The 50 Greatest Actors Of German Expressionism
With these men,the german expressionist movement become one of the greatest periods of cinema history. Here is fifty of them,plus one of the films that they are most remembered.
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This elegant actor of the golden age of German cinema appeared in several masterpieces, before the cameras of such inspired geniuses as Lang, Lubitsch and Murnau. Vocation had come rather late in his life, though. Abel was indeed already 33 when he made his first film. Beforehand, he had been a forester, a gardener and a shopkeeper. But one day, while watching a film with Asta Nielsen, he was struck by revelation. He decided at once to become an actor and with the help of Nielsen in person he started a fruitful screen career. He also wrote and directed a few films. He died too soon aged only 57, but having honored the German screen with his noble, dignified figure in more than a hundred pictures.Phantom- Although somewhat forgotten these days, Max Adalbert was a great name of the German theater at he beginning of the twentieth century. Born Max Kampf in Danzig (now Gdansk in Poland) Max Adalbert worked in Lübeck, St. Gallen (Switzerland), Vienna and Berlin (Kleines Theater, Reinhardt-Bühnen). During the silent period he appeared in two masterpieces by Fritz Lang 'Der müde Tod' and 'Dr. Mabuse der Spieler'. After a few years solely devoted to the boards Adalbert successfully returned to the cinema. He was very good in 'Mein Leopold' but it is 'Der Hauptmann von Köpenick' that earned him most acclaim. A heart attack brutally broke this virtuous circle.Der Hauptmann Von Köpenick
- Fritz Alberti was born on 22 October 1877 in Hanau, Hesse, Germany. He was an actor, known for Die Nibelungen: Siegfried (1924), The Student of Prague (1926) and Das Geheimnis um Johann Orth (1932). He died on 15 September 1954 in Berlin, Germany.Der König Der Mittelstürmer
- Ferdinand von Alten was born on 13 April 1885 in St. Petersburg, Russian Empire [now Russia]. He was an actor, known for Othello (1922), Danton (1921) and Deception (1920). He died on 17 March 1933 in Dessau, Anhalt [now Saxony-Anhalt], Germany.Der Sohn Des Hannibal
- Classically-trained actor, former chemist, whose formative years on the stage were spent in Bern (Switzerland) and, from 1909, the Deutsches Theater Berlin under Max Reinhardt's direction. Specialised in Shakespearean roles ('Richard III', 'Hamlet') and was a famous interpreter of the plays of Henrik Ibsen. He delivered his screen debut in a silent version of 'Dr.Jekyll and Mr.Hyde' (Der Andere (1913)). Bassermann remained active in motion pictures throughout the 1920's, also frequently appearing on stage in Austria and Switzerland. His wife, Elsa Bassermann, nee Schiff, was Jewish, and the discrimination shown towards her in his native country so outraged him that he emigrated with her to the United States in 1939.
At the age of 72, he carved out another career in Hollywood as a celebrated character actor. It took him some time to come to terms with the English language, but he was soon cast in a small part in Dr. Ehrlich's Magic Bullet (1940), as Dr.Robert Koch. He also played a sympathetic chemistry professor in Knute Rockne All American (1940). That same year, he appeared as Van Meer in Alfred Hitchcock's Foreign Correspondent (1940) and was promptly nominated for an Academy Award as Best Supporting Actor. His distinguished-looking countenance and serious demeanour lent itself to being assigned a variety of consular or professorial roles: he was excellent as Consul Magnus Barring in A Woman's Face (1941) with Joan Crawford; Professor Jean Perote in Madame Curie (1943); and a dying German music teacher in Rhapsody in Blue (1945).
At the age of 83, he made a triumphant return to the German/Austrian stage in Ibsen plays. Albert Bassermann died of a heart attack en route from New York to Zurich on May 15 1952.Der Andere - Paul Bildt was born on 19 May 1885 in Berlin, Germany. He was an actor, known for Madame Bovary (1937), Two Merry Adventurers (1937) and The False Step (1939). He was married to Charlotte Friedländer and Katharina Pape. He died on 13 March 1957 in West Berlin, West Germany.Rose Bernd
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Erwin Biswanger was born on 26 November 1896. He was an actor and writer, known for Metropolis (1927), Die Nibelungen: Siegfried (1924) and Die Nibelungen: Kriemhild's Revenge (1924). He died on 1 January 1970.Erdgeist- Ernst Deutsch was born on 16 September 1890 in Prague, Bohemia, Austria-Hungary [now Czech Republic]. He was an actor, known for The Third Man (1949), Der Prozeß (1948) and Isle of the Dead (1945). He was married to Anuschka Fuchs. He died on 22 March 1969 in West Berlin, West Germany.Von Morgens Bis Mitternacht
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Born in Ludwigshafen, Germany, Wilhelm Dieterle was the youngest of nine children of parents Jacob and Berthe Dieterle. They lived in poverty, and when he was old enough to work, young Wilhelm earned money as a carpenter and a scrap dealer. He dreamed of better things, though, and theater caught his eye as a teen. By the age of 16 he had joined a traveling theater company. He was ambitious and handsome, both of which opened the door to leading romantic roles in theater productions. Though he had acted in his first film in 1913, it was six more years before he made another one. In that year he was noticed by producer/director/designer/impresario Max Reinhardt, the most influential proponent of expressionism in theater; while in Berlin, Reinhardt hired him as an actor for his productions. Dieterle resumed German film acting in 1920, becoming a popular and successful romantic lead and featured character actor in the mix of German expressionist/Gothic and nature/romanticism genres that imbued much of German cinema in the silent era. He was interested in directing even more than acting, however, and he had the iconic Reinhardt to provide inspiration. Dieterle had acted in nearly 20 movies before he also began directing in 1923, his first female lead being a young Marlene Dietrich.
