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1-9 of 9
- By focusing on the lives of three down-and-out alcoholic transients, the film creates a wrenching portrait of the tragic hopelessness of life on "The Bowery" in New York City.
- Downey takes his camera and microphone onto the streets (and into some bedrooms) for a look at Manhattan's singles scene of the late sixties. Of course, that's not all: No More Excuses cuts between this footage and the fragmented tale of a time-traveling Civil War soldier, a rant from the director of the fictional Society for Indecency to Naked Animals, and other assorted improprieties.
- Come Back, Africa chronicles the life of Zachariah, a black South African living under the rule of the harsh apartheid government in 1959.
- During some months, the Dutch movie director Ivens and some North Vietnamese colleagues filmed the life of North Vietnamese peasants under the menace of heavy American bombardments. The result is an indictment of all forms of war.
- GOOD TIMES, WONDERFUL TIMES was Lionel Rogosin's plea for humanity and against war and fascism. For two years, Rogosin traveled to twelve countries to collect footage of war atrocities from their archives. He interspersed these harrowing images with scenes of a London cocktail party's mundane chatter. GOOD TIMES, WONDERFUL TIMES was released in 1964, at the height of the Vietnam War, and became one of the great anti-war films of the era.
- Rogosin took the fight for equality to his homeland with his astonishing and powerful fourth feature Black Roots. The film, which is ripe for rediscovery, featured an extraordinary cast, including Reverend Frederick Douglass Kirkpatrick; attorney and feminist activist Florynce ""Flo"" Kennedy; and musicians Jim Collier, Wende Smith, Larry Johnson and Reverend Gary Davis. All tell stories of heartbreak and despair while their songs blow the roof off the rafters. In an extension of the famed shebeen scenes in Come Back, Africa, the participants in Black Roots spoke openly about politics and race in a way that is still rarely seen on screen. In 1970, it was a radical and daring move by a great director. A deeply humanist film, Black Roots combines tales of oppression with hauntingly beautiful images of the faces of black men, women and children.
- The documentary looks at interracial marriage between black men and white women and the problems and issues associated with it. Featured are black civil-rights worker James Collier and his wife, a white woman.