It has been 42 years since the visual effects craftspeople behind James Bond’s death-defying stunts and action sequences have received Academy Awards recognition. But that changed this year with “No Time To Die,” the blockbuster finale of star Daniel Craig’s tenure as 007. The Cary Jojo Fukunaga film received three total nominations at the 2022 Oscars, including Best Song for Billie Eilish, Best Sound, and Best Visual Effects for Mark Bakowski, Chris Corbould, Jonathan Fawkner, Joel Green, and Charlie Noble.
“The collaboration has been the biggest thing,” Corbould said in a special interview with Craig and stuntman Lee Morrison about working on the franchise. Corbould, an Oscar winner for “Inception,” is a six-time nominee whose history with Bond dates all the way back to 1977’s “The Spy Who Loved Me.” Corbould also worked on “Moonraker,” the last Bond movie nominated for Best Visual Effects.
“When you say it like that it just seems crazy,...
“The collaboration has been the biggest thing,” Corbould said in a special interview with Craig and stuntman Lee Morrison about working on the franchise. Corbould, an Oscar winner for “Inception,” is a six-time nominee whose history with Bond dates all the way back to 1977’s “The Spy Who Loved Me.” Corbould also worked on “Moonraker,” the last Bond movie nominated for Best Visual Effects.
“When you say it like that it just seems crazy,...
- 3/11/2022
- by Christopher Rosen
- Gold Derby
The Visual Effects Society announced nominees for the organization’s 17th annual awards on Tuesday.
Leading the way in the film and TV fields, respectively, were Marvel’s “Avengers: Infinity War” and Netflix’s “Lost in Space.” Each picked up six nominations. Pixar’s “Incredibles 2” received the most nominations among animated feature contenders with five.
“Ready Player One” also landed five nominations, while “Jurassic World: Fallen Kingdom,” “Solo: A Star Wars Story,” and “Welcome to Marwen” each earned three. “Christopher Robin” and “First Man” picked up a pair apiece, while “Ant Man and the Wasp” landed one. Those films joined “Avengers: Infinity War” on the Academy’s list of 10 semifinalists for the category, each of which displayed their wares at the organization’s annual Visual Effects Bake-Off on Jan. 5.
Notably, Marvel’s “Black Panther” and Disney’s “Mary Poppins Returns” — the final two films on the Academy’s bake-off...
Leading the way in the film and TV fields, respectively, were Marvel’s “Avengers: Infinity War” and Netflix’s “Lost in Space.” Each picked up six nominations. Pixar’s “Incredibles 2” received the most nominations among animated feature contenders with five.
“Ready Player One” also landed five nominations, while “Jurassic World: Fallen Kingdom,” “Solo: A Star Wars Story,” and “Welcome to Marwen” each earned three. “Christopher Robin” and “First Man” picked up a pair apiece, while “Ant Man and the Wasp” landed one. Those films joined “Avengers: Infinity War” on the Academy’s list of 10 semifinalists for the category, each of which displayed their wares at the organization’s annual Visual Effects Bake-Off on Jan. 5.
Notably, Marvel’s “Black Panther” and Disney’s “Mary Poppins Returns” — the final two films on the Academy’s bake-off...
- 1/15/2019
- by Kristopher Tapley
- Variety Film + TV
The Visual Effects Society has revealed nominations for the 17th annual Ves Awards, which will recognize the best VFX artistry and innovation in film, animation, TV, commercials and video games.
Disney/Marvel’s Avengers: Infinity Wars and Netflix’s Lost In Space lead the film and TV categories this year with six nominations, respectively. Disney/Pixar’s Incredibles 2 tops the animation field with five noms.
Winners will be announced during a ceremony February 5 at the Beverly Hilton hosted by Patton Oswalt. Also at the gala, the annual Ves Visionary Award will be presented to Westworld‘s Jonathan Nolan, while the Ves Award for Creative Excellence will be presented to Game of Thrones masterminds David Benioff and D.B. Weiss.
