Members of Hollywood’s production community — citing “negligence” and “reckless” behavior — were generally unsurprised by Wednesday’s guilty verdict in the first trial to be held in connection to the accidental shooting death of cinematographer Halyna Hutchins on the set of “Rust.”
Hannah Gutierrez Reed, the armorer on the movie, was convicted of involuntary manslaughter in the incident, which occurred Oct. 21, 2021 during filming at Bonanza Creek Ranch in New Mexico.
Those contacted by Variety, including Dp Nancy Schreiber, a member of the American Society of Cinematographers, were angry and troubled by the failure to maintain a safe set. Citing the “negligence of loading live ammunition” near a film set, Schreiber wrote in an email to Variety, “Protocol was outrageously disregarded by the armorer as well as the first Ad in our industry, where safety standards must always come first.”
Calling the incident “reckless and totally unnecessary,” Steven Shaw — a member of the DGA,...
Hannah Gutierrez Reed, the armorer on the movie, was convicted of involuntary manslaughter in the incident, which occurred Oct. 21, 2021 during filming at Bonanza Creek Ranch in New Mexico.
Those contacted by Variety, including Dp Nancy Schreiber, a member of the American Society of Cinematographers, were angry and troubled by the failure to maintain a safe set. Citing the “negligence of loading live ammunition” near a film set, Schreiber wrote in an email to Variety, “Protocol was outrageously disregarded by the armorer as well as the first Ad in our industry, where safety standards must always come first.”
Calling the incident “reckless and totally unnecessary,” Steven Shaw — a member of the DGA,...
- 3/7/2024
- by Carolyn Giardina
- Variety Film + TV
The candy-colored look of Barbie delivered colorist Yvan Lucas of Company 3 the FilmLight Color Award for a theatrical feature.
The third annual awards — organized by FilmLight, the maker of the Baselight color grading system, in collaboration with Camerimage — were presented Sunday at the EnergaCamerimage cinematography film festival in Toruń, Poland. From roughly 400 entries, honorees were selected by a jury chaired by Oscar-nominated cinematographer Lawrence Sher (Joker, Joker: Folie à Deux), who presented the awards.
Of his award-winning work on Barbie, which was directed by Greta Gerwig and lensed by cinematographer Rodrigo Prieto, Lucas tells The Hollywood Reporter, “Rodrigo Prieto and I both like to work together on the overall look of a film before production starts. Creating LUTs (Look Up Tables) that define the way color and contrast will be affected helps Rodrigo, the director and the department heads all work toward a common goal.
“For the majority of Barbie,...
The third annual awards — organized by FilmLight, the maker of the Baselight color grading system, in collaboration with Camerimage — were presented Sunday at the EnergaCamerimage cinematography film festival in Toruń, Poland. From roughly 400 entries, honorees were selected by a jury chaired by Oscar-nominated cinematographer Lawrence Sher (Joker, Joker: Folie à Deux), who presented the awards.
Of his award-winning work on Barbie, which was directed by Greta Gerwig and lensed by cinematographer Rodrigo Prieto, Lucas tells The Hollywood Reporter, “Rodrigo Prieto and I both like to work together on the overall look of a film before production starts. Creating LUTs (Look Up Tables) that define the way color and contrast will be affected helps Rodrigo, the director and the department heads all work toward a common goal.
“For the majority of Barbie,...
- 11/12/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
The International Cinematographers Guild hosted its 25th annual Emerging Cinematographer Awards in Los Angeles this past weekend with a luncheon at the ASC Clubhouse on Sept. 29 and an awards ceremony at the Television Academy on Oct. 1.
The awards celebrated the work of eight up-and-coming cinematographers, whose short films were all screened at the Television Academy. Additionally, Stephen Lighthill was awarded the ASC Mentor Award and Janusz Kamiński, Steven Spielberg’s longtime collaborator, was given the Distinguished Filmmaker Award.
The eight awardees included Connor Van Bodell (“Nisei”), Brook Lee Karner (“The Coop”), Petros Antoniadis (“Flickering Souls Set Alight”), Drew Dawson (“For Those Who Don’t Know How”), Grant MacAllister (“Blood Positive”), Edward Guinn (“Torn”), Sarah Anne Pierpont (“Juliet”) and Yusuke Sato (“White Now Please”).
“Neither pandemic nor industry strikes will stop the creative vision of our membership. Congratulations to all the honorees and to our ASC awards recipient,” said Baird B. Steptoe,...
The awards celebrated the work of eight up-and-coming cinematographers, whose short films were all screened at the Television Academy. Additionally, Stephen Lighthill was awarded the ASC Mentor Award and Janusz Kamiński, Steven Spielberg’s longtime collaborator, was given the Distinguished Filmmaker Award.
The eight awardees included Connor Van Bodell (“Nisei”), Brook Lee Karner (“The Coop”), Petros Antoniadis (“Flickering Souls Set Alight”), Drew Dawson (“For Those Who Don’t Know How”), Grant MacAllister (“Blood Positive”), Edward Guinn (“Torn”), Sarah Anne Pierpont (“Juliet”) and Yusuke Sato (“White Now Please”).
“Neither pandemic nor industry strikes will stop the creative vision of our membership. Congratulations to all the honorees and to our ASC awards recipient,” said Baird B. Steptoe,...
- 10/4/2023
- by Jaden Thompson
- Variety Film + TV
Bradley Cooper’s “Maestro” will close out AFI Fest on Oct. 29.
The film which screened at the Venice Film Festival to a 7-minute standing ovation follows the life of legendary stage composer Leonard Bernstein and his relationship with Felicia Montealegre (Carey Mulligan).
“’Mastro’ displays Bradley Cooper’s symphony of talent with the power of a cymbal crash,” said Bob Gazzale, AFI President and CEO. “It is AFI’s honor to shine a light upon this extraordinary work of art on the festival’s Closing Night.”
Aside from directing and starring in the film, Cooper co-wrote the script with Josh Singer. The supporting cast includes Matt Bomer (as Bernstein’s lover), Maya Hawke (as Bernstein’s daughter Jamie) and Sarah Silverman (as Bernstein’s sister Shirley).
Kaitlyn Dever Comes Face to Face With an Alien Invader in ‘No One Will Save You’ Trailer
Kaitlyn Dever is battling an alien invader in...
The film which screened at the Venice Film Festival to a 7-minute standing ovation follows the life of legendary stage composer Leonard Bernstein and his relationship with Felicia Montealegre (Carey Mulligan).
“’Mastro’ displays Bradley Cooper’s symphony of talent with the power of a cymbal crash,” said Bob Gazzale, AFI President and CEO. “It is AFI’s honor to shine a light upon this extraordinary work of art on the festival’s Closing Night.”
Aside from directing and starring in the film, Cooper co-wrote the script with Josh Singer. The supporting cast includes Matt Bomer (as Bernstein’s lover), Maya Hawke (as Bernstein’s daughter Jamie) and Sarah Silverman (as Bernstein’s sister Shirley).
Kaitlyn Dever Comes Face to Face With an Alien Invader in ‘No One Will Save You’ Trailer
Kaitlyn Dever is battling an alien invader in...
- 9/6/2023
- by Jazz Tangcay, Jaden Thompson and McKinley Franklin
- Variety Film + TV
Oscar-winning Polish cinematographer Janusz Kamiński, best known for his decades-long collaboration with Steven Spielberg, and Stephen Lighthill, who shot the Oscar-nominated doc Berkeley, will be the two special award recipients at this year’s Annual Emerging Cinematographer Awards (Eca).
Kamiński will be honored with the Distinguished Filmmaker Award and Lighthill will accept the ASC Mentor Award.
Kamiński — who has picked up four Academy Award nominations, five BAFTA Awards, and six American Society of Cinematographers (ASC) Award nominations across his career — began working with Spielberg in 1993 on Schindler’s List. Since then, the pair have worked together on everything from Saving Private Ryan and Jurassic Park to The Fabelmans. Kamiński has won the best cinematography Oscar twice, with Schindler’s List and Saving Private Ryan.
Lighthill — who previously served as ASC president — began his career shooting network news and documentaries, including the Oscar-nominated documentary Berkeley, Gimme Shelter, and CBS 60 Minutes.
Kamiński will be honored with the Distinguished Filmmaker Award and Lighthill will accept the ASC Mentor Award.
Kamiński — who has picked up four Academy Award nominations, five BAFTA Awards, and six American Society of Cinematographers (ASC) Award nominations across his career — began working with Spielberg in 1993 on Schindler’s List. Since then, the pair have worked together on everything from Saving Private Ryan and Jurassic Park to The Fabelmans. Kamiński has won the best cinematography Oscar twice, with Schindler’s List and Saving Private Ryan.
Lighthill — who previously served as ASC president — began his career shooting network news and documentaries, including the Oscar-nominated documentary Berkeley, Gimme Shelter, and CBS 60 Minutes.
- 9/6/2023
- by Zac Ntim
- Deadline Film + TV
The International Cinematographers Guild (IATSE Local 600) will honor two of its own during its 25th annual Emerging Cinematographer Awards.
Cinematographer and director Janusz Kamiński — who won Oscars for lensing his longtime collaborator Steven Spielberg’s films Schindler’s List and Saving Private Ryan — will be honored with the Panavision-presented Distinguished Filmmaker Award; and cinematographer Stephen Lighthill, a past president of the American Society of Cinematographers, will accept the ASC Mentor Award.
Lighthill is currently Head of Discipline: Cinematography at the AFI Conservatory. He began his career shooting network news and documentaries, including the Oscar-nominated documentary Berkeley, Gimme Shelter and CBS 60 Minutes. His credits include HBO’s Vietnam War Story and CBS’ Nash Bridges.
In addition to his work on Schindler’s List and Saving Private Ryan, Kaminski earned additional Academy Award nominations for lensing Spielberg’s West Side Story, Lincoln, War Horse, Amistad and for Julian Schnabel...
