While Netflix is far from being a haven for admirers of classic cinema, they thankfully are backing strong repertory programming in New York City. After acquiring The Paris Theater, located on 58th Street in Manhattan, and briefly reopening with some runs of Netflix features and other specialty programming, they are now officially opening their doors again on August 6 with a more substantial slate of classic cinema.
Featuring two programs, one curated by Radha Blank and another by the theater’s programmer David Schwartz, the reopening lineup features work by John Cassavetes, Kathleen Collins, Luis Buñuel, Mira Nair, Jean-Pierre Jeunet, Ingmar Bergman, Terence Davies, and much more––with many on film prints.
One can also enter to win a pass for Schwartz’s series “The Paris is For Lovers,” with a newly-unveiled scavenger hunt tied to Ira Deutchman’s new documentary Searching for Mr. Rugoff, which opens on August 13 and is part of the lineup.
Featuring two programs, one curated by Radha Blank and another by the theater’s programmer David Schwartz, the reopening lineup features work by John Cassavetes, Kathleen Collins, Luis Buñuel, Mira Nair, Jean-Pierre Jeunet, Ingmar Bergman, Terence Davies, and much more––with many on film prints.
One can also enter to win a pass for Schwartz’s series “The Paris is For Lovers,” with a newly-unveiled scavenger hunt tied to Ira Deutchman’s new documentary Searching for Mr. Rugoff, which opens on August 13 and is part of the lineup.
- 7/28/2021
- by Leonard Pearce
- The Film Stage
The Paris Theater, a beloved arthouse cinema in New York City, is reopening its doors next month.
To celebrate its return on Aug. 6, filmmaker Radha Blank is curating a slate of repertory titles to screen alongside her directorial debut “The Forty-Year-Old Version.” Her movie, which premiered at Sundance Film Festival, is playing through Aug. 12.
The Paris opened in 1948 and is the only single-screen movie theater in Manhattan. Netflix acquired the 545-seat venue in 2019 and, prior to Covid-19, held premieres, special events and screenings of its films in the storied institution, which is just south of Central Park.
“I made ‘Forty-Year-Old Version’ in 35mm Black & White in the spirit of the many great films that informed my love of cinema,” says Blank. “I’m excited to show the film in 35mm as intended and alongside potent films by fearless filmmakers who inspired my development as a storyteller and expanded my vision...
To celebrate its return on Aug. 6, filmmaker Radha Blank is curating a slate of repertory titles to screen alongside her directorial debut “The Forty-Year-Old Version.” Her movie, which premiered at Sundance Film Festival, is playing through Aug. 12.
The Paris opened in 1948 and is the only single-screen movie theater in Manhattan. Netflix acquired the 545-seat venue in 2019 and, prior to Covid-19, held premieres, special events and screenings of its films in the storied institution, which is just south of Central Park.
“I made ‘Forty-Year-Old Version’ in 35mm Black & White in the spirit of the many great films that informed my love of cinema,” says Blank. “I’m excited to show the film in 35mm as intended and alongside potent films by fearless filmmakers who inspired my development as a storyteller and expanded my vision...
- 7/28/2021
- by Rebecca Rubin
- Variety Film + TV
The Paris Theater, an NYC cinematic landmark rescued by Netflix in 2019, will officially reopen August 6 with the streamer’s The Forty-Year-Old Version by Radha Blank and a week of repertory films programmed by the director.
The only single-screen movie theater in Manhattan and the borough’s largest, with 545 seats, has hosted limited theatrical engagements since March that included Netflix’ 17 Oscar-nominated films, retrospectives of Charlie Kaufman and Orson Wells, zombie movie classics and a Bob Dylan film series.
The Paris closed in August of 2019 after its lease with City Cinemas expired. That November, Netflix entered an extended lease agreement, said to be for ten years with owner the Solow Family, to keep the theater open and use it for events, screenings and theatrical releases of its films. The first was Noah Baumbach’s Marriage Story. The theater was shuttered by Covid-19 last spring.
(In May of 2020, Netflix acquired another storied theaters,...
The only single-screen movie theater in Manhattan and the borough’s largest, with 545 seats, has hosted limited theatrical engagements since March that included Netflix’ 17 Oscar-nominated films, retrospectives of Charlie Kaufman and Orson Wells, zombie movie classics and a Bob Dylan film series.
