2017
List activity
45 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
9 people
- Director
- Writer
- Additional Crew
Isao Takahata was born on 29 October 1935 in Ise, Japan. He was a director and writer, known for Grave of the Fireflies (1988), Pom Poko (1994) and The Tale of The Princess Kaguya (2013). He died on 5 April 2018 in Tokyo, Japan.The Little Norse Prince 1968
Panda! Go Panda! 1972
Panda! Go Panda!: Rainy Day Circus 1973
Chie the Brat 1981 ✔
Gauche the Cellist 1982 ✔
The Story of Yanagawa’s Canals 1987
Grave of the Fireflies 1988 ✔
Only Yesterday 1991 ✔
Pom Poko 1994 ✔
My Neighbors the Yamadas 1999
Anne of Green Gables: Road to Green Gables 2010
The Tale of the Princess Kaguya 2013 ✔- Writer
- Director
- Editor
Having received his education at Yokohama National University, Shunji Iwai started out in the entertainment industry by directing music videos and television dramas, including the likes of Maria, Lunatic Love and Fireworks, for which he received the award for Best Newcomer from the Japanese Director's Association. He eventually moved onto larger things with his short film Undo (1994), later followed by the hit Swallowtail Butterfly (1996) starring Japanese pop singer, Chara.
As his career progressed, he received even more awards, especially for his films Love Letter (1995) and All About Lily Chou-Chou (2001) (All About Lily Chou-Chou). Shunji Iwai resides in Japan.Fireworks, Should We See It from the Side or the Bottom? 1993
Undo 1994 ✔
Picnic 1996
April Story 1998 ✔
All About Lily Chou-Chou 2001
Hana and Alice 2004
The Murder Case of Hana & Alice 2015
A Bride for Rip Van Winkle 2016- Director
- Second Unit Director or Assistant Director
- Producer
Shinji Sômai was born on 13 January 1948 in Morioka, Iwate, Japan. He was a director and assistant director, known for Typhoon Club (1985), Ah haru (1998) and Moving (1993). He died on 9 September 2001 in Isehara, Kanagawa, Japan.Sailor Suit and Machine Gun 1981
Love Hotel 1985
Typhoon Club 1985
Moving 1993- Director
- Writer
- Actor
Although François Truffaut has written that the New Wave began "thanks to Rivette," the films of this masterful French director are not well known. Rivette, like his "Cahiers du Cinéma" colleagues Truffaut, Jean-Luc Godard, Claude Chabrol and Éric Rohmer, did graduate to filmmaking but, like Rohmer, was something of a late bloomer as a director. He made two shorts (At the Four Corners (1949) and The Quadrille (1950), starring Jean-Luc Godard); in the mid-1950s he served as an assistant to Jean Renoir and Jacques Becker; and in 1958 he was, along with Chabrol, the first of the five to begin production on a feature-length film. Without the financial benefit of a producer, Rivette took to the streets with his friends, a 16mm camera, and film stock purchased on borrowed money. It was only, however, after the commercial success of Truffaut's The 400 Blows (1959), Resnais' Hiroshima Mon Amour (1959) and Godard's Breathless (1960) that the resulting film, the elusive, intellectual, and somewhat lengthy (135 minutes) Paris Belongs to Us (1961), saw its release in 1960. In retrospect, Rivette's debut sketched out the path which all his subsequent films would follow; PARIS NOUS APPARTIENT was a monumental undertaking for the critic-turned-director, with some 30 actors (including Chabrol, Godard and Jacques Demy), almost as many locations, and an impenetrably labyrinthine narrative. His next film, the considerably more commercial The Nun (1966), was an adaptation of the Diderot novel which Rivette had staged in 1963. The least characteristic of all his features, it was also his first and only commercial success, becoming a succèss de scandal when the government blocked its release for a year. Rivette's true talents first made themselves visible during the fruitful period, 1968-74. During this time he directed the 4-hour Mad Love (1969), the now legendary 13-hour Out 1 (1971) (made for French TV in 1970 but never broadcast; edited to a 4-hour feature and retitled Out 1: Spectre (1972)), and the 3-hour Celine and Julie Go Boating (1974), his most entertaining and widely seen picture. In these three films, Rivette began to construct what has come to be called his "House of Fiction"--an enigmatic filmmaking style influenced by the work of Louis Feuillade and involving improvisation, ellipsis and considerable narrative experimentation. Unfortunately, Rivette seems to have no place in contemporary cinema. On the one hand, his work is considered too inaccessible for theatrical distribution; on the other, although his revolutionary theories have influenced figures such as Jean-Marie Straub & Danièle Huillet and Chantal Akerman, he is deemed too commercial to be accepted by the underground cinema; he still employs a narrative and