1981 BEST LEADING ACTORS
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This remarkable, soft-spoken American began in films as a diffident juvenile. With passing years, he matured into a star character actor who exemplified not only integrity and strength, but an ideal of the common man fighting against social injustice and oppression. He was born in Grand Island, Hall, Nebraska, the son of Herberta Elma (Jaynes) and William Brace Fonda, who was a commercial printer, and proprietor of the W. B. Fonda Printing Company in Omaha, Nebraska. His distant ancestors were Italians who had fled their country and moved to Holland, presumably because of political or religious persecution. In the mid-1600s, they crossed the Atlantic and settled in upstate New York where they founded a community with the Fonda name.
Growing up, Henry developed an early interest in journalism after having a story published in a local newspaper. At the age of twelve, he helped in his father's printing business for $2 a week. Following graduation from high school in 1923, he got a part-time job in Minneapolis with the Northwestern Bell Telephone Company which allowed him at first to pursue journalistic studies at the University of Minnesota. As it became difficult to juggle his working hours with his academic roster, he obtained another position as a physical education instructor at $30 a week, including room and board. By this time, he had grown to a height of six foot one and was a natural for basketball.
In 1925, having returned to Omaha, Henry reevaluated his options and came to the conclusion that journalism was not his forte, after all. For a while, he tried his hand at several temporary jobs, including as a mechanic and a window dresser. Then, despite opposition from his parents, Henry accepted an offer from Gregory Foley, director of the Omaha Playhouse, to play the title role in 'Merton of the Movies'. His father would not speak to him for a month. The play and its star received fairly good notices in the local press. It ran for a week, after which Henry observed "the idea of being Merton and not myself taught me that I could hide behind a mask". For the rest of the repertory season, Henry advanced to assistant director which enabled him to design and paint sets as well as act. A casual trip to New York, however, had already made him set his sights on Broadway.
In 1928, he headed east and briefly played in summer stock before joining the University Players, a group of talented Princeton and Harvard graduates among whose number were such future luminaries as James Stewart (who would remain his closest lifelong friend), Joshua Logan and Kent Smith. Before long, Henry played leads opposite Margaret Sullavan, soon to become the first of his five wives. Both marriage and the players broke up four years later. In 1932, Henry found himself sharing a two-room New York apartment with Jimmy Stewart and Joshua Logan. For the next two years, he alternated scenic design with acting at various repertory companies. In 1934, he got a break of sorts, when he was given the chance to present a comedy sketch with Imogene Coca in the Broadway revue New Faces. That year, he also hired Leland Hayward as his personal management agent and this was to pay off handsomely.
It was Hayward who persuaded the 29-year old to become a motion picture actor, despite initial misgivings and reluctance on Henry's part. Independent producer Walter Wanger, whose growing stock company was birthed at United Artists, needed a star for The Farmer Takes a Wife (1935). With both first choice actors Gary Cooper and Joel McCrea otherwise engaged, Henry was the next available option. After all, he had just completed a successful run on Broadway in the stage version. The cheesy publicity tag line for the picture was "you'll be fonder of Fonda", but the film was an undeniable hit. Wanger, realizing he had a good thing going, next cast Henry in a succession of A-grade pictures which capitalized on his image as the sincere, unaffected country boy. Pick of the bunch were the Technicolor outdoor western The Trail of the Lonesome Pine (1936), the gritty Depression-era drama You Only Live Once (1937) (with Henry as a back-to-the-wall good guy forced into becoming a fugitive from the law by circumstance), the screwball comedy The Moon's Our Home (1936) (with ex-wife Sullavan), the excellent pre-civil war-era romantic drama Jezebel (1938) and the equally superb Young Mr. Lincoln (1939), in which Henry gave his best screen performance to date as the 'jackleg lawyer from Springfield'. Henry made two more films with director John Ford: the pioneering drama Drums Along the Mohawk (1939) and The Grapes of Wrath (1940), with Henry as Tom Joad, often regarded his career-defining role as the archetypal grassroots American trying to stand up against oppression. It also set the tone for his subsequent career. Whether he played a lawman (Wyatt Earp in My Darling Clementine (1946)), a reluctant posse member (The Ox-Bow Incident (1942), a juror committed to the ideal of total justice in (12 Angry Men (1957)) or a nightclub musician wrongly accused of murder (The Wrong Man (1956)), his characters were alike in projecting integrity and quiet authority. In this vein, he also gave a totally convincing (though historically inaccurate) portrayal in the titular role of The Return of Frank James (1940), a rare example of a sequel improving upon the original.