The Paris closed in August of 2019 after its lease with City Cinemas expired. That November, Netflix entered an extended lease agreement, said to be for ten years with owner the Solow Family, to keep the theater open and use it for events, screenings and theatrical releases of its films. The first was Noah Baumbach’s Marriage Story. The theater was shuttered by Covid-19 last spring.
(In May of 2020, Netflix acquired another storied theaters,...
- 7/28/2021
- by Jill Goldsmith
- Deadline Film + TV
This week is Ben Barenholtz' birthday.
We'd like to celebrate by running 2 pieces on his amazing wonderful life.
This is his public bio, which in itself, tells of a rich wonderful career in film.
In the next days we'll publish his amazing memoir of his European childhood when he narrowly escaped from the hands of Jew killers during the War.
I personally owe Ben a lot. When I was producing some years back Ben was working for Almi and bought an indie film I produced 'Home Free All' by Director Stewart Bird for that company. The money from that deal paid our investors and took us out of a deep financial hole. I am always grateful to Ben for his vision and belief in us then.
Now for his professional bio -
Biography for Ben Barenholtz
Birth Name Benjamin Barenholtz
Mini Biography
As an exhibitor, distributor, and producer, Ben Barenholtz has been a key presence in the independent film scene since the late 1960s, when he opened the Elgin Cinema in New York City.
Barenholtz secured his first job in the film business when he became assistant manager of the Rko Bushwick Theater in Brooklyn in 1958. From 1966-68 he managed and lived in the Village Theater, which ultimately became the Filmore East. At the Village Theater Barenholtz provided a home for the counterculture, with appearances by Timothy Leary, Stokley Carmichael, Rap Brown, and Paul Krasner. Some of the first meetings of the anti-Vietnam War movement, including the Poets Against Vietnam, were held at the Village Theater. It was also a major music venue, with performances by The Who, Cream, Leonard Cohen, John Coltrane, Ornette Coleman, Nina Simone and many others.
In 1968 he opened the Elgin Cinema. The theater became the world's most innovative specialty and revival house, relaunching the films of Buster Keaton and D.W. Griffith, running a variety of independent films by young American directors, and screening cult, underground, and experimental films for the emerging countercultural audience. The films of Stan Brakhage, Jack Smith, Maya Deren, Kenneth Anger, Jonas Mekas, and Andy Warhol, as well as early works by Jonathan Demme and Martin Scorsese, all played at the Elgin.
Barenholtz also developed new ways of screening movies. He started screening dance and opera films on Saturday and Sunday mornings. He created the "All Night Show" - movies started at midnight and ended at dawn. Most notably, Barenholtz originated the "Midnight Movie" in 1970 with Alexander Jodorowsky's El Topo, which ran for 6 months, 7 days a week, to sold out audiences.
The film was eventually bought by John Lennon. El Topo was followed at midnight by John Waters' Pink Flamingoes and Perry Henzell's The Harder They Come. Barenholtz formed the specialty distributor Libra Films in 1972.
The first film Libra distributed was a revival of Jean-Pierre Melville's Les Enfants Terrible, followed by Claude Chabrol's Just Before Nightfall, and Jean-Charles Tacchella's Cousin, Cousine, which became one of the largest grossing foreign films in the Us and was nominated for 3 Academy Awards.
Libra also launched and distributed, among others, George Romero's Martin, John Sayles' first feature Return of the Secaucus Seven, David Lynch's first feature Eraserhead, Karen Arthur's first feature Legacy, Earl Mack's first feature Children of Theater Street, and Peter Gothar's first feature Time Stands Still.
Barenholtz sold Libra Films to the Almi Group in 1982, but stayed with the company to become the President of Libra-Cinema 5 Films. In 1984 he left Almi and joined with Ted and Jim Pedas to form Circle Releasing. Among the films released by Circle were Yoshimitsu Morita's The Family Game, Guy Maddin's first feature Tales From the Gimli Hospital, Vincent Ward's The Navigator, John Woo's The Killer, Catherine Breillat's 36 Fillette, DeWitt Sage's first feature Pavarotti In China, Alain Cavalier's Therese, and Blood Simple, the first film by Joel and Ethan Coen.
