Cathy Schulman says getting into the movie business was a “bit of an accident.” It was a time before studying cinema was recognized as a fine art, so she was a playwrighting major at Yale. Then someone told her she would average about $1,500 for her plays. Concerned if she could support herself, she was advised to look into the movie business. “I said, ‘What’s that?’” Schulman, now the CEO and president of Welle Entertainment, recalls. “And the next thing you knew, I was in an interview, and I was hired to work on a set, and the rest is history.”
The movie was “Blue Steel,” and the-then 22-year-old Schulman was excited to see the film was being directed by a woman, Kathryn Bigelow. (She didn’t know it would be another 20 years before she worked with a female director.) From those humble beginnings, Schulman would go on to enormous...
The movie was “Blue Steel,” and the-then 22-year-old Schulman was excited to see the film was being directed by a woman, Kathryn Bigelow. (She didn’t know it would be another 20 years before she worked with a female director.) From those humble beginnings, Schulman would go on to enormous...
- 4/25/2024
- by Jenelle Riley
- Variety Film + TV
The trailer for the latest take on the demon extraction genre dropped on Thursday with a first look at The Exorcism, which stars Oscar winner Russell Crowe as an actor who begins to unravel while filming a supernatural horror film.
The Exorcism, from director Joshua John Miller, will see an exclusive theatrical release beginning on June 7.
In this go-around in the genre that has captivated audiences since 1973’s The Exorcist, Crowe is joined by Ryan Simpkins as his character’s estranged daughter, who begins to suspect her father’s troubles are more sinister than a relapse into former addiction issues.
Per the logline, Crowe stars as Anthony Miller, a “troubled actor who begins to unravel while shooting a supernatural horror film.”
The cast is rounded out with several notable supporting actors, including Sam Worthington (Avatar: The Way of Water), Chloe Bailey (Praise This), Adam Goldberg (The Equalizer) and David Hyde Pierce...
The Exorcism, from director Joshua John Miller, will see an exclusive theatrical release beginning on June 7.
In this go-around in the genre that has captivated audiences since 1973’s The Exorcist, Crowe is joined by Ryan Simpkins as his character’s estranged daughter, who begins to suspect her father’s troubles are more sinister than a relapse into former addiction issues.
Per the logline, Crowe stars as Anthony Miller, a “troubled actor who begins to unravel while shooting a supernatural horror film.”
The cast is rounded out with several notable supporting actors, including Sam Worthington (Avatar: The Way of Water), Chloe Bailey (Praise This), Adam Goldberg (The Equalizer) and David Hyde Pierce...
- 4/25/2024
- by Kevin Dolak
- The Hollywood Reporter - Movie News
Vertical has released the trailer and poster for The Exorcism, a horror film starring Academy Award-winner Russell Crowe.
From Miramax, producer Kevin Williamson, and Outerbanks Entertainment, the film is directed by Joshua John Miller and written by Miller and M.A. Fortin, the creators of the hit series Queen of the South and the writers and producers of The Final Girls.
In addition to Crowe, the film stars Ryan Simpkins (Fear Street trilogy), Sam Worthington (Avatar: The Way of Water), Chloe Bailey (Praise This), Adam Goldberg (The Equalizer), and David Hyde Pierce (Frasier).
The film will have an exclusive theatrical release beginning on June 7, 2024. Shudder, AMC Networks’ premiere streaming service for horror, thrillers, and the supernatural, has acquired pay-one rights to the film.
The Exorcism follows Anthony Miller (Crowe), a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter (Simpkins) wonders if he’s slipping...
From Miramax, producer Kevin Williamson, and Outerbanks Entertainment, the film is directed by Joshua John Miller and written by Miller and M.A. Fortin, the creators of the hit series Queen of the South and the writers and producers of The Final Girls.
In addition to Crowe, the film stars Ryan Simpkins (Fear Street trilogy), Sam Worthington (Avatar: The Way of Water), Chloe Bailey (Praise This), Adam Goldberg (The Equalizer), and David Hyde Pierce (Frasier).
The film will have an exclusive theatrical release beginning on June 7, 2024. Shudder, AMC Networks’ premiere streaming service for horror, thrillers, and the supernatural, has acquired pay-one rights to the film.
The Exorcism follows Anthony Miller (Crowe), a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter (Simpkins) wonders if he’s slipping...
- 4/25/2024
- by Mirko Parlevliet
- Vital Thrills
Jennifer Lopez stars in Netflix’s new sci-fi action thriller which finds her teaming up with an artificially intelligent robot. Watch the first Atlas trailer here:
The continuing rise of AI is a ripe subject for filmmakers. The latest director to tackle the subject is Brad Peyton in his new film Atlas which is heading to Netflix next month.
Here’s the first Atlas trailer.
As you probably just saw, the film stars Jennifer Lopez as the titular character, a data analyst thrust into a dangerous mission.
Here’s the full synopsis for good measure:
Atlas Shepherd (Jennifer Lopez), a brilliant but misanthropic data analyst with a deep distrust of artificial intelligence, joins a mission to capture a renegade robot with whom she shares a mysterious past. But when plans go awry, her only hope of saving the future of humanity from AI is to trust it.
We won’t lie,...
The continuing rise of AI is a ripe subject for filmmakers. The latest director to tackle the subject is Brad Peyton in his new film Atlas which is heading to Netflix next month.
Here’s the first Atlas trailer.
As you probably just saw, the film stars Jennifer Lopez as the titular character, a data analyst thrust into a dangerous mission.
Here’s the full synopsis for good measure:
Atlas Shepherd (Jennifer Lopez), a brilliant but misanthropic data analyst with a deep distrust of artificial intelligence, joins a mission to capture a renegade robot with whom she shares a mysterious past. But when plans go awry, her only hope of saving the future of humanity from AI is to trust it.
We won’t lie,...
- 4/23/2024
- by Maria Lattila
- Film Stories
Vertical has acquired North American rights to the horror film “The Exorcism,” starring Oscar winner Russell Crowe. It will be released this summer.
If this sounds vaguely familiar, that’s because Crowe also starred in an exorcism movie last year, the underrated “The Pope’s Exorcist.”
The new film follows Anthony Miller (Crowe), “a troubled actor who begins to unravel while shooting a supernatural horror film.” His estranged daughter (Ryan Simpkins) then starts to wonder if he’s slipped back into his addict past or if there’s something more supernatural at work.
“The Exorcism” was directed and co-written (with M.A. Fortin) by Joshua John Miller, who started his career as an actor (one of his first roles was as the little vampire kid in Kathryn Bigelow’s classic “Near Dark”). His father Jason Miller portrayed Father Damien Karras in “The Exorcist,” while his mother Susan Bernard appeared in “Faster Pussycat! Kill! Kill!...
If this sounds vaguely familiar, that’s because Crowe also starred in an exorcism movie last year, the underrated “The Pope’s Exorcist.”
The new film follows Anthony Miller (Crowe), “a troubled actor who begins to unravel while shooting a supernatural horror film.” His estranged daughter (Ryan Simpkins) then starts to wonder if he’s slipped back into his addict past or if there’s something more supernatural at work.
“The Exorcism” was directed and co-written (with M.A. Fortin) by Joshua John Miller, who started his career as an actor (one of his first roles was as the little vampire kid in Kathryn Bigelow’s classic “Near Dark”). His father Jason Miller portrayed Father Damien Karras in “The Exorcist,” while his mother Susan Bernard appeared in “Faster Pussycat! Kill! Kill!...
- 4/22/2024
- by Drew Taylor
- The Wrap
Vertical has acquired North American rights to the horror film The Exorcism (formerly known as “The Georgetown Project”), starring Academy Award-winner Russell Crowe.
From Miramax, producer Kevin Williamson, and Outerbanks Entertainment, the film is directed by Joshua John Miller and written by Miller and M.A. Fortin, the creators of the hit series Queen of the South and the writers and producers of The Final Girls.
In addition to Crowe, the film stars Ryan Simpkins (Fear Street trilogy), Sam Worthington (Avatar: The Way of Water), Chloe Bailey (Praise This), Adam Goldberg (The Equalizer), and David Hyde Pierce (Frasier).
The film will have an exclusive theatrical release beginning on June 7, 2024. Shudder, AMC Networks’ premiere streaming service for horror, thrillers, and the supernatural, has acquired pay-one rights to the film.
