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- A group of astronomers go on an expedition to the Moon.
- A group of bandits stage a brazen train hold-up, only to find a determined posse hot on their heels.
- Cabiria is a Roman child when her home is destroyed by a volcano. Sold in Carthage to be sacrificed in a temple, she is saved by Fulvio, a Roman spy. But danger lurks, and hatred between Rome and Carthage can only lead to war.
- This is the first movie version of the famous story. Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She follows him down a hole and finds herself in a hall of many doors.
- Grandfather gets a pair of magic spectacles, which he claims to possess the miraculous power of showing the tastes and inclinations of the person who puts them on. There are present at the time a large family gathering, father, mother, sons and daughters, and grandchildren, and each member of the party in turn puts on the spectacles. Then we see on the curtain all that is passing in the mind of the wearer clearly portrayed in each eye, just as if we were looking through opera glasses.
- Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.
- A fireman rushes into a carriage to rescue a woman from a house fire. He breaks the windowpanes and carries the woman to safety; after dangerous and uncertain moments he also saves the woman's son.
- Two love triangles intersect in ancient Pompei.
- An epic Italian film, "Quo Vadis" influenced many of the later movies.
- The life of Jesus Christ in 25 scenes.
- In this spectacular free adaptation of the popular theatre play "La Biche au Bois", the valiant Prince Bel-Azor pursues a baleful old witch to her impregnable castle, to save the beautiful young Princess Azurine.
- The story of Jesus Christ from the proclamation of his Nativity to his crucifixion. Impressive scenes and dynamism of the actors prelude to the Italian colossal movies of the silent period.
- The nightmare of Émile Cohl's chalk animation is one of unreliable appearances. Fishermen catch fish which eat them whole. Ladders transform into coils which just as suddenly take the form of angry mustachioed soldiers. The human figure at the receiving end of these transmogrifications is subject to all manner of degradations. Genuinely unsettling, THE PUPPET'S NIGHTMARE anticipates Don Hertzfeldt's stick-figure fantasias by a century.
- Robinson Crusoe and Friday fight with hostile natives, and eventually retire to their jungle cottage to relax.
- A young girl finds life with her staid parents Irksome, and decides to see the world. She falls asleep on a bench in a park and dreams of her future life. In rapid review visions pass, showing herself in handsome gowns and indulging in a life of recklessness. Finally she sees the inevitable end and is in despair. She awakens at this point, and is overjoyed to find that it has been all a dream, and rushes home thoroughly content to follow the even tenor of home life.
- After the murder of her lover Julius Caesar, Egypt's queen Cleopatra needs a new ally. She seduces his probable successor Mark Antony. This develops into real love and slowly leads to a war with the other possible successor, Octavius.
- Gulliver washes ashore on Lilliput, the inhabitants of which are no more than six inches tall. He later travels to Brobdingnag, a country populated by giants.
- Four customers are having a peaceful game of cards in a quiet café. The atmosphere bring heavy, the waiter falls asleep and has a beautiful dream in which two angels come and play to him on violins, with such charm that he is transported to the seventh heaven. The dream changes, and we see him going through many amusing and fantastic scenes. Finally, customers annoyed by his snores, wake him by pouring seltzer over him.
- Spartacus sold as a slave rises up and battles the evil Crassus.
- Old and burdened Faust sells his soul to the Devil for the exchange of youth and pleasures. He seduces Marguerite and is finally condemned to hell.
- Smith casts his wife as a sluttish housewife who is mutilated by lighting her oven with paraffin.
- The final duel in 'Hamlet', in the first film of the play.
- Panoramic view taken from the Suspension Railway at Barmen and Elbefeld, Germany. A marvelous example of engineering work.
