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1-7 of 7
- After her death, a mother returns to her home town in order to fix the situations she couldn't resolve during her life.
- A police detective in a South American country is dedicated to hunting down a revolutionary guerilla leader.
- Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his much younger wife Leocadia and their daughter Rosario. He continues to paint at night, and in flashbacks stirred by conversations with his daughter, by awful headaches, and by the befuddlement of age, he relives key times in his life, particularly his relationship with the Duchess of Alba, his discovery of how he wanted to paint (insight provided by Velázquez's work), and his lifelong celebration of the imagination. Throughout, his reveries become tableaux of his paintings.
- The story of Salomé told as one of extreme love and vengeance. A director prepares a troupe of flamenco dancers for a performance. He summarizes the story and describes his spring for the drama's action: Salomé's attraction to John the Baptist. When the prophet rejects her, she seeks revenge. We meet the principals. We watch rehearsals, a dress rehearsal, and then the performance. The movie is both about the performance and about preparation for performance.
- A walking girl innocently observes the evolution of humankind alongside her own. Learning, real understanding, war, poverty, mass media, and what the future has in store for us. These are some of the issues she reflects upon with the experienced help in the form of insights provided by: philosophers (Rafael Argullol), doctors (Sir John Woodhall), writers (Amin Maalouf), musicians (Trilok Gurtu), professors (Ramón Tamames, Federico Mayor Zaragoza), social workers (Bani Dugal, Linda Kavelin-Popov, Gustavo Correa, Alberto Pérez), promoters of new economic systems (Muhammad Yunus, Jean Ziegler). She finally arrives at the conclusion that "the future, contrary to certain theories, does not write itself. We write the future."