The Exorcism follows Anthony Miller (Crowe), a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter (Simpkins...
From Miramax, producer Kevin Williamson, and Outerbanks Entertainment, the film is directed by Joshua John Miller and written by Miller and M.A. Fortin, the creators of the hit series Queen of the South and the writers and producers of The Final Girls.
In addition to Crowe, the film stars Ryan Simpkins (Fear Street trilogy), Sam Worthington (Avatar: The Way of Water), Chloe Bailey (Praise This), Adam Goldberg (The Equalizer), and David Hyde Pierce (Frasier).
The film will have an exclusive theatrical release beginning on June 7, 2024. Shudder, AMC Networks’ premiere streaming service for horror, thrillers, and the supernatural, has acquired pay-one rights to the film.
The Exorcism follows Anthony Miller (Crowe), a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter (Simpkins...
- 4/22/2024
- by Mirko Parlevliet
- Vital Thrills
Netflix Co-CEO Ted Sarandos says “there’s no appetite to make fewer films” at the streamer under the new film chief Dan Lin, disputing a recent New York Times article that said Netflix would move forward valuing quality over quantity and audience engagement over auteurs.
Sarandos on Thursday’s Netflix Q1 earnings call responded to a piece this week in the New York Times that said “the aim is to make Netflix’s movies better, cheaper and less frequent.”
“That was not a quote from Dan, and I would say that nor did we participate in that article. There is no appetite to make fewer films,” Sarandos responded. “But there is an unlimited appetite to make better films always, even though we have made and are making great films, we want to make them better of course.”
Lin joined Netflix at the start of April to replace Scott Stuber, who...
Sarandos on Thursday’s Netflix Q1 earnings call responded to a piece this week in the New York Times that said “the aim is to make Netflix’s movies better, cheaper and less frequent.”
“That was not a quote from Dan, and I would say that nor did we participate in that article. There is no appetite to make fewer films,” Sarandos responded. “But there is an unlimited appetite to make better films always, even though we have made and are making great films, we want to make them better of course.”
Lin joined Netflix at the start of April to replace Scott Stuber, who...
- 4/18/2024
- by Brian Welk
- Indiewire
Netflix is arguably the leader in the streaming business but some of its recent big-budget releases have proven to be a major disappointment. From its star-studded films to binge-model shows, Netflix has struggled to deliver a major hit and has promised to shift its focus and deliver more compelling products to its consumers.
A still from Netflix’s One Hundred Years of Solitude
The streaming giant recently dropped the first teaser trailer for the live-action adaptation of Nobel Prize-winning author Gabriel García Márquez’s One Hundred Years of Solitude. The teaser also features one of the most iconic lines from fictional literature and promises to come true on Netflix’s promise for better content. Here is everything you need to know about Netflix’s One Hundred Years of Solitude.
One Hundred Years of Solitude Trailer Features the Best Line From Gabriel García Márquez’s Novel
On April 17, 2024, Netflix dropped the...
A still from Netflix’s One Hundred Years of Solitude
The streaming giant recently dropped the first teaser trailer for the live-action adaptation of Nobel Prize-winning author Gabriel García Márquez’s One Hundred Years of Solitude. The teaser also features one of the most iconic lines from fictional literature and promises to come true on Netflix’s promise for better content. Here is everything you need to know about Netflix’s One Hundred Years of Solitude.
One Hundred Years of Solitude Trailer Features the Best Line From Gabriel García Márquez’s Novel
On April 17, 2024, Netflix dropped the...
- 4/18/2024
- by Pratik Handore
- FandomWire
Netflix has reportedly dropped Kathryn Bigelow’s upcoming project based on David Koepp’s 2022 novel Aurora. The project was initially announced ahead of Koepp’s book release with Bigelow making her directorial return after the 2017 crime drama Detroit. The filmmaker is celebrated for her work on movies like The Hurt Locker and Zero Dark Thirty and has also been the first woman to win a Best Directing Oscar.
Kathryn Bigelow (Image via Wikimedia Commons)
However, recent reports have revealed that the streaming giant has decided not to move forward with the film following Bigelow’s exit, as it shifts its focus toward projects aimed at capturing a vast audience.
Netflix Is No Longer Moving Forward With Kathryn Bigelow’s Aurora Adaptation
A new report from The New York Times has revealed that the streaming giant Netflix has abandoned the film based on David Koepp’s 2022 novel Aurora. The film was...
Kathryn Bigelow (Image via Wikimedia Commons)
However, recent reports have revealed that the streaming giant has decided not to move forward with the film following Bigelow’s exit, as it shifts its focus toward projects aimed at capturing a vast audience.
Netflix Is No Longer Moving Forward With Kathryn Bigelow’s Aurora Adaptation
A new report from The New York Times has revealed that the streaming giant Netflix has abandoned the film based on David Koepp’s 2022 novel Aurora. The film was...
- 4/16/2024
- by Laxmi Rajput
- FandomWire
Under Netflix’s new head of film, auteur-driven projects are said to be very much out of favour: Kathryn Bigelow’s Aurora included.
Just a couple of weeks ago, we covered a report which suggested that Dan Lin, the new head of Netflix’s film division, would be looking to scale back the company’s commitment to high-budget films. Expensive movies like The Gray Man, Red Notice or Rebel Moon would be a thing of the past and the film division would instead focus its resources on mid-budget projects.
So far though, the only projects about that aren’t getting a green light seem to be the ones being led by auteur filmmakers.
David Lynch revealed last week that Netflix had rejected his pitch for a feature-length animation while it has emerged today that Aurora – a Kathryn Bigelow project that has been in the works for a while at Netflix...
Just a couple of weeks ago, we covered a report which suggested that Dan Lin, the new head of Netflix’s film division, would be looking to scale back the company’s commitment to high-budget films. Expensive movies like The Gray Man, Red Notice or Rebel Moon would be a thing of the past and the film division would instead focus its resources on mid-budget projects.
So far though, the only projects about that aren’t getting a green light seem to be the ones being led by auteur filmmakers.
David Lynch revealed last week that Netflix had rejected his pitch for a feature-length animation while it has emerged today that Aurora – a Kathryn Bigelow project that has been in the works for a while at Netflix...
- 4/16/2024
- by Dan Cooper
- Film Stories
Sunday Am: A24 is calling Civil War at a $25.7M opening, largely fueled by Democrat and Liberal moviegoers, but with overperforming business in some Red state regions like the South and Southwest.
Screen Engine/Comscore’s PostTrak polled Civil War attendees’ politics reporting that 22% considered themselves Liberal, 19% were Democrats, 11% considered themselves moderate, whereas registered Republicans (6%), Evangelical Christians (6%) and politically conservative folks (5%) showed up as a minority.
The markets that overperformed were L.A., San Francisco, Washington, D.C., Phoenix, Austin, Navy hub San Diego, and conservative market Denver. But then there were these smaller regional markets that rallied, including El Paso and Waco, Texas, Oklahoma City, Albuquerque, New Mexico and Charlottesville, Virginia. As we told you, South, South Central, and West were the best regions for the A24 release, which follows journalists chronicling a divided, violent America.
Civil War, from left: Wagner Moura, Kirsten Dunst, 2024. ph: Murray Close / © A24 / Courtesy...
Screen Engine/Comscore’s PostTrak polled Civil War attendees’ politics reporting that 22% considered themselves Liberal, 19% were Democrats, 11% considered themselves moderate, whereas registered Republicans (6%), Evangelical Christians (6%) and politically conservative folks (5%) showed up as a minority.
The markets that overperformed were L.A., San Francisco, Washington, D.C., Phoenix, Austin, Navy hub San Diego, and conservative market Denver. But then there were these smaller regional markets that rallied, including El Paso and Waco, Texas, Oklahoma City, Albuquerque, New Mexico and Charlottesville, Virginia. As we told you, South, South Central, and West were the best regions for the A24 release, which follows journalists chronicling a divided, violent America.
Civil War, from left: Wagner Moura, Kirsten Dunst, 2024. ph: Murray Close / © A24 / Courtesy...
- 4/14/2024
- by Anthony D'Alessandro
- Deadline Film + TV
The 1990s represented a golden epoch for action cinema. This was the time which saw VHS and its digitized successor DVD introduce a whole new generation of fans to the magic of stars like Arnold Schwarzenegger and Sylvester Stallone. And those titans from the ‘80s still claimed big wins, too, at the box office and home media via the likes of Terminator 2: Judgement Day, Demolition Man, and Cliffhanger.