Cinematographer and director Janusz Kamiński — who won Oscars for lensing his longtime collaborator Steven Spielberg’s films Schindler’s List and Saving Private Ryan — will be honored with the Panavision-presented Distinguished Filmmaker Award; and cinematographer Stephen Lighthill, a past president of the American Society of Cinematographers, will accept the ASC Mentor Award.
Lighthill is currently Head of Discipline: Cinematography at the AFI Conservatory. He began his career shooting network news and documentaries, including the Oscar-nominated documentary Berkeley, Gimme Shelter and CBS 60 Minutes. His credits include HBO’s Vietnam War Story and CBS’ Nash Bridges.
In addition to his work on Schindler’s List and Saving Private Ryan, Kaminski earned additional Academy Award nominations for lensing Spielberg’s West Side Story, Lincoln, War Horse, Amistad and for Julian Schnabel...
- 9/6/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Joker Dp Lawrence Sher has been named president of the jury for this year’s FilmLight Color Awards, which are open to TV and movie colorists.
The jury also includes cinematographers Greig Fraser, an Oscar winner for Dune who also lensed the upcoming sequel; Natasha Braier, whose credits include Honey Boy; and American Society of Cinematographers past presidents Michael Goi and Stephen Lighthill.
“I’m very excited to be president of the FilmLight Color Awards [jury],” said Sher, who earned an Oscar nom for Joker, and whose work includes Godzilla: King of the Monsters, War Dogs, The Hangover, Garden State and the upcoming Joker sequel. “I believe the color tools we have today are perhaps — along with the digital sensor — the most transformative change in filmmaking in the last 50 years. My relationship and collaboration with my colorists is as important as any relationship I have with my camera, grip and lighting teams.
The jury also includes cinematographers Greig Fraser, an Oscar winner for Dune who also lensed the upcoming sequel; Natasha Braier, whose credits include Honey Boy; and American Society of Cinematographers past presidents Michael Goi and Stephen Lighthill.
“I’m very excited to be president of the FilmLight Color Awards [jury],” said Sher, who earned an Oscar nom for Joker, and whose work includes Godzilla: King of the Monsters, War Dogs, The Hangover, Garden State and the upcoming Joker sequel. “I believe the color tools we have today are perhaps — along with the digital sensor — the most transformative change in filmmaking in the last 50 years. My relationship and collaboration with my colorists is as important as any relationship I have with my camera, grip and lighting teams.
- 7/24/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
The American Film Institute has revealed its selection of participants for the 2023 Cinematography Intensive for Women. The four-day program aims to give aspiring cinematographers extensive on-set experience and a look into the ins and outs of the entertainment industry.
Ciw is presented by Panavision and is spearheaded by Stephen Lighthill, head of AFI’s Conservatory Cinematography Discipline.
“We are thrilled to champion this cohort of talented and diverse filmmakers,” said Lighthill. “This opportunity – to help the participants continue to develop their craft at this stage in their career and provide them with the tools necessary to excel as a visual storyteller – is a wonderful honor for us all.”
The intensive’s master classes will be taught by industry leaders and AFI alumni, including Autumn Durald Arkapaw, cinematographer for “Black Panther: Wakanda Forever”; Valentina Martinico, who has credits on “This Changes Everything” and “Allen V. Farrow”; and Polly Morgan, Dp of “The Woman King.
Ciw is presented by Panavision and is spearheaded by Stephen Lighthill, head of AFI’s Conservatory Cinematography Discipline.
“We are thrilled to champion this cohort of talented and diverse filmmakers,” said Lighthill. “This opportunity – to help the participants continue to develop their craft at this stage in their career and provide them with the tools necessary to excel as a visual storyteller – is a wonderful honor for us all.”
The intensive’s master classes will be taught by industry leaders and AFI alumni, including Autumn Durald Arkapaw, cinematographer for “Black Panther: Wakanda Forever”; Valentina Martinico, who has credits on “This Changes Everything” and “Allen V. Farrow”; and Polly Morgan, Dp of “The Woman King.
- 6/21/2023
- by Sophia Scorziello
- Variety Film + TV
Shelly Johnson has been elected the 47th president of the American Society of Cinematographers. He succeeds Stephen Lighthill, who reached his term limit, having completed his second consecutive two-year term as president (and third overall).
The ASC Board also elected a slate of officers that includes VPs Charlie Lieberman, John Simmons and Patti Lee; treasurer Charles Minsky; secretary Dejan Georgevich; and sergeant-at-arms Chris Chomyn.
The members of the board, elected by the organization’s active membership, also include Mandy Walker (who became the first woman to win the ASC Award in features earlier this year for her lensing of Elvis), former Academy president John Bailey, Patrick Cady, Steven Fierberg, Michael Goi, Charles Minsky, Lowell Peterson, Lawrence Sher, Eric Steelberg, John Toll and Amy Vincent. Alternate members of the board are Karl Walter Lindenlaub, Georgevich, Denis Lenoir, Steven Poster and Mark Irwin.
Johnson, a California native, graduated from the Art Center College of Design...
The ASC Board also elected a slate of officers that includes VPs Charlie Lieberman, John Simmons and Patti Lee; treasurer Charles Minsky; secretary Dejan Georgevich; and sergeant-at-arms Chris Chomyn.
The members of the board, elected by the organization’s active membership, also include Mandy Walker (who became the first woman to win the ASC Award in features earlier this year for her lensing of Elvis), former Academy president John Bailey, Patrick Cady, Steven Fierberg, Michael Goi, Charles Minsky, Lowell Peterson, Lawrence Sher, Eric Steelberg, John Toll and Amy Vincent. Alternate members of the board are Karl Walter Lindenlaub, Georgevich, Denis Lenoir, Steven Poster and Mark Irwin.
Johnson, a California native, graduated from the Art Center College of Design...
- 5/22/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Click here to read the full article.
The American Society of Cinematographers has revealed the honorees for the 37th ASC Awards: Stephen Goldblatt will receive Society’s Lifetime Achievement Award, Darius Khondji the International Award, Charlie Lieberman the President’s Award, Fred Murphy the Career Achievement in Television honor and Sam Nicholson will get the Curtis Clark Technical Achievement Award.
Born in South Africa, British cinematographer Goldblatt was twice nominated for an Oscar, for Batman Forever (1995) and The Prince of Tides (1991), and is known for a body of work that includes the first two Lethal Weapon movies for Richard Donner and two Batman movies (Joel Schumacher’s Batman Forever and Batman & Robin). He also is known for collaborations with Mike Nichols, including Closer, Charlie Wilson’s War and the 2003 miniseries Angels in America, for which Goldblatt was Emmy nominated (he also received Emmy nominations for 2001’s Conspiracy and 2002’s Path...
The American Society of Cinematographers has revealed the honorees for the 37th ASC Awards: Stephen Goldblatt will receive Society’s Lifetime Achievement Award, Darius Khondji the International Award, Charlie Lieberman the President’s Award, Fred Murphy the Career Achievement in Television honor and Sam Nicholson will get the Curtis Clark Technical Achievement Award.
Born in South Africa, British cinematographer Goldblatt was twice nominated for an Oscar, for Batman Forever (1995) and The Prince of Tides (1991), and is known for a body of work that includes the first two Lethal Weapon movies for Richard Donner and two Batman movies (Joel Schumacher’s Batman Forever and Batman & Robin). He also is known for collaborations with Mike Nichols, including Closer, Charlie Wilson’s War and the 2003 miniseries Angels in America, for which Goldblatt was Emmy nominated (he also received Emmy nominations for 2001’s Conspiracy and 2002’s Path...
- 12/5/2022
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Click here to read the full article.
Colorist Michael Hatzer of Picture Shop received a FilmLight Color Award in feature film for his work on Steven Spielberg’s Janusz Kaminski-lensed West Side Story, during the EnergaCamerimage international cinematography film festival.
On Sunday in Toruń, Poland, jury president and The Banshees of Inisherin Dp Ben Davis presented the Awards, recognizing colorists in five categories.
Initiated by color grading system developer FilmLight, the awards program is organized in conjunction with EnergaCamerimage with support from groups including the American Society of Cinematographers. ASC president Stephen Lighthill was among the members of the jury.
Ana Escorse at Studio Feather topped the music video category for grading the Rachel Reis-lensed “Lovezinho.” She received enthusiastic applause when, as accepting the trophy, she commented that as a Latina woman, “Today I feel like I belong.”
Additional winners were colorists Tom Poole of Company 3 for...
Colorist Michael Hatzer of Picture Shop received a FilmLight Color Award in feature film for his work on Steven Spielberg’s Janusz Kaminski-lensed West Side Story, during the EnergaCamerimage international cinematography film festival.
On Sunday in Toruń, Poland, jury president and The Banshees of Inisherin Dp Ben Davis presented the Awards, recognizing colorists in five categories.
Initiated by color grading system developer FilmLight, the awards program is organized in conjunction with EnergaCamerimage with support from groups including the American Society of Cinematographers. ASC president Stephen Lighthill was among the members of the jury.
Ana Escorse at Studio Feather topped the music video category for grading the Rachel Reis-lensed “Lovezinho.” She received enthusiastic applause when, as accepting the trophy, she commented that as a Latina woman, “Today I feel like I belong.”
Additional winners were colorists Tom Poole of Company 3 for...
- 11/13/2022
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Click here to read the full article.
How do you prepare students for an entertainment industry in a constant state of flux? For some, the answer is LED walls. Schools ranging from Chapman to Cal State Northridge are doubling down on digital production in an effort to prepare their students for industry. And while rising tuition costs have would-be filmmakers worried, schools are increasing scholarships or offering fully funded MFAs.
These 25(ish) programs offer students the best chance at navigating Hollywood’s changing terrain.
