On a South Pacific island during World War II, love blooms between a young nurse and a secretive Frenchman who's being courted for a dangerous military mission.On a South Pacific island during World War II, love blooms between a young nurse and a secretive Frenchman who's being courted for a dangerous military mission.On a South Pacific island during World War II, love blooms between a young nurse and a secretive Frenchman who's being courted for a dangerous military mission.
- Won 1 Oscar
- 1 win & 10 nominations total
Giorgio Tozzi
- Emile De Becque
- (singing voice)
Storyline
Did you know
- TriviaJuanita Hall, who had played Bloody Mary in the original Broadway production, obviously sang her own songs onstage, but was dubbed in the film version at the request of composer Richard Rodgers. Rodgers and musical director Alfred Newman brought in Muriel Smith (who had played Bloody Mary in London).
- GoofsThe appearance of African Americans as Seabees is not an error. Over 12,000 such sailors served in the Construction Brigades, despite segregation in other parts of the WWII military.
- Quotes
Emile de Becque: When all you care about is here, this is a good place to be.
- Crazy creditsThere are probably more dubbed singing voices in this film than in any other screen version of a Rodgers and Hammerstein musical, but the only one which actually receives screen credit is that of Giorgio Tozzi, who dubs the singing voice of Emile de Becque (Rosanno Brazzi). This is because Tozzi was a renowned bass-baritone with the Metropolitan Opera.
- Alternate versionsThe 1999 DVD contains some scenes where the color filters are either more subtle or completely removed compared to previous versions. However, the filters were reinstated for the 2006 DVD and 2009 Blu-Ray.
- ConnectionsFeatured in Siege (1983)
- SoundtracksSouth Pacific Overture
(1949) (uncredited)
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Performed by the 20th Century-Fox Studio Orchestra Conducted by Alfred Newman
Featured review
'South Pacific?' It's Terrific.
When are folks going to give 'South Pacific' an even break? It's a wonderful film. A great big, colourful, emotional wallow, filled with romance, song, splendor, humor, and expert acting. Sure the colour filters are somewhat jarring. Blame it on the awful prints now (and it seems, forever) in circulation. Back in June 1958 the Films and Filming reviewer put it this way, "Logan has hit on the ingenious idea of using colour rather in the way that a composer underscores a films drama with music. As the emotions of his characters find their expression in music, so the cold clear tones of reality dissolve into the warm yellow and red hues of fantasy. I found this a wholly acceptable compromise, and many of the effects (indeed the whole level of the Todd-AO photography) were outstandingly good." Works for me to - and goodness knows I've seen them often enough. It also worked for the millions of cinemagoers who flocked to see the film - over and over again. Mind you, had Logan decided to supervise all aspects of the cutting etc., instead of trotting off to direct 'Blue Denim,' Fox might, possibly, have been persuaded to remove the filters before release? Perhaps, with film preservation on so many agendas these days, some of this colour-filter-exasperation could be channeled in that direction.
Now, regarding all this rubbish about 'South Pacific' being a financial and critical disaster? How? In Great Britain, where it had a four-and-a-half year run at the Dominion Theater in London, it recouped three times its negative cost before going into general release. It ran for three-and-a-half years in Sydney and Copenhagen. For over two years in NYC. It even broke box office records in Salt Lake for goodness sake. And this is just the tip of the successful iceberg. The critics? Sure there were dissenters, there always are, for any film. Most, however, echoed the headline which ran in London's Daily Mirror, 'South Pacific is just terrific.'
Which brings me to my final irritation, the casting of Mitzi Gaynor as Nellie Forbush. The delicious Mitzi is bloody marvelous in 'South Pacific.' She gives a beautifully multi-layered performance filled with truth and honesty. Her Nellie is real, human, and natural. In scene after scene this immensely talented actress subtly conveys, with humor and great sensitivity, her character's ever-changing moods. And, again, from NYC's Daily News to London's Daily Express, by way of Picturegoer and Films in Review, the majority of critcs agreed that, "Mitzi doesn't leave a palm-leaf on the trees when she goes into action."
'South Pacific?' It really is terrific.
Now, regarding all this rubbish about 'South Pacific' being a financial and critical disaster? How? In Great Britain, where it had a four-and-a-half year run at the Dominion Theater in London, it recouped three times its negative cost before going into general release. It ran for three-and-a-half years in Sydney and Copenhagen. For over two years in NYC. It even broke box office records in Salt Lake for goodness sake. And this is just the tip of the successful iceberg. The critics? Sure there were dissenters, there always are, for any film. Most, however, echoed the headline which ran in London's Daily Mirror, 'South Pacific is just terrific.'
Which brings me to my final irritation, the casting of Mitzi Gaynor as Nellie Forbush. The delicious Mitzi is bloody marvelous in 'South Pacific.' She gives a beautifully multi-layered performance filled with truth and honesty. Her Nellie is real, human, and natural. In scene after scene this immensely talented actress subtly conveys, with humor and great sensitivity, her character's ever-changing moods. And, again, from NYC's Daily News to London's Daily Express, by way of Picturegoer and Films in Review, the majority of critcs agreed that, "Mitzi doesn't leave a palm-leaf on the trees when she goes into action."
'South Pacific?' It really is terrific.
helpful•563
- slush-1
- Feb 8, 2002
- How long is South Pacific?Powered by Alexa
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $458,000
- Opening weekend US & Canada
- $258,350
- Aug 26, 2018
- Gross worldwide
- $476,564
- Runtime2 hours 37 minutes
- Color
- Aspect ratio
- 2.20 : 1
Contribute to this page
Suggest an edit or add missing content