It was also the decade that saw audiences turn out in droves to theaters and rental stores to catch a glimpse of Steven Seagal’s flying fists in movies like Under Siege or Jean-Claude Van Damme and his trademark splits in Timecop; Jackie Chan finally got the larger American fanbase he so richly deserved thanks to the Rush Hour movies while Bruce Willis gave us Die Hard With A Vengeance, the best of all the Die Hard sequels, before pivoting...
It was also the decade that saw audiences turn out in droves to theaters and rental stores to catch a glimpse of Steven Seagal’s flying fists in movies like Under Siege or Jean-Claude Van Damme and his trademark splits in Timecop; Jackie Chan finally got the larger American fanbase he so richly deserved thanks to the Rush Hour movies while Bruce Willis gave us Die Hard With A Vengeance, the best of all the Die Hard sequels, before pivoting...
- 4/11/2024
- by David Crow
- Den of Geek
These ten horror films, helmed by talented women directors, offer a diverse range of storytelling and filmmaking styles, proving that the horror genre is enriched by their unique perspectives and creative vision.
The Babadook (2014) – Directed by Jennifer Kent: This Australian psychological horror film follows a single mother and her son who are haunted by a sinister presence that emerges from a mysterious children’s book. Jennifer Kent’s masterful direction creates a chilling atmosphere and explores themes of grief and motherhood. American Psycho (2000) – Directed by Mary Harron: Based on the controversial novel by Bret Easton Ellis, “American Psycho” is a satirical horror film that delves into the mind of a wealthy investment banker with psychopathic tendencies. Mary Harron’s direction infuses the film with dark humour and unsettling tension. Near Dark (1987) – Directed by Kathryn Bigelow: Kathryn Bigelow’s stylish and unconventional take on the vampire genre is a cult classic.
The Babadook (2014) – Directed by Jennifer Kent: This Australian psychological horror film follows a single mother and her son who are haunted by a sinister presence that emerges from a mysterious children’s book. Jennifer Kent’s masterful direction creates a chilling atmosphere and explores themes of grief and motherhood. American Psycho (2000) – Directed by Mary Harron: Based on the controversial novel by Bret Easton Ellis, “American Psycho” is a satirical horror film that delves into the mind of a wealthy investment banker with psychopathic tendencies. Mary Harron’s direction infuses the film with dark humour and unsettling tension. Near Dark (1987) – Directed by Kathryn Bigelow: Kathryn Bigelow’s stylish and unconventional take on the vampire genre is a cult classic.
- 4/9/2024
- by George P Thomas
- Nerdly
Neo, portrayed by Keanu Reeves in The Matrix, employs a range of martial arts techniques in all four films, even though his most famous quote is “I know kung fu”. The Wachowskis’ action film series were renowned for their brilliant martial arts action, which was unusual in American cinema at the time, in addition to their surreal storylines and thought-provoking ideas.
However, keen-eyed fans may have noticed that Neo prefers punching over kicking in his battles with the agents. Have you ever wondered why, though? Well, Reeves had back surgery shortly before filming on The Matrix began in order to treat a spinal injury that was paralyzing his legs.
Keanu Reeves as Neo in The Matrix films
As a result, the actor found kicking difficult, so he decided to focus on punching in Neo’s fight scenes.
The Matrix: Why Does Keanu Reeves’ Neo Punch More Than He Kicks?...
However, keen-eyed fans may have noticed that Neo prefers punching over kicking in his battles with the agents. Have you ever wondered why, though? Well, Reeves had back surgery shortly before filming on The Matrix began in order to treat a spinal injury that was paralyzing his legs.
Keanu Reeves as Neo in The Matrix films
As a result, the actor found kicking difficult, so he decided to focus on punching in Neo’s fight scenes.
The Matrix: Why Does Keanu Reeves’ Neo Punch More Than He Kicks?...
- 4/1/2024
- by Siddhika Prajapati
- FandomWire
Over the years, Jeremy Renner has portrayed different roles in a plethora of film genres and has become an A-tier actor. Renner is often regarded as one of the most versatile and talented actors in Hollywood. But one must not be fooled by his portrayal of Hawkeye in the MCU, as he has played roles that have earned him Academy Award nominations.
Jeremy Renner. Credits: Wikimedia Commons
His most gripping role was of William James in The Hurt Locker has earned him a Golden Globe Award. However, Jeremy Renner was immensely scared when he was supposed to travel to the Middle East. He was scared to the point, where he hid his nationality, pretended to be a Canadian citizen, and had quite a difficult time while working on the 2008 film.
Jeremy Renner Recalls How He Pretended to be a Canadian For Safety Concerns
The Hurt Locker is one of the...
Jeremy Renner. Credits: Wikimedia Commons
His most gripping role was of William James in The Hurt Locker has earned him a Golden Globe Award. However, Jeremy Renner was immensely scared when he was supposed to travel to the Middle East. He was scared to the point, where he hid his nationality, pretended to be a Canadian citizen, and had quite a difficult time while working on the 2008 film.
Jeremy Renner Recalls How He Pretended to be a Canadian For Safety Concerns
The Hurt Locker is one of the...
- 3/30/2024
- by Tushar Auddy
- FandomWire
Lily Gladstone has always been a huge fan of Cate Blanchett and now, fresh off joining her acting idol in the elite realm of best actress Academy Award nominees, the two women are teaming up.
Not on screen (yet), but for a greater cause.
Gladstone is among the boldfaced names joining the selection committee for Proof of Concept, an accelerator program focused on supporting the perspectives of women, trans and non-binary people by financially backing their short “proof of concept” films.
The program was announced last December, with Blanchett and her Dirty Films partner Coco Francini teaming up with Dr. Stacy Smith, founder of the USC Annenberg Inclusion Initiative and supported by the Netflix Fund for Creative Equity to tackle the ongoing disparities facing these communities in the entertainment business.
Per the latest annual reports from Dr. Smith and the Annenberg Inclusion Initiative, only 6% of the directors of the 1,700 top-grossing...
Not on screen (yet), but for a greater cause.
Gladstone is among the boldfaced names joining the selection committee for Proof of Concept, an accelerator program focused on supporting the perspectives of women, trans and non-binary people by financially backing their short “proof of concept” films.
The program was announced last December, with Blanchett and her Dirty Films partner Coco Francini teaming up with Dr. Stacy Smith, founder of the USC Annenberg Inclusion Initiative and supported by the Netflix Fund for Creative Equity to tackle the ongoing disparities facing these communities in the entertainment business.
Per the latest annual reports from Dr. Smith and the Annenberg Inclusion Initiative, only 6% of the directors of the 1,700 top-grossing...
- 3/25/2024
- by Angelique Jackson
- Variety Film + TV
The X-Men franchise has always had a special part in the hearts of fans of the superhero genre. Over the years, the mutants have become a symbol of inclusion, rightly so. The entire credit of bringing these fan-favorite comic characters to life goes to none other than filmmaker Bryan Singer who is responsible for films like X-Men and Days of Future Past.
A still from X-Men (2000)
However, before Bryan Singer could bring these films to the screen, writer Chris Claremont had a different idea about what an X-Men film should look like. In his dream film, he would have loved to have renowned filmmaker James Cameron as the producer. In fact, Chris Claremont had a completely different casting for both Wolverine and Storm in his mind.
X-Men Writer Wanted Angela Bassett as Storm Halle Berry as Storm
For four of the X-Men films, out of which three had the involvement of Bryan Singer,...
A still from X-Men (2000)
However, before Bryan Singer could bring these films to the screen, writer Chris Claremont had a different idea about what an X-Men film should look like. In his dream film, he would have loved to have renowned filmmaker James Cameron as the producer. In fact, Chris Claremont had a completely different casting for both Wolverine and Storm in his mind.
X-Men Writer Wanted Angela Bassett as Storm Halle Berry as Storm
For four of the X-Men films, out of which three had the involvement of Bryan Singer,...
- 3/25/2024
- by Mishkaat Khan
- FandomWire
Long before X-Men films and Hugh Jackman’s Wolverine became popular among movie lovers, James Cameron had plans to make an X-Men film. The Avatar director’s ex-wife and Oscar winner Kathryn Bigelow was set to direct the film. The reported lineup for the film was also pretty awesome, including Bob Hoskins as Wolverine and Angela Bassett as Storm. However, one Marvel character ruined these plans and the film never got past the planning stage.