Henry rarely featured in comedy, except for a couple of good turns opposite Barbara Stanwyck -- with whom he shared an excellent on-screen chemistry -- in The Mad Miss Manton (1938) and The Lady Eve (1941). He was also good value as a poker-playing grifter in the western comedy A Big Hand for the Little Lady (1966). Finally, just to confound those who would typecast him, he gave a chilling performance as one of the coldest, meanest stone killers ever to roam the West, in Sergio Leone's classic Once Upon a Time in the West (1968). Illness curtailed his work in the 1970s. His final screen role was as an octogenarian in On Golden Pond (1981), in which he was joined by his daughter Jane. It finally won him an Oscar on the heels of an earlier Honorary Academy Award. Too ill to attend the ceremony, he died soon after at the age of 77, having left a lasting legacy matched by few of his peers.as NORMAN THAYER JR
in ON GOLDEN POND
******- Actor
- Producer
Ben Cross was born Harry Bernard Cross on December 16, 1947, in London, England. He was the son of Catherine (O'Donovan), a cleaning woman, from Keelraheen, Dunmanway, Ireland, and Harry Cross, an English doorman and nurse. He began acting at a very young age and participated in grammar school plays -- most notably playing "Jesus" in a school pageant at age twelve.
Ben left home and school at age 15 and worked various jobs, including work as a window washer, waiter and carpenter. He was master carpenter for the Welsh National Opera and property master at the Alexandra Theatre in Birmingham, England. Driven by his desire to be an actor, Ben accepted and overcame the enormous challenges and obstacles that came with the profession. In 1970, at age 22, he was accepted into London's Royal Academy of Dramatic Art (RADA) -- the alma mater of legendary actors such as Sir John Gielgud, Glenda Jackson and Sir Anthony Hopkins.
Upon graduation from RADA, Ben performed in several stage plays at Duke's Playhouse where he was seen in "Macbeth", "The Importance of Being Earnest", and Arthur Miller's "Death of a Salesman". He then joined the Prospect Theatre Company and played roles in "Pericles", "Twelfth Night" and "Royal Hunt of the Sun". Ben also joined the cast in the immensely popular musical "Joseph and the Amazing Technicolor Dreamcoat" and played leading roles in Peter Shaffer's "Equurs", "Mind Your Head" and the musical "Irma La Douce" -- all at Leicester's Haymarket Theatre.
In 1976, Ben's debut screen appearance came when he went on location to Deventer, Holland, to play Trooper Binns in Joseph E. Levine's World War II epic A Bridge Too Far (1977), which starred a very famous international cast -- namely Dirk Bogarde, Sir Sean Connery, Sir Michael Caine and James Caan. In 1977, Ben became a member of the Royal Shakespeare Company and performed in the premier of "Privates on Parade" as Kevin Cartwright and played Rover in a revival of a Restoration play titled "Wild Oats".
Ben's path to international stardom began in 1978 with his extraordinary performance in the musical "Chicago" in which he played Billy Flynn, the slick lawyer of murderess Roxie Hart. During his performance in this musical, he was recognized and recommended for a leading role in the multiple Oscar-winning Chariots of Fire (1981). The major success of Chariots of Fire (1981) opened the doors to the international film market. Ben followed up Chariots of Fire (1981) with strong and successful performances, most notably in the Masterpiece Theatre miniseries The Citadel (1983), in which he played a Scottish physician, Dr. Andrew Manson, struggling with the politics of the British medical system during the 1920s, and his performance as Ash Pelham-Martyn, a British cavalry officer torn between two cultures in the Home Box Office miniseries The Far Pavilions (1984). During the 1984 Summer Olympic Games, Ben appeared in a commercial for American Express with Jackson Scholz, a sprinter for the 1924 American Olympic team whose character was featured in the film Chariots of Fire (1981). In 1986, he subsequently replaced James Garner as the featured actor endorsing the Polaroid Spectra camera. Ben was also featured in GQ Magazine as one of the annual "Manstyle" winners in January 1985, followed by a featured photo shoot in March 1985.