1. American Film Institute
Los Angeles
The prestigious graduate program consistently churns out Oscar winners, including Coda director and 2022 Oscar winner Sian Heder, and blockbuster directors, and has made an effort to diversify its student body. Over half of the incoming students are women, and nearly half are filmmakers of color — all are eligible for new funds like the Halyna Hutchins Memorial Scholarship. This year, AFI’s...
How do you prepare students for an entertainment industry in a constant state of flux? For some, the answer is LED walls. Schools ranging from Chapman to Cal State Northridge are doubling down on digital production in an effort to prepare their students for industry. And while rising tuition costs have would-be filmmakers worried, schools are increasing scholarships or offering fully funded MFAs.
These 25(ish) programs offer students the best chance at navigating Hollywood’s changing terrain.
1. American Film Institute
Los Angeles
The prestigious graduate program consistently churns out Oscar winners, including Coda director and 2022 Oscar winner Sian Heder, and blockbuster directors, and has made an effort to diversify its student body. Over half of the incoming students are women, and nearly half are filmmakers of color — all are eligible for new funds like the Halyna Hutchins Memorial Scholarship. This year, AFI’s...
- 8/5/2022
- by Mia Galuppo
- The Hollywood Reporter - Movie News
The American Film Institute has announced its participants for the 2022 Cinematography Intensive for Women presented by Panavision.
The four-day intensive, spearheaded by AFI Conservatory Cinematography Discipline Head Stephen Lighthill, ASC, will begin July 15 on the AFI campus in Los Angeles.
The 16 selected filmmakers are: Anjuli Arreola-Burl, Guisel Contreras, Sarah Crowley-Kelly, Hannah Freeman, Nicky Fuchs, Allyson Hoover, Leeann Leonard, Miriam Ouchi, Angelica Perez-Castro, Aja Pilapil, Rebecca Richard, Susie Shircliff, Olivia Steede, Amber Steele, Olga Wagner and Demi Waldron.
“We are excited to welcome this talented and diverse group of visual storytellers to join this transformative workshop. It is an honor to meet them at this moment in their careers and help them continue to develop their craft. It’s an extraordinary opportunity for all of us,” says Lighthill. “With the AFI Campus located in Los Angeles, we are incredibly fortunate to have access to the best of the best in the cinematography community.
The four-day intensive, spearheaded by AFI Conservatory Cinematography Discipline Head Stephen Lighthill, ASC, will begin July 15 on the AFI campus in Los Angeles.
The 16 selected filmmakers are: Anjuli Arreola-Burl, Guisel Contreras, Sarah Crowley-Kelly, Hannah Freeman, Nicky Fuchs, Allyson Hoover, Leeann Leonard, Miriam Ouchi, Angelica Perez-Castro, Aja Pilapil, Rebecca Richard, Susie Shircliff, Olivia Steede, Amber Steele, Olga Wagner and Demi Waldron.
“We are excited to welcome this talented and diverse group of visual storytellers to join this transformative workshop. It is an honor to meet them at this moment in their careers and help them continue to develop their craft. It’s an extraordinary opportunity for all of us,” says Lighthill. “With the AFI Campus located in Los Angeles, we are incredibly fortunate to have access to the best of the best in the cinematography community.
- 7/13/2022
- by Jazz Tangcay
- Variety Film + TV
Jason Blum has been selected by the American Cinematheque to receive this year’s Power of Cinema Award. Blum and his company will be honored for achievements in the motion picture industry at the top of the Cinematheque’s annual benefit. Ryan Reynolds will be honored with the career achievement award at this year’s benefit, which takes place Nov. 17 at the Beverly Hilton.
“Jason Blum and Blumhouse are ideal recipients of the American Cinematheque’s Power of Cinema Award in the world and culture of 2022. They make high-quality films at suitable budgets that have wide commercial appeal and are the best examples of their genre. They have promoted and increased the appeal of the theatrical experience and entertained an expansive range of audiences. They have captured the zeitgeist in our changing times,” said the org’s chairman, Rick Nicita.
Blum has produced films including “Get Out,” “Halloween Kills,” “Black Box” and “The Invisible Man.
“Jason Blum and Blumhouse are ideal recipients of the American Cinematheque’s Power of Cinema Award in the world and culture of 2022. They make high-quality films at suitable budgets that have wide commercial appeal and are the best examples of their genre. They have promoted and increased the appeal of the theatrical experience and entertained an expansive range of audiences. They have captured the zeitgeist in our changing times,” said the org’s chairman, Rick Nicita.
Blum has produced films including “Get Out,” “Halloween Kills,” “Black Box” and “The Invisible Man.
- 5/24/2022
- by Jazz Tangcay and Selome Hailu
- Variety Film + TV
The board of governors at the American Society of Cinematographers on Monday reelected Stephen Lighthill as president for a third one-year term.
The news comes as the ASC board held its 2022-23 officer elections. Lighthill will serve alongside Vice Presidents Amy Vincent, John Simmons and Shelly Johnson; Treasurer Steven Poster; Secretary Gregg Heschong; and Sergeant-at-Arms Chris Chomyn.
“As an organization, we are focused on education, continued improvements of safety practices, and further expanding our diversity and outreach efforts,” Lighthill said. “The last year has presented many adversities for our community, and we are proud of how our members met these challenges while continuing to take storytelling to new places.”
The members of the ASC board, elected by the organization’s active membership, also include Curtis Clark, Richard Crudo, Steven Fierberg, Michael Goi, Ed Lachman, Patti Lee, Charlie Lieberman, Lowell Peterson, Lawrence Sher, John Toll and Robert Yeoman. John Bailey, Eric Steelberg,...
The news comes as the ASC board held its 2022-23 officer elections. Lighthill will serve alongside Vice Presidents Amy Vincent, John Simmons and Shelly Johnson; Treasurer Steven Poster; Secretary Gregg Heschong; and Sergeant-at-Arms Chris Chomyn.
“As an organization, we are focused on education, continued improvements of safety practices, and further expanding our diversity and outreach efforts,” Lighthill said. “The last year has presented many adversities for our community, and we are proud of how our members met these challenges while continuing to take storytelling to new places.”
The members of the ASC board, elected by the organization’s active membership, also include Curtis Clark, Richard Crudo, Steven Fierberg, Michael Goi, Ed Lachman, Patti Lee, Charlie Lieberman, Lowell Peterson, Lawrence Sher, John Toll and Robert Yeoman. John Bailey, Eric Steelberg,...
- 5/23/2022
- by Patrick Hipes
- Deadline Film + TV
The American Film Institute (AFI) has announced a call for applicants for its new program, the 2022 Cinematography Intensive for Women presented by Panavision.
As female cinematographers have fought to close the gender gap for recognition, the program seeks to help aspiring female cinematographers. The four-day program will be held on the AFI Campus in Los Angeles from July 15 through July 18. Applications open May 20.
The goal of the program is to provide participants with a toolkit to secure on-set experience in the field and first-hand industry insights demonstrating the path to professional career success.
AFI Conservatory Cinematography Discipline Head Stephen Lighthill, ASC said, “I am thrilled that we can, once again, offer this program on our campus. Access to professionals working in the field and hands on experience is a total game changer for individuals looking to advance their career in cinematography. There is no shortage of talent, we’re just...
As female cinematographers have fought to close the gender gap for recognition, the program seeks to help aspiring female cinematographers. The four-day program will be held on the AFI Campus in Los Angeles from July 15 through July 18. Applications open May 20.
The goal of the program is to provide participants with a toolkit to secure on-set experience in the field and first-hand industry insights demonstrating the path to professional career success.
AFI Conservatory Cinematography Discipline Head Stephen Lighthill, ASC said, “I am thrilled that we can, once again, offer this program on our campus. Access to professionals working in the field and hands on experience is a total game changer for individuals looking to advance their career in cinematography. There is no shortage of talent, we’re just...
- 5/13/2022
- by Jazz Tangcay
- Variety Film + TV
The American Society of Cinematographers (ASC) announced the recipients of its 36th Annual Awards for Outstanding Achievement in Cinematography.
Ellen Kuras, the visionary behind “Eternal Sunshine of the Spotless Mind” and “Blow,” makes history as the first woman to receive the ASC Lifetime Achievement Award. Kuras has won two Emmys and been nominated for an Academy Award. Kuras also won an Emmy for her directorial debut film, “The Betrayal/Nerakhoon.”
A three-time winner of the award for Best Dramatic Cinematography at Sundance, Kuras has collaborated with auteurs Martin Scorsese, Spike Lee, Sam Mendes, Michel Gondry, Jonathan Demme, Rebecca Miller, and Jim Jarmusch, among others.
“Ellen is undeniably a trailblazer,” ASC President Stephen Lighthill said. “She has consistently brought a daring and compelling creative talent to her work as a director and cinematographer. She is known to be a passionate collaborator, strong leader and generous soul. The ASC is thrilled to...
Ellen Kuras, the visionary behind “Eternal Sunshine of the Spotless Mind” and “Blow,” makes history as the first woman to receive the ASC Lifetime Achievement Award. Kuras has won two Emmys and been nominated for an Academy Award. Kuras also won an Emmy for her directorial debut film, “The Betrayal/Nerakhoon.”
A three-time winner of the award for Best Dramatic Cinematography at Sundance, Kuras has collaborated with auteurs Martin Scorsese, Spike Lee, Sam Mendes, Michel Gondry, Jonathan Demme, Rebecca Miller, and Jim Jarmusch, among others.
“Ellen is undeniably a trailblazer,” ASC President Stephen Lighthill said. “She has consistently brought a daring and compelling creative talent to her work as a director and cinematographer. She is known to be a passionate collaborator, strong leader and generous soul. The ASC is thrilled to...