Hugh Jackman as Logan / Wolverine in X-Men: The Last Stand
Bryan Singer’s X-Men films re-ignited audience interest in superhero films, particularly the Marvel films. If the film produced by James Cameron happened way back in the ’90s, it would’ve turned around the fate of Marvel Studios.
James Cameron Planned To Produce An X-Men Film Directed By Kathryn Bigelow Titanic director James Cameron planned to produce an X-Men film directed by his ex-wife Kathryn...
Hugh Jackman as Logan / Wolverine in X-Men: The Last Stand
Bryan Singer’s X-Men films re-ignited audience interest in superhero films, particularly the Marvel films. If the film produced by James Cameron happened way back in the ’90s, it would’ve turned around the fate of Marvel Studios.
James Cameron Planned To Produce An X-Men Film Directed By Kathryn Bigelow Titanic director James Cameron planned to produce an X-Men film directed by his ex-wife Kathryn...
- 3/21/2024
- by Hashim Asraff
- FandomWire
Exclusive: Artist International Group has signed Swedish actor, screenwriter and producer Alexander Karim for management.
Most recently, Karim was seen starring in Frank Doelger’s eco-thriller limited series The Swarm, an eight-parter considered one of Europe’s biggest TV drama swings in some time, at a reported budget of €40 million. Making a splash when it premiered on Zdf in Germany last year, the show’s home in the U.S. is The CW.
Previously starring in three seasons of FX’s political drama Tyrant, Karim also played the lead in The Lawyer, which was Sweden’s most-watched series of 2019. Other recent TV credits include Viaplay’s The Box, a supernatural character-driven anthology series which had him starring opposite Anna Friel and Peter Stormare, and Amazon’s The Wheel of Time.
Past film credits for Karim include Kathryn Bigelow’s Best Picture contender Zero Dark Thirty and the spy thriller Dying of the Light...
Most recently, Karim was seen starring in Frank Doelger’s eco-thriller limited series The Swarm, an eight-parter considered one of Europe’s biggest TV drama swings in some time, at a reported budget of €40 million. Making a splash when it premiered on Zdf in Germany last year, the show’s home in the U.S. is The CW.
Previously starring in three seasons of FX’s political drama Tyrant, Karim also played the lead in The Lawyer, which was Sweden’s most-watched series of 2019. Other recent TV credits include Viaplay’s The Box, a supernatural character-driven anthology series which had him starring opposite Anna Friel and Peter Stormare, and Amazon’s The Wheel of Time.
Past film credits for Karim include Kathryn Bigelow’s Best Picture contender Zero Dark Thirty and the spy thriller Dying of the Light...
- 3/18/2024
- by Matt Grobar
- Deadline Film + TV
The scariest part of writer-director Alex Garland’s Civil War is how normal it all feels. Hoteliers warn their guests that power outages caused by a suicide bombing down the block may make climbing 10 flights a safer option than taking the elevator. Stopping for gas is a game with a 50/50 chance of leaving with a full tank or losing your life. Small-town dress shops conduct business as usual in the shadows of rooftop-perched snipers.
Best known for high-concept science fiction and horror, this isn’t the film that anyone would have expected Garland to make. The writer-director of Ex Machina, Annihilation, and Men, Garland eschews the mind-bending big ideas of his previous work, including the FX series Devs, for an urgent, breathless immediacy: placing war correspondents as the “heroes” at the center of a blisteringly real American apocalypse. Frightening, even-tempered, and disarmingly humane, Civil War is intelligent precision filmmaking trained on an impossible subject.
Best known for high-concept science fiction and horror, this isn’t the film that anyone would have expected Garland to make. The writer-director of Ex Machina, Annihilation, and Men, Garland eschews the mind-bending big ideas of his previous work, including the FX series Devs, for an urgent, breathless immediacy: placing war correspondents as the “heroes” at the center of a blisteringly real American apocalypse. Frightening, even-tempered, and disarmingly humane, Civil War is intelligent precision filmmaking trained on an impossible subject.
- 3/16/2024
- by Rocco T. Thompson
- Slant Magazine
In 2011, it might have seemed like Jessica Chastain emerged out of nowhere as a formidable actress, when she appeared in no less than five movies — including Best Picture nominees “The Help” and “The Tree of Life” — and scored her first-ever Oscar nomination. But Chastain worked for years to get to that point, acting in plays from a young age and attending the prestigious Juilliard School. “I struggled for so long to try to create a career,” she told the New York Times in 2017.
In the decade since her breakout year, Chastain has received acclaim for a variety of different roles — from her Oscar-nominated lead part in “Zero Dark Thirty” to her lauded supporting work in “A Most Violent Year” to even a superhero franchise with “X-Men: Dark Phoenix.” She’s worked alongside top filmmakers like Terrence Malick, Kathryn Bigelow, J.C. Chandor, Aaron Sorkin, Christopher Nolan and Ridley Scott.
But Chastain...
In the decade since her breakout year, Chastain has received acclaim for a variety of different roles — from her Oscar-nominated lead part in “Zero Dark Thirty” to her lauded supporting work in “A Most Violent Year” to even a superhero franchise with “X-Men: Dark Phoenix.” She’s worked alongside top filmmakers like Terrence Malick, Kathryn Bigelow, J.C. Chandor, Aaron Sorkin, Christopher Nolan and Ridley Scott.
But Chastain...
- 3/15/2024
- by Christopher Rosen, Chris Beachum and Misty Holland
- Gold Derby
You can’t teach someone to be an artist; as Steven Soderbergh once noted, if you could “we’d all be Stanley Kubrick.” Yet you can teach the craft necessary for artists to express themselves, and in the case of many of the books that follow, you can provide the inspiration necessary to unlock an artist’s best and most exciting ideas. Here are 13 must-read volumes for any aspiring director, books that examine the job from a variety of technical, artistic, and logistical angles. Some are more nuts-and-bolts manuals on how to use the camera, others — the ones written by working directors like Bethany Rooney, Mary Lou Belli, and Ken Kwapis — survival guides for anyone who wants to sustain a career in the industry. Taken together, they provide a comprehensive look at what it takes to direct and arm filmmakers with the tools they need to succeed.
‘John Badham On...
‘John Badham On...
- 3/15/2024
- by Jim Hemphill
- Indiewire
Oppenheimer director Christopher Nolan won the Academy Award for best director, his first Oscar ever, on Sunday night.
“I have so many people to thank,” Nolan said during his acceptance speech. “The most incredible cast, Matt Damon, Robert, Emily, Florence, just so many others, all at the top of their game, led by the incredible Cillian Murphy… a crew, some of whom have been awarded tonight. I can’t say enough about the incredible crew that we got together on this film. Thank you to Chuck Roven for putting the book in my hands… The incredible Emma Thomas, producer of all our films and all of our children. I love you. To the academy, just to say movies are just a little bit over 100 years old. I mean, imagine being there 100 years into painting or theater. We don’t know where this incredible journey is going from here. But to...
“I have so many people to thank,” Nolan said during his acceptance speech. “The most incredible cast, Matt Damon, Robert, Emily, Florence, just so many others, all at the top of their game, led by the incredible Cillian Murphy… a crew, some of whom have been awarded tonight. I can’t say enough about the incredible crew that we got together on this film. Thank you to Chuck Roven for putting the book in my hands… The incredible Emma Thomas, producer of all our films and all of our children. I love you. To the academy, just to say movies are just a little bit over 100 years old. I mean, imagine being there 100 years into painting or theater. We don’t know where this incredible journey is going from here. But to...
- 3/11/2024
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
“Oppenheimer” took home an impressive seven Academy Awards at Sunday’s Oscars, including the night’s top prize of Best Picture. The Universal movie also won Best Director for Christopher Nolan and Best Actor for Cillian Murphy amongst a number of other awards. That is one below the total of eight wins we predicted for the film as “The Zone of Interest” beat the movie to win Best Sound. However, seven is still a huge tally and places “Oppenheimer” amongst the Best Picture winners to take home the highest amount of Oscars this century. Scroll down below for a complete list of every Best Picture winner this century ranked by total Oscar wins.
“The Lord of the Rings: The Return of the King” (2004) — 11 Oscars won
Dir: Peter Jackson
Starring: Viggo Mortensen, Ian McKellen, Elijah Wood, Sean Astin
Gandalf and Aragorn lead the World of Men against Sauron’s army to...