Having stuck by his desire to choose quality roles over monetary potential, Ben enjoyed long-term success in the film industry, for over 40 years. He played several outstanding roles including his portrayal of Solomon, one of the most fascinatingly complex characters of the Bible, in the Trimark Pictures production Solomon (1997). Other outstanding roles included his Barnabus in the MGM remake of the miniseries Dark Shadows (1991); Sir Harold Pearson in the Italian production Honey Sweet Love... (1994); Ikey Solomon in the Australian production The Potato Factory (2000); and his role as Rudolf Hess in the BBC production Nuremberg: Nazis on Trial (2006).
Ben was a director, writer and musician, as well. Among many of his original works is the musical "Rage" about Ruth Ellis, which was performed in various regional towns in the London area. He also starred in it and played the role of the hangman. Ben's first single as a lyricist was released by Polydor Records in the late 1970s and was titled "Mickey Moonshine". Other works include "The Best We've Ever Had" and "Nearly Midnight", both written by Ben and directed by his son, Theo Cross. In addition, the original soundtrack for "Nearly Midnight" was written, produced and performed by his daughter, Lauren Cross. These works were performed in Edinburgh, Scotland, in 2002 and 2003, respectively. "Square One", directed by Ben, was performed at the Etcetera Theatre in London in 2004.
Ben resided all over the world, including London, Los Angeles, New York, Southern Spain, Vienna and Sofia. He was familiar with the Spanish, Italian and German languages and enrolled in a course studying Bulgarian. When he was not filming, he wrote music, screenplays and articles for English language publications. Ben Cross died at age 72 of cancer on August 18, 2020 in Vienna, Austria.as HAROLD ABRAHAMS
in CHARIOTS OF FIRE
******- Actor
- Producer
- Writer
Since starring in his first film, Splendor in the Grass (1961), Warren Beatty has been said to have demonstrated a greater longevity in movies than any actor of his generation. Few people have taken so many responsibilities for all phases of the production of films as producer, director, writer, and actor, and few have evidenced so high a level of integrity in a body of work.
In Rules Don't Apply (2016), he writes, produces, directs and stars in. Only Beatty and Orson Welles (Citizen Kane) have been nominated by the Academy of Motion Picture Arts and Sciences as an actor, a director, a writer, and a producer for the same film. Beatty is the only person ever to have done it twice, for Heaven Can Wait (1978) and again for Reds (1981). Beatty has been nominated 15 times by the Academy of Motion Pictures Arts and Sciences, and 8 films he has produced have earned 53 Academy nominations. In 1982 he won the Academy Award for Directing and in 2000 was given the Academy's highest honor, the Irving G. Thalberg Award.
He was awarded Best Director from the Directors Guild of America and Best Writer three times from the Writers Guild of America. He has received the Milestone Award from the Producers Guild, the Board of Governors Award from the American Society of Cinematographers, the Directors Award from the Costume Designers Guild, the Life Achievement Award from the Publicists Guild, and the Outstanding Contribution to Cinematic Imagery Award from the Art Directors Guild. The National Association of Theater Owners has honored him as Director of the Year, as Producer of the Year and as Actor of the Year.
He has won 16 awards from the New York and Los Angeles Film Critics, the National Board of Review, and the Golden Globes. In 1992, he was made a Commander of the Order of Arts and Letters in France; in Italy he received the David di Donatello award in 1968 and again in 1981 and its Lifetime Achievement Award in 1998; in 2001, he received the Donostia Lifetime Achievement Award from the San Sebastian International Film Festival; in 2002, he received the British Academy Fellowship from BAFTA; and in 2011, he was awarded the Stanley Kubrick Britannia Award for Excellence in Film.
