hudson)... they wanted Williams to work the week she was supposed to deliver.
Soon after, Penny began directing such films as Jumpin' Jack Flash (1986), Big (1988) and A League of Their Own (1992). Her hobbies included needlepoint, jigsaw puzzles and antique shopping. She was best friends with actress Carrie Fisher and was godmother to Carrie's daughter, Billie.
Penny died at 75 in Los Angeles, California.- Actress
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This enigmatic Stockholm-born beauty had everything going for her, including a rapidly rising film and TV career. Yet on April 30, 1970, at only 35, Inger Stevens would become another tragic Hollywood statistic -- added proof that fame and fortune do not always lead to happiness. Over time, a curious fascination, and perhaps even a morbid interest, has developed over Ms. Stevens and her life. What exactly went wrong? A remote, paradoxical young lady with obvious personal problems, she disguised it all with a seemingly positive attitude, an incredibly healthy figure and a megawatt smile that wouldn't quit. Although very little information has been filtered out about Ms. Stevens and her secretive life over the years, William T. Patterson's eagerly-anticipated biography, "The Farmer's Daughter Remembered: The Biography of Actress Inger Stevens" (2000), finally put an end to much of the mystery. But not quite all. The book claims that a large amount of previously-published information about Ms. Stevens is either untrue or distorted.
A strong talent and consummate dramatic player of the late 50s and 60s, she was born Inger Stensland, the eldest of three children, of Swedish parentage. A painfully shy and sensitive child, she was initially drawn to acting as a girl after witnessing her father perform in amateur theater productions. Her rather bleak childhood could be directed at a mother who abandoned her family for another man when Inger was only 6. Her father moved to the States, remarried, and eventually summoned for Inger and a younger brother in 1944 to join him and his new bride. Family relations did not improve. As a teenager, she ran away from home and ended up in a burlesque chorus line only to be brought home by her father. After graduation and following some menial jobs here and there, she moved to New York and worked briefly as a model while studying at the Actors Studio. She broke into the business through TV commercials and summer stock, rising in the ingénue ranks as a guest in a number of weekly series.
Often viewed as the beautiful loner or lady of mystery, an innate sadness seemed to permeate many of her roles. Inger made her film debut at age 22 opposite Bing Crosby in Man on Fire (1957). Serious problems set in when Inger began falling in love with her co-stars. Broken affairs with Crosby, James Mason, her co-star in Cry Terror! (1958), Anthony Quinn, her director in Cecil B. DeMille's The Buccaneer (1958), and Harry Belafonte, her co-star in The World, the Flesh and the Devil (1959), left her frequently depressed and ultimately despondent. An almost-fatal New Year's day suicide attempt in 1959 led to an intense period of self-examination and a new resolve. A brief Broadway lead in "Roman Candle," an Emmy-nominated role opposite Peter Falk in Price of Tomatoes (1962), and popular appearances on such TV shows as Bonanza (1959), The Twilight Zone (1959) and Route 66 (1960) paved the way to a popular series as "Katy Holstrum," the Swedish governess, in The Farmer's Daughter (1963). This brisk, change-of-pace comedy role earned her a Golden Globe award and Emmy nomination, and lasted three seasons.
Now officially a household name, Inger built up her momentum once again in films. A string of parts came her way within a three-year period including the sex comedy A Guide for the Married Man (1967) as roving eye husband Walter Matthau's unsuspecting wife; Clint Eastwood's first leading film role in Hang 'Em High (1968); the crime drama, Madigan (1968) with Henry Fonda and Richard Widmark; the westerns Firecreek (1968) with Fonda again plus James Stewart, and 5 Card Stud (1968) opposite Dean Martin and Robert Mitchum; the political thriller House of Cards (1968) starring George Peppard and Orson Welles; and A Dream of Kings (1969) which reunited her with old flame Anthony Quinn. Although many of her co-starring roles seemed to be little more than love interest filler, Inger made a noticeable impression in the last movie mentioned, by far the most intense and complex of her film career. Adding to that mixture were a number of well-made TV mini-movies. On the minus side, she also resurrected the bad habit of pursuing affairs with her co-stars, which would include Dean Martin and, most notably, Burt Reynolds, her last.
