It was either Nietzsche or Tex Avery — but one of our great philosophers — who asserted that there are two types of people in this world: those who walk through life blithely unbothered by manholes, and those who are destined to fall into them. Now, for curious members of the former class, comes an intimate examination of what it’s like to be one of the latter: “#Manhole,” Japanese director Kazuyoshi Kumakiri’s slick, increasingly deranged survival thriller about a man who will finally learn to know his true nature from a hole in the ground.
Popular, successful and possessed of highly covetable good looks, Shunsuke Kawamura has the world at his feet. It’s the eve of his wedding to the pregnant daughter of his company’s CEO, and his co-workers have organized a surprise party to toast his good fortune. Walking home drunk from the festivities, Shunsuke suddenly stumbles.
Popular, successful and possessed of highly covetable good looks, Shunsuke Kawamura has the world at his feet. It’s the eve of his wedding to the pregnant daughter of his company’s CEO, and his co-workers have organized a surprise party to toast his good fortune. Walking home drunk from the festivities, Shunsuke suddenly stumbles.
- 3/1/2023
- by Jessica Kiang
- Variety Film + TV
What happens in the manhole stays in the manhole.
That would be one way to describe this initially intiguing and increasingly outrageous Japanese horror flick, which features pop star Yuto Nakajima as a young man who, on the eve of his wedding, falls into the film’s titular trap and can’t get out.
Directed by Kazuyoshi Kumakiri (Sketches of Kaitan City) from a script by Michitaka Okada (Masquerade Hotel), the movie definitely makes the most out of its setting, concocting dozens of obstacles to keep the suspense high as its hero gets sliced, bludgeoned, heralded on social media and poisoned by toxic sewage as he attempts to escape. But about midway through, #Manhole more or less jumps the shark — or is it the manhole? — by throwing in so many twists that it veers toward gory parody.
Premiering in Berlin’s Panorama section, the film should find an audience at home thanks to Nakajima,...
That would be one way to describe this initially intiguing and increasingly outrageous Japanese horror flick, which features pop star Yuto Nakajima as a young man who, on the eve of his wedding, falls into the film’s titular trap and can’t get out.
Directed by Kazuyoshi Kumakiri (Sketches of Kaitan City) from a script by Michitaka Okada (Masquerade Hotel), the movie definitely makes the most out of its setting, concocting dozens of obstacles to keep the suspense high as its hero gets sliced, bludgeoned, heralded on social media and poisoned by toxic sewage as he attempts to escape. But about midway through, #Manhole more or less jumps the shark — or is it the manhole? — by throwing in so many twists that it veers toward gory parody.
Premiering in Berlin’s Panorama section, the film should find an audience at home thanks to Nakajima,...
- 2/21/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
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