In December 2004, Beatty received The Kennedy Center Honor in Washington, D.C. In addition, he is the recipient of the American Film Institute's Lifetime Achievement Award, the HFPA Cecile B. DeMille Award and many others. Politically active since the 1960's, Beatty campaigned with Robert F. Kennedy in his 1968 presidential campaign. That same year he traveled throughout the United States speaking in favor of gun control and against the war in Vietnam. In 1972 he took a year off from motion pictures to campaign with George McGovern.
In 1981, Beatty was a founding board member of the Center for National Policy. He is a founding member of The Progressive Majority, a member of the Council on Foreign Relations, and has participated in the World Economic Forum at Davos, Switzerland.
Beatty serves on the Board of Directors of the Motion Picture and Television Fund Foundation. He previously served on the Board of Trustees of The Scripps Research Institute for several years. He has received the Eleanor Roosevelt Award from the Americans for Democratic Action, the Brennan Legacy Award from the Brennan Center for Justice at the New York University School of Law, and the Philip Burton Public Service Award from The Foundation for Taxpayer and Consumer Rights.
In multiple forums he has addressed campaign finance reform, the increasing disparity of wealth, universal health care and the need for the Democratic Party to return to its roots.
In March of 2013, he was inducted into the California Hall of Fame.
Beatty was born in Richmond, Virginia. He and his wife, Annette Bening, live in Los Angeles and have four children.
His mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and his father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. His sister is actress Shirley MacLaine (born Shirley MacLean Beaty). His ancestry is mostly English and Scottish.as JACK REED
in REDS
*****- Actor
- Producer
- Soundtrack
Jürgen Prochnow is the son of a telecommunications engineer. He has an older brother, Dieter Prochnow, who is also in the acting profession. Jürgen's parents encouraged him initially to study the banking trade. However, their son had other ideas and began working on the side as an extra and a gaffer at a theater in Düsseldorf. He eventually commenced acting studies at the Folkwang University of the Arts in Essen in 1963. His graduation three years later was followed by a first theatrical engagement in Osnabrück. Between 1971 and 1975, Prochnow was a member of the ensemble of the Schauspielhaus Bochum under the direction of Peter Zadek.
On screen from 1971, he made his debut on the big screen in (what was also Wolfgang Petersen's first film) the thriller One or the Other (1974). Prochnow commanded the lead as a struggling student who blackmails his sociology professor (Klaus Schwarzkopf) after discovering that the academic had attained his credentials by means of a plagiarised doctoral thesis. Dire consequences ensue. That same year, Petersen also directed Prochnow in an episode of the hit police series Tatort (1970). In the New German Cinema of the 1970s, the charismatic Prochnow was given ample opportunities to shine, as he did in the title role of the prison drama The Brutalization of Franz Blum (1974) and in Volker Schlöndorffs political drama The Lost Honor of Katharina Blum (1975) as a deserter wanted by the police and whose flight sparks a series of fateful events. During this period, the actor's stock-in-trade screen personae were laconic, taciturn types, often loners, yet men of integrity and strong emotional centres.
Prochnow's breakthrough to international stardom came via Wolfgang Petersen's brilliant maritime war drama Das Boot (1981). Prochnow took the nominal lead and was top-billed as the cool-headed, sympathetic veteran U-boat commander Heinrich Lehmann-Willenbrock, a kind of father figure to his crew and affectionately known as 'the old man'. A contemporary New York Times reviewer commented "The captain of the U-boat is played by Jurgen Prochnow, a remarkable actor who has also worked with Mr. Petersen on four other films. Mr. Prochnow's sad, solemn face rarely changes, but his pale eyes are extraordinarily alive. As the captain, he becomes a source of spiritual strength for his crewmen, even though his own cynicism is readily apparent". While the story of Das Boot was fictionalized, it was in part based on the exploits of a real Lehmann-Willenbrock, who did, in fact, captain U-96 (as one of four commands). He was decorated with the Knight's Cross with Oak Leaves (one of the highest honours bestowed) and survived the war to become captain of Germany's nuclear freighter Otto Hahn.