With his wife Charlotte Hagenbruch he started his own film production . He was said to have tired of acting; he appeared in nearly 50 films over the course of his career, mainly in the 1920s, and in several of his films he also functioned as director. As an actor he worked with some of the greatest names in German film, such as directors Paul Leni (in Waxworks (1924) [Waxworks]) and F.W. Murnau (in Faust (1926)) and actors Conrad Veidt and Emil Jannings. By 1930, however, he had emigrated to the US--now rechristened as William Dieterle--with an offer from Warner Brothers to direct their German-language versions of the studio's popular hits for the German market. In that capacity he made Those Who Dance (1930), The Way of All Men (1930) and Die heilige Flamme (1931) (aka "The Holy Flames"). He even stood before the camera for another of these, Dämon des Meeres (1931) (aka "Demon of the Sea", a version of "Moby Dick") in 1931, in which he played Capt. Ahab. The film was directed by another European who was soon to become one of Warners' most successful directors: the Hungarian Michael Curtiz.
Having taken to the Hollywood brand of filmmaking with ease--helped by his own brilliance in defining and executing the telling of a story--into 1931, he was soon promoted to directing some of Warners' "regular" films (his first, The Last Flight (1931), is now regarded as a masterwork) and he wold average directing six pictures a year for the studio through 1934. In that year Reinhardt came to the US, the Nazi threat finally having driven him off the Continent. He arrived with a flourish, ready to stage William Shakespeare's "A Midsummers Night's Dream"--an extravaganza at the Hollywood Bowl that would become legend. It was impressive enough to interest the execs of Warner Bros. They opted for a film version in 1935 with the great Reinhardt--even studio boss Jack L. Warner knew who he was--reunited with his disciple, Dieterle, as co-director. Reinhardt knew nothing about Hollywood and had to learn via Dieterle's diplomacy the differences between the overemphasis of stage and the subtlety of the camera. He learned from other directors as well about the realities of making films, in particular ratchet down the tendency that stage directors had to let their actors perform "too" much. It was all for naught, however, as the film was a major box-office flop, but it was one of the great moments in the evolution of film. Dieterle would direct Paul Muni for Warners in three first-rate bio movies: The Story of Louis Pasteur (1936), The Life of Emile Zola (1937) and Juarez (1939) and all received Oscar nominations. After that Dieterle moved on to do The Hunchback of Notre Dame (1939) at RKO with Charles Laughton as Quasimodo. This was one of Dieterle's best efforts, both in its romantic style and the great dark scenes of the Parisian medieval underworld with dramatic minimal lighting that gave vent to his expressionist roots.
Through the 1940s Dieterle moved around among Hollywood's studios, turning out vigorously wrought pictures, such as his two 1940 bios with Edward G. Robinson at Warner's. He became associated with independent producer David O. Selznick and actor Joseph Cotten, first with his direction of I'll Be Seeing You (1944). His romantic fires as a director had been restoked, as it were, and kept burning in the subsequent series of films with them which included the wonderful acting talents of Selznick's soon-to-be-wife (1949), Jennifer Jones: Love Letters (1945), Duel in the Sun (1946)--for which he shared directing but not credit with King Vidor--and the ethereal Portrait of Jennie (1948). "Jennie" was one of Dieterle's masterpieces, bringing into play a fusion of all his artistic fonts. The romantic fantasy with edges of darkness from the novel by Robert Nathan was just the vehicle to challenge Dieterle. His use of light and dark and gauzed--at one point the textured field of a painting canvas--backdrops conveyed the dreamlike state and netherworld atmosphere of the story of lovers from different times. Certainly the film influenced others to follow with similar themes.