- The cyclist is dispatched upon an important errand, and his humorous and alarming adventures by the way form the subject of this series. Misadventure follows misadventure with great frequency, but the cyclist comes up smiling every time, mounts his machine, and again resumes his journey. Accidents which would maim or kill an ordinary mortal serve only to spur him on to fresh exertions in a mad search for physical inconveniences and dangers, which always present themselves. It may indeed be predicted of the hero that he will either die peacefully in his bed or end his career through slipping on a piece of orange peel, or swallowing a pin. Only an ordinary and simple ending would be appropriate after such a strenuous life. Certainly he will never be hanged or drowned. He charges at full speed a horse-drawn tram car, and is upset. He attacks the double windows of a corner shop, to falls into a basket of eggs on the other side. He bodily upsets a donkey, cart and driver. He is precipitated into and disorganizes a party of men and women enjoying refreshment at an open-air café. He is thrown into a deep excavation in the road, and, colliding with the parapet of a bridge, is thrown over and falls forty feet into a swiftly flowing river, to be fished out and remount his machine. Finally, he appears in full view of the audience, a sorry spectacle of mud, eggs, water and other accumulations, but wearing a grin of triumph which augurs well for his future.
- A man, objecting to being filmed, comes closer and closer to the camera lens until his mouth is all we see. Then he opens wide and swallows camera and cinematographer. He steps back, chews, and grins.
- A hotel porter tries in his spare time to find out the secrets of the guests in looking through the keyholes of the different rooms. He must see very funny things, judging from his facial expressions.
- Melik, a powerful magistrate, is betrothed to Fatima, a beautiful girl, living in a distant land. He orders Omar, his foster brother, to go to the distant home and bring her back with him. On the return journey Fatima becomes strongly infatuated with the handsome Omar. But, although he returns her admiration, he is faithful to his trust and delivers her safely to his superior. Omar sorrowfully confides his hopeless love to his mother, who in turn informs Fatima, much to her happiness. As time passes Melik attempts to win Fatima's love with unfailing attentions and costly gifts, but finding that she will never return his affection, he generously relinquishes Fatima to the man of her choice.
- The library of a modern home is shown, husband, wife and child each occupied in their particular diversions. The maid is called in, who dresses the child in street garments, and the two leave the house for a stroll. Entering the park, they walk through the lanes and avenues, the little girl running ahead and skipping the rope. Finding a vacant bench, the maid takes possession and presently dozes off. The little girl playfully runs away and accidentally comes upon the scene of a "holdup," whereupon, unobserved by the footpads, she ties her rope across the passageway through which the robbers must of necessity flee. As anticipated, the robbers, in attempting to escape, trip over the rope and become entangled. In the meantime, our young heroine runs out on the public thoroughfare and gives the alarm, to which two officers respond, whom she leads to the spot, where they capture the "hold-up" men. Our little girl runs farther on, and coming to the brink of the river, observes a blind man who is about to attempt to cross an open draw of a bridge. Through herculean efforts she manipulates the mechanism of the bridge just in the nick of time, thereby saving the life of a poor blind man. The next scene shows three intoxicated men staggering down a street, oblivious to all danger. A train of cars is about to cross the street Our heroine, noticing the deathtrap into which the intoxicated men are about to stagger, runs ahead and closes the gate, thereby impeding their progress and consequently saving them, from injury and possible death. The nurse, upon waking, discovers that her charge is gone, and scurries away in search of the little girl; not finding her, she returns home and reports to the frantic parents that their child is lost. The little girl now rambles on aimlessly, and discovering her plight, tells a passing police officer that she is lost, whereupon she is brought to the headquarters, where she gives her name and address, with which information they soon notify her parents by telephone and dispatch an officer home with her. Arriving home, she is received joyously, and the scene closes, showing the little girl comically scolding the maid for her carelessness, then followed by forgiveness and embraces.
- Three hunters surprise two poachers in the act. The hunters take umbrage and give chase over fences and through fields. The hunters fire away, but the poachers have guns as well, and a fight ensues with casualties for the hunters. Two cops appear and so do dogs as the chase continues. Will the poachers escape, or will they, like the game they were after, be trapped?
- The titles tell us this film is based on an incident in the Boxer Rebellion. A man tries to defend a woman and a large house against Chinese attackers. They attack with swords, guns, and paddles. He's over-matched. What will become of the mission, its defenders, and its occupants?