In the wake of Das Boot, Prochnow received many offers from Hollywood, his craggy features and military bearing getting him frequently typecast as callous villains in action films: he was Eddie Murphy's nemesis Maxwell Dent in Beverly Hills Cop II (1987), a brutal Norman knight in Robin Hood (1991), vicious gangster Charlie Dowd in Hurricane Smith (1992), the unhinged author of horror novels Sutter Cane in John Carpenter 's supernatural thriller In the Mouth of Madness (1994) and Judge Griffin, the chief villain of the piece who frames Sylvester Stallone for murder in Judge Dredd (1995). Prochnow also reunited with Wolfgang Petersen who directed him again in the box-office blockbuster Air Force One (1997) in the role of a rogue eastern European dictator bent on reigniting the Cold War. In season eight of the TV series 24 (2001), Prochnow featured as Jack Bauer's elusive antagonist Sergei Bazhaev, leader of a secret Russian crime syndicate.
On the side of the white hats, Prochnow has portrayed the ambitious banker André Vernet in The Da Vinci Code (2006) and Arnold Schwarzenegger in the poorly received biographical drama See Arnold Run (2005) (Prochnow had once even been under consideration to play Arnie's iconic Terminator role). He has also been active in German films and television, including a role as an unscrupulous businessman attempting to market a pharmaceutical product with known harmful side-effects in The Dark Side of the Moon (2015). On stage, he has essayed Etzel, king of the Huns in Siegfried's Erben at the 2018 Nibelungen Festival in Worms.
As a voice-over actor, Prochnow has been the German voice for Sylvester Stallone in several films (including Rocky (1976) and Rocky II (1979). He has also dubbed most of his own English-language roles into German. His awards include a Bambi in 1988 for his messianic role in The Seventh Sign (1988), a Golden Kamera as Best German Actor for Das Boot and a Jupiter Lifetime Achievement Award in 2013.
Prochnow adopted American citizenship in 2004, regularly commuting between Los Angeles and Munich. The actor's first wife was Isabel Goslar (daughter of Jürgen Goslar) who worked on Das Boot as a script supervisor and continuity manager. His second wife was the actress Birgit Stein who died in a motorcycle crash in Utah four years after her divorce from Prochnow in 2018. Since March 2015, Prochnow has been married to the Austrian actress Verena Wengler.AS Capt.-Lt. Henrich Lehmann-Willenbrock
IN DAS BOOT
*****- Actor
- Producer
- Director
British actor Jeremy Irons was born in Cowes, Isle of Wight, a small island off the south coast of England. He is the son of Barbara Anne Brereton (Sharpe) and Paul Dugan Irons, an accountant. Young Jeremy didn't prove very fond of figures. He visited mainland England only once a year. He wound up being grounded when his family settled down in Hertfordshire. At the age of 13 he enrolled in Sherborne School, Dorset, where he could practice his favorite sport, horse-riding. Before becoming an actor, he had considered a veterinarian surgeon's career.
He trained at the Bristol Old Vic School for two years, then joined Bristol Old Vic repertory company where he gained experience working in everything from Shakespeare to contemporary dramas. He moved to London in 1971 and had a number of jobs before landing the role of "John the Baptist" in the hit musical "Godspell". He went on to have a successful early career in the West End theatre and on TV, and debuted on-screen in Nijinsky (1980). In the early 80s, he gained international attention with his starring role in the Granada Television serial adaptation of Evelyn Waugh's classic novel Brideshead Revisited (1981), after which he was much in demand as a romantic leading man. He went on to a steady film career. In 1984, he debuted on Broadway opposite: Glenn Close in Tom Stoppard's "The Real Thing" and, in the mid-80s, he appeared in three lead roles with the Royal Shakespeare Company.
Once described as 'the thinking woman's pin up', he has made his name in thought provoking films such as David Cronenberg's Dead Ringers (1988), for which he won the New York Critics Best Actor Award. He gained a Golden Globe Award in addition to an Oscar for Best Actor in 1990 for his role as Claus von Bulow in Reversal of Fortune (1990) alongside Glenn Close. Among his many achievements, his role as Professor Higgins in Loewe-Lerner's famous musical "My Fair Lady" mustn't be forgotten. It was in London, back in 1987.