His involvement in film production began with Wynn Chamberlain's Brand X and George Romero's Martin. He continued working with the Coens on the production of Raising Arizona, and as executive producer of Miller's Crossing and Barton Fink, which won the Palme d'Or at the 1991 Cannes Film Festival, as well as awards for Best Director and Best Actor. This was the first and last time the three top honors have all gone to the same film at Cannes.
Barenholtz went on to produce George Romero's Bruiser, J Todd Anderson's The Naked Man, Adek Drabinski's Cheat, executive-produced Gregory Hines' directorial debut Bleeding Hearts and Ulu Grossbard's Georgia, which earned an Academy Award nomination for Mare Winningham. He served as co-executive producer of Darren Aronofsky's Requiem for a Dream, which earned Ellen Burstyn an Academy Award nomination for Best Actress in 2000.
Barenholtz appeared in the documentary The Hicks in Hollywood, had a bit role in Liquid Sky, and appeared as a zombie in Romero's classic Dawn of the Dead. He was the main subject of Stuart Samuels' 2005 documentary Midnight Movies: From the Margin to the Mainstream.
Barenholtz directed his first feature, Music Inn, a documentary about the famed jazz venue.
Barenholtz was the producer of Jamie Greenberg's feature film Stags.
In 2012, Barenholtz produced Suzuya Bobo's first feature Family Games.
Barenholtz has recently completed directing and post production on Wakaliwood the Documentary, which was shot entirely in Kampala, Uganda. The film will be released in 2013.
He is now developing two feature fiction films which begin production in 2013.
IMDb Mini Biography By: Ben Barenholtz...
We'd like to celebrate by running 2 pieces on his amazing wonderful life.
This is his public bio, which in itself, tells of a rich wonderful career in film.
In the next days we'll publish his amazing memoir of his European childhood when he narrowly escaped from the hands of Jew killers during the War.
I personally owe Ben a lot. When I was producing some years back Ben was working for Almi and bought an indie film I produced 'Home Free All' by Director Stewart Bird for that company. The money from that deal paid our investors and took us out of a deep financial hole. I am always grateful to Ben for his vision and belief in us then.
Now for his professional bio -
Biography for Ben Barenholtz
Birth Name Benjamin Barenholtz
Mini Biography
As an exhibitor, distributor, and producer, Ben Barenholtz has been a key presence in the independent film scene since the late 1960s, when he opened the Elgin Cinema in New York City.
Barenholtz secured his first job in the film business when he became assistant manager of the Rko Bushwick Theater in Brooklyn in 1958. From 1966-68 he managed and lived in the Village Theater, which ultimately became the Filmore East. At the Village Theater Barenholtz provided a home for the counterculture, with appearances by Timothy Leary, Stokley Carmichael, Rap Brown, and Paul Krasner. Some of the first meetings of the anti-Vietnam War movement, including the Poets Against Vietnam, were held at the Village Theater. It was also a major music venue, with performances by The Who, Cream, Leonard Cohen, John Coltrane, Ornette Coleman, Nina Simone and many others.
In 1968 he opened the Elgin Cinema. The theater became the world's most innovative specialty and revival house, relaunching the films of Buster Keaton and D.W. Griffith, running a variety of independent films by young American directors, and screening cult, underground, and experimental films for the emerging countercultural audience. The films of Stan Brakhage, Jack Smith, Maya Deren, Kenneth Anger, Jonas Mekas, and Andy Warhol, as well as early works by Jonathan Demme and Martin Scorsese, all played at the Elgin.
Barenholtz also developed new ways of screening movies. He started screening dance and opera films on Saturday and Sunday mornings. He created the "All Night Show" - movies started at midnight and ended at dawn. Most notably, Barenholtz originated the "Midnight Movie" in 1970 with Alexander Jodorowsky's El Topo, which ran for 6 months, 7 days a week, to sold out audiences.
The film was eventually bought by John Lennon. El Topo was followed at midnight by John Waters' Pink Flamingoes and Perry Henzell's The Harder They Come. Barenholtz formed the specialty distributor Libra Films in 1972.
The first film Libra distributed was a revival of Jean-Pierre Melville's Les Enfants Terrible, followed by Claude Chabrol's Just Before Nightfall, and Jean-Charles Tacchella's Cousin, Cousine, which became one of the largest grossing foreign films in the Us and was nominated for 3 Academy Awards.