- A gentleman is here shown partaking of a little lunch of bread and cheese, and occasionally is seen to glance at his morning paper through a reading glass. He suddenly notices that the cheese is a little out of the ordinary, and examines it with his glass. To his horror, he finds it to be alive with mites, and, in disgust, leaves the table. Hundreds of mites resembling crabs are seen scurrying in all directions. A wonderful picture and a subject hitherto unthought of in animated photography.
- Through a rapid succession of drawings, ingenious disguises and soft dissolves, the director portrays a quick-sketch artist who transforms to various characters according to the static outlines on his chalkboard.
- 1. The Duchess of Montpensier meets the fanatical young monk, Jacques Clement. 2. She receives a message telling of the murder of her brother. 3. Henry of Navarre overhears the duchess incite Clement to kill Henry III. 4. Henry III is depressed because of the plot against him. 5. The Duchess of Montpensier threatens Henry III with vengeance. 6. The king prepares against an attack. 7. Henry of Navarre advises the king to flee. 8. Partisans of the duchess storm the castle. 9. Clement receives the message, "It is time to act." 10. Henry III designates Henry of Navarre as his successor.
- An inventor uses a wireless controlled flying torpedo to destroy enemy airships.
- A thief jumps a fence and removes the shutter from a house. He enters, but a lad who's witnessed the crime runs off to hail the coppers.
- Jenkins visits a gypsy, from whom he purchases a magic elixir guaranteed to protect him from all harm. The dope certainly makes good its reputation, for, although Jenkins attempts to get into all the trouble possible, he finds that knives will not injure him, bullets are harmless, and even a cannon ball bounces off with no effect. However, he soon meets with something not provided against in the draught, and falls an easy victim, much to his final discomfiture.
- "This is the last ceremonious public appearance of Her Majesty, Queen Victoria. The picture was taken in Phoenix Park, Dublin, April 4th, 1900, and shows the Queen in an open carriage, being cheered by thousands of people, as she passes through an arch of welcome."
- A woman and a detective search a hotel for her husband, peering through keyholes. They find him and confront him with his mistress.
- A cast of stick figures plays out a series of comic vignettes.
- The son of Emperor Nero's poisoner drinks the fatal potion prepared by his mother.
- Old gentleman stretches himself on the long seat of a French railway car, after placing numerous bundles in the rack above him, and also in the rack over the seat in the opposite side of the compartment. Train stops at next station and lady enters with her pet dog. Having bundles of her own which she wishes to place in the rack over her seat, she takes down the old man's bundles and places them on him and his seat. She then begins to fondle the dog. Old man gets angry, takes his large pipe and begins to smoke. Lady objects and after an argument snatches the pipe from the man and throws it out the window. The man reciprocates by throwing the dog out. Lady enraged, tugs vigorously at the bell rope. Train stops and scene changes to outside. Behold the dog sitting on his haunches with the pipe in his mouth, much to the surprise of the old gentleman and lady, and also the audience.
- This is a very amusing picture taken on a picturesque country road in England, showing the efforts of the village constables to stop speeding of automobiles through the village. First is seen a double-seater coming along at high speed and a constable steps out from behind a tree in the middle of the road and attempts to stop the machine. The motor car strikes him full on and tears him limb from limb. A very amusing scene occurs as the dismembered limbs are seen slowly coming together and joining automatically. The injured man is picked up by his companions and carried away. Soon another motor car comes speeding up, and this time a heavy weight constable undertakes the job of stopping it. He turns his back to the machine which strikes him and abruptly rebounds to the side of the road. The constable then proceeds to arrest the occupants of the automobile and carry them off to the village jail. The film is of very fine photographic value.