“The Lord of the Rings: The Return of the King” (2004) — 11 Oscars won
Dir: Peter Jackson
Starring: Viggo Mortensen, Ian McKellen, Elijah Wood, Sean Astin
Gandalf and Aragorn lead the World of Men against Sauron’s army to...
- 3/8/2024
- by Jacob Sarkisian
- Gold Derby
The 2024 Oscar nominees for Best Director are Jonathan Glazer (“The Zone of Interest”), Yorgos Lanthimos (“Poor Things”), Christopher Nolan (“Oppenheimer”), Martin Scorsese (“Killers of the Flower Moon”), and Justine Triet (“Anatomy of a Fall”). Our odds currently show that Nolan (3/1) is most likely to win, followed in order by Lanthimos (4/1), Glazer (9/2), Triet (9/2), and Scorsese (9/2).
Three of these five filmmakers have been nominated at least once before, with Scorsese standing out as the only previous victor in the group. Now on his 10th bid (only two behind category record holder William Wyler), he initially triumphed on his sixth for “The Departed” (2007), which is also the only Best Picture winner in his filmography. He earned his remaining notices for “Raging Bull” (1981), “The Last Temptation of Christ” (1989), “Goodfellas” (1991), “Gangs of New York” (2003), “The Aviator” (2005), “Hugo” (2012), “The Wolf of Wall Street” (2014), and “The Irishman” (2020).
Having previously ranked as the third oldest directing nominee ever...
Three of these five filmmakers have been nominated at least once before, with Scorsese standing out as the only previous victor in the group. Now on his 10th bid (only two behind category record holder William Wyler), he initially triumphed on his sixth for “The Departed” (2007), which is also the only Best Picture winner in his filmography. He earned his remaining notices for “Raging Bull” (1981), “The Last Temptation of Christ” (1989), “Goodfellas” (1991), “Gangs of New York” (2003), “The Aviator” (2005), “Hugo” (2012), “The Wolf of Wall Street” (2014), and “The Irishman” (2020).
Having previously ranked as the third oldest directing nominee ever...
- 3/7/2024
- by Matthew Stewart
- Gold Derby
It’s ironic that memory is the central theme of Piero Messina’s Berlin Competition title “Another End,” when so many of its twists and turns are so directly lifted from other films that it feels like you’ve seen them before; even watching it for the first time feels like rewatching. But if that makes this elegiac literalization of the timeless theme of “what is grief but love persevering?” a rather edgeless experience it’s not a wholly unpleasant one. Less designed to provoke than to soothe, perhaps the very familiarity of much of the movie is a virtue, letting us enjoy its sleek surfaces safe in the knowledge that there’s nothing much lurking in the depths to alarm us.
Indeed, the story’s central alarming incident has happened some time before the film even begins: a car crash for which Sal (Gael García Bernal) believes he was...
Indeed, the story’s central alarming incident has happened some time before the film even begins: a car crash for which Sal (Gael García Bernal) believes he was...
- 2/17/2024
- by Jessica Kiang
- Variety Film + TV
Exclusive: Independent Artist Group has signed actor Laz Alonso (The Boys) for representation.
Alonso is perhaps best known for starring on the hit Amazon series The Boys, centering on vigilantes’ efforts to take down a group of corrupt superheroes, which returns for its fourth season this year. On the show developed by Eric Kripke from the same-name comic by Garth Ennis and Darick Robertson, the actor portrays the vigilante Mother’s Milk, sharing the screen with Karl Urban, Jack Quaid, Antony Starr, Erin Moriarty and more.
Also currently voicing the title character on Netflix’s animated series My Dad the Bounty Hunter, Alonso’s past TV credits include A&e’s cult hit Breakout Kings, Starz’s Power Book II: Ghost, TNT’s Southland, NBC’s Deception and The Mysteries Of Laura, and Spectrum Originals’ L.A.’s Finest.
On the film side, he’s been seen portraying the villain Fenix opposite Vin Diesel...
Alonso is perhaps best known for starring on the hit Amazon series The Boys, centering on vigilantes’ efforts to take down a group of corrupt superheroes, which returns for its fourth season this year. On the show developed by Eric Kripke from the same-name comic by Garth Ennis and Darick Robertson, the actor portrays the vigilante Mother’s Milk, sharing the screen with Karl Urban, Jack Quaid, Antony Starr, Erin Moriarty and more.
Also currently voicing the title character on Netflix’s animated series My Dad the Bounty Hunter, Alonso’s past TV credits include A&e’s cult hit Breakout Kings, Starz’s Power Book II: Ghost, TNT’s Southland, NBC’s Deception and The Mysteries Of Laura, and Spectrum Originals’ L.A.’s Finest.
On the film side, he’s been seen portraying the villain Fenix opposite Vin Diesel...
- 2/14/2024
- by Matt Grobar
- Deadline Film + TV
Comcast hosted about 300 at its Philadelphia headquarters Tuesday to highlight the technology side of its business, one that’s less covered than entertainment but sets it apart from media rivals, and gives its content an attractive home.
The vibe at the first Comcast Converge was a bit upfront-ish, hosted by SNL’s Keenan Thompson for a New York contingent that’s not part of Comcast’s footprint including financial analysts, press and partners. “Technology has definitely changed how people watch [SNL],” said Thompson. “Fans will still come up to me and say they saw me on TV last night. But just as many folks say, ‘I saw you on YouTube,’ or ‘I loved you on Instagram.’ Or ‘You were very funny on Black-ish. I tell them that it’s not me, it’s Anthony Anderson, and at least they can Google ‘Who is Anthony Anderson’.”
There were Gritty jokes and Wawa jokes,...
The vibe at the first Comcast Converge was a bit upfront-ish, hosted by SNL’s Keenan Thompson for a New York contingent that’s not part of Comcast’s footprint including financial analysts, press and partners. “Technology has definitely changed how people watch [SNL],” said Thompson. “Fans will still come up to me and say they saw me on TV last night. But just as many folks say, ‘I saw you on YouTube,’ or ‘I loved you on Instagram.’ Or ‘You were very funny on Black-ish. I tell them that it’s not me, it’s Anthony Anderson, and at least they can Google ‘Who is Anthony Anderson’.”
There were Gritty jokes and Wawa jokes,...
- 2/14/2024
- by Jill Goldsmith
- Deadline Film + TV
Although he has personally competed for the Best Picture Oscar as a qualifying producer of just four films, Martin Scorsese is responsible for directing 10 of the top Academy Award category’s nominees, including 2024 contender “Killers of the Flower Moon.” This recent improvement upon his total makes him only the third filmmaker in Oscars history to helm a double-digit amount of Best Picture nominees. Including him, six people who were already credited with directing at least one nominee rose higher in the ranks this year.
The previous Scorsese films that vied for Best Picture are 2007 winner “The Departed” (for which he earned his sole directing trophy) and nominees “Taxi Driver” (1977), “Raging Bull” (1981), “Goodfellas” (1991), “Gangs of New York” (2003), “The Aviator” (2005), “Hugo” (2012), “The Wolf of Wall Street” (2014), and “The Irishman” (2020). Of the 10, he received producing notices for the most recent four and directing bids for all but “Taxi Driver.” The only ones who...
The previous Scorsese films that vied for Best Picture are 2007 winner “The Departed” (for which he earned his sole directing trophy) and nominees “Taxi Driver” (1977), “Raging Bull” (1981), “Goodfellas” (1991), “Gangs of New York” (2003), “The Aviator” (2005), “Hugo” (2012), “The Wolf of Wall Street” (2014), and “The Irishman” (2020). Of the 10, he received producing notices for the most recent four and directing bids for all but “Taxi Driver.” The only ones who...
- 2/9/2024
- by Matthew Stewart
- Gold Derby
Metrograph programmer Lydia Ogwang loves the balcony seats in the larger of the theater’s two screens. There’s something about having a visceral sense of the scale of the theater by being perched above the main floor. It’s easy to feel connected to the screening experience — even easier when you’re close enough to the booth that you can peek in and see the projectionist changing reels of the celluloid prints shown at the New York independent movie theater. But now, as part of Metrograph’s latest “Beach Bodied” series combining two great tastes that go great together — the beach and crime dramas — moviegoers now have the chance to see a brand-new 4K restoration of Kathryn Bigelow’s 1991 classic “Point Break” up on a big screen, no reel changes needed.
