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1-16 of 16
- Stéphen Hessel is a French diplomat and writer. He was a WWII resistance writer and has spent time time as a UN liaison, offering assistance in the 2 year process of creating the Universal Declaration of Human Right. His book "Time of Outrage" became a world bestseller. In 2011 Foreign Policy magazine listed him among top global thinkers. The film describes Hessel's visions through the series of encounters with thinkers, witnesses of his own time and ideas.
- The film attempts to syncretically avaunt the borders of identity in an anti-historical reconstruction of Brazil. Peter Callas used several 2D and 3D animation processes in creating the imagery of Lost in Translation (Part 1: Plus Ultra).
- "Rememberemember: Wilson's Waco, Watermill, World" is a biographical documentary narration about the life and times of director Robert Wilson. The author follows through the film the career of Wilson from his early years in his home town of Waco, Texas, through his art achievements in theater productions, following his establishing of his art Foundation Watermill at Hamptons, N.Y.. The documentary encompasses statements, as well as those from his close art collaborators, of his relations decisive for his global art.
- A key video installation in the global oeuvre of Australian video artist Peter Callas dealing with the revolutionary visions of the political trailblazers Jean-Paul Marat (1743-1793) and Vladimir Lenin (1870-1924).
- Video and digital art installation comprising custom-made table, three TFT monitors with speakers, glass pane, rotating ring with infrared keyboard and track ball, computer (PC), operating system (Windows).
- Images of space, fairy tales, human beings reaching, and beyond. The sound particles used come from the introitus of Mozart's Requiem and a few metal sounds developed with physical models.
- Jill Scott's "Moved - A Beat in Step" is part of the video art series "Exploring the Body as Scupture".
- In the 1930s, the director of the Waried shipping company took a movie camera with him on his travels. It was the era of the Great Depression - and it was also the early days of the National Socialist dictatorship in Germany. Amateur filmmaker Adolf Schneider took movies of ship christenings and launchings, their concomitant celebrations and sea trials. But he also filmed vacation trips and family outings. The films he made render a portrait of an age and of a society in transition, a society heading for a catastrophe of unimaginable proportions about which it obviously had no premonition whatsoever.
- Albeit an avant-garde montage and amalgam of a primary image source taken from a German children's wartime pictorial scrapbook, the film (or video-rebus) mainly focuses on the geographic continent and turbulent political history of Europe.
- An image, displayed on a flat board with interactive sensors, shows eight women sitting around a laid table. When visitors touch the image, a video sequence is played on a monitor. By tapping on two characters, these enter into a dialogue.
- Jill Scott - in an attempt to rewrite mythologies about the female body and inspired by medieval myths and fairy tales - proposes woman as an idealized goddess, temptress or siren, as an alternative to female stereotypes in the mass media.
- "Continental Drift" compares the process of speculation and excavation in the landscape to the process of diagnosis and treatment in human illness.
- "Frontiers of Utopia" is an interactive work that allowed the viewer to experience utopia through the eyes of eight 20th century women across four decades: the 1900s, 1930s, 1960s and 1990s.