Here are the nominees announced Tuesday in 24 categories:
Outstanding Visual Effects in a Photoreal Feature
Avengers: Infinity War
Daniel DeLeeuw
Jen Underdahl
Kelly Port
Matt Aitken
Daniel Sudick
Christopher Robin
Chris Lawrence...
Disney/Marvel’s Avengers: Infinity Wars and Netflix’s Lost In Space lead the film and TV categories this year with six nominations, respectively. Disney/Pixar’s Incredibles 2 tops the animation field with five noms.
Winners will be announced during a ceremony February 5 at the Beverly Hilton hosted by Patton Oswalt. Also at the gala, the annual Ves Visionary Award will be presented to Westworld‘s Jonathan Nolan, while the Ves Award for Creative Excellence will be presented to Game of Thrones masterminds David Benioff and D.B. Weiss.
Here are the nominees announced Tuesday in 24 categories:
Outstanding Visual Effects in a Photoreal Feature
Avengers: Infinity War
Daniel DeLeeuw
Jen Underdahl
Kelly Port
Matt Aitken
Daniel Sudick
Christopher Robin
Chris Lawrence...
- 1/15/2019
- by Patrick Hipes
- Deadline Film + TV
While “Avengers: Infinity War” topped the 17th annual Ves Awards (to be held February 5th at the Beverly Hilton Hotel) with six nominations, “Black Panther,” Marvel’s other Oscar frontrunner, was shut out. And Damien Chazelle’s acclaimed “First Man,” another frontrunner, was included in the supporting category as a result of its invisible VFX. Disney’s “Mary Poppins Returns,” meanwhile, was also snubbed.
However, joining “Infinity War” in the top VFX category were a surprising list: “Ready Player One” (with five nominations), “Solo: A Star Wars Story,” “Christopher Robin” and “Welcome to Marwen.” Joining “First Man” for supporting VFX were “12 Strong,” Bird Box,” “Bohemian Rhapsody,” and “Outlaw King”.
In animation, Pixar’s “Incredibles 2” was the big winner with five nominations, followed by Sony’s “Spider-Man: Into the Spider-Verse” and Disney’s “Ralph Breaks the Internet” with four. They were joined by Illumination’s “The Grinch” and Wes Anderson’s “Isle of Dogs.
However, joining “Infinity War” in the top VFX category were a surprising list: “Ready Player One” (with five nominations), “Solo: A Star Wars Story,” “Christopher Robin” and “Welcome to Marwen.” Joining “First Man” for supporting VFX were “12 Strong,” Bird Box,” “Bohemian Rhapsody,” and “Outlaw King”.
In animation, Pixar’s “Incredibles 2” was the big winner with five nominations, followed by Sony’s “Spider-Man: Into the Spider-Verse” and Disney’s “Ralph Breaks the Internet” with four. They were joined by Illumination’s “The Grinch” and Wes Anderson’s “Isle of Dogs.
- 1/15/2019
- by Bill Desowitz
- Indiewire
Amid Gravity's incredible awards season run - which culminated this Sunday with 7 Oscar wins at the Academy Awards - director Alfonso Cuarón weighed into the debate surrounding the film's status as a British film.
"You cannot tell from my accent, but I consider myself part of the British film industry," he said as he collected his BAFTA for Best Director earlier this year. "I have lived in London for 13 years and done almost half of my movies here. I make a very good case for curbing immigration."
Just an hour previously, Gravity triumphed in the Best British Film category igniting a mini-social media storm questioning its national identity.
Cuarón's film may not be a kitchen sink drama about working class grind, but look past the Hollywood stars and Warner Bros backing and there's no question that this is a film that - like the Harry Potter series before it...
"You cannot tell from my accent, but I consider myself part of the British film industry," he said as he collected his BAFTA for Best Director earlier this year. "I have lived in London for 13 years and done almost half of my movies here. I make a very good case for curbing immigration."