Breaking down the merits of film vs. digital in a single paragraph, or single article, would be like...
Breaking down the merits of film vs. digital in a single paragraph, or single article, would be like...
- 2/9/2024
- by Sarah Shachat
- Indiewire
After a string of false starts and red herrings, Kathryn Bigelow’s Aurora will start shooting this year – her first film since Detroit.
Here’s a story that we return to every so often with a great deal of hope. Reports have emerged (this time via What’s On Netflix) that production is set to begin on Kathryn Bigelow’s next project, sometime ‘in early 2024.’
Bigelow is of course the director of acclaimed political dramas such as Zero Dark Thirty and Detroit. She was the first female director to win an Academy Award for 2010’s The Hurt Locker and she’s the filmmaker behind 1991’s Point Break.
Considering that list of accolades, it’s a shame we haven’t seen a film from Bigelow in the last seven years, although every once in a while a story surfaces to announce that cameras will soon be rolling on her next project.
There...
Here’s a story that we return to every so often with a great deal of hope. Reports have emerged (this time via What’s On Netflix) that production is set to begin on Kathryn Bigelow’s next project, sometime ‘in early 2024.’
Bigelow is of course the director of acclaimed political dramas such as Zero Dark Thirty and Detroit. She was the first female director to win an Academy Award for 2010’s The Hurt Locker and she’s the filmmaker behind 1991’s Point Break.
Considering that list of accolades, it’s a shame we haven’t seen a film from Bigelow in the last seven years, although every once in a while a story surfaces to announce that cameras will soon be rolling on her next project.
There...
- 1/29/2024
- by Dan Cooper
- Film Stories
Recently, I wrote an article about how Ron Howard’s Cocoon was hard to find in any format. It came out on DVD many years ago but went out of print and has never been issued on Blu-ray. You also can’t find it digitally on any platform. This is a perfect example of why you should always hang on to your physical media, as I’m lucky enough to own the now out-of-print DVD of that movie, and while it’s far from an ideal copy, it’s something.
But that got me thinking. What other movies are hard to find? I opened up the forum on Twitter, and I was shocked by how many prominent films aren’t available digitally and have gone out of print on disc, making them all the more precious for collectors. At the same time, there are some happy endings, such as Martin Campbell’s No Escape,...
But that got me thinking. What other movies are hard to find? I opened up the forum on Twitter, and I was shocked by how many prominent films aren’t available digitally and have gone out of print on disc, making them all the more precious for collectors. At the same time, there are some happy endings, such as Martin Campbell’s No Escape,...
- 1/26/2024
- by Chris Bumbray
- JoBlo.com
Film directing has long been dominated by men, and they continue to earn a vast majority of the Best Director nominations at the Oscars. Yet, there have been several trailblazing women that have broken through and earned bids at the Academy Awards. Specifically, eight of them have been nominated a total of nine times. Scroll through our photo gallery above (or click here for direct access) for a look back at all of the female directors nominated for Oscars in the Best Director category. To date, three females — Kathryn Bigelow, Chloe Zhao and Jane Campion — have taken home the statuette. At the upcoming 2024 Oscars, several women were in the running for the directing trophy, but only Justine Triet (“Anatomy of a Fall”) reaped a bid.
Triet became the eighth female director nominee in Oscar history for the French film starring Sandra Hüller as a woman who is accused of murdering her husband.
Triet became the eighth female director nominee in Oscar history for the French film starring Sandra Hüller as a woman who is accused of murdering her husband.
- 1/24/2024
- by Marcus James Dixon
- Gold Derby
A lot of people were plenty upset by one Academy Awards nomination snub in particular: that of “Barbie” director Greta Gerwig. One friend on my Facebook page – actor, author and filmmaker Cathryn Michon – put her thoughts succinctly: “Warmest congratulations to the patriarchy of the Oscars. The triumph of an overwhelmingly male director’s branch continues. Greta’s craft, vision and innovation saved your business, you morons.” She continued, “For me, the Oscars have become a ‘Zone of No Interest.’ If Greta isn’t in the running, then the award is meaningless.”
Michon was hardly alone in her ire at Gerwig’s having been passed over. The din built throughout the day on Tuesday until it was deafening, with simple sexism thought to be at the heart of it. Of course, there are also these facts: Gerwig on Tuesday became the first filmmaker in history to have her first three solo features – “Lady Bird,...
Michon was hardly alone in her ire at Gerwig’s having been passed over. The din built throughout the day on Tuesday until it was deafening, with simple sexism thought to be at the heart of it. Of course, there are also these facts: Gerwig on Tuesday became the first filmmaker in history to have her first three solo features – “Lady Bird,...
- 1/24/2024
- by Ray Richmond
- Gold Derby
In Billy Crystal’s musical medley that opened the 1992 Oscars, he sang a tribute to Barbra Streisand’s romantic drama The Prince of Tides to the tune of “Don’t Rain on My Parade,” the song made famous, of course, by Barbra Streisand. He crooned: “Seven nominations on the shelf, did this film direct itself?” The audience burst into loud applause and the camera panned to Streisand who gave a nod of approval that seemed tinged with a note of disappointment.
Streisand’s film, which she directed and starred in,...
Streisand’s film, which she directed and starred in,...
- 1/23/2024
- by Esther Zuckerman
- Rollingstone.com
Film directing has long been dominated by men, and they continue to earn a vast majority of the Best Director nominations at the Oscars. Yet, there have been several trailblazing women that have broken through and earned bids at the Academy Awards. Specifically, eight of them have been nominated a total of nine times. Scroll through our photo gallery below for a look back at all of the female directors nominated for Oscars in the Best Director category. To date, three females — Kathryn Bigelow, Chloe Zhao and Jane Campion — have taken home the statuette. At the upcoming 2024 Oscars, several women were in the running for the directing trophy, but only Justine Triet (“Anatomy of a Fall”) reaped a bid.
- 1/23/2024
- by Marcus James Dixon and Kevin Jacobsen
- Gold Derby
Anatomy of a Fall director Justine Triet was nominated as the sole female filmmaker in the best director category during the Oscar nominations on Tuesday morning, which, the director tells The Hollywood Reporter, is something she could have never imagined.
“I cried… the first one [nomination] was for script and I was so happy. But it was after when I watched the name of my editor, I cried, because it was so surprising. I didn’t imagine that Laurent Sénéchal could be involved in this game,” says Triet. “And of course for best director. I was surprised because there are no more women beside me. So of course, I’m so, so lucky and very proud of all these things.”
To be nominated by her peers in the directing category was “really moving” for the French filmmaker. “Most of these people since I was a child I’ve admired so much,...
“I cried… the first one [nomination] was for script and I was so happy. But it was after when I watched the name of my editor, I cried, because it was so surprising. I didn’t imagine that Laurent Sénéchal could be involved in this game,” says Triet. “And of course for best director. I was surprised because there are no more women beside me. So of course, I’m so, so lucky and very proud of all these things.”
To be nominated by her peers in the directing category was “really moving” for the French filmmaker. “Most of these people since I was a child I’ve admired so much,...
- 1/23/2024
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
For the first time in the 96 years of the Academy Awards, three of the 10 films that received Best Picture nominations were directed by women. Greta Gerwig's "Barbie" (the blockbuster sensation of 2023), Celine Song's "Past Lives" (my personal choice for the best film of the entire year), and Justine Triet's "Anatomy of a Fall" (the most complex movie of the year) all received Best Picture nominations, and all three are incredibly well-deserved.
As Variety points out, 591 movies had been nominated for Oscars before this year's nominees were announced. In that 95-year span, it's been exceptionally rare for women to have directed two movies nominated for Best Picture:
Only four years have included two films directed by women among the best picture nominees: Lone Scherfig's ["An Education"] and Kathryn Bigelow's "The Hurt Locker" (2009), Lisa Cholodenko's "The Kids Are All Right" and Debra Granik's "Winter's Bone" (2010), Chloé Zhao...
As Variety points out, 591 movies had been nominated for Oscars before this year's nominees were announced. In that 95-year span, it's been exceptionally rare for women to have directed two movies nominated for Best Picture:
Only four years have included two films directed by women among the best picture nominees: Lone Scherfig's ["An Education"] and Kathryn Bigelow's "The Hurt Locker" (2009), Lisa Cholodenko's "The Kids Are All Right" and Debra Granik's "Winter's Bone" (2010), Chloé Zhao...