- 2/3/2022
- by Samantha Bergeson
- Indiewire
Following the fatal shooting of cinematographer Halyna Hutchins on the New Mexico set of “Rust” in October, lawmakers in California and New York have introduced a pair of bills they say would help prevent similar tragedies from happening in their states. The bills would prohibit the use of live ammunition on most movie and TV sets in two of the country’s largest production hubs, implement stiff penalties for those who ignore the ban, and codify weapons-handling requirements.
While the proposals mark a move forward in the effort to increase on-set safety, they fall short of an outright prohibition on functional guns. Support for a ban grew immediately following Hutchins’ death, but that consensus didn’t hold.
In the days after “Rust” actor and producer Alec Baldwin fatally shot Hutchins with a prop gun that he and key crew members believed was not loaded, a petition calling for a ban...
While the proposals mark a move forward in the effort to increase on-set safety, they fall short of an outright prohibition on functional guns. Support for a ban grew immediately following Hutchins’ death, but that consensus didn’t hold.
In the days after “Rust” actor and producer Alec Baldwin fatally shot Hutchins with a prop gun that he and key crew members believed was not loaded, a petition calling for a ban...
- 1/28/2022
- by Chris Lindahl
- Indiewire
Colleagues of cinematographer Halyna Hutchins, the Dp fatally shot on the set of “Rust” in New Mexico last month in an apparent accidental discharge of a prop gun, paid tribute to her vision and skill at the EnergaCamerimage Film Festival, an event dedicated to the art of cinematography, on Sunday. Hutchins, who was 42 and has been remembered throughout the film industry as a talented artist, died from her injuries after being hit along with director Joel Souza, who is recovering from his injuries.
Actor Alec Baldwin, an actor in “Rust” as well as a producer, fired the prop gun during a scene rehearsal and has told investigators he had no idea the weapon was loaded with a dangerous round. He has since been sued by a crew member over safety issues on set, an issue that has also prompted the ire of George Clooney, who has called the shooting “insane and infuriating.
Actor Alec Baldwin, an actor in “Rust” as well as a producer, fired the prop gun during a scene rehearsal and has told investigators he had no idea the weapon was loaded with a dangerous round. He has since been sued by a crew member over safety issues on set, an issue that has also prompted the ire of George Clooney, who has called the shooting “insane and infuriating.
- 11/16/2021
- by Will Tizard
- Variety Film + TV
Dozens of Hollywood’s most prominent cinematographers banded together today to put a thoughtful argument behind a simple plea: “ban all functional firearms on set.”
Among the 200 signatories to the group statement of purpose were DPs Greig Fraser (Dune), Rachel Morrison (Black Panther), Ed Lachman (Carol), Mandy Walker (Mulan) and Alice Brooks (In the Heights). While the collective effort was not taken under the aegis of the American Society of Cinematographers, its Governor Stephen Lighthill also signed.
The campaign, which spread across social media, was a reaction to the tragic shooting of cinematographer Halyna Hutchins by actor Alec Baldwin on the set of the film Rust on October 21.
Since Hutchins’ death, much speculation has focused on how a potentially live round found its way into the Colt .45 Baldwin was handed — and told was safe — on set. But the message today from Hutchins’ comrades in art was that, even before considerations of live ammunition,...
Among the 200 signatories to the group statement of purpose were DPs Greig Fraser (Dune), Rachel Morrison (Black Panther), Ed Lachman (Carol), Mandy Walker (Mulan) and Alice Brooks (In the Heights). While the collective effort was not taken under the aegis of the American Society of Cinematographers, its Governor Stephen Lighthill also signed.
The campaign, which spread across social media, was a reaction to the tragic shooting of cinematographer Halyna Hutchins by actor Alec Baldwin on the set of the film Rust on October 21.
Since Hutchins’ death, much speculation has focused on how a potentially live round found its way into the Colt .45 Baldwin was handed — and told was safe — on set. But the message today from Hutchins’ comrades in art was that, even before considerations of live ammunition,...
- 11/3/2021
- by Tom Tapp
- Deadline Film + TV
The accidental shooting on the production of “Rust” that resulted in the death of cinematographer Halyna Hutchins has sent reverberations throughout Hollywood for the last two weeks. Now, over 200 of Hutchins’ peers are calling for a ban on functional firearms on film and television sets.
Variety and other outlets reported Tuesday that a collection of cinematographers, including Ed Lachman, Rachel Morrison, Greig Fraser, and Stephen Lighthill, president of the American Society of Cinematographers, were among the names on an open letter to union leaders, lawmakers, and producers to support a ban on functional firearms on sets. The open letter was signed by 214 cinematographers and other entertainment industry professionals.
“We vow to no longer knowingly work on projects using functional firearms for filming purposes. We vow to no longer put ourselves and our crew in these unnecessarily lethal situations,” the letter read, per Variety. “We have safe alternatives in VFX and non-functional firearms.
Variety and other outlets reported Tuesday that a collection of cinematographers, including Ed Lachman, Rachel Morrison, Greig Fraser, and Stephen Lighthill, president of the American Society of Cinematographers, were among the names on an open letter to union leaders, lawmakers, and producers to support a ban on functional firearms on sets. The open letter was signed by 214 cinematographers and other entertainment industry professionals.
“We vow to no longer knowingly work on projects using functional firearms for filming purposes. We vow to no longer put ourselves and our crew in these unnecessarily lethal situations,” the letter read, per Variety. “We have safe alternatives in VFX and non-functional firearms.
- 11/2/2021
- by Tyler Hersko
- Indiewire
Rachel Morrison (“Mudbound”), Ed Lachman (“Carol”), Alice Brooks (“In the Heights”) and Stephen Lighthill, president of the American Society of Cinematographers, are among the cinematographers calling for a ban of functional firearms on set.
The open letter for support to ban guns on film sets comes following the death of “Rust” cinematographer Halyna Hutchins after actor and producer Alec Baldwin discharged a prop gun on set. They described Hutchins’ death as “senseless, negligent and avoidable.”
The letter calls for immediate support and action, not just from union leadership, but from producers and lawmakers “to affect unified change on our behalf ban all functional firearms on set. We vow to no longer knowingly work on projects using functional firearms for filming purposes. We vow to no longer put ourselves and our crew in these unnecessarily lethal situations. We have safe alternatives in VFX and non-functional firearms. We won’t sit back...
The open letter for support to ban guns on film sets comes following the death of “Rust” cinematographer Halyna Hutchins after actor and producer Alec Baldwin discharged a prop gun on set. They described Hutchins’ death as “senseless, negligent and avoidable.”
The letter calls for immediate support and action, not just from union leadership, but from producers and lawmakers “to affect unified change on our behalf ban all functional firearms on set. We vow to no longer knowingly work on projects using functional firearms for filming purposes. We vow to no longer put ourselves and our crew in these unnecessarily lethal situations. We have safe alternatives in VFX and non-functional firearms. We won’t sit back...
- 11/2/2021
- by Jazz Tangcay
- Variety Film + TV
The shooting death of Halyna Hutchins on the set of “Rust” could create a Hollywood where gun violence becomes imaginary. Already, some showrunners pledge to use simulated gunfire while a California Senate leader said he plans to introduce a bill to severely restrict the use of real weapons in movies.
On October 21, what police described as a “live round” struck “Rust” cinematographer Hutchins and the film’s director, Joel Souza, after Baldwin fired a prop gun during rehearsal. Moments before, crew announced to the set that it was a “cold” gun, meaning it did not contain live rounds.
Shortly after the tragic news broke, American Film Institute graduate Bandar Albuliwi posted a petition on Change.org demanding that Baldwin “use his power and influence” in the industry to make change and ban real guns on set. As of the morning of October 26, the petition now has nearly 40,000 signatures.
Albuliwi graduated...
On October 21, what police described as a “live round” struck “Rust” cinematographer Hutchins and the film’s director, Joel Souza, after Baldwin fired a prop gun during rehearsal. Moments before, crew announced to the set that it was a “cold” gun, meaning it did not contain live rounds.
Shortly after the tragic news broke, American Film Institute graduate Bandar Albuliwi posted a petition on Change.org demanding that Baldwin “use his power and influence” in the industry to make change and ban real guns on set. As of the morning of October 26, the petition now has nearly 40,000 signatures.
Albuliwi graduated...
- 10/26/2021
- by Chris Lindahl
- Indiewire
At Halyna Hutchins’ Candlelight Vigil, Officials Vow to Fight Putting Production Budgets Over People
At a candlelight vigil held outside the Burbank offices of IATSE Local 80 on Sunday evening, Halyna Hutchins was remembered by her friends and colleagues as a loving and passionate mother, wife, friend, and filmmaker whose life was cut short when she was shot and killed on the New Mexico set of “Rust” last week when the film’s star and producer Alec Baldwin fired a prop gun.
The hundreds gathered focused on mourning Hutchins, but many also connected the tragedy to broader conversations around crew safety and the familiar financial pressures that lead productions to make sometimes dangerous cost-saving decisions.
Among those who spoke was ASC President Stephen Lighthill, who taught the 42-year-old Hutchins at the American Film Institute.
“I thank her for being a really brilliant student who came to AFI already a mother. When we interview at AFI, we’re looking to bring in a person, not just a technician,...
The hundreds gathered focused on mourning Hutchins, but many also connected the tragedy to broader conversations around crew safety and the familiar financial pressures that lead productions to make sometimes dangerous cost-saving decisions.
Among those who spoke was ASC President Stephen Lighthill, who taught the 42-year-old Hutchins at the American Film Institute.
“I thank her for being a really brilliant student who came to AFI already a mother. When we interview at AFI, we’re looking to bring in a person, not just a technician,...
- 10/25/2021
- by Chris Lindahl
- Indiewire
Hundreds of entertainment industry artisans gathered on Sunday evening in the crowded parking lot of IATSE Local 80 Burbank headquarters to pay tribute to Halyna Hutchins, the cinematographer killed by a prop gun on the New Mexico set of the film “Rust.”