Just an hour previously, Gravity triumphed in the Best British Film category igniting a mini-social media storm questioning its national identity.
Cuarón's film may not be a kitchen sink drama about working class grind, but look past the Hollywood stars and Warner Bros backing and there's no question that this is a film that - like the Harry Potter series before it...
- 3/4/2014
- Digital Spy
Gravity earns six prizes, Frozen four at 12th annual Visual Effects Society awards.
It was a big night for two of the dominant films of the awards season as the prizes were handed out in Los Angeles on February 12.
Film category winners of the 12th Annual Ves Awards:
Outstanding Visual Effects In A Visual Effects-Driven Feature Motion Picture
Gravity
(Tim Webber, Nikki Penny, Neil Corbould, Richard McBride)
Outstanding Supporting Visual Effects In A Feature Motion Picture
The Lone Ranger
(Tim Alexander, Gary Brozenich, Shari Hanson, Kevin Martel)
Outstanding Animation In An Animated Feature Motion Picture
Frozen
(Chris Buck, Jennifer Lee, Peter Del Vecho, Lino Di Salvo)
Outstanding Animated Character In A Live Action Feature Motion Picture
The Hobbit: The Desolation Of Smaug
Smaug
(Eric Reynolds, David Clayton, Myriam Catrin, Guillaume Francois)
Outstanding Animated Character In An Animated Feature Motion Picture
Frozen: Bringing the Snow Queen to Life
(Alexander Alvarado, Joy Johnson, [link...
It was a big night for two of the dominant films of the awards season as the prizes were handed out in Los Angeles on February 12.
Film category winners of the 12th Annual Ves Awards:
Outstanding Visual Effects In A Visual Effects-Driven Feature Motion Picture
Gravity
(Tim Webber, Nikki Penny, Neil Corbould, Richard McBride)
Outstanding Supporting Visual Effects In A Feature Motion Picture
The Lone Ranger
(Tim Alexander, Gary Brozenich, Shari Hanson, Kevin Martel)
Outstanding Animation In An Animated Feature Motion Picture
Frozen
(Chris Buck, Jennifer Lee, Peter Del Vecho, Lino Di Salvo)
Outstanding Animated Character In A Live Action Feature Motion Picture
The Hobbit: The Desolation Of Smaug
Smaug
(Eric Reynolds, David Clayton, Myriam Catrin, Guillaume Francois)
Outstanding Animated Character In An Animated Feature Motion Picture
Frozen: Bringing the Snow Queen to Life
(Alexander Alvarado, Joy Johnson, [link...
- 2/13/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Today was a busy day for some of the smaller guilds with the Visual Effects Society, the Cinema Audio Society, and the Makeup and Hairstylists Guilds all announcing their nominations for 2013.
First, we have the Ves, whose main category to look at is “Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture,” where we find Gravity and four other nominees that are just going to have to be happy with the fact that they got nominated. This is perhaps the easiest category to call in the entirety of awards season, and I don’t mean just here, but for the Oscar as well (Last year’s winner, Life of Pi, easily took this category before going on to claim the Oscar). It’s true that films like The Hobbit: The Desolation of Smaug and Star Trek Into Darkness had outstanding effects as well, but nothing even came close to the amazing,...
First, we have the Ves, whose main category to look at is “Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture,” where we find Gravity and four other nominees that are just going to have to be happy with the fact that they got nominated. This is perhaps the easiest category to call in the entirety of awards season, and I don’t mean just here, but for the Oscar as well (Last year’s winner, Life of Pi, easily took this category before going on to claim the Oscar). It’s true that films like The Hobbit: The Desolation of Smaug and Star Trek Into Darkness had outstanding effects as well, but nothing even came close to the amazing,...
- 1/15/2014
- by Jeff Beck
- We Got This Covered
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