- 1/23/2024
- by Ben Pearson
- Slash Film
Three female directors saw their movies nab Best Picture nominations Tuesday morning, the first time that’s occurred in Oscar’s 96-year history: Celine Song with Past Lives, Great Gerwig with Barbie and Justine Triet with Anatomy of a Fall.
For a fifth consecutive year, at least one of the Best Picture nominees was directed by a woman.
In the directing category, Triet becomes the ninth woman to be nominated in the category. She is the only female filmmaker this year, joined by Martin Scorsese (Killers of the Flower Moon), Christopher Nolan (Oppenheimer), Yorgos Lanthimos (Poor Things) and Jonathan Glazer (The Zone of Interest).
Previously, only four years counted two Best Picture noms from female filmmakers: 2009 for Lone Scherfig’s An Education and Kathryn Bigelow’s The Hurt Locker, 2010 for Lisa Cholodenko’s The Kids Are All Right and Debra Granik’s Winter’s Bone, 2020 with Chloé Zhao’s Nomadland and...
For a fifth consecutive year, at least one of the Best Picture nominees was directed by a woman.
In the directing category, Triet becomes the ninth woman to be nominated in the category. She is the only female filmmaker this year, joined by Martin Scorsese (Killers of the Flower Moon), Christopher Nolan (Oppenheimer), Yorgos Lanthimos (Poor Things) and Jonathan Glazer (The Zone of Interest).
Previously, only four years counted two Best Picture noms from female filmmakers: 2009 for Lone Scherfig’s An Education and Kathryn Bigelow’s The Hurt Locker, 2010 for Lisa Cholodenko’s The Kids Are All Right and Debra Granik’s Winter’s Bone, 2020 with Chloé Zhao’s Nomadland and...
- 1/23/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Barbie director Greta Gerwig was notably snubbed in the best director category during the Oscar nominations on Tuesday. But following last year’s omission of any female filmmaker in the category, Anatomy of a Fall’s Justine Triet received a nomination.
Triet, Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Jonathan Glazer (The Zone of Interest) and Martin Scorsese (Killers of the Flower Moon) were nominated in the coveted category Tuesday morning.
Gerwig is a notable snub, as the Barbie director, throughout the awards season, received various best director nominations (the Directors Guild of America, the Golden Globes, Critics Choice) and wins (Palm Springs International Film Fest). She was also on various pundits’ prediction lists for best director, including from The Hollywood Reporter. Frontrunner Alexander Payne (The Holdovers) was also omitted.
Last year, no woman was nominated for best director. The nominees were Martin McDonagh (The Banshees of Inisherin), Todd Field...
Triet, Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Jonathan Glazer (The Zone of Interest) and Martin Scorsese (Killers of the Flower Moon) were nominated in the coveted category Tuesday morning.
Gerwig is a notable snub, as the Barbie director, throughout the awards season, received various best director nominations (the Directors Guild of America, the Golden Globes, Critics Choice) and wins (Palm Springs International Film Fest). She was also on various pundits’ prediction lists for best director, including from The Hollywood Reporter. Frontrunner Alexander Payne (The Holdovers) was also omitted.
Last year, no woman was nominated for best director. The nominees were Martin McDonagh (The Banshees of Inisherin), Todd Field...
- 1/23/2024
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
After failing to nominate any female directors last year — and on the heels of Jane Campion’s record-breaking win for her “The Power of the Dog” in 2022, which marked her as only the third woman to ever win the Oscar for Best Director, following Kathryn Bigelow (“The Hurt Locker”) and Chloé Zhao (“Nomadland”) — this year’s Oscar nominations have again returned to the land of just one female nominee.
That might not surprise anyone familiar with the org’s history of nominations in this particular category (read: slim), but this morning’s nomination pool did pack at least one surprise: “Barbie” filmmaker (and previous nominee in the category) Greta Gerwig failed to notch a nom, while “Anatomy of a Fall” filmmaker Justine Triet was nominated for the first time in the category.
While both films have proven to be awards juggernauts over the past few months, recent chatter seemed to favor Triet in the category,...
That might not surprise anyone familiar with the org’s history of nominations in this particular category (read: slim), but this morning’s nomination pool did pack at least one surprise: “Barbie” filmmaker (and previous nominee in the category) Greta Gerwig failed to notch a nom, while “Anatomy of a Fall” filmmaker Justine Triet was nominated for the first time in the category.
While both films have proven to be awards juggernauts over the past few months, recent chatter seemed to favor Triet in the category,...
- 1/23/2024
- by Kate Erbland
- Indiewire
Women filmmakers hit a milestone with this year’s 2024 Oscar nominations.
For the first time in history, three of the 10 movies nominated for best picture — Justine Triet’s “Anatomy of a Fall,” Greta Gerwig’s “Barbie” and Celine Song’s “Past Lives” — were directed by a female auteur, the most recognized in the Academy Awards’ 96-year history.
The other best picture nominees are: “American Fiction,” “Killers of the Flower Moon,” “Maestro,” “Oppehneimer,” “The Holdovers,” “Poor Things,” and “The Zone of Interest.”
Before this year’s best picture nominees, 591 movies were nominated by the Academy. Only four years have included two films directed by women among the best picture nominees: Lone Scherfig’s “An Education” and Kathryn Bigelow’s “The Hurt Locker” (2009), Lisa Cholodenko’s “The Kids Are All Right” and Debra Granik’s “Winter’s Bone” (2010), Chloé Zhao’s “Nomadland” and Emerald Fennell’s “Promising Young Woman” (2020) and Siân Heder’s...
For the first time in history, three of the 10 movies nominated for best picture — Justine Triet’s “Anatomy of a Fall,” Greta Gerwig’s “Barbie” and Celine Song’s “Past Lives” — were directed by a female auteur, the most recognized in the Academy Awards’ 96-year history.
The other best picture nominees are: “American Fiction,” “Killers of the Flower Moon,” “Maestro,” “Oppehneimer,” “The Holdovers,” “Poor Things,” and “The Zone of Interest.”
Before this year’s best picture nominees, 591 movies were nominated by the Academy. Only four years have included two films directed by women among the best picture nominees: Lone Scherfig’s “An Education” and Kathryn Bigelow’s “The Hurt Locker” (2009), Lisa Cholodenko’s “The Kids Are All Right” and Debra Granik’s “Winter’s Bone” (2010), Chloé Zhao’s “Nomadland” and Emerald Fennell’s “Promising Young Woman” (2020) and Siân Heder’s...
- 1/23/2024
- by Clayton Davis
- Variety Film + TV
Some movies can be so iconic that they accidentally end up damaging their own genre in the long run. For instance, we’re all aware of how cyberpunk has been living in the shadow of Ridley Scott’s Blade Runner since 1984, with it being nearly impossible to tell a story about a futuristic dystopia without bringing out the flying cars and neon signage. Fortunately, there are exceptions to this rule, and one of my personal favorites happens to be Kathryn Bigelow’s 1995 sci-fi thriller Strange Days.
A genre-bending murder mystery that takes place in the “distant” future of 1999, this special little film has aged spectacularly well despite its pre-millennial DNA, tackling pertinent issues like race relations and police corruption while also telling a surprisingly engaging love story. This is precisely why I think revisiting this retro-futuristic New Year’s extravaganza is the perfect way to start off 2024 with a bang.
A genre-bending murder mystery that takes place in the “distant” future of 1999, this special little film has aged spectacularly well despite its pre-millennial DNA, tackling pertinent issues like race relations and police corruption while also telling a surprisingly engaging love story. This is precisely why I think revisiting this retro-futuristic New Year’s extravaganza is the perfect way to start off 2024 with a bang.
- 1/22/2024
- by Luiz H. C.
- bloody-disgusting.com
Barbie remains the biggest Hollywood success story of the past year. A union between a beloved Mattel toy brand and the director of Little Women and Lady Bird, there’s a reason star and producer Margot Robbie pitched the combination as comparable to Steven Spielberg and dinosaurs. What you have here is a subject matter that generations of audiences grew up on and an auteur director bringing it to life in a fresh and exciting way. In 2019, Warner Bros. saw Robbie and Greta Gerwig’s vision, much to the studio’s reward four years later.
However, there was a time when such a pitch wouldn’t have been accepted, no matter who the director was. In fact, Sharon Stone revealed in a recent social media post that she could not even get studio executives to entertain the basic idea of a Barbie movie during the 1990s.