For those in attendance, the spirit of “solidarity” was mentioned many times, along with a sense of frustration that the industry is still not paying attention to the impact of long hours, demanding deadlines and low pay among over-worked crew members.
“We’re dying at work,” said Local 44 property member Chela Fiorini, who attended the candlelight vigil with her spouse, DGA and SAG member David Coennen. “Solidarity with my workmates brought me out here. We’re fighting for a contract that includes meaningful rest, that this crew was not getting. And it’s completely unacceptable, and we have to put an end to this right now.”
The vigil, which...
For those in attendance, the spirit of “solidarity” was mentioned many times, along with a sense of frustration that the industry is still not paying attention to the impact of long hours, demanding deadlines and low pay among over-worked crew members.
“We’re dying at work,” said Local 44 property member Chela Fiorini, who attended the candlelight vigil with her spouse, DGA and SAG member David Coennen. “Solidarity with my workmates brought me out here. We’re fighting for a contract that includes meaningful rest, that this crew was not getting. And it’s completely unacceptable, and we have to put an end to this right now.”
The vigil, which...
- 10/25/2021
- by Michael Schneider
- Variety Film + TV
A relentless talent, a creative visionary, a loving wife and mother devoted to husband Matthew and son Andros, and a life cut short by a “senseless” tragedy not seen in Hollywood in decades.
Cinematographer Halyna Hutchins, who died Oct. 21 following an on-set tragedy while shooting the independent film Rust in New Mexico, was memorialized Sunday night during an emotional candlelight vigil, hosted by International Cinematographers Guild 600 and held at the Burbank headquarters of IATSE Local 80 on W. Olive Avenue. Speakers at the vigil included Rebecca Rhine, national executive director of Local 600; John Lindley, president of Local 600; Stephen Lighthill,...
Cinematographer Halyna Hutchins, who died Oct. 21 following an on-set tragedy while shooting the independent film Rust in New Mexico, was memorialized Sunday night during an emotional candlelight vigil, hosted by International Cinematographers Guild 600 and held at the Burbank headquarters of IATSE Local 80 on W. Olive Avenue. Speakers at the vigil included Rebecca Rhine, national executive director of Local 600; John Lindley, president of Local 600; Stephen Lighthill,...
- 10/24/2021
- The Hollywood Reporter - Movie News
A relentless talent, a creative visionary, a loving wife and mother devoted to husband Matthew and son Andros, and a life cut short by a “senseless” tragedy not seen in Hollywood in decades.
Cinematographer Halyna Hutchins, who died Oct. 21 following an on-set tragedy while shooting the independent film Rust in New Mexico, was memorialized Sunday night during an emotional candlelight vigil, hosted by International Cinematographers Guild 600 and held at the Burbank headquarters of IATSE Local 80 on W. Olive Avenue. Speakers at the vigil included Rebecca Rhine, national executive director of Local 600; John Lindley, president of Local 600; Stephen Lighthill,...
Cinematographer Halyna Hutchins, who died Oct. 21 following an on-set tragedy while shooting the independent film Rust in New Mexico, was memorialized Sunday night during an emotional candlelight vigil, hosted by International Cinematographers Guild 600 and held at the Burbank headquarters of IATSE Local 80 on W. Olive Avenue. Speakers at the vigil included Rebecca Rhine, national executive director of Local 600; John Lindley, president of Local 600; Stephen Lighthill,...
- 10/24/2021
- The Hollywood Reporter - Film + TV
Warner Bros. Pictures Announces First-Look Deal With Robert Pattinson
Warner Bros. Pictures, New Line Cinema, Warner Bros. Television and HBO Max announced that they have established an overall first-look production deal with Robert Pattinson. The actor’s producing deal is for theatrical, SVOD (HBO Max) and Wbtv properties.
“Warner Bros Pictures and HBO have always been synonymous with groundbreaking filmmaking,” Pattinson said. “I’m thrilled to be working with them to discover the most exciting new voices in film and television and help bring their visions to life. I’ve loved working with the studio over the years and have so much respect for their dedication, their willingness to take chances and their desire to push the envelope creatively.”
Pattinson has picked up the cowl and will be Warner Bros’ next live-action of the iconic Caped Crusader in Matt Reeves’ upcoming “The Batman,” which is set to release in theaters...
Warner Bros. Pictures, New Line Cinema, Warner Bros. Television and HBO Max announced that they have established an overall first-look production deal with Robert Pattinson. The actor’s producing deal is for theatrical, SVOD (HBO Max) and Wbtv properties.
“Warner Bros Pictures and HBO have always been synonymous with groundbreaking filmmaking,” Pattinson said. “I’m thrilled to be working with them to discover the most exciting new voices in film and television and help bring their visions to life. I’ve loved working with the studio over the years and have so much respect for their dedication, their willingness to take chances and their desire to push the envelope creatively.”
Pattinson has picked up the cowl and will be Warner Bros’ next live-action of the iconic Caped Crusader in Matt Reeves’ upcoming “The Batman,” which is set to release in theaters...
- 5/24/2021
- by Antonio Ferme
- Variety Film + TV
Stephen Lighthill has been re-elected president of the American Society of Cinematographers. He was elevated to the post last year, having previously served as president from 2012-13. He will serve his next one-year term alongside vice presidents Amy Vincent, Steven Fierberg and John Simmons; treasurer Steven Poster; secretary Gregg Heschong, and sergeant-at-arms Jim Denault, who were elected by the Society’s board of governors.
“As we safely emerge from the pandemic, we plan to continue to share our expertise on best practices for remote solutions and virtual production in service to the artistic process of filmmaking,” Lighthill said. “We also remain focused on recruiting diverse and inclusive crews as well as supporting underrepresented filmmakers through our scholarship and mentorship programs.”
In a statement, the non-profit organization said that he and the board “have been guiding the Society through the challenging transitions necessitated by the global pandemic, focusing on helping members...
“As we safely emerge from the pandemic, we plan to continue to share our expertise on best practices for remote solutions and virtual production in service to the artistic process of filmmaking,” Lighthill said. “We also remain focused on recruiting diverse and inclusive crews as well as supporting underrepresented filmmakers through our scholarship and mentorship programs.”
In a statement, the non-profit organization said that he and the board “have been guiding the Society through the challenging transitions necessitated by the global pandemic, focusing on helping members...
- 5/24/2021
- by David Robb
- Deadline Film + TV
The American Society of Cinematographers has re-elected Stephen Lighthill as its president. He will serve a second, one-year term.
Vice presidents Amy Vincent, Steven Fierberg and John Simmons also were re-elected. ASC also elected treasurer Steven Poster, secretary Gregg Heschong and sergeant-at-arms Jim Denault.
Poster is a past president of the ASC and International Cinematographers Guild. Vincent also co-chairs the ASC Future Practices Committee, which worked to address Covid-19 safety on set; and Simmons co-chairs the Vision Committee that focuses on diversity.
Lighthill, who is discipline chair, cinematography at the American Film Institute Conservatory, said in a released statement: “As we safely ...
Vice presidents Amy Vincent, Steven Fierberg and John Simmons also were re-elected. ASC also elected treasurer Steven Poster, secretary Gregg Heschong and sergeant-at-arms Jim Denault.
Poster is a past president of the ASC and International Cinematographers Guild. Vincent also co-chairs the ASC Future Practices Committee, which worked to address Covid-19 safety on set; and Simmons co-chairs the Vision Committee that focuses on diversity.
Lighthill, who is discipline chair, cinematography at the American Film Institute Conservatory, said in a released statement: “As we safely ...
- 5/24/2021
- The Hollywood Reporter - Film + TV
The American Society of Cinematographers has re-elected Stephen Lighthill as its president. He will serve a second, one-year term.
Vice presidents Amy Vincent, Steven Fierberg and John Simmons also were re-elected. ASC also elected treasurer Steven Poster, secretary Gregg Heschong and sergeant-at-arms Jim Denault.
Poster is a past president of the ASC and International Cinematographers Guild. Vincent also co-chairs the ASC Future Practices Committee, which worked to address Covid-19 safety on set; and Simmons co-chairs the Vision Committee that focuses on diversity.
Lighthill, who is discipline chair, cinematography at the American Film Institute Conservatory, said in a released statement: “As we safely ...
Vice presidents Amy Vincent, Steven Fierberg and John Simmons also were re-elected. ASC also elected treasurer Steven Poster, secretary Gregg Heschong and sergeant-at-arms Jim Denault.
Poster is a past president of the ASC and International Cinematographers Guild. Vincent also co-chairs the ASC Future Practices Committee, which worked to address Covid-19 safety on set; and Simmons co-chairs the Vision Committee that focuses on diversity.
Lighthill, who is discipline chair, cinematography at the American Film Institute Conservatory, said in a released statement: “As we safely ...
- 5/24/2021
- The Hollywood Reporter - Movie News
The American Society of Cinematographers will present its 2021 Board of Governors Award to director Sofia Coppola, the Asc announced on Thursday.
The award, the only Asc honor not to go to a cinematographer, is given to a filmmaker who is a champion of cinematographers and has made “significant and indelible” contributions to cinema.
Past winners of the Board of Governors Award have included Werner Herzog, Jeff Bridges, Angelina Jolie, Denzel Washington, Ridley Scott and Barbra Streisand. Coppola’s father, Francis Ford Coppola, received the award in 1998.
Coppola’s feature directing career began in 1999 with “The Virgin Suicides,” “Lost in Translation,” “Marie Antoinette,” “Somewhere,” “The Bling Ring,” “The Beguiled” and the recent “On the Rocks.” She also directed the 2015 Netflix special “A Very Murray Christmas” and a 2017 production of Verdi’s opera “La Traviata” at the Teatro dell’Opera in Rome. She won an Academy Award for her screenplay to “Lost in Translation,...