Through the 1950s Dieterle's work--two more with Joseph Cotten--though sturdily in the director's hands, came off like good Hollywood fare, but were inspired more by the films' tight shooting schedules than by any artistic pretensions. His output during that decade was small, and that was partly due to bane of McCarthyism. He was never blacklisted as such, but his film Blockade (1938) was too libertarian to keep him completely away from the shadow of suspicion as a "socialist" / "communist" sympathizer. In 1958 he returned to Germany and directed a few films there and in Italy before retiring in 1965.
Though regrettably not as well known as his German and European directorial compatriots in Hollywood, he had great artistic style and worked with much energy in providing some of Hollywood's and the world's crown jewels of cinematic art.Ludwig Der Zweiter - König Von Bayern- Julius Falkenstein was born on 25 February 1879 in Berlin, Germany. He was an actor, known for Zopf und Schwert - Eine tolle Prinzessin (1926), The Only Girl (1933) and Ich und die Kaiserin (1933). He was married to Helene Julie Zillinger. He died on 9 December 1933 in Berlin, Germany.Die Austernprinzessin
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Friedrich Feher was born on 16 March 1889 in Vienna, Austria-Hungary [now Austria]. He was a director and actor, known for The Cabinet of Dr. Caligari (1920), The Robber Symphony (1936) and William Tell (1913). He was married to Magda Sonja. He died on 30 September 1950 in Stuttgart, Baden-Württemberg, Germany.Kabale Und Liebe- Actor
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Olaf Fønss was born on 17 October 1882 in Århus, Denmark. He was an actor and director, known for Homunculus, 1. Teil (1916), Mysteries of India, Part II: Above All Law (1921) and Den store dag (1930). He died on 3 November 1949 in Copenhagen, Denmark.Der Gang In Der Nacht- Rudolf Forster was born on 30 October 1884 in Gröbming, Austria-Hungary. He was an actor, known for Das Glas Wasser (1960), The Threepenny Opera (1931) and Wälsungenblut (1965). He was married to Wilhelmine Karoline Klara Schachschneider and Eleonora von Mendelssohn. He died on 25 October 1968 in Bad Aussee, Styria, Austria.Zur Chronik Von Grieshuus
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Willy Fritsch was born on 27 January 1901 in Kattowitz, Upper Silesia, Germany [now Katowice, Slaskie, Poland]. He was an actor, known for Woman in the Moon (1929), Inglourious Basterds (2009) and Amphitryon (1935). He was married to Dinah Grace. He died on 13 July 1973 in Hamburg, Germany.Spione- Actor
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Gustav Fröhlich was born on 21 March 1902 in Hanover, Germany. He was an actor and director, known for Metropolis (1927), Leb' wohl, Christina (1945) and Seine Tochter ist der Peter (1955). He was married to Maria Hajek and Gitta Alpar. He died on 22 December 1987 in Lugano, Ticino, Switzerland.Metropolis- Actor
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Otto Gebühr was born on 29 May 1877 in Kettwig, Essen, Rhine Province, Prussia [now Northrhine-Westphalia], Germany. He was an actor and producer, known for Der große König (1942), Fridericus (1937) and Pretty Miss Schragg (1937). He was married to Doris Krüger and Cornelia Bertha Julius. He died on 14 March 1954 in Wiesbaden, Hesse, Germany.Fridericus Rex- Bernhard Goetzke was born on 5 June 1884 in Danzig, West Prussia, Kingdom of Prussia, Germany [now Gdansk, Poland]. He was an actor, known for Salamander (1928), Dr. Mabuse, the Gambler (1922) and Die Nibelungen: Siegfried (1924). He died on 7 October 1964 in West Berlin, West Germany.Der Müde Tod
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John Gottowt was born on 15 June 1881 in Lemberg, Galicia, Austria-Hungary [now Lviv, Ukraine]. He was an actor and writer, known for Nosferatu (1922), Das schwarze Los (1913) and The Student of Prague (1913). He died on 27 August 1942 in Wieliczka, Malopolskie, Poland.Algol - Tragödie Der Macht- Alexander Granach was born in the region of Galizia, in what was then the Austro-Hungarian Empire (today Ukraine). Given the name Jessaja Szajko Gronish, he was one of a dozen children of a poor Jewish family eking out a living, first in a farming village, later in a series of small towns and cities. He began working early mornings as a baker in his father's poor bakery by the age of 6, had a rough and tumble youth with relatively little schooling in religious and secular Jewish schools. He ran away from home four times, according to his autobiographical novel, but, reunited with his family at the age of 14, saw his first theatrical production, a famous play in the Yiddish language. Granach was smitten by the stage and, determined to become an actor, ran away to Berlin in 1909. In Berlin, Granach worked as a journeyman baker, fell in with a group of Jewish socialist worker-intellectuals--recent immigrants from