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- Eye to Eye unveils the emotional journey of murder victims' families as they confront perpetrators, exploring restorative dialogue's healing power and offering a rare glimpse into lives touched by tragedy.
- A cinematic letter to a future great-grandchild weaves together a story of personal loss, family and the difference each of us can make in the world.
- In this Finnish cinema classic, three vacuum cleaner salesmen go door-to-door selling dreams of dust-free homes and personal ambitions in a bleak Finland hit by the worst recession in history.
- Farmland - the new green gold. Hoping for export revenues, Ethiopia's government leases millions of hectares of farmland to foreign investors. But the dream of prosperity has a dark side where the World Bank plays a very questionable role... Dead Donkeys Fear No Hyenas investigates land grabbing and its impact on people's lives. Pursuing the truth, we meet investors, development bureaucrats, persecuted journalists, struggling environmentalists and evicted farmers deprived of their land.
- Police trainee Riikka finds there is something not even a bullet proof vest can protect her from - her own emotions.
- In the freer climate of the 1990s, some young women from Estonia are enticed into Finland to work as dancers and entertainers. Many, like 18 years old Irma, find themselves doing striptease.
- Tracking missing socks in the European Union
- Veteran soldier-skiers of the Winter War, today take part in an annual skiing competition. The Skiers tells the story in a handful of words and a few telling pictures.
- Set in the red light district of Mumbai, the film follows social worker Vinay's dedication to combat the spread of HIV and to bring help and dignity to the lives of the women and trans people working there. "He believes his efforts can change something, and he loves the girls and women in the small rooms of shadow and light. The same basic human love emanates from the film. This has demanded great respect, a distinct filmmaker's viewpoint and an appreciation of cinematic language that not only depicts the lives of poor Indian prostitutes among the dregs of society, but also conveys the emotion that these women endure their fate through humour and by caring for each other. Director John Webster successfully lets us look at this world of poverty and hopelessness without making us feel like intruders. The women talk to the film crew with a trust that must have been established over a long period of time." -Tue Steen Muller for Modern Times Review.