In April of 1970, Inger signed on as a series lead in a crime whodunit The Most Deadly Game (1970) to be telecast that September. It never came to be. Less than a week later, she was found unconscious on the floor of her kitchen by her housekeeper and died en route to the hospital of acute barbiturate intoxication -- a lethal combination of drugs and alcohol. Yvette Mimieux replaced her in the short-lived series that fall. For all intents and purposes, Ms. Stevens' death was a suicide but Patterson's bio indicates other possibilities. Following her death, it came out in the tabloids that she had been secretly married to a Negro, Ike Jones, since 1961. The couple was estranged at the time of her death.- Actress
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Mae West was born August 17, 1893 in Brooklyn, New York, to "Battling Jack" West and Matilda Doelger. She began her career as a child star in vaudeville, and later went on to write her own plays, including "SEX", for which she was arrested. Though her first movie role, at age 40, was a small part in Night After Night (1932), her scene has become famous. A coat check girl exclaims, "Goodness! What lovely diamonds!", after seeing Mae's jewelry. Mae replies, "Goodness had nothing to do with it". Her next film, in which she starred, came the following year. She Done Him Wrong (1933) was based on her earlier and very popular play, "Diamond Lil". She went on to write and star in seven more films, including My Little Chickadee (1940) with W.C. Fields. Her last movie was Sextette (1977), which also came from a play. She died on November 22, 1980.- A native Chicagoan of Polish descent, veteran character actress Arlene Golonka seemed destined for acting from the start, having been named after silver screen actress Arline Judge, and her childhood was dominated by singing and acting classes. She headed to New York at the age of 19 and began a career on Broadway and in films made in New York City, generally playing bubble-headed or eccentric blondes, often prostitutes.
She relocated to Los Angeles in the late 1960s. There, while continuing to play small roles on the big screen, she established one of the strongest resumes in television of any character actress, appearing in dozens of programs over the following three decades, often repeatedly on the same program and sometimes playing different characters. Her TV appearances included such legendary programs as The Mary Tyler Moore Show (1970), All in the Family (1971), and M*A*S*H (1972). She may have been best-known for her recurring role as "Millie" on Mayberry R.F.D. (1968). - Actor
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Salvatore (Sal) Mineo Jr. was born to Josephine and Sal Sr. (a casket maker), who emigrated to the U.S. from Sicily. His siblings were Michael, Victor and Sarina. Sal was thrown out of parochial school and, by age eight, was a member of a street gang in a tough Bronx neighborhood. His mother enrolled him in dancing school and, after being arrested for robbery at age ten, he was given a choice of juvenile confinement or professional acting school.
He soon appeared in the theatrical production "The Rose Tattoo" with Maureen Stapleton and Eli Wallach and as the young prince in "The King and I" with Gertrude Lawrence and Yul Brynner. At age 16 he played a much younger boy in Six Bridges to Cross (1955) with Tony Curtis and later that same year played Plato in James Dean's Rebel Without a Cause (1955). He was nominated for Best Supporting Actor for his performance in this film and again for his role as Dov Landau in Exodus (1960).
