A collection of 55 still photos from the 1919-1920 production of “The Cabinet of Dr. Caligari” are now up for auction, courtesy of Sotheby’s. Robert Wiene’s silent horror film is widely considered the defining work of German Expressionist cinema and went on to inspire the look of such film classics as F. W. Murnau’s “Nosferatu” and Fritz Lang’s “Metropolis.” Bids for the collection can be made through Friday, April 3 at 12pm Et. Sotheby’s estimates the photographs will sell between the $20,000 and $30,000 mark. The starting bid is $13,000.
The catalogue note reads: “This remarkable group of 55 photographs documents many of the psychologically and visually twisted scenes from the 1920 silent film ‘The Cabinet of Dr. Caligari,’ generally recognized as the first true horror film. Robert Wiene directed this tale of an insane, diabolical hypnotist who manipulates a somnambulist to execute a series of murders. Considered the first German Expressionist film,...
The catalogue note reads: “This remarkable group of 55 photographs documents many of the psychologically and visually twisted scenes from the 1920 silent film ‘The Cabinet of Dr. Caligari,’ generally recognized as the first true horror film. Robert Wiene directed this tale of an insane, diabolical hypnotist who manipulates a somnambulist to execute a series of murders. Considered the first German Expressionist film,...
- 3/31/2020
- by Zack Sharf
- Indiewire
Conrad Veidt is Turner Classic Movies' "Summer Under the Stars" performer of the day. An international star since the 1920s, Veidt worked in Germany, the United Kingdom, and Hollywood — twice. [Conrad Veidt Movie Schedule.] In the late '20s, Veidt was the star of unusual Hollywood fare such as Paul Leni's The Man Who Laughs (1928), in the title role as a man with a grin-like scar where his mouth should be, and Paul Fejos' The Last Performance (1929), as a magician in love with pretty Mary Philbin — a Universal star who also happened to be Veidt's leading lady in The Man Who Laughs. With the arrival of talking pictures, Veidt returned to Germany, but with the ascent of the Nazis he fled first to England and later to the United States. In the Hollywood of the early '40s, Veidt became everybody's favorite Nazi in movies such as Nazi Agent, Escape, and Casablanca.
- 8/24/2011
- by Andre Soares
- Alt Film Guide
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