He is married to actress Sinéad Cusack, with whom he appeared in Waterland (1992) and in the Royal Shakespeare Company plays. He appeared with his son Samuel Irons and his father-in-law Cyril Cusack in the film Danny the Champion of the World (1989). His son Max Irons is also an actor.AS CHARLES HENRY SMITHSON/MIKE
IN THE FRENCH LIEUTENANT'S WIFE
*****- Actor
- Producer
- Director
Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born on January 26, 1925, in Cleveland, Ohio, the second son of Arthur Sigmund Newman (died 1950) and Theresa Fetsko (died 1982). His elder brother was Arthur S. Newman Jr., named for their father, a Jewish businessman who owned a successful sporting goods store and was the son of emigrants from Poland and Hungary. Newman's mother (born Terézia Fecková, daughter of Stefan Fecko and Mária Polenak) was a Roman Catholic Slovak from Homonna, Pticie (former Austro-Hungarian Empire), who became a practicing Christian Scientist. She and her brother, Newman's uncle Joe, had an interest in the creative arts, and it rubbed off on him. He acted in grade school and high school plays. The Newmans were well-to-do and Paul Newman grew up in affluent Shaker Heights. Before he became an actor, Newman ran the family sporting goods store in Cleveland, Ohio.
By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, Jacqueline "Jackie" Witte (born 1929), and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he moved Jackie and Scott to New Haven, Connecticut, where he attended Yale University's School of Drama.
While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play "Picnic". Through this play, he met actress Joanne Woodward (born 1930), who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition.
In 1954, a film Newman was very reluctant to do was released, The Silver Chalice (1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He had always been embarrassed about the film and reveled in making fun of it. He immediately wanted to return to the stage, and performed in "The Desperate Hours". In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (1956), and critics praised his performance. In 1957, with a handful of films to his credit, he was cast in The Long, Hot Summer (1958), co-starring Joanne Woodward.
During the shooting of this film, they realized they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together and raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (1958). The 1960s would bring Newman into superstar status, as he became one of the most popular actors of the decade, and garnered three more Best Actor Oscar nominations, for The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). In 1968, his debut directorial effort Rachel, Rachel (1968) was given good marks, and although the film and Woodward were nominated for Oscars, Newman was not nominated for Best Director. However, he did win a Golden Globe Award for his direction.
1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films as The Sting (1973) and The Towering Inferno (1974) to lesser known films as The Life and Times of Judge Roy Bean (1972) to a cult classic Slap Shot (1977). After the death of his only son, Scott, in 1978, Newman's personal life and film choices moved in a different direction. His acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (1982) for which he received his sixth Best Actor Oscar nomination and, in 1987, finally received his first Oscar for The Color of Money (1986), almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony.
Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was co-founder of Newman-Haas racing in 1982, and also founded "Newman's Own", a successful line of food products that has earned in excess of $100 million, every penny of which Newman donated to charity. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status.
Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies. During his later years, he still attended races, was much involved in his charitable organizations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Newman died on September 26, 2008, aged 83, from lung cancer.as GALLAGHER
in ABSENCE OF MALICE
***- Actor
- Writer
- Music Department
Dudley Moore, the gifted comedian who had at least three distinct career phases that brought him great acclaim and success, actually started out as a musical prodigy as a child. Moore -- born in Dagenham, Essex, England to working class parents in 1935 -- won a music scholarship to Magdalen College, Oxford, to study the organ. At university, he also studied composition and became a classically trained pianist, though his forte on the piano for public performance was jazz. After graduating from Magdalen College in 1958, Moore was offered a position as organist at King's College, Cambridge, but turned it down in order to go to London and pursue a music and acting career. Fellow Oxonian Alan Bennett (Exter Colelge, B.A., Medieval History, 1957) had already recommended him to John Bassett, who was putting together a satirical comedy revue called "Beyond the Fringe". "Beyond the Fringe" was to be Moore's first brush with fame, along with co-stars Bennett, future theatrical director Jonathan Miller (now Sir Jonathan, who studied Medicine at Cambridge and was a physician), and Peter Cook, who was destined to become Moore's comic partner during the 1960s and '70s.