- We first see Moliere at work in his father's shop, when a boy. All the employees are busy at their appointed tasks, except the youthful playwright, who snatches time to re-read one of his earliest efforts. The door opens and the Italian comedian, Scaramouche, enters in quest of a particular style of chair. Moliere tenders his play for perusal; but, just as Scaramouche begins to be interested, Poquelin, the father of Moliere, comes in unexpectedly and the play is hastily thrown out of sight. Again the boy poet places it in the comedian's hand, and some clever work is done by Scaramouche, as he tries to read the manuscript without being detected by the stern upholsterer. The next scene shows Moliere at the Louvre palace, where he meets Louis XIV for the first time. Here we see the scorn of the courtiers for the actor-dramatist and the consideration shown for him by the King. This scene will be remembered for the delicate beauty of the interiors shown. Next we view the stately splendor of the festival at Versailles, where hundreds of courtiers, ladies in waiting and great nobles attend on Louis XIV. The beauty of the court costumes, which set the fashion for all the royal houses in Europe at that time, and the courtly air and demeanor of every individual in the royal pageant, have been faithfully reproduced. One cannot but marvel at the excellence of the training of this vast throng, every one of whom acts his or her part as if manor-born. We must take off our hats to this Gaumont producer. As Moliere comes into the scene, the acting of the King, the courtiers and of the great actor himself, is faultless. When the King places his arm around Moliere's shoulders and walks off with him, it is a delight to watch the faces of the surprised and jealous train of followers. And when next we see Louis seated at table with Moliere, serving him with his own hands, the cup of the courtiers is full. The scene showing the distraction of Moliere over the desertion of his wife is a pathetic picture and displays talented emotional acting. Then, when she appears before finally leaving him, and we watch the play of coquetry on her witching face and note her charm of manner and grace of deportment, we do not wonder at poor Moliere's abandonment to despair. The attempt of the faithful maid servant to arouse Moliere from his apathy and melancholia is a brilliant specimen of silent acting in both roles. The last appearance of Moliere, and his first in the role of Malade, is a fine depiction of the stage of the tennis court theater and of the French manner of acting a part in the seventeenth century. Then follow his sudden illness and death.
- The best and most characteristic picture of the President ever made. The camera is close by so that every feature shows out sharp and distinct. The President is first seen coming on the stand laughing and shaking hands with friends and being wildly cheered by everybody. Then comes the speech. The President is very enthusiastic and is shown at his best. All his well known mannerisms are very apparent. The picture ends with a view of the departure of the President with Mrs. Roosevelt in a carriage. Before the carriage starts the President is held up and interviewed by reporters.
- A cook and his assistant are seen preparing dinner. While cook leaves the room he cautions his assistant to watch the pot so that it will not boil over. The assistant proceeds to pick the feathers from a chicken. Meanwhile the pot boils over and Satan appears, surrounded by a cloud of steam. He alights and creeps over to within a few feet of the bench on which the assistant is sitting. Suddenly the chicken takes life and Satan stands out in the centre of the floor. He seizes the assistant and, after wrestling with him, throws him bodily into the large pot, the chicken meanwhile hops away. Satan disappears and the cook returns. Missing his assistant, he looks into the pot and tastes the contents thereof with a large ladle. The soup not being to his taste, he digs into it with a large spit, when out comes one of the legs of his assistant. He dips in again and repeats until the entire body, in small pieces, lies on the floor before him. Fishing for the head, he finally pulls out the head of an ass. Throwing it on the floor, the pieces come slowly together, but the head of the assistant is still missing. He returns to the cauldron and finally fishes out the head, which, together with an arm that had been overlooked, he throws at his assistant, and he is again restored to his natural shape. He relates his experience to the cook, who listens with mouth wide open. In the meantime the cauldron takes the shape of a huge devil head, and in their excitement to run away the bench is overturned and the cook is precipitated to the floor with great force. Extraordinarily funny.
- This picture describes the well-known biblical story of Samson and Delila. The picture commences with Samson's visit to Gaza, a city of the Philistines. While there they closed the gates upon him and set watchmen to defend them, intending to put him to death on the following day. Samson slept until midnight, and then arose. Upon reaching the gates, he slew the watchman, pulled down the gates and carried them to the top of an adjoining hill, where he left them to the confusion and disappointment of the Philistines. After many feats of this kind, Samson permitted himself to become infatuated with a treacherous woman among the Philistines, named Delila. He revealed to her that the secret of his strength lay in the fact that, being a Nazarite, he never had cut his hair. After hearing this, she waited until Samson was asleep, and then having cut off his seven locks, called out that the Philistines were coming. Samson, on awakening, found his strength gone, and Delila, having called in the Philistines, they came in and put out her eyes. They then throw him into prison.