While commenting on an...
However, there was a time when such a pitch wouldn’t have been accepted, no matter who the director was. In fact, Sharon Stone revealed in a recent social media post that she could not even get studio executives to entertain the basic idea of a Barbie movie during the 1990s.
While commenting on an...
- 1/17/2024
- by David Crow
- Den of Geek
Production designer Ruth De Jong and costume designer Ellen Mirojnick have worked on projects helmed by incredible filmmakers. De Jong earned an Emmy nomination for David Lynch’s Twin Peaks: The Return and worked as the production designer on Jordan Peele’s Us and Nope. Mirojnick, meanwhile, earned an Emmy for Behind the Candelabra — one of her six collaborations with Steven Soderbergh — and designed costumes for Steven Spielberg (Always), Richard Attenborough (Chaplin), Kathryn Bigelow (Strange Days), Oliver Stone (Wall Street) and Paul Verhoeven (Basic Instinct, Showgirls and Starship Troopers).
So the pair know a thing or two about what makes a great director. But it’s Oppenheimer writer-director Christopher Nolan whom De Jong and Mirojnick call the ultimate filmmaker.
“There is no other director like him, and I’ve worked with some of the best,” says Mirojnick. “His method of collaboration is very generous, and he shares a massive amount by comparison to anyone else.
So the pair know a thing or two about what makes a great director. But it’s Oppenheimer writer-director Christopher Nolan whom De Jong and Mirojnick call the ultimate filmmaker.
“There is no other director like him, and I’ve worked with some of the best,” says Mirojnick. “His method of collaboration is very generous, and he shares a massive amount by comparison to anyone else.
- 1/16/2024
- by Tyler Coates
- The Hollywood Reporter - Movie News
Willem Dafoe has a face made for film. When the sixty-something actor appears on screen, his prominent cheekbones, wide eyes, and toothy grin are difficult to take your gaze off. Combined with his slender frame and his raspy, gravely, deep voice, the actor’s portrayal of Jesus Christ allegedly prompted Sergio Leone to opine “This is not the face of our Lord, this is the face of Satan!”
Dafoe hasn’t played Satan at all over the course of his career, but he’s certainly played his share of villains, bringing his signature menace to dozens of cinematic crooks and psychopaths. After his first lead role, in Kathryn Bigelow’s 1982 biker drama “The Loveless,” his early parts were largely antagonists to the lead heroes, such as the alluring but frightening criminals in “Streets of Fire” and “To Live and Die in L.A.” The part that arguably brought him the most widespread,...
Dafoe hasn’t played Satan at all over the course of his career, but he’s certainly played his share of villains, bringing his signature menace to dozens of cinematic crooks and psychopaths. After his first lead role, in Kathryn Bigelow’s 1982 biker drama “The Loveless,” his early parts were largely antagonists to the lead heroes, such as the alluring but frightening criminals in “Streets of Fire” and “To Live and Die in L.A.” The part that arguably brought him the most widespread,...
- 1/11/2024
- by Wilson Chapman
- Indiewire
It used to be just a matter of fact that only men would be nominated for Best Director at the Oscars other than very rare exceptions. That has changed in recent years, though. And now we could potentially see the academy nominate three women in the race.
SEEGreta Gerwig (‘Barbie’) will be 1st to go 3-for-3 in directing Best Picture Oscar nominees
Over the first 82 years of the Academy Awards only four women were ever nominated for the prize and only one won (Kathryn Bigelow for “The Hurt Locker”). Just since 2017, however, there have been four more female nominees and two more winners. The year Zhao won, Emerald Fennell (“Promising Young Woman”) was also nominated, marking the first time two women contended in the same year. Naturally, the next step in Oscar history would be majority female nominees in the category.
It might just happen. There are three women in...
SEEGreta Gerwig (‘Barbie’) will be 1st to go 3-for-3 in directing Best Picture Oscar nominees
Over the first 82 years of the Academy Awards only four women were ever nominated for the prize and only one won (Kathryn Bigelow for “The Hurt Locker”). Just since 2017, however, there have been four more female nominees and two more winners. The year Zhao won, Emerald Fennell (“Promising Young Woman”) was also nominated, marking the first time two women contended in the same year. Naturally, the next step in Oscar history would be majority female nominees in the category.
It might just happen. There are three women in...
- 1/10/2024
- by Daniel Montgomery
- Gold Derby
Harrison Ford in “Shrinking,” now streaming on Apple TV+. The Critics Choice Association (Cca) announced today that legendary actor Harrison Ford will receive the Career Achievement Award at the 29th annual Critics Choice Awards. The awards show, hosted by Chelsea Handler, will broadcast Live on The CW on Sunday, January 14, 2024. Ford currently stars in Apple TV+’s comedy series Shrinking for which he earned a Critics Choice Award nomination for Best Supporting Actor in a Comedy Series this year, and stars opposite Helen Mirren in the Yellowstone spinoff series 1923. Ford will next be seen in the Marvel Cinematic Universe as Thaddeus “Thunderbolt” Ross in Marvel Studios’ Captain America: Brave New World, alongside Anthony Mackie and Liv Tyler. Harrison Ford has starred in many of the most successful and acclaimed films in cinema history, including the landmark Star Wars and Indiana Jones franchises and a total of eight Best Picture Oscar®-nominated movies.
- 1/10/2024
- by Hollywood Outbreak
- HollywoodOutbreak.com
Harrison Ford is nominated for best supporting actor in a comedy for his turn on the Apple TV+ series Shrinking at Sunday’s Critics Choice Awards. But even if he doesn’t win, the 81-year-old actor won’t go home empty-handed.
The organization announced Tuesday that Ford will be feted with the Career Achievement Award at the 29th annual event, which will be hosted by Chelsea Handler and broadcast on The CW. The news comes during a busy spell for Ford who also stars opposite Helen Mirren in the Yellowstone spinoff series 1923. He will next be seen in the Marvel Cinematic Universe as Thaddeus “Thunderbolt” Ross in Marvel Studios’ Captain America: Brave New World opposite Anthony Mackie and Liv Tyler. Last year, he reprised his role as Indiana Jones in James Mangold’s Indiana Jones and the Dial of Destiny.
That film had a glitzy premiere at the Cannes Film Festival in May,...
The organization announced Tuesday that Ford will be feted with the Career Achievement Award at the 29th annual event, which will be hosted by Chelsea Handler and broadcast on The CW. The news comes during a busy spell for Ford who also stars opposite Helen Mirren in the Yellowstone spinoff series 1923. He will next be seen in the Marvel Cinematic Universe as Thaddeus “Thunderbolt” Ross in Marvel Studios’ Captain America: Brave New World opposite Anthony Mackie and Liv Tyler. Last year, he reprised his role as Indiana Jones in James Mangold’s Indiana Jones and the Dial of Destiny.
That film had a glitzy premiere at the Cannes Film Festival in May,...
- 1/9/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
The career trajectory of character actor extraordinaire Willem Dafoe is one of the more unusual among contemporary Hollywood stars. From his early days of being routinely cast as a heavy, Dafoe worked his way through the system thanks to the sheer force of his talent, finally being cast as leads, often portraying in detail such real-life figures as actor Max Schreck, artist Vincent Van Gogh and even Jesus Christ.
Among Dafoe’s early bad guy roles were as biker gang leaders in both Kathryn Bigelow‘s “The Loveless” and Walter Hill‘s “Streets of Fire.” But his performance as kindly Sgt. Elias in Oliver Stone‘s “Platoon” changed all that, resulting in his first Academy Award nomination. Three more Oscar nominations followed, and Dafoe has also earned three Golden Globe nominations and four noms from the Screen Actors Guild.
Let’s look back in our photo gallery at Dafoe’s 17 greatest films,...
Among Dafoe’s early bad guy roles were as biker gang leaders in both Kathryn Bigelow‘s “The Loveless” and Walter Hill‘s “Streets of Fire.” But his performance as kindly Sgt. Elias in Oliver Stone‘s “Platoon” changed all that, resulting in his first Academy Award nomination. Three more Oscar nominations followed, and Dafoe has also earned three Golden Globe nominations and four noms from the Screen Actors Guild.
Let’s look back in our photo gallery at Dafoe’s 17 greatest films,...
- 12/24/2023
- by Tom O'Brien, Misty Holland and Chris Beachum
- Gold Derby
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