Expanding his repertoire, Mineo returned to the theatre to direct and star in the play "Fortune and Men's Eyes" with successful runs in both New York and Los Angeles. In the late 1960s and 1970s he continued to work steadily in supporting roles on TV and in film, including Dr. Milo in Escape from the Planet of the Apes (1971) and Harry O (1973). In 1975 he returned to the stage in the San Francisco hit production of "P.S. Your Cat Is Dead". Preparing to open the play in Los Angeles in 1976 with Keir Dullea, he returned home from rehearsal the evening of February 12th when he was attacked and stabbed to death by a stranger. A drifter named Lionel Ray Williams was arrested for the crime and, after trial in 1979, convicted and sentenced to life in prison for the murder, but was paroled in 1990. Although taken away far too soon, the memory of Sal Mineo continues to live on through the large body of TV and film work that he left behind.- Actress
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Tall, sultry, green-eyed blonde Peggie Castle was actually spotted by a talent scout while she was lunching in a Beverly Hills restaurant. In her films she was usually somebody's "woman" rather than a girlfriend, and her career was confined to mostly "B"-grade action pictures, dramas or westerns: Harem Girl (1952), Wagons West (1952), The Prince Who Was a Thief (1951), Jesse James' Women (1954), among others. She did, however, have good roles in such films as Payment on Demand (1951) with Bette Davis, 99 River Street (1953) with John Payne, I, the Jury (1953), The White Orchid (1954), Miracle in the Rain (1956) with Jane Wyman and in Seven Hills of Rome (1957) with Mario Lanza. After three seasons playing sexy femme lead Lily Merrill, the dance-hall hostess and romantic interest for steely-eyed Marshal Dan Troop in the TV western series Lawman (1958), she left show business in 1962. She later developed an alcohol problem and died of cirrhosis of the liver in 1973 at age 45.- Actor
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Hervé Villechaize was born in Montauban, France on April 23, 1943. He stopped growing very early and his father (who was a surgeon) tried to find a cure by visiting several doctors and hospitals. But there was none, so Hervé had to live with his small height and also with undersized lungs. He studied at the Beaux-Arts in Paris and made an exhibition of his own paintings, which were well received. At 21, he left France for the USA where he continued to paint and to make photographs. He also started to participate in some movies and was quickly offered several roles for plays and then for cinema. His first big success was The Man with the Golden Gun (1974) where he was a killer associated to the villain Scaramanga (played by Christopher Lee). He inspired the TV-series Fantasy Island (1977) where he took the role of "Tattoo", the faithful servant of "Mr. Roarke" (Ricardo Montalban). This series was a great success and, thanks to it, Villechaize became famous and rich, mostly because of his enigmatic and charming smile.
In 1983, he argued with the producers of the show in order to earn as much money as Montalban but, instead, he was fired; he also lost his model-actress wife. The series continued without him but stopped one year later, when the media response meter decreased because of the lack of Tattoo's character!
Villechaize became alcoholic and depressed, so he missed several roles that he was offered. His health problems also increased (mostly suffering from ulcers and a spastic colon), and he nearly died of pneumonia in 1992. On the afternoon of Saturday September 4th, 1993, after having watched a movie, he wrote a note and made a tape recording before shooting himself in his backyard. His common-law wife, Kathy Self, discovered his body and called the ambulance which took him to the Medical Center of North Hollywood where he died at 3:40 pm. Villechaize was cremated and his ashes were scattered off Point Fermin, in Los Angeles.- Actor
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This African American actor attended Penn Hills High School in Pittsburgh, Pennsylvania. He started his junior year at 6' 5" and finished it at 6' 9"! He played basketball throughout his high-school years and won a scholarship. He averaged 18 points a game and 10 rebounds! He played basketball during college, but not when it would interfere with his major at George Washington University in Washington, DC, which was Theatrical Arts. During his college years, he met Jay Fenichel with whom he would later make musical productions. Upon graduation, Fenichel moved to Los Angeles and Hall moved to Venezuela to play basketball.
After a year, Hall lost interest and relocated to Los Angeles, California. Along with Fenichel, the duo put together two night-club acts/musicals. One was a semi-autobiographical two-man musical, "In Five," and the other was a two-man show called "The Worst of Friends," both of which played in night clubs throughout the LA area. They also had a promotional business where they did promotional acts in department stores for new products.
While working on the set of the series 227 (1985), he met his co-star, Alaina Reed-Hall, who played Rose Lee Holloway. They married--both on the set, and in real life. Predator 2 (1990) was released December 1990, and in April 1991, he died of AIDS, which he contracted through a blood transfusion a few months before.- A reliable featured player and occasional co-star, actress Jeff Donnell was born Jean Marie Donnell in a boys' reformatory in South Windham, Maine in 1921, the younger of schoolteacher Mildred and penologist Howard's two daughters. She took piano and dance lessons during her childhood in Maryland; she loved the popular "Mutt and Jeff" cartoon strip so much that she gave herself the nickname "Jeff."
