Avatar: The Way of Water dominated the 21st annual Ves Awards tonight, swimming away with nine trophies at the Beverly Hilton. See the full winners list below.
James Cameron’s smash sequel came into the Visual Effects Society’s ceremony with a record 14 nominations. That shattered the old Ves Awards mark for films, set by — no big surprise here — the original Avatar, which amassed 11 noms in 2010. It also won the society’s marquee award that night ahead of a VFX win at the Oscars.
Related Story 2023 Awards Season Calendar – Dates For The Oscars, Guilds & More Related Story 'Avatar 2' Tops 2.21B Global As 'Titanic' Resurfaces & Retains No. 3 Berth On All-Time WW Chart, For Now – International Box Office Related Story Oscar Voters Starving For Good Movies, Plus Tributes To The Crafts From American Cinematheque And Ais' Lumieres Kick Off Awards-Giving Season In Style – Notes On The Season...
James Cameron’s smash sequel came into the Visual Effects Society’s ceremony with a record 14 nominations. That shattered the old Ves Awards mark for films, set by — no big surprise here — the original Avatar, which amassed 11 noms in 2010. It also won the society’s marquee award that night ahead of a VFX win at the Oscars.
Related Story 2023 Awards Season Calendar – Dates For The Oscars, Guilds & More Related Story 'Avatar 2' Tops 2.21B Global As 'Titanic' Resurfaces & Retains No. 3 Berth On All-Time WW Chart, For Now – International Box Office Related Story Oscar Voters Starving For Good Movies, Plus Tributes To The Crafts From American Cinematheque And Ais' Lumieres Kick Off Awards-Giving Season In Style – Notes On The Season...
- 2/16/2023
- by Erik Pedersen
- Deadline Film + TV
The first movie to directly confront McCarthyism! Or so said the editorials touting this ‘Long-Awaited Screen Event’ in which ‘Bette Davis Hits the Screen in a Cyclone of Dramatic Fury!’ The storm of the title was based on a real activist in Oklahoma who lost her job for promoting equal rights. Bette’s polite librarian is victimized by small-minded civic types; a subplot depicts the traumatic reaction of one of her patrons, a child expected to despise her as a traitor to the country. Daniel Taradash’s movie is an excellent starting point to discuss the thorny dramatic subgenre of liberal social issue movies.
Storm Center
Blu-ray
Viavision [Imprint] 155
1956 / B&w / 1:78 widescreen / 86 min. / Street Date September 30, 2022 / Available from / au 39.95
Starring:
Bette Davis, Brian Keith, Kim Hunter, Paul Kelly, Joe Mantell, Kevin Coughlin, Sallie Brophie, Howard Wierum, Curtis Cooksey, Michael Raffetto, Joseph Kearns, Edward Platt, Kathryn Grant, Howard Wendell, Malcolm Atterbury,...
Storm Center
Blu-ray
Viavision [Imprint] 155
1956 / B&w / 1:78 widescreen / 86 min. / Street Date September 30, 2022 / Available from / au 39.95
Starring:
Bette Davis, Brian Keith, Kim Hunter, Paul Kelly, Joe Mantell, Kevin Coughlin, Sallie Brophie, Howard Wierum, Curtis Cooksey, Michael Raffetto, Joseph Kearns, Edward Platt, Kathryn Grant, Howard Wendell, Malcolm Atterbury,...
- 11/12/2022
- by Glenn Erickson
- Trailers from Hell
Screenwriter Jeb Stuart joins hosts Josh Olson and Joe Dante to discuss a few of his favorite movies.
Show Notes: Movies Referenced In This Episode
Die Hard (1988)
The Fugitive (1993)
Sword of Sherwood Forest (1960) – Charlie Largent’s Blu-ray review
The Face of Fu Manchu (1965) – Charlie Largent’s Blu-ray review
The Detective (1968) – Glenn Erickson’s Blu-ray review
Dirty Harry (1971) – Alan Spencer’s trailer commentary, Josh Olson’s trailer commentary
Rear Window (1954) – John Landis’s trailer commentary, Glenn Erickson’s Blu-ray review
Vertigo (1958) – Dan Ireland’s trailer commentary, Brian Trenchard-Smith’s review, Glenn Erickson’s Blu-ray review
North By Northwest (1959)
The Trouble With Harry (1955)
Casablanca (1942) – John Landis’s trailer commentary
Wait Until Dark (1967) – Glenn Erickson’s Blu-ray review
Switchback (1997)
Jeremiah Johnson (1972)
The Outlaw Josey Wales (1976) – Josh Olson’s trailer commentary
The Getaway (1972) – Larry Karaszewski’s trailer commentary
The Thin Man (1934)
Another 48 Hrs (1990)
Commando (1985) – Josh Olson’s trailer commentary
The Long Riders (1980)
The Warriors...