Libra also launched and distributed, among others, George Romero's Martin, John Sayles' first feature Return of the Secaucus Seven, David Lynch's first feature Eraserhead, Karen Arthur's first feature Legacy, Earl Mack's first feature Children of Theater Street, and Peter Gothar's first feature Time Stands Still.
Barenholtz sold Libra Films to the Almi Group in 1982, but stayed with the company to become the President of Libra-Cinema 5 Films. In 1984 he left Almi and joined with Ted and Jim Pedas to form Circle Releasing. Among the films released by Circle were Yoshimitsu Morita's The Family Game, Guy Maddin's first feature Tales From the Gimli Hospital, Vincent Ward's The Navigator, John Woo's The Killer, Catherine Breillat's 36 Fillette, DeWitt Sage's first feature Pavarotti In China, Alain Cavalier's Therese, and Blood Simple, the first film by Joel and Ethan Coen.
His involvement in film production began with Wynn Chamberlain's Brand X and George Romero's Martin. He continued working with the Coens on the production of Raising Arizona, and as executive producer of Miller's Crossing and Barton Fink, which won the Palme d'Or at the 1991 Cannes Film Festival, as well as awards for Best Director and Best Actor. This was the first and last time the three top honors have all gone to the same film at Cannes.
Barenholtz went on to produce George Romero's Bruiser, J Todd Anderson's The Naked Man, Adek Drabinski's Cheat, executive-produced Gregory Hines' directorial debut Bleeding Hearts and Ulu Grossbard's Georgia, which earned an Academy Award nomination for Mare Winningham. He served as co-executive producer of Darren Aronofsky's Requiem for a Dream, which earned Ellen Burstyn an Academy Award nomination for Best Actress in 2000.
Barenholtz appeared in the documentary The Hicks in Hollywood, had a bit role in Liquid Sky, and appeared as a zombie in Romero's classic Dawn of the Dead. He was the main subject of Stuart Samuels' 2005 documentary Midnight Movies: From the Margin to the Mainstream.
Barenholtz directed his first feature, Music Inn, a documentary about the famed jazz venue.
Barenholtz was the producer of Jamie Greenberg's feature film Stags.
In 2012, Barenholtz produced Suzuya Bobo's first feature Family Games.
Barenholtz has recently completed directing and post production on Wakaliwood the Documentary, which was shot entirely in Kampala, Uganda. The film will be released in 2013.
He is now developing two feature fiction films which begin production in 2013.
IMDb Mini Biography By: Ben Barenholtz...
- 10/8/2013
- by Peter Belsito
- Sydney's Buzz
Jean Dujardin kissing Oscar statuette Best Actor Oscar winner Jean Dujardin kisses his Oscar statuette at the Governors Ball 2012. For his performance as a fading silent-film star in Michel Hazanavicius' The Artist, Dujardin became the first Frenchman to win an Oscar in the acting categories: Charles Boyer, Maurice Chevalier, and Gérard Depardieu had all been nominated before, but none of them had ever won. (Photo: © A.M.P.A.S.) The list of Frenchwomen who either won or were nominated for Oscars in the acting categories is much more extensive. The French-born, American-raised Claudette Colbert was the Best Actress of 1934 for Frank Capra's comedy It Happened One Night. The other French Best Actress Oscar winners are Simone Signoret for Jack Clayton's 1959 British drama Room at the Top and Marion Cotillard for Olivier Dahan's French-language Edith Piaf biopic La Vie en Rose. Additionally, Juliette Binoche was a...
- 3/6/2012
- by Andre Soares
- Alt Film Guide
Le Point and L'Express are among the French news outlets reporting that Marie-France Pisier has died at her home in Saint Cyr sur Mer at the age of 66. First mention is generally going to her work with François Truffaut; her debut, after all, was in his Antoine and Colette, a short film that was part of the 1962 anthology Love at Twenty and she would reprise the role in Stolen Kisses (1968) and Love on the Run (1979). The film many will be thinking of today, though, is Jacques Rivette's Céline and Julie Go Boating (1974). In 1981, Julia Lesage described her role in the film's development: "Script credit is given to Juliet Berto, Dominique Labourier, Bulle Ogier, Marie-France Pisier, and Jacques Rivette…. According to Berto, she and Labourier imagined creating a combination of Persona and What Ever Happened To Baby Jane? in a film with two female protagonists. Berto said, 'Each...
