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1-6 of 6
- Two lonely people, with personal baggage, on separate evenings out - on the same street in Greenwich Village, she with a friend, he alone, end up on the subway platform where an old Eastern European woman plays rueful accordion music (she becomes a muse/cupid). They get into the same subway car and from there surreptitiously observe each other and submerge themselves in romantic fantasies (black and white). They never speak and she, just before exiting the train, has one last 'fantasy kiss' on the train, ending their 'romance.' Haunting accordion music and subway imagery add a fine subtlety to the romance and mystery.
- A simple argument between two friends turns vicious with tragic and hilarious results - bringing up questions about poetry, life, legacies, and immortality through art.
- James (Ryan P.A. Walsh) is a 25-year old screenwriter in New York City. Ever the "tortured writer," he is newly sober and suffering from writer's block on his new screenplay. After a run-in - and night together - with his ex-girlfriend, Ava (Dana Fresta), James begins drinking again. He attempts to use his demons to break through his writer's block and finish his screenplay - and maybe his relationship with Ava - for the last time.
- Veteran hit man John Tempest (Eddie Reynolds) is assigned to eliminate a target. However, Tempest soon learns that he is not the only one on the job; up-and-coming hit man Christian Cleric (Ryan P.A. Walsh) is after the same person. What happens when two hit men are out to kill the same target? And maybe there's more to the assignment than either assassin thinks.
- It's just another night on the job for hit man John Tempest.
- Three New Jersey friends are driving and they are late for their destination. They drive, they talk, they argue, they laugh, but underneath is the question on all three of their minds: where are they going - or not going - in life?