She studied at the Yale School of Drama and performed briefly in summer stock before marrying her first husband at 19: Bill Anderson, a drama teacher from her Boston alma mater, Leland Powers Drama School. Together they started the Farragut Playhouse in Rye, New Hampshire. Almost immediately a Columbia Studios talent scout noticed her in a play there and quickly signed her.
Whisked to Los Angeles, Jeff made her first appearance in the war-era movie My Sister Eileen (1942) while husband Bill was hired on as a dialogue director. Hardly the chic, glamour-girl type, Jeff possessed a perky, unpretentious, tomboyish quality that worked comfortably in unchallenging "B" escapism --usually the breezy girlfriend or spirited bobbysoxer. Typical of her movie load at the time were the fun but innocuous Doughboys in Ireland (1943), What's Buzzin', Cousin? (1943), Nine Girls (1944), A Thousand and One Nights (1945), Carolina Blues (1944), and Eadie Was a Lady (1945). She also enlivened a number of musical westerns that prominently featured Ken Curtis (Festus of "Gunsmoke").
On a rare occasion, Jeff found herself in "A" pictures, most notably the Bogart film noir classic In a Lonely Place (1950), but more often than not she played the obliging or supportive friend of the leading lady. Unable to break away from her established "B" ranking, she later tried a move to RKO Studios (1949) but fared no better or worse. She did make a successful move to TV in the early 50s and was seen in a number of comedy and dramatic parts.
Long separated from and finally divorcing her first husband in 1953 (they had one son, Michael, and an adopted daughter, Sarah Jane), she married rising film actor Aldo Ray in 1954, but the marriage crumbled within two years, beset by drinking problems; she also suffered a miscarriage. She went on to marry and divorce twice more. As the 1950s rolled on, she earned steady work on TV, bringing to life comedian George Gobel's often-mentioned wife Alice on the sitcom The George Gobel Show (1954) for four seasons. She also had the opportunity to play Gidget's mom in a couple of the popular lightweight movies of the early 1960s -- Gidget Goes Hawaiian (1961) and Gidget Goes to Rome (1963).
Most daytime fans will remember Jeff's long-running stint on the soap drama General Hospital (1963) as Stella Fields, the Quartermain housekeeper, which started in 1979 and lasted until her death in 1988. Dogged by ill health in later years (including a serious bout with Addison's disease), Jeff died peacefully of a heart attack in her sleep at age 66. - Actor
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This tall, sandy-haired, mustachioed actor from Texas, born Justus McQueen, adopted the name of the character he portrayed in his first film, Battle Cry (1955). Jones, with his craggy, gaunt looks, first appeared in minor character roles in plenty of WWII films including The Young Lions (1958), The Naked and the Dead (1958), Hell Is for Heroes (1962) and Battle of the Coral Sea (1959). However, 1962 saw him team up with maverick director Sam Peckinpah for the first of Jones' five appearances in his films. Ride the High Country (1962) saw Jones play one of the lowlife Hammond brothers. Next he appeared alongside Charlton Heston in Major Dundee (1965), then Peckinpah cast him, along with his real-life friend Strother Martin, as one of the scummy, murderous bounty hunters in The Wild Bunch (1969). Such was the chemistry between Jones and Martin that Peckinpah teamed them again the following year in The Ballad of Cable Hogue (1970), and Jones' final appearance in a Peckinpah film was in another western, Pat Garrett & Billy the Kid (1973). Two years later Jones directed the cult post-apocalyptic film A Boy and His Dog (1975) starring a young Don Johnson. He has continued to work in Hollywood, and as the lines on his craggy face have deepened, he turns up more frequently as crusty old westerners, especially in multiple TV guest spots. He turned in an interesting performance as a seemingly good ol' boy Nevada cowboy who was actually a powerful behind-the-scenes player in state politics who leaned on Robert De Niro's Las Vegas mob gambler in Martin Scorsese's violent and powerful Casino (1995).