Show Notes: Movies Referenced In This Episode
Die Hard (1988)
The Fugitive (1993)
Sword of Sherwood Forest (1960) – Charlie Largent’s Blu-ray review
The Face of Fu Manchu (1965) – Charlie Largent’s Blu-ray review
The Detective (1968) – Glenn Erickson’s Blu-ray review
Dirty Harry (1971) – Alan Spencer’s trailer commentary, Josh Olson’s trailer commentary
Rear Window (1954) – John Landis’s trailer commentary, Glenn Erickson’s Blu-ray review
Vertigo (1958) – Dan Ireland’s trailer commentary, Brian Trenchard-Smith’s review, Glenn Erickson’s Blu-ray review
North By Northwest (1959)
The Trouble With Harry (1955)
Casablanca (1942) – John Landis’s trailer commentary
Wait Until Dark (1967) – Glenn Erickson’s Blu-ray review
Switchback (1997)
Jeremiah Johnson (1972)
The Outlaw Josey Wales (1976) – Josh Olson’s trailer commentary
The Getaway (1972) – Larry Karaszewski’s trailer commentary
The Thin Man (1934)
Another 48 Hrs (1990)
Commando (1985) – Josh Olson’s trailer commentary
The Long Riders (1980)
The Warriors...
- 3/8/2022
- by Kris Millsap
- Trailers from Hell
“Wash your face, brush your teeth, and say your Prayers.” Marilyn Monroe’s first plunge into a dramatic starring role casts her as a dangerously unstable babysitter in a hotel-set suspense thriller co-starring Richard Widmark and Anne Bancroft. Ms. Monroe may not be Ethel Barrymore (thankfully) but the role suits her well — to play a woman unhinged by low self-esteem and melancholy romantic reveries, she may have tapped personal experience.
Don’t Bother to Knock
Blu-ray
Twilight Time
1952 / B&W / 1.37 Academy / 76 min. / Street Date March 20, 2018 / Available from the Twilight Time Movies Store / 29.95
Starring: Marilyn Monroe, Richard Widmark, Marilyn Monroe, Anne Bancroft, Donna Corcoran, Jeanne Cagney, Lurene Tuttle, Elisha Cook Jr., Jim Backus, Verna Felton, Willis Bouchey.
Cinematography: Lucien Ballard
Film Editor: George A. Gittens
Written by Daniel Taradash from a novel by Charlotte Armstrong
Produced by Julian Blaustein
Directed by Roy (Ward) Baker
Although she rates second billing below Richard Widmark,...
Don’t Bother to Knock
Blu-ray
Twilight Time
1952 / B&W / 1.37 Academy / 76 min. / Street Date March 20, 2018 / Available from the Twilight Time Movies Store / 29.95
Starring: Marilyn Monroe, Richard Widmark, Marilyn Monroe, Anne Bancroft, Donna Corcoran, Jeanne Cagney, Lurene Tuttle, Elisha Cook Jr., Jim Backus, Verna Felton, Willis Bouchey.
Cinematography: Lucien Ballard
Film Editor: George A. Gittens
Written by Daniel Taradash from a novel by Charlotte Armstrong
Produced by Julian Blaustein
Directed by Roy (Ward) Baker
Although she rates second billing below Richard Widmark,...
- 4/7/2018
- by Glenn Erickson
- Trailers from Hell
Even lesser Abbott & Costello movies are still comedy gravy to the avid fans of the fast-talking duo. Their first film deal away from Universal yields a so-so production graced with a string of their patented old-time comedy routines. And the transfer beats anything we’ve yet seen.
The Noose Hangs High
Blu-ray
ClassicFlix
1948 / B&W / 1:37 Academy / 77 min. / Street Date August 15, 2017 / available through ClassicFlix / 24.99
Starring: Bud Abbott, Lou Costello, Joseph Calleia, Leon Errol, Cathy Downs, Mike Mazurki, Fritz Feld, Murray Leonard, Ellen Corby, Russell Hicks, James Flavin, Minerva Urecal, Fred Kelsey.
Cinematography: Charles Van Enger
Film Editor: Harry Reynolds
Assistant Director: Howard W. Koch
Original Music: Walter Schumann
Written by John Grant, Howard Harris from an earlier screenplay by Charles Grayson, Arthur T. Horman story by Julian Blaustein, Daniel Taradash, Bernard Feins
Produced and Directed by Charles Barton
A few famous movie comedy teams prospered with good will and parted with hugs,...