The award, the only Asc honor not to go to a cinematographer, is given to a filmmaker who is a champion of cinematographers and has made “significant and indelible” contributions to cinema.
Past winners of the Board of Governors Award have included Werner Herzog, Jeff Bridges, Angelina Jolie, Denzel Washington, Ridley Scott and Barbra Streisand. Coppola’s father, Francis Ford Coppola, received the award in 1998.
Coppola’s feature directing career began in 1999 with “The Virgin Suicides,” “Lost in Translation,” “Marie Antoinette,” “Somewhere,” “The Bling Ring,” “The Beguiled” and the recent “On the Rocks.” She also directed the 2015 Netflix special “A Very Murray Christmas” and a 2017 production of Verdi’s opera “La Traviata” at the Teatro dell’Opera in Rome. She won an Academy Award for her screenplay to “Lost in Translation,...
- 2/18/2021
- by Steve Pond
- The Wrap
Sofia Coppola will receive the American Society of Cinematographers’ Board of Governors Award during the 35th Annual Asc Awards on April 18.
“Beginning with her breakout hit The Virgin Suicides, Sofia Coppola has been a powerful influence in the filmmaking community,” said Asc president Stephen Lighthill. “We’re excited to honor her contributions and celebrate her accomplishments. Her collaborative spirit and imaginative execution puts her at the forefront of a unique cinematic category.”
Most recently, Coppola wrote and directed On the Rocks, starring Rashida Jones, Bill Murray and Marlon Wayans, lensed by cinematographer Philippe Le Sourd.
The filmmaker earned an Academy Award ...
“Beginning with her breakout hit The Virgin Suicides, Sofia Coppola has been a powerful influence in the filmmaking community,” said Asc president Stephen Lighthill. “We’re excited to honor her contributions and celebrate her accomplishments. Her collaborative spirit and imaginative execution puts her at the forefront of a unique cinematic category.”
Most recently, Coppola wrote and directed On the Rocks, starring Rashida Jones, Bill Murray and Marlon Wayans, lensed by cinematographer Philippe Le Sourd.
The filmmaker earned an Academy Award ...
- 2/18/2021
- The Hollywood Reporter - Film + TV
Sofia Coppola will receive the American Society of Cinematographers’ Board of Governors Award during the 35th Annual Asc Awards on April 18.
“Beginning with her breakout hit The Virgin Suicides, Sofia Coppola has been a powerful influence in the filmmaking community,” said Asc president Stephen Lighthill. “We’re excited to honor her contributions and celebrate her accomplishments. Her collaborative spirit and imaginative execution puts her at the forefront of a unique cinematic category.”
Most recently, Coppola wrote and directed On the Rocks, starring Rashida Jones, Bill Murray and Marlon Wayans, lensed by cinematographer Philippe Le Sourd.
The filmmaker earned an Academy Award ...
“Beginning with her breakout hit The Virgin Suicides, Sofia Coppola has been a powerful influence in the filmmaking community,” said Asc president Stephen Lighthill. “We’re excited to honor her contributions and celebrate her accomplishments. Her collaborative spirit and imaginative execution puts her at the forefront of a unique cinematic category.”
Most recently, Coppola wrote and directed On the Rocks, starring Rashida Jones, Bill Murray and Marlon Wayans, lensed by cinematographer Philippe Le Sourd.
The filmmaker earned an Academy Award ...
- 2/18/2021
- The Hollywood Reporter - Movie News
Mentoring emerging cinematographers has always been a key mission at the EnergaCamerimage International Film Festival and this year’s online version of the event features a score of streaming master classes and seminars that inform and offer insights from top filmmakers and technology experts.
Streaming through the end of 2020 (online.energacamerimage.pl), the talks and teach-ins are, with rare exceptions, accessible without a password or online Camerimage entry card – unlike the usual live format of master classes at the festival, which invariably sell out if you don’t find a seat at least 20 minutes before the start.
One of the buzziest events from the festival, which officially ran Nov. 13-20, is the virtual career masterclass with cinematographer Phedon Papamichael, in which he discusses his remarkable career, leading up to his latest feature, Aaron Sorkin’s “The Trial of the Chicago 7.”
The Netflix drama is built around the sensational political...
Streaming through the end of 2020 (online.energacamerimage.pl), the talks and teach-ins are, with rare exceptions, accessible without a password or online Camerimage entry card – unlike the usual live format of master classes at the festival, which invariably sell out if you don’t find a seat at least 20 minutes before the start.
One of the buzziest events from the festival, which officially ran Nov. 13-20, is the virtual career masterclass with cinematographer Phedon Papamichael, in which he discusses his remarkable career, leading up to his latest feature, Aaron Sorkin’s “The Trial of the Chicago 7.”
The Netflix drama is built around the sensational political...
- 12/18/2020
- by Will Tizard
- Variety Film + TV
Adam Kimmel is the cinematographer of such acclaimed films as “Beautiful Girls,” “Capote” and “Never Let Me Go.” He is a member of the Academy of Motion Picture Arts and Sciences and the American Society of Cinematographers, two esteemed organizations. He’s shot short films directed by Natalie Portman and Scarlett Johansson. He’s a prolific director of photography of commercials, including for Nike and Toyota, and a cinematographer on the recent Leonardo DiCaprio racing documentary “And We Go Green.”
One thing you won’t glean from the list of Kimmel’s impressive credits on his IMDb page: He’s a registered sex offender. Kimmel was arrested and charged twice for sexual crimes against underage girls, once in 2003 and again in 2010.
The first charge — when Kimmel was 43 — involved sex with an underage girl in New York City. According to the criminal complaint obtained by Variety from the Manhattan District Attorney’s Office,...
One thing you won’t glean from the list of Kimmel’s impressive credits on his IMDb page: He’s a registered sex offender. Kimmel was arrested and charged twice for sexual crimes against underage girls, once in 2003 and again in 2010.
The first charge — when Kimmel was 43 — involved sex with an underage girl in New York City. According to the criminal complaint obtained by Variety from the Manhattan District Attorney’s Office,...
- 11/12/2020
- by Kate Aurthur
- Variety Film + TV
This ranking of the Top 50 film schools of 2020 first appeared in TheWrap’s fifth annual College Issue.
The American Film Institute Conservatory finished as the top film school in the U.S. in TheWrap’s fifth annual ranking of programs, just ahead of previous No. 1, USC. And while the Top 10 remained fairly consistent from past years, three schools — AFI, Chapman and the University of North Carolina School of the Arts — posted their highest-ever finishes. Meanwhile, Biola University returned to the list after dropping off last year, and Pepperdine made it into our rankings for the first time.
The Wrap’s annual ranking of film schools was determined by an anonymous poll of more than 2,000 entertainment industry insiders, educators, deans, filmmakers and film pundits, along with experts tasked with evaluating each school.
Yes, the list compares apples and oranges, mixing undergraduate and graduate programs and including schools with more than 1,000 students...
The American Film Institute Conservatory finished as the top film school in the U.S. in TheWrap’s fifth annual ranking of programs, just ahead of previous No. 1, USC. And while the Top 10 remained fairly consistent from past years, three schools — AFI, Chapman and the University of North Carolina School of the Arts — posted their highest-ever finishes. Meanwhile, Biola University returned to the list after dropping off last year, and Pepperdine made it into our rankings for the first time.
The Wrap’s annual ranking of film schools was determined by an anonymous poll of more than 2,000 entertainment industry insiders, educators, deans, filmmakers and film pundits, along with experts tasked with evaluating each school.
Yes, the list compares apples and oranges, mixing undergraduate and graduate programs and including schools with more than 1,000 students...
- 10/16/2020
- by Victoria Ellison
- The Wrap
The board of governors at the American Society of Cinematographers on Tuesday elected Stephen Lighthill as its new president. It is the second term in the top spot for Lighthill, who takes over from outgoing Asc president Kees van Oostrum, who had served the maximum four terms.
The Asc board today also voted in vice presidents Amy Vincent, Bill Bennett and John Simmons; treasurer Levie Isaacks; secretary Gregg Heschong; and sergeant-at-arms David Darby.
Lighthill, whose credits range from shooting for 60 Minutes, documentaries like the Rolling Stones pic Gimme Shelter and the Oscar-nominated Berkeley in the Sixties, and TV series like Nash Bridges and Earth 2, previously served as Asc president from 2012-13; he most recently was vice president of the organization. He also long has served as an officer on the National Executive Board of the International Cinematographers Guild, and is also the Discipline Chair: Cinematography at the AFI Conservatory.
The Asc board today also voted in vice presidents Amy Vincent, Bill Bennett and John Simmons; treasurer Levie Isaacks; secretary Gregg Heschong; and sergeant-at-arms David Darby.
Lighthill, whose credits range from shooting for 60 Minutes, documentaries like the Rolling Stones pic Gimme Shelter and the Oscar-nominated Berkeley in the Sixties, and TV series like Nash Bridges and Earth 2, previously served as Asc president from 2012-13; he most recently was vice president of the organization. He also long has served as an officer on the National Executive Board of the International Cinematographers Guild, and is also the Discipline Chair: Cinematography at the AFI Conservatory.
- 6/10/2020
- by Patrick Hipes
- Deadline Film + TV
In today’s film news roundup, Stephen Lighthill becomes president of the American Society of Cinematographers, Universal is teaming with Timur Bekmambetov and the DGA health plan is offering three months of free coverage to some members.
New President
The American Society of Cinematographers’ board of governors has elected Stephen Lighthill as president, replacing Kees van Oostrum.
The Asc noted that van Oostrum had served the maximum four terms and recently was appointed to lead Imago, the international federation of cinematographers. This is Lighthill’s second turn as Asc president, previously serving from 2012-2013. Most recently, he held the position of vice president. The board voted in three vice presidents — Amy Vincent, Bill Bennett and John Simmons. They elected Levie Isaacks as treasurer; Gregg Heschong as secretary; and David Darby as sergeant-at-arms
“This is a challenging moment for filmmaking in general and cinematography in particular,” Lighthill said. “As an organization,...