uses "name" actors such as Jean-Pierre Léaud, Juliet Berto, Anna Karina and Maria Schneider. Since CÉLINE AND JULIE, Rivette's career has been as mysterious as one of his plots. In 1976 he received an offer to make a series of four films, "Les Filles du Feu." Duelle (1976), the first entry, received such negative response that the second, Noroît (1976)--which some critics call his greatest picture--was held from release. The final two installments (one of which was due to star Leslie Caron and Albert Finney) were never filmed. The 1980s proved no kinder. He made five films, but only one of them, Love on the Ground (1984), opened in the US (it received disastrous reviews). Although he continues to be an innovative and challenging artist, Rivette has failed to find the type of audience that has contributed to the commercial success of his New Wave compatriots.Le coup du berger (Short) (1956)
Paris nous appartient (1961)
La religieuse (1966)
L'Amour Fou (1969)
Out 1 (1971)
Out 1: Spectre (1972)
Celine and Julie Go Boating (1974)
Duelle (une quarantaine) (1976) ✔
Noroît (une vengeance) (1976)
Paris s’en va (1981) ✔
Le Pont du Nord (1981)
Merry-Go-Round (1981)
La Belle Noiseuse (1991)
Divertimento (1992)
Jeanne la Pucelle I - Les batailles (1994)
Jeanne la Pucelle II - Les prisons (1994)
Haut bas fragile (1995)
Lumière and Company (Documentary) (segment "Jacques Rivette/Paris") (1995) ✔
Secret Defense (1998)
Va Savoir (2001)
Around a Small Mountain (2009)- Writer
- Director
- Actress
Ms. Duras was born in southern Vietnam and lost her father at age 4. The family savings of 20 years bought the family a small plot in Cambodia, but everything was lost in a single season's flooding. The disaster killed her mother as a result. After high school in Saigon, Ms. Duras left Indochina to study law in Paris. As a young woman, she worked as a secretary in France's Ministry of Colonies from 1935 to 1941, before becoming a writer. She wrote 34 novels from 1943 to 1993, and became an enduring part of Paris's intellectual elite. In addition to her writing, she also directed about 16 films. For the film India Song (1975), she won France's Cinema Academy Grand Prix. She claimed to have rescued French president François Mitterand during World War II, when he was a resistance fighter and remained a friend and unconditional campaigner. Her most noted novel is "L'Amant", the story of a girl, from a poor French family in Indochina, who becomes the mistress of a wealthy Indochinese notable's son.La musica 1967
Destroy, She Said 1969
Nathalie Granger 1972 ✔
Woman of the Ganges 1974
India Song 1975
Baxter, Vera Baxter 1977
Agatha and the Limitless Readings 1981
L’homme atlantique 1981 ✔- Director
- Writer
- Editor
Mark Rappaport is known for From the Journals of Jean Seberg (1995), The Scenic Route (1978) and Rock Hudson's Home Movies (1992).Mur 19 1966
Local Color 1977
The Scenic Route 1978
Imposters 1979
Postcards 1990 ✔
Rock Hudson’s Home Movies 1992
Exterior Night 1993 ✔
From the Journals of Jean Seberg 1995
The Silver Screen: Color Me Lavender 1997
The Vanity Tables of Douglas Sirk 2015- Director
- Writer
- Producer
Chilean director Raúl, or Raoul, Ruiz (1941-2011) was one of the most exciting and innovative filmmakers to emerge from 1960s World Cinema, providing more intellectual fun and artistic experimentation, shot for shot, than any filmmaker since Jean-Luc Godard. A guerrilla who uncompromisingly assaulted the preconceptions of film art, this frightfully prolific figure -he made over 100 films in 40 years- did not adhere to any one style of filmmaking. He worked in 35mm, 16mm and video, for theatrical release and for European TV, and on documentary and fiction features and shorts. His career began in avant-garde theatre where, between 1956 and 1962, he wrote over 100 plays. Although he never directed any of these productions, he did dabble in TV and filmmaking in the early 1960s. In 1968, with the release of his first completed feature, the Cassavetes-like Three Sad Tigers (1968), Ruiz became one of the key Chilean directors of New Latin American Cinema. A committed though critical supporter of the Marxist government of Salvador Allende, Ruiz was forced to flee his country after the fascist coup of 1973. Living in exile in Paris from that time onwards, he found a forum for his ideas in European TV and was championed by the critics of Cahiers du Cinéma, several of whom appeared in his first European successes, The Suspended Vocation (1978) and L'hypothèse du tableau volé (1978), two enigmatic Pierre Klossowski adaptations. Between 1980 and his death in 2011, Ruiz was one of the world's most productive but least known auteurs, in part through a long-term working relationship with Portuguese producer Paulo Branco. Other regular