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1-9 of 9
- After the tragic loss of his mother, 10-year-old Antoine tries to understand the meaning of grief that fell upon his family. Through memories and remnants she left behind, Antoine gets closer to his mother.
- With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.
- Using the reflections and analysis of many renowned intellectuals, this documentary draws a portrait of neoliberal ideology and examines the various mechanisms used to impose its dictates throughout the world.
- In Istanbul, Deniz learns that his father has skipped town without leaving a forwarding address. On the roads of Turkey, he seeks to find the father he never knew.
- A contemporary city symphony where floating memories blend with urban sounds and the natural elements, where tales of loss and love are mirrored by the demolition and construction of new buildings, where death and birth stand next to each other, like the darkest hour of the night and the first lights of the day, and the net of the streets holds tight all the possibilities that life might unfold.
- Marie Cardinal, author of the novel « Une vie pour deux », is being interviewed by Bernard Pivot in 1978. She talks about her book. It tells the story of a man and a woman, Simone and Jean-François, who travel to Ireland for a holiday. On the second day, they find a dead woman on the beach. Together, they try to imagine how the life of this person could have looked. In Montreal, Evelyne de la Chenelière is staging at Espace Go a play based on Cardinal's novel, featuring Violette Chauveau and Jean-François Casabonne.
- Rich, tactile and complex, Carol Wainio's works carry all the power of painting, yet are not about painting. Rather they are rooted in the representational and external concerns. Working with large-scale canvasses, using a restrictive, sometimes monotone, color palette, she manipulates figuration. Her work is a conversation with the viewer in which she poses questions about how things are, or will be. Layering fairy tale illustrations, children's drawings and images from mass culture, she creates new narratives, dark and sad, in which the enchantment of the fairy tales is lost amid the discarded refuse of a consumerist society.