New President
The American Society of Cinematographers’ board of governors has elected Stephen Lighthill as president, replacing Kees van Oostrum.
The Asc noted that van Oostrum had served the maximum four terms and recently was appointed to lead Imago, the international federation of cinematographers. This is Lighthill’s second turn as Asc president, previously serving from 2012-2013. Most recently, he held the position of vice president. The board voted in three vice presidents — Amy Vincent, Bill Bennett and John Simmons. They elected Levie Isaacks as treasurer; Gregg Heschong as secretary; and David Darby as sergeant-at-arms
“This is a challenging moment for filmmaking in general and cinematography in particular,” Lighthill said. “As an organization,...
- 6/10/2020
- by Dave McNary
- Variety Film + TV
Stephen Lighthill was elected president of the American Society of Cinematographers, succeeding Kees van Oostrum, who has led the organization since 2016 and reached his term limit.
Also on Tuesday, Amy Vincent was elected first vp; Bill Bennett, second vp; John Simmons, third vp; Levie Isaacks, treasurer; Gregg Heschong, secretary; and David Darby, sergeant at arms.
A member of the Asc since 1999, Lighthill also served as the society's president from 2012-13 and this past year was its first vp.
The Dp, whose credits including Nash Bridges and Vietnam War Story, also serves as AFI Conservatory Cinematography Discipline Head ...
Also on Tuesday, Amy Vincent was elected first vp; Bill Bennett, second vp; John Simmons, third vp; Levie Isaacks, treasurer; Gregg Heschong, secretary; and David Darby, sergeant at arms.
A member of the Asc since 1999, Lighthill also served as the society's president from 2012-13 and this past year was its first vp.
The Dp, whose credits including Nash Bridges and Vietnam War Story, also serves as AFI Conservatory Cinematography Discipline Head ...
Stephen Lighthill was elected president of the American Society of Cinematographers, succeeding Kees van Oostrum, who has led the organization since 2016 and reached his term limit.
Also on Tuesday, Amy Vincent was elected first vp; Bill Bennett, second vp; John Simmons, third vp; Levie Isaacks, treasurer; Gregg Heschong, secretary; and David Darby, sergeant at arms.
A member of the Asc since 1999, Lighthill also served as the society's president from 2012-13 and this past year was its first vp.
The Dp, whose credits including Nash Bridges and Vietnam War Story, also serves as AFI Conservatory Cinematography Discipline Head ...
Also on Tuesday, Amy Vincent was elected first vp; Bill Bennett, second vp; John Simmons, third vp; Levie Isaacks, treasurer; Gregg Heschong, secretary; and David Darby, sergeant at arms.
A member of the Asc since 1999, Lighthill also served as the society's president from 2012-13 and this past year was its first vp.
The Dp, whose credits including Nash Bridges and Vietnam War Story, also serves as AFI Conservatory Cinematography Discipline Head ...
South Korean cinematographer Kim Ji-yong won the EnergaCamerimage fest top prize, the Golden Frog, on Saturday for the sweeping imagery of his Renaissance-era war story “The Fortress” by director Hwang Dong-Hyuk. Juror David Gropman, a production designer, praised the film’s “staggering beauty and epic scale.”
Poland’s own rising-star Dp Lukasz Zal won the Silver Frog for the crisp, monochrome look of period love story “Cold War” by Pawel Pawlikowski while Alfonso Cuaron, who wrote, directed and filmed the richly atmospheric black-and-white film “Roma,” named for the Mexico City neighborhood where he grew up, scored the Bronze Frog.
The prizes, handed out at the Opera Nova music hall in Bydgoszcz, Poland, capped a week of top cinematography work in 10 competitions, an experience fest director Marek Zydowicz described as a great success despite “crisis situations” during the week, which included the brief arrest of cinematographer Matthew Libatique on suspicion of assault.
Poland’s own rising-star Dp Lukasz Zal won the Silver Frog for the crisp, monochrome look of period love story “Cold War” by Pawel Pawlikowski while Alfonso Cuaron, who wrote, directed and filmed the richly atmospheric black-and-white film “Roma,” named for the Mexico City neighborhood where he grew up, scored the Bronze Frog.
The prizes, handed out at the Opera Nova music hall in Bydgoszcz, Poland, capped a week of top cinematography work in 10 competitions, an experience fest director Marek Zydowicz described as a great success despite “crisis situations” during the week, which included the brief arrest of cinematographer Matthew Libatique on suspicion of assault.
- 11/17/2018
- by Will Tizard
- Variety Film + TV
The board of governors of the American Society of Cinematographers has re-elected Kees van Oostrum as president to serve his third consecutive one-year term.
The Amsterdam native was elected two years ago to a one-year term, succeeding Richard Crudo. The organization, now in its 99th year, has 370-plus active members and 200 associate members from ancillary segments of the industry. Membership is by invitation only.
The Asc made the announcement Tuesday. Its board also named its roster of officers for 2018-2019, including Bill Bennett, John Simmons and Cynthia Pusheck as vice presidents; Levie Isaacks as treasurer; David Darby as secretary; and Isidore Mankofsky as sergeant-at-arms.
“During this past year at the Asc, we have been steadfastly focused on educational events, international outreach, and efforts to promote diversity and inclusion,” said van Oostrum. “These all support our mission of loyalty, progress and artistry. As we look ahead, we plan to usher in...
The Amsterdam native was elected two years ago to a one-year term, succeeding Richard Crudo. The organization, now in its 99th year, has 370-plus active members and 200 associate members from ancillary segments of the industry. Membership is by invitation only.
The Asc made the announcement Tuesday. Its board also named its roster of officers for 2018-2019, including Bill Bennett, John Simmons and Cynthia Pusheck as vice presidents; Levie Isaacks as treasurer; David Darby as secretary; and Isidore Mankofsky as sergeant-at-arms.
“During this past year at the Asc, we have been steadfastly focused on educational events, international outreach, and efforts to promote diversity and inclusion,” said van Oostrum. “These all support our mission of loyalty, progress and artistry. As we look ahead, we plan to usher in...
- 6/12/2018
- by Dave McNary
- Variety Film + TV
As expected, cinematographer Roger Deakins took the top prize for “Blade Runner 2049” at the 32nd annual Asc Awards at Hollywood & Highland. It was his fourth Asc award, besting the other four Oscar nominees: Bruno Delbonnel (“Darkest Hour”), Hoyte van Hoytema (“Dunkirk”), Dan Laustsen (“The Shape of Water”), and Rachel Morrison (“Mudbound”), the first female from her branch nominated by the Asc and the Academy.
But can Deakins finally earn the elusive Academy Award after 14 nominations? He’s certainly the sentimental favorite for his trippy, sci-fi naturalism in Denis Villeneuve’s “Blade Runner” sequel. And winning the BAFTA Sunday (also his fourth) would certainly provide added momentum.
But there’s also a case to be made for three of the other contenders: Van Hoytema’s innovative IMAX work for Christopher Nolan’s World War II survival epic, Lausten’s sublime imagery for Guillermo del Toro’s Best Picture favorite, and...
But can Deakins finally earn the elusive Academy Award after 14 nominations? He’s certainly the sentimental favorite for his trippy, sci-fi naturalism in Denis Villeneuve’s “Blade Runner” sequel. And winning the BAFTA Sunday (also his fourth) would certainly provide added momentum.
But there’s also a case to be made for three of the other contenders: Van Hoytema’s innovative IMAX work for Christopher Nolan’s World War II survival epic, Lausten’s sublime imagery for Guillermo del Toro’s Best Picture favorite, and...
- 2/18/2018
- by Bill Desowitz
- Indiewire
The 32nd annual American Society of Cinematographers Awards took place on Feb. 17 at the Ray Dolby Ballroom at Hollywood & Highland and were emceed by Turner Classic Movies’ Ben Mankiewicz. Over the years, the Asc has predicted 128 of the 160 Oscar nominees (80%), including all five of this year’s contenders: Roger Deakins (“Blade Runner 2049”), Bruno Delbonnel (“Darkest Hour”), Dan Laustsen (“The Shape of Water”), Rachel Morrison (“Mudbound”) and Hoyte van Hoytema (“Dunkirk”). But it has only previewed 13 of the last 31 winners of the Oscar for Best Cinematography; that is a a success rate of just 41%.
Deakins, who is the Oscar frontrunner for Best Cinematography, won for the fourth time from 15 bids with the Asc. His previous wins were for “The Shawkshank Redemption” (1994), “The Man Who Wasn’t There” (2001) and “Skyfall” (2012). He has yet to translate any of those victories into an Oscar, where he is 0 for 13.
Morrison made history as the...
Deakins, who is the Oscar frontrunner for Best Cinematography, won for the fourth time from 15 bids with the Asc. His previous wins were for “The Shawkshank Redemption” (1994), “The Man Who Wasn’t There” (2001) and “Skyfall” (2012). He has yet to translate any of those victories into an Oscar, where he is 0 for 13.
Morrison made history as the...
- 2/18/2018
- by Zach Laws
- Gold Derby
Cinematographers guild board also votes in officers for 2017-18 term.
The American Society of Cinematographers (Asc) has re-elected Kees van Oostrum for a second term as president.
The Asc board met on Monday night and also voted in the officers for the 2017-18 term.
They are: Bill Bennett, John Simmons and Cynthia Pusheck as vice-presidents; Levie Isaacks as treasurer; David Darby as secretary; and Isidore Mankofsky as sergeant-at-arms.
