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- The first day of the new year. The first day of the second year of a global coronavirus pandemic. The day of Great Britain's final farewell to the European Union. A subjective camera makes a reconnaissance of political, mental and symbolic transformations. These changes, however, may be important primarily for the authors of this film, Poles living in Great Britain. Space and its meaning in confrontation with the minimalist narrative are the basic elements of the film. A modest, self-referential documentary, which is an intimate portrait of one day in the life of the film's authors.
- One-minute documentary experiment. Within one minute presents four video channels in parallel to illustrate the first-person narrator's journey to the interior of the concentration camp. The raw form of video and audio is justified in psychoanalytic intention to call a meeting of "the Real" - pointless, hidden dimension napping underneath symbolically and imaginatively structured world. What is real is something most real, the material at the same time - as something that is based on the importance of fiction - is the farthest thing from reality
- A poetic documentary feature movie filmed entirely using a mobile phone. The whole work is impressionistic in nature - it presents the life of the director but the fact that the frame is divided into four separate channels provides "Et Cetera" with another dimension - the manner in which various elements and scenes are assembled is contrapunctual and symbolic, and the film takes on the characteristics of a philosophical discourse through presenting such elements of life as birth, adult life, friendship, entertainment, love, senility, death and an unbreakable bond with nature. The film was inspired by the fascination with American avant-garde classics, but it is a completely authorial and individual artistic project. The basis for the creation of "Et Cetera" was the interest in testing the limits of transferring a subjective film message through a project being realized by a one man. It is a kind of an attempt to create a filmed memoir documenting events in one's life
- A Poetic cinematic impression referring back to the 20s avant-garde film, surrealism and impressionism. A young man unable to control the visions of approaching death and the apocalypse, is sinking into paranoia, losing any sense of reality. The man becomes a threat not only for himself but also for his loved one
- A documentary impression in which Werner Feliks Rzeznikowski, a member of The Polish Scouting Association and Gray Ranks, an ex-prisoner of the Stutthof Concentration Camp, and a survivor of the Death March, tells the difficult story of his life. A history from the perspective of an inhabitant of a small town in the Province of Pomerania sheds a new light on the life of Kashubians during the pre-war period, World War II, and in the post-war Poland. The documentary does not portray a life of a man broken by his experiences, but emphasizes the fact that even after such a trauma it is still possible to enjoy everyday life
- A poetic experimental documentary movie filmed entirely using a mobile phone. The whole work is impressionistic in nature - it presents the life of the director but the fact that the frame is divided into four separate channels provides "Et Cetera or Fragments of Video Diary" with another dimension - the manner in which various elements and scenes are assembled is contrapuntal and symbolic, and the film takes on the characteristics of a philosophical discourse through presenting such elements of life as birth, adult life, friendship, entertainment, love, senility, death and an unbreakable bond with nature. It is a kind of an attempt to create a filmed memoir documenting events in one's life
- A couple of lovers goes to a cinema to watch a film. Despite the girl's lack of enthusiasm, her partner takes her to a projection of old movies. Unexpectedly, the girl falls in love with old cinematography. A nostalgic tribute to local and studio cinemas
- Three characters - two men and a woman follow a separate path in the world of uncontrolled nature, abandoned sites and buildings. All are immersed in a somnambulistic trance. One of the men is dreaming of an ideal world, the other is fascinated by death and decay. The woman is searching for love and her unity with nature. The meeting of all three of them leads to inevitable tragedy.
- A short nonconformist manifesto. A young man is preparing himself for an important event in his life... The film title alludes to the performing arts but this performance may be given only once
- A video experiment executed in the analog system, connecting - as the title indicates - reference to shape-shifting of not a film as a whole, but individual elements of it such as a depicted world in a film, and VHS cassette as a basic storage medium
- A young man arrives to a house in a village to summarize his life. The protagonist desires to find the proper way of further existence. A coincidental meeting with a girl effects in a realization that nothing will be clear nor easy anymore. The film is an attempt to connect a feature film with contemplative neomodernist arts and slow cinema
- Short impressionistic film inspired by a poem of Charles Baudelaire from the volume "Le Fleurs du Mal".