Bill Treusch, the New York-based talent manager who ushered the careers of stars like Sissy Spacek, Diane Keaton, Christopher Walken, Melissa Leo and Viggo Mortenson died on Tuesday following a long illness, his niece Shannon Treusch confirmed. He was 80.
The founder of Bill Treusch Management (formerly Bill Treusch & Associates) got his start as an assistant to the Oscar-nominated actor Montgomery Clift and then as a theatrical talent agent with Dudley Field Malone. He would find his true calling while assisting casting director Marion Dougherty, who recognized his ability to spot talent. Treusch launched his five-decade career in talent management from a basement in Dougherty’s office, as told in the 2012 documentary “Casting By.”
Treusch’s company, which began as a one-man operation, went on to shepherd many stars throughout their careers. In addition to those aforementioned, his roster included Richard Jenkins, Tom Hulce, Eric Roberts, Tom Berenger, Peter Weller, Carol Kane,...
The founder of Bill Treusch Management (formerly Bill Treusch & Associates) got his start as an assistant to the Oscar-nominated actor Montgomery Clift and then as a theatrical talent agent with Dudley Field Malone. He would find his true calling while assisting casting director Marion Dougherty, who recognized his ability to spot talent. Treusch launched his five-decade career in talent management from a basement in Dougherty’s office, as told in the 2012 documentary “Casting By.”
Treusch’s company, which began as a one-man operation, went on to shepherd many stars throughout their careers. In addition to those aforementioned, his roster included Richard Jenkins, Tom Hulce, Eric Roberts, Tom Berenger, Peter Weller, Carol Kane,...
- 11/16/2022
- by Harper Lambert
- The Wrap
Bill Treusch, a longtime New York talent manager who once served as personal assistant to Montgomery Clift and went on help guide the careers of Sissy Spacek, Christopher Walken, Tom Hulce, Diane Keaton, Eric Roberts, Tom Berenger and numerous others, died Tuesday in New York City following a lengthy illness. He was 80.
Following his stint as Clift’s personal assistant, Treusch became a theatrical talent agent with Dudley Field Malone. He joined the casting office of Marion Dougherty where he worked with casting agents Juliet Taylor, Wallis Nicita, and Gretchen Rennell.
Although Dougherty believed Treusch was unsuited to casting, she recognized his eye for talent. Settled into Dougherty’s basement office, Treusch flourished and eventually founded his own one-man operation that evolved into Bill Treusch Management, a leading management company.
Working with film, television and stage performers over a career that spanned more than five decades, Treusch was instrumental in...
Following his stint as Clift’s personal assistant, Treusch became a theatrical talent agent with Dudley Field Malone. He joined the casting office of Marion Dougherty where he worked with casting agents Juliet Taylor, Wallis Nicita, and Gretchen Rennell.
Although Dougherty believed Treusch was unsuited to casting, she recognized his eye for talent. Settled into Dougherty’s basement office, Treusch flourished and eventually founded his own one-man operation that evolved into Bill Treusch Management, a leading management company.
Working with film, television and stage performers over a career that spanned more than five decades, Treusch was instrumental in...
- 11/16/2022
- by Greg Evans
- Deadline Film + TV
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Bill Treusch, the admired New York-based talent manager who jump-started the career of Sissy Spacek and represented Christopher Walken, Diane Keaton, Viggo Mortensen, Richard Jenkins and many others during his five-decade career, has died. He was 80.
Treusch died Tuesday in New York after a long illness, his niece Shannon Treusch, founder and partner of the public relations firm Falco Ink., announced.
Treusch got his big break when legendary casting director Marion Dougherty recognized his eye for talent and gave him an office in her basement at East 30th Street in Manhattan. There, he launched Bill Treusch & Associates, later known as Bill Treusch Management. (The story is told in the 2012 documentary Casting By, directed by Tom Donahue.)
His firm started as a one-man band before evolving into a powerhouse management company.
He was especially helpful to Spacek, who was a struggling singer and actress...
Bill Treusch, the admired New York-based talent manager who jump-started the career of Sissy Spacek and represented Christopher Walken, Diane Keaton, Viggo Mortensen, Richard Jenkins and many others during his five-decade career, has died. He was 80.
Treusch died Tuesday in New York after a long illness, his niece Shannon Treusch, founder and partner of the public relations firm Falco Ink., announced.
Treusch got his big break when legendary casting director Marion Dougherty recognized his eye for talent and gave him an office in her basement at East 30th Street in Manhattan. There, he launched Bill Treusch & Associates, later known as Bill Treusch Management. (The story is told in the 2012 documentary Casting By, directed by Tom Donahue.)
His firm started as a one-man band before evolving into a powerhouse management company.
He was especially helpful to Spacek, who was a struggling singer and actress...
- 11/16/2022
- by Mike Barnes
- The Hollywood Reporter - Movie News
'Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me?' with Dustin Hoffman. Long-titled movie 'Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me?': Messy filmmaking with one single bright spot To call Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? a curiosity is to perhaps infer quality buried in its quirk, or virtue obscured by its capriciousness. That's not the case, really, as this largely existential film is an absolute mess with only one bright spot of redemption (more on her later). Directed by Ulu Grosbard, Who Is Harry Kellerman… – with its long-winded, desperate title – is a curiosity along the lines of a relic, a work that somehow speaks of its time. Unfortunately, it really does not speak coherently, even if the film is unmistakably post-Woodstock, pre-Watergate, and all-American, with errant themes of success,...
- 9/8/2015
- by Doug Johnson
- Alt Film Guide
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