By Colleen Wanglund, MoreHorror.com
Based on Maurice Renard’s 1920 novel Les Mains d’Orlac this earliest film version directed by Robert Wiene (The Cabinet of Dr. Caligari {1920}), though technically Austrian is a superb example of German Expressionism in the silent era of film.
Paul Orlac (Conrad Veidt) is a young and gifted pianist. Returning home from a concert, Orlac is badly injured in a train wreck. Orlac’s devoted wife Yvonne (Alexandra Sorina) begs Dr. Serral (Hans Homma) to save the pianist’s hands. Serral removes the hands from the corpse of a recently executed robber/murderer and replaces Orlac’s hands, which were damaged beyond repair. Serral does not tell Orlac of the transplant surgery, but he finds out anyway.
Orlac returns home but his demeanor has changed. He is in despair over the state of his hands and is afraid to touch his own wife. Over the...
Based on Maurice Renard’s 1920 novel Les Mains d’Orlac this earliest film version directed by Robert Wiene (The Cabinet of Dr. Caligari {1920}), though technically Austrian is a superb example of German Expressionism in the silent era of film.
Paul Orlac (Conrad Veidt) is a young and gifted pianist. Returning home from a concert, Orlac is badly injured in a train wreck. Orlac’s devoted wife Yvonne (Alexandra Sorina) begs Dr. Serral (Hans Homma) to save the pianist’s hands. Serral removes the hands from the corpse of a recently executed robber/murderer and replaces Orlac’s hands, which were damaged beyond repair. Serral does not tell Orlac of the transplant surgery, but he finds out anyway.
Orlac returns home but his demeanor has changed. He is in despair over the state of his hands and is afraid to touch his own wife. Over the...
- 9/11/2012
- by admin
- MoreHorror
In this series, we look at movies from all over the cinematic time line and select a shot that particularly resonates with us, be it for aesthetic, thematic or for simple eye candy reasons. Join us! Next Wednesday night, we're looking at David Fincher's Se7en (1995) on it's 15th anniversary.
This week we gaze lustily at...
Pandora's Box
This is not a sex scene but a temper tantrum.
okay okay, it becomes a sex scene.
It's an easy thing to do. I've seen this 1929 silent (the original title is Die Büchse der Pandora) four times now and each time I'm startled anew at its carnality. It's one of the most erotic movies ever made and not just for the provoactive subject matter which follows the gradual undoing of one Lulu (Louise Brooks), a wild thing who marries up before bringing everyone down; director G.W. Pabst and cinematographer Günther Krampf partner...
This week we gaze lustily at...
Pandora's Box
This is not a sex scene but a temper tantrum.
okay okay, it becomes a sex scene.
It's an easy thing to do. I've seen this 1929 silent (the original title is Die Büchse der Pandora) four times now and each time I'm startled anew at its carnality. It's one of the most erotic movies ever made and not just for the provoactive subject matter which follows the gradual undoing of one Lulu (Louise Brooks), a wild thing who marries up before bringing everyone down; director G.W. Pabst and cinematographer Günther Krampf partner...
- 9/20/2010
- by NATHANIEL R
- FilmExperience
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