collaborators included Ruiz's wife and editor Valeria Sarmiento, composer Jorge Arriagada, cinematographers Sacha Vierny, Henri Alekan and Ricardo Aronovich, writers Gilbert Adair and Pascal Bonitzer, and actor Melvil Poupaud. Key early works from this period included the surrealistic masterpieces Three Crowns of the Sailor (1983), City of Pirates (1983) and Manuel on the Island of Wonders (1984), three of his many French-Portuguese co-productions perversely yet charmingly addressing the recurring Ruizian themes of childhood, exile, and maritime and rural folklore. In the 1990s, Ruiz embarked on larger projects with prominent actors such as John Hurt, Marcello Mastroianni, Catherine Deneuve, Isabelle Huppert and John Malkovich, alternating this sporadic mainstream art-house endeavour with his usual low-budget experimental productions and the teaching of his Poetics of Cinema (two volumes of which he published in 1995 and 2007). In the 1990s and 2000s, he also shot several films and TV series' in Chile, though usually without Chilean funding. Ruiz is beloved among cinephiles as a poet of oneiric imagery and a fabulist of labyrinthine stories-within-stories whose films slip effortlessly from reality to imagination and back again. A manipulator of wild intellectual games in which the rules are forever changing, Ruiz's techniques were as varied as film itself; a collection of bizarre angles, close-ups and deep-focus compositions, bewildering POV shots, dazzling colours, and labyrinthine narratives which weave and dodge the viewer's grasp with every shot. As original as Ruiz was, one can tell much about him by the diversity of his influences; he was clearly inspired by Jorge Luis Borges, Robert Louis Stevenson, Orson Welles, "Left Bank" New Wave directors such as Chris Marker and Alain Resnais, and baroque low-budget Hollywood B-movie directors like Edgar G. Ulmer, Ford Beebe and Reginald Le Borg. His erudition also extended to medieval theology, Renaissance theatre and quantum physics. Ruiz remains a much-admired auteur on the European continent, having won prestigious prizes at Cannes, Berlin, San Sebastián, Locarno, Rome and Rotterdam. He is little-known in his native Chile, however, despite having made the widely seen Little White Dove (1992), receiving several major arts prizes and having a National Day of Mourning dedicated to him on the day of his burial there. In the English-speaking world, only a handful of Ruiz's films have been distributed and it is on these few films that his reputation there is built: most notably, major art-house fare such as the Ophüls- and Visconti-inspired Marcel Proust's Time Regained (1999) but also Comedy of Innocence (2000), Klimt (2006) and Mysteries of Lisbon (2011) and straight-to-video thriller pastiches like Shattered Image (1998) and Blind Revenge (2009). Little of his huge oeuvre is available on DVD. The works that are, however, bear witness to Ruiz's unique genius.Ahora te vamos a llamar hermano 1971
Utopia: The Scattered Body and the World Upside Down 1976
Dog’s Dialogue 1977 ✔
Three Crowns of the Sailor 1983
Manoel's Destinies 1984
City of Pirates 1984
The Blind Owl 1987
A TV Dante (Cantos 9 to 14) 1991
The Film to Come 1997 ✔
Mysteries of Lisbon 2010- Director
- Writer
- Second Unit Director or Assistant Director
Born in Yamanashi, Japan, Yasuzô Masumura would become known as a maverick director whose main legacy was films portraying and promoting individualism, which was the opposite of the norm in Japanese society. He earned a law degree towards the end of World War II from Tokyo University, yet joined Daiei Studio as an assistant director in 1950. He pursued a second degree at Tokyo University as a literature and philosophy double major. He was the first Japanese to study at Rome, Italy's Centro Sperimentale Di Cinematografia. He returned to Japan in 1953 and worked as assistant to Kenji Mizoguchi and Kon Ichikawa. Masumura's own lead directorial debut came in 1957 with Kuchizuke, which was a commercial success and also won praise from director Oshima Nagisa. Masumura went on to become a prolific director who also continued writing on Japanese cinema. A 1996 ten-day retrospective on Masumura in Rome was attended by Michaelangelo Antonioni who was an admirer.- Director
- Actor
- Writer
Born in the Bronx, Ferrara started making amateur films on Super 8 in his teens before making his debut with violent exploitation films such as 'Driller Killer' and 'Ms.45'. Good reviews for the latter helped create his cult reputation, leading to larger budgets, studio funding and 'name' actors (Christopher Walken, Harvey Keitel), but he still likes taking his camera out onto the meanest streets of New York, as the ultra-cheap, highly controversial 'Bad Lieutenant' demonstrates.