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1-6 of 6
- The problem of the reasonableness of capital punishment.
- The tragic love story between marble-quarry owner Mario and Luisa, daughter of one of his employees.
- Widowed and having lost his two children, Guido yearns for the nun Luisa, the woman with whom he had a relationship in "Nobody's Children", the first part of this duology. Then he meets Lina, a chorus dancer who looks just like Luisa.
- Stefano marries Maria by proxy after moving to Canada.
- In a German prison camp, some Italian prisoners bet with the commander that they will be able to build a church in two hours.
- Giuseppe Verdi was born in the little village of Roncola, Italy, during the stormy period of a revolution. Verdi's parents are forced to seek refuge in a church, and upon their return to their home, they find that the house has been ransacked and nothing spared. The young Verdi grows up in Roncola, and at the age of seven years displays his love for music. He goes daily to the church, where he is attracted by the beautiful tunes of the organ, and he watches the old organist with intense interest. Verdi's father, realizing his son's musical instincts, buys him an old spinet, and upon this instrument young Verdi commences his rise in the world of music. To further advance in his studies, Verdi leaves Roncola and goes to Buzzeto where he is cordially received by the Barezzi, who endeavor to help him. He leaves for Milan, to join the Conservatory, but he is met with a refusal to his request for admission. He returns to Buzzeto and is consoled by the kind people with whom he lives, especially by their daughter, Marguerite, who soon afterwards becomes Verdi's wife. During financial hardships, and the oppression of his jealous fellow musicians, he composes his first opera, "Oberto, Comte di San Bonifacio." But while he dreams of glory, his dearly-beloved wife dies, and he becomes inconsolable. For a time he forgets his art. But soon the fire of his ambition again arises, and he composes the opera "Nubucco," which marks the beginning of his fame. For the second time he marries, taking as his wife the charming Giuseppina Strepponi, the first interpreter of the main character in "Nubucco." Verdi's name now becomes popular, and his fame is gradually becoming world-wide. From Milan, Verdi goes to the principal cities of Italy, where he adds new laurels to his increasing popularity. Thereafter, the larger part of Verdi's life is spent in Genoa, in the Doria Palace, where through its large windows, he views the mighty sea, which inspires his musical soul with the charms of its majestic scenes. And as he dreams, he hears the trumpets of Aida in the distance; here is Rigoletto, court jester to the Duke of Mantua, who swears to avenge himself, while Azucena, the gypsy girl, is lulled in Manrico's arms; and now comes the impassioned Violette, who gently dies near her beloved Alfredo; here is the jealous Othello, the Moor of Venice, who bewilderingly kisses the unfortunate Desdemona; and here is Falstaff, duped by the Merry Wives of Windsor; and the old man's vision disappears. He then decides that all the wealth which he had amassed through his art should help other poor composers and artists of the great musical family. He builds in Milan the House of Musicians for which the world of art owes him everlasting gratitude. And as the majestic sun sets on the horizon, Verdi's earthly life is extinguished, but his name and fame will survive him through all eternity.