- 4/26/2011
- MUBI
French actor, novelist and director who starred in films by Truffaut and Buñuel
Those who followed the adventures of Antoine Doinel (played by Jean-Pierre Léaud) in a series of lyrical and semi-autobiographical films directed by François Truffaut – incorporating adolescence, marriage, fatherhood and divorce – will know that Doinel's first and (perhaps) last love, Colette Tazzi, was played by the stunningly beautiful Marie-France Pisier, who has been found dead aged 66 in the swimming pool of her house near Toulon, in southern France.
Doinel and audiences first caught sight of Pisier in Antoine et Colette, Truffaut's enchanting 32-minute contribution to the omnibus film L'Amour à Vingt Ans (Love at Twenty, 1962), during a concert at the Salle Pleyel in Paris of Hector Berlioz's Symphonie Fantastique. She is conscious of Antoine's stares, and pulls down her skirt. We soon realise that Colette is going to break Antoine's heart.
Léaud and Pisier were born in...
Those who followed the adventures of Antoine Doinel (played by Jean-Pierre Léaud) in a series of lyrical and semi-autobiographical films directed by François Truffaut – incorporating adolescence, marriage, fatherhood and divorce – will know that Doinel's first and (perhaps) last love, Colette Tazzi, was played by the stunningly beautiful Marie-France Pisier, who has been found dead aged 66 in the swimming pool of her house near Toulon, in southern France.
Doinel and audiences first caught sight of Pisier in Antoine et Colette, Truffaut's enchanting 32-minute contribution to the omnibus film L'Amour à Vingt Ans (Love at Twenty, 1962), during a concert at the Salle Pleyel in Paris of Hector Berlioz's Symphonie Fantastique. She is conscious of Antoine's stares, and pulls down her skirt. We soon realise that Colette is going to break Antoine's heart.
Léaud and Pisier were born in...
- 4/25/2011
- by Ronald Bergan
- The Guardian - Film News
Turner Classic Movies offers up many of the greatest film treats throughout the year, especially during their "festivals" of film, and right now they are running another wonderful treasure that you should really be tuning in for. It's the 31 Days of Oscar, and they are showcasing an amazing selection of films spanning the entire history of the Academy Awards.
Check out all the info below, including a rundown of many of the films being included, and then check out the contest where you can win some really great prizes.
Turner Classic Movies (TCM) is getting trivial with its annual 31 Days Of Oscar® festival in February. The 2011 edition of the month-long event will feature more than 340 Academy Award®-nominated and winning movies, scheduled in trivia-inspired marathons. In addition, each night will feature a Best Picture Oscar winner at 10 p.m. (Et).
TCM host Robert Osborne, who is also the official biographer...
Check out all the info below, including a rundown of many of the films being included, and then check out the contest where you can win some really great prizes.
Turner Classic Movies (TCM) is getting trivial with its annual 31 Days Of Oscar® festival in February. The 2011 edition of the month-long event will feature more than 340 Academy Award®-nominated and winning movies, scheduled in trivia-inspired marathons. In addition, each night will feature a Best Picture Oscar winner at 10 p.m. (Et).
TCM host Robert Osborne, who is also the official biographer...
- 2/23/2011
- by Marc Eastman
- AreYouScreening.com
PARIS -- French director and producer Claude Berri has been unanimously elected president of Cinematheque Francaise by its governing board, the Paris-based film institution said Wednesday. Insiders hailed Berri's election, saying it will bring to an end a troubled phase in the history of the venerated film institution. The 64-year-old producer of such films as "Asterix & Obelix: Mission Cleopatra" and "Amen" replaces director Jean Charles Tacchella, who resigned earlier this year. Tacchella's resignation followed a battle with the French government, which provides 80% of Cinematheque's funding. Berri, who has been involved in Cinematheque's activities during recent difficult times, will preside over a shake-up of its management and the restructuring of the governing administrative council, the institution said. Cinematheque, founded in 1936, also has plans to move to more spacious quarters at a Frank Gehry-designed building that formerly housed the American Center.
- 10/1/2003
- The Hollywood Reporter - Movie News
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