similar Eastern European backgrounds to his own. His beginning as an actor was in amateur Yiddish-speaking productions, but he was encouraged to learn German and aspire to a wider career and was accepted into the acting school of Max Reinhardt, Europe's leading theatrical figure. Although the beginning of his acting career was interrupted by his military service in World War I, and his time as a prisoner of war in Italy, after the war he rapidly established himself as a leading figure of the flourishing theater and film industry of the Weimar-era in post-war Germany. His most enduring success in German film was as "Knock," the weird real estate agent in "Nosferatu." His charisma is demonstrated in the early German "talkie," "Kameradschaft" (1931), directed by G.W. Pabst. Granach was a well-known figure in the lively political and artistic milieu of the 1920s and early '30s, a friend of leading writers, actors, and directors, and had to flee as soon as Hitler came to power in 1933-as both a Jew and a Leftist. He spent the next five years in exile in Poland and the Soviet Union, acting in films and plays, but was arrested by Stalin's minions in 1938 and was fortunate to be able to leave the USSR and then to get to the United States. He learned English, as he had once learned German, and got his chance to act in Hollywood and then on Broadway, joining the small army of Jewish and other escapees from Hitler's Europe. The role for which he is best known in America is that of Kopalsi in "Ninotchka," (1939) directed by Ernst Lubitsch, but his role as Gestapo Inspector Alois Gruber in "Hangmen Also Die!" (1943) should be better known. (The film was written, in part, by his old colleague, Bertolt Brecht and directed by Fritz Lang.) Granach was acting on Broadway with Frederic March in the play by John Hersey, "A Bell for Adano," when he had an attack of appendicitis and died several days later of an embolism, on March 13, 1945. Alexander Granach wrote an autobiographical novel, with the title Da geht ein Mensch, in German, which was published in 1945, just after his death. The book was published at the same time in an English version, as There Goes an Actor. It was recognized at the time as a remarkable work, and has been republished as: From the Shtetl to the Stage: the Odyssey of a Wandering Actor, by Transaction Publishers, 2010.Schatten
- Ludwig Hartau was born on 19 February 1877 in Trachenberg, Silesia, Germany. He was an actor, known for Deception (1920), Marie Antoinette - Das Leben einer Königin (1922) and Johann Baptiste Lingg (1920). He died on 24 November 1922 in Berlin, Germany.Vier Um Die Frau
- Paul Hartmann was born on 8 January 1889 in Fürth, Bavaria, Germany. He was an actor, known for The Longest Day (1962), Bismarck (1940) and F.P.1 Doesn't Answer (1932). He was married to Elfriede Lieberum and ???. He died on 30 June 1977 in Munich, Bavaria, West Germany.Luise Millerin
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His real name was Theodor Friedrich Emil Janenz, and in the early 1900s, he was already working in the theater under Max Reinhardt's company. Important movies where he defined himself as a convincing actor were Passion (1919) and Quo Vadis? (1924), followed by The Last Laugh (1924) (aka The Last Laugh) in 1924 and Variety (1925) (aka Variety) in 1925. In 1928, he became the first male leading actor to receive the academy award for The Last Command (1928) directed by Josef von Sternberg. In 1929, Stenberg directed him in his world famous movie The Blue Angel (1930) (aka The Blue Angel) co-starring the young Marlene Dietrich (her first role). Later on, he concentrated on theater and dedicated his acting skills to the Nazi regime and also took part in the realization of Ohm Krüger (1941) in 1941, an expensive anti-British film production. When the Second World War ended, the US government cleaned his image, and he converted to Catholicism. He played in a few more German movies, but his career never recaptured its brilliance.Der Letzte Mann- Actor
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Victor Janson was born on 25 September 1884 in Riga, Russian Empire [now Latvia]. He was an actor and director, known for The Oyster Princess (1919), Die Dame in Schwarz (1920) and Das Skelett des Herrn Markutius (1920). He died on 29 June 1960 in West Berlin, West Germany.Die Puppe- Georg John was born on 23 July 1879 in Schmiegel, Poland. He was an actor, known for M (1931), Dr. Mabuse, the Gambler (1922) and Die Nibelungen: Kriemhild's Revenge (1924). He died on 18 November 1941 in Lódz, Lódzkie, Poland.Hilde Warren Und Der Tod
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Eugen Klöpfer was born on 10 March 1886 in Talheim, Germany. He was an actor and director, known for Der Spieler (1938), Götz von Berlichingen zubenannt mit der eisernen Hand (1925) and Luther (1928). He was married to ???. He died on 3 March 1950 in Wiesbaden, Hesse, Germany.Sylvester