90
Metascore
18 reviews · Provided by Metacritic.com
- 100Chicago TribuneGene SiskelChicago TribuneGene SiskelWhat distinguishes The Deer Hunter most is its many rich characters and the size of its vision. This is a big film, dealing with big issues, made on a grand scale. Much of it, including some casting decisions, suggest inspiration by "The Godfather." [9 Mar 1979]
- 100Dallas ObserverLuke Y. ThompsonDallas ObserverLuke Y. ThompsonOverlong, but with moments of greatness.
- Brutally memorable, The Deer Hunter is an emotionally draining production that draws a vivid portrait of its characters and their milieu--and succeeds in showing the devastating effect of the war on their lives, as well as their brave attempts at renewal. Unfortunately, the film falters when it comes to the larger questions of America's involvement in Vietnam.
- 100Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertIt is not an anti-war film. It is not a pro-war film. It is one of the most emotionally shattering films ever made.
- 100EmpireColin KennedyEmpireColin KennedyA simultaneuosly touching and harrowing experience that puts the audience directly in the shoes of one man's experience of Vietnam.
- 100The GuardianPeter BradshawThe GuardianPeter BradshawThe idea of sacrifice permeates everything, along with the cruelty and horror. This is Cimino's masterpiece.
- 90The New York TimesVincent CanbyThe New York TimesVincent CanbyA big, awkward, crazily ambitious, sometimes breathtaking motion picture that comes as close to being a popular epic as any movie about this country since "The Godfather."
- 50Chicago ReaderJonathan RosenbaumChicago ReaderJonathan RosenbaumWhile the results are far from unprofessional--the cast is uniformly good, including a characteristically slapped-around Meryl Streep...The male self-pity is so overwhelming that you'll probably stagger out of this mumbling something about Tolstoy (as many critics did when the film first came out in 1978) if you aren't as nauseated as I was.
- 50The New YorkerPauline KaelThe New YorkerPauline KaelA romantic adolescent boy’s view of friendship.