It was Miller who had recommended Cook for "Beyond the Fringe", in much the same way that Bennett had bird-dogged Moore. Cook, who had studied modern languages at Cambridge, had been part of the famous Cambridge theatrical, the Footlights revue in 1959, had subsequently gone to London to star in a West End revue for Kenneth Williams, "Pieces of Eight". This old-fashioned review was such a success there was a sequel, "One Over the Eight". He was advised by his agent not to star in the Fringe with the three others as he was a professional, whereas they were amateurs. Ironically, the great success of "Beyond the Fringe", which was a new kind of satirical comedy, would doom the very old-fashioned reviews that Cook had just tasted success in. "Beyond the Fringe" not only won great acclaim in the UK, but it was a hit in the U.S.. The four won a special Tony Award in 1963 for their Broadway production of "Beyond the Fringe" and there was a television program made of the revue in 1964.
Moore and Cook were offered the TV show Not Only... But Also (1965) by the BBC in 1965. Peter Cook was on as a guest. Their pairing was so successful, it enjoyed a second season in 1966 and a third in 1970. They were particularly funny as the working-class characters "Pete" and "Dud". The duo then broke into the movies, including The Wrong Box (1966) and Bedazzled (1967). In 1974, the duo won their second Tony Award for their show "Good Night", which was the stage version of their TV series "Not Only... But Also".
In the mid- to late 1970s, they issued three comic albums in the guise of the characters "Derek" and "Clive" (Moore and Cook, respectively), two lavatory attendants that many viewed as reincarnations of their earlier TV characters "Pete" and "Dud". The albums, ad-libbed in a recording studio while the two drank vast quantities of alcohol, were noted at the time for their obscenity. Their typical routine was a stream-of-consciousness fugue by Cook, interspersed with interjections by Moore. With their obscenity-laden, free-formed riffs, Derke and Clive presaged the more free-wheeling shock comedy of the 1980s and '90s.
They subsequently split up as Moore could no longer tolerate Cook's alcoholism. Under the influence, Cook would become abusive towards Moore, whose acting career was undergoing a renaissance in the late '70s while his career has stalled. Ironically, it was playing an alcoholic that brought Moore to the summit of his success as an actor.
After marrying American actress Tuesday Weld in 1975, Moore moved to the U.S. and began a second career as a solo screen comedian, stealing the show from Chevy Chase and Goldie Hawn as the horny conductor in the movie comedy, Foul Play (1978). When George Segal dropped out of the movie 10 (1979), director Blake Edwards cast Moore in the lead role as the composer undergoing a mid-life crisis. It was a huge hit, but was surpassed by his Oscar-nominated turn as the dipsomaniac billionaire in Arthur (1981). In the early 1980s, Moore was a top box office attraction. In 1983, the National Alliance of Theater Owners named him the Top Box Office Star-Male of the Year.
His career began petering out after he turned down the lead in Splash (1983), a role that helped establish Tom Hanks as a top movie comedian and position him for his transition into movie drama and super-stardom. As Hanks star waxed, Moore's star waned, and by 1985 he was reduced to playing an elf in Santa Claus (1985), one of the all time turkeys. Even a second turn as "Arthur" in Arthur 2: On the Rocks (1988) couldn't revive his box office, the dependent clause of the title all too well describing his career. His TV series Dudley (1993) was a bust, and the 1990s proved a wasteland for the once-honored and prosperous comedian.
Moore was deeply affected by the January 1995 death of Peter Cook by a gastrointestinal hemorrhage at the age of 57. Moore organized a two-day memorial to Cook in Los Angeles that was held in November 1995. Less than four years later, in September 1999, Moore announced that he was afflicted with progressive supra-nuclear palsy, a disease for which there is no treatment.
Dudley Moore was invested as a Commander of the Order of The British Empire (one step below knighthood) in June 2001. Moore personally attended the ceremony at Buckingham Palace to accept his CBE from Prince Charles, the Prince of Wales (later King Charles III), despite being unable to speak and being wheelchair-bound. He died in Watchung, New Jersey on March 27, 2002, a month shy of his 67th birthday, from the pneumonia related to progressive supra-nuclear palsy.
Dudley Moore was married four times, to actresses Suzy Kendall, Tuesday Weld, Brogan Lane and Nicole Rothschild, and had two sons, one with Tuesday Weld and one with Nicole Rothschild.as ARTHUR
in ARTHUR
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