“As an organisation, we are focused on education, international outreach, diversity and preservation of our heritage,” van Oostrum said. “Over the past year, we expanded our Master Class programme internationally to Toronto and China. We launched a Chinese version of American Cinematographer magazine. We are preparing for a third International Cinematography Summit, which sees attendees from several other societies around the world.
“And our Vision Committee has many initiatives planned after presenting two very successful ‘Day of Inspiration’ events in Los Angeles and New York, which were designed...
The American Society of Cinematographers (Asc) has re-elected Kees van Oostrum for a second term as president.
The Asc board met on Monday night and also voted in the officers for the 2017-18 term.
They are: Bill Bennett, John Simmons and Cynthia Pusheck as vice-presidents; Levie Isaacks as treasurer; David Darby as secretary; and Isidore Mankofsky as sergeant-at-arms.
“As an organisation, we are focused on education, international outreach, diversity and preservation of our heritage,” van Oostrum said. “Over the past year, we expanded our Master Class programme internationally to Toronto and China. We launched a Chinese version of American Cinematographer magazine. We are preparing for a third International Cinematography Summit, which sees attendees from several other societies around the world.
“And our Vision Committee has many initiatives planned after presenting two very successful ‘Day of Inspiration’ events in Los Angeles and New York, which were designed...
- 6/6/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
One of the country’s most influential film schools is having a tough week.
Members of the American Film Institute’s faculty and administration are voicing their support for AFI Dean Jan Schuette following a letter from the school’s faculty union Tuesday calling for Schuette’s resignation. The letter came two weeks after a union vote of “no confidence” in Schuette’s leadership that passed 35-8, with roughly half of the 87-person faculty not voting. At least 30 faculty members also signed a letter last October expressing deep concern about Schuette’s leadership and the direction of the conservatory.
Read More: 25 Best Film Schools: USC, AFI and Nyu Claim Top Spots on the Hollywood Reporter’s Sixth Annual List
Three faculty members from AFI’s editing discipline have resigned in recent weeks, including 21-year veteran Howard Smith, who told IndieWire in an email that his resignation was directly in response to changes instituted by Schuette.
Members of the American Film Institute’s faculty and administration are voicing their support for AFI Dean Jan Schuette following a letter from the school’s faculty union Tuesday calling for Schuette’s resignation. The letter came two weeks after a union vote of “no confidence” in Schuette’s leadership that passed 35-8, with roughly half of the 87-person faculty not voting. At least 30 faculty members also signed a letter last October expressing deep concern about Schuette’s leadership and the direction of the conservatory.
Read More: 25 Best Film Schools: USC, AFI and Nyu Claim Top Spots on the Hollywood Reporter’s Sixth Annual List
Three faculty members from AFI’s editing discipline have resigned in recent weeks, including 21-year veteran Howard Smith, who told IndieWire in an email that his resignation was directly in response to changes instituted by Schuette.
- 8/24/2016
- by Graham Winfrey
- Indiewire
Birdman, Fury and Leviathan among main competition titles; Roland Joffé to preside over main jury.
Alejandro G Ińárritu, Yimou Zhang, Mike Leigh and Jean-Marc Vallée are among the directors with films screening in competition at the 22nd Camerimage (Nov 15-22), the International Film Festival of the Art of Cinematography.
The main competition at the festival, held in the Polish city of Bydgoszcz, comprises:
Alejandro G Ińárritu’s Birdman (The Unexpected Virtue of Ignorance); USA, 2014; Cinematographer: Emmanuel Lubezki
Yimou Zhang’s Coming Home (Gui lai); China, 2014; Cinematographer: Zhao Xiaoding
Richard Raymond’s Desert Dancer; UK, 2014; Cinematographer: Carlos Catalán Alucha
Lech J. Majewski’s Field of Dogs - Onirica (Onirica - Psie pole); Poland, 2014; Cinematographers: Paweł Tybora and Lech J. Majewski
Krzysztof Zanussi’s Foreign Body (Obce cialo); Poland, Italy, Russia, 2014; Cinematographer: Piotr Niemyjski
David Ayer’s Fury; USA, 2014; Cinematographer: Roman Vasyanov
Tate Taylor’s Get on Up; USA, 2014; Cinematographer: Stephen Goldblatt
Łukasz Palkowski’s Gods (Bogowie); Poland, 2014; Cinematographer:...
Alejandro G Ińárritu, Yimou Zhang, Mike Leigh and Jean-Marc Vallée are among the directors with films screening in competition at the 22nd Camerimage (Nov 15-22), the International Film Festival of the Art of Cinematography.
The main competition at the festival, held in the Polish city of Bydgoszcz, comprises:
Alejandro G Ińárritu’s Birdman (The Unexpected Virtue of Ignorance); USA, 2014; Cinematographer: Emmanuel Lubezki
Yimou Zhang’s Coming Home (Gui lai); China, 2014; Cinematographer: Zhao Xiaoding
Richard Raymond’s Desert Dancer; UK, 2014; Cinematographer: Carlos Catalán Alucha
Lech J. Majewski’s Field of Dogs - Onirica (Onirica - Psie pole); Poland, 2014; Cinematographers: Paweł Tybora and Lech J. Majewski
Krzysztof Zanussi’s Foreign Body (Obce cialo); Poland, Italy, Russia, 2014; Cinematographer: Piotr Niemyjski
David Ayer’s Fury; USA, 2014; Cinematographer: Roman Vasyanov
Tate Taylor’s Get on Up; USA, 2014; Cinematographer: Stephen Goldblatt
Łukasz Palkowski’s Gods (Bogowie); Poland, 2014; Cinematographer:...
- 10/31/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Polish film festival sets competition juries; Roland Joffe to preside over main competition.
Camerimage (Nov 15-22), the International Film Festival of the Art of Cinematography, has set an impressive roster of jurors for its various competition categories.
The Killing Fields director Roland Joffe will preside over the main competition jury, which incldues cinematographers Christian Berger and Manuel Alberto Claro.
Caleb Deschanel has been appointed president of the Polish Films Competition.
The full list of jurors is below.
Main Competition
Roland Joffé – Jury President (director, producer; The Killing Fields, The Mission, Vatel)
Christian Berger (cinematographer; The Piano Teacher, Hidden, The White Ribbon)
Ryszard Bugajski (director, screenwriter; Interrogation, General Nil, The Closed Circuit)
Ryszard Horowitz (photographer)
David Gropman (cinematographer; The Cider House Rules, Chocolat, Life of Pi)
Arthur Reinhart (cinematographer, producer; Crows, Tristan + Isolde, Venice)
Oliver Stapleton (cinematographer; The Cider House Rules, Pay It Forward, Don’t Be Afraid of the Dark)
Manuel Alberto Claro (cinematographer; Reconstruction, Melancholia, Nymphomaniac...
Camerimage (Nov 15-22), the International Film Festival of the Art of Cinematography, has set an impressive roster of jurors for its various competition categories.
The Killing Fields director Roland Joffe will preside over the main competition jury, which incldues cinematographers Christian Berger and Manuel Alberto Claro.
Caleb Deschanel has been appointed president of the Polish Films Competition.
The full list of jurors is below.
Main Competition
Roland Joffé – Jury President (director, producer; The Killing Fields, The Mission, Vatel)
Christian Berger (cinematographer; The Piano Teacher, Hidden, The White Ribbon)
Ryszard Bugajski (director, screenwriter; Interrogation, General Nil, The Closed Circuit)
Ryszard Horowitz (photographer)
David Gropman (cinematographer; The Cider House Rules, Chocolat, Life of Pi)
Arthur Reinhart (cinematographer, producer; Crows, Tristan + Isolde, Venice)
Oliver Stapleton (cinematographer; The Cider House Rules, Pay It Forward, Don’t Be Afraid of the Dark)
Manuel Alberto Claro (cinematographer; Reconstruction, Melancholia, Nymphomaniac...
- 10/31/2014
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
The board of governors at the American Society Of Cinematographers (Asc) has appointed its new officers.
Current incumbent Crudo has been re-elected president and will embark on his fifth term. He also served from 2003-05.
Newly elected vice-presidents are Owen Roizman, Kees Van Oostrum and Lowell Peterson; treasurer is Matthew Leonetti; secretary is Fred Goodich; and sergeant-at-arms is Isidore Mankofsky.
The board members, elected in May by the Asc’s active membership, are: John Bailey, Bill Bennett, Curtis Clark, Dean Cundey, George Spiro Dibie, Richard Edlund, Michael Goi, Leonetti, Stephen Lighthill, Daryn Okada, Michael O’ Shea, Lowell Peterson, Rodney Taylor, van Oostrum, and Haskell Wexler.
Alternates are Mankofsky, Karl Walter Lindenlaub, Robert Primes, Steven Fierberg and Kenneth Zunder.
“I’m profoundly humbled that my colleagues have once again chosen me to serve in this position,” said Crudo. “Right now, the organisation is stronger than ever and we look forward to continuing our mission of promoting the role...
Current incumbent Crudo has been re-elected president and will embark on his fifth term. He also served from 2003-05.
Newly elected vice-presidents are Owen Roizman, Kees Van Oostrum and Lowell Peterson; treasurer is Matthew Leonetti; secretary is Fred Goodich; and sergeant-at-arms is Isidore Mankofsky.
The board members, elected in May by the Asc’s active membership, are: John Bailey, Bill Bennett, Curtis Clark, Dean Cundey, George Spiro Dibie, Richard Edlund, Michael Goi, Leonetti, Stephen Lighthill, Daryn Okada, Michael O’ Shea, Lowell Peterson, Rodney Taylor, van Oostrum, and Haskell Wexler.
Alternates are Mankofsky, Karl Walter Lindenlaub, Robert Primes, Steven Fierberg and Kenneth Zunder.
“I’m profoundly humbled that my colleagues have once again chosen me to serve in this position,” said Crudo. “Right now, the organisation is stronger than ever and we look forward to continuing our mission of promoting the role...
- 6/10/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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