The Noose Hangs High
Blu-ray
ClassicFlix
1948 / B&W / 1:37 Academy / 77 min. / Street Date August 15, 2017 / available through ClassicFlix / 24.99
Starring: Bud Abbott, Lou Costello, Joseph Calleia, Leon Errol, Cathy Downs, Mike Mazurki, Fritz Feld, Murray Leonard, Ellen Corby, Russell Hicks, James Flavin, Minerva Urecal, Fred Kelsey.
Cinematography: Charles Van Enger
Film Editor: Harry Reynolds
Assistant Director: Howard W. Koch
Original Music: Walter Schumann
Written by John Grant, Howard Harris from an earlier screenplay by Charles Grayson, Arthur T. Horman story by Julian Blaustein, Daniel Taradash, Bernard Feins
Produced and Directed by Charles Barton
A few famous movie comedy teams prospered with good will and parted with hugs,...
- 8/26/2017
- by Glenn Erickson
- Trailers from Hell
The Loved One
Blu-ray
Warner Archives
1965 / B&W / 1:85 / / 122 min. / Street Date May 9, 2017
Starring: Robert Morse, Jonathan Winters, Anjanette Comer.
Cinematography: Haskell Wexler
Film Editor: Hal Ashby, Brian Smedley-Aston
Written by Terry Southern, Christopher Isherwood
Produced by Martin Ransohoff (uncredited), John Calley, Haskell Wexler
Directed by Tony Richardson
Funeral Director: Before you go, I was just wondering… would you be interested in some extras for the loved one?
Next Of Kin: What kind of extras?
Funeral Director: Well, how about a casket?
Mike Nichols and Elaine May – The $65 Dollar Funeral
That routine, a classic example of what was known in the early 60’s as “sick humor”, was nevertheless ubiquitous across mainstream variety shows like Ed Sullivan and Jack Paar. It also popularized the notion of a new boutique industry, the vanity funeral. The novelist Evelyn Waugh, decidedly less mainstream, documented the beginning of that phenomenon over a decade earlier with The Loved One,...
Blu-ray
Warner Archives
1965 / B&W / 1:85 / / 122 min. / Street Date May 9, 2017
Starring: Robert Morse, Jonathan Winters, Anjanette Comer.
Cinematography: Haskell Wexler
Film Editor: Hal Ashby, Brian Smedley-Aston
Written by Terry Southern, Christopher Isherwood
Produced by Martin Ransohoff (uncredited), John Calley, Haskell Wexler
Directed by Tony Richardson
Funeral Director: Before you go, I was just wondering… would you be interested in some extras for the loved one?
Next Of Kin: What kind of extras?
Funeral Director: Well, how about a casket?
Mike Nichols and Elaine May – The $65 Dollar Funeral
That routine, a classic example of what was known in the early 60’s as “sick humor”, was nevertheless ubiquitous across mainstream variety shows like Ed Sullivan and Jack Paar. It also popularized the notion of a new boutique industry, the vanity funeral. The novelist Evelyn Waugh, decidedly less mainstream, documented the beginning of that phenomenon over a decade earlier with The Loved One,...
- 5/8/2017
- by Charlie Largent
- Trailers from Hell
Ryan Lambie Nov 14, 2016
As well as a great sci-fi thriller, Arrival is a film that offers a message of hope in a year of division and uncertainty, Ryan writes...
Nb: The following contains mild spoilers for Arrival.
It's no coincidence that the wave of science fiction films that emerged in the 1950s rode on a tide of post-war anxiety. The advent of the atom bomb, the Cold War, renewed fears of Communist incursion: these were just some of the fears that emerged as World War II shuddered to a close. And as the 40s tipped over into the 50s, those fears began to play out in movies: giant atomic monsters tore apart cities in the Us and Japan. Alien invaders arrived in their saucers, raining down great waves of death and destruction. Other invasions were more insidious: the aliens looked like us, lived among us, even controlled us from within.
As well as a great sci-fi thriller, Arrival is a film that offers a message of hope in a year of division and uncertainty, Ryan writes...
Nb: The following contains mild spoilers for Arrival.
It's no coincidence that the wave of science fiction films that emerged in the 1950s rode on a tide of post-war anxiety. The advent of the atom bomb, the Cold War, renewed fears of Communist incursion: these were just some of the fears that emerged as World War II shuddered to a close. And as the 40s tipped over into the 50s, those fears began to play out in movies: giant atomic monsters tore apart cities in the Us and Japan. Alien invaders arrived in their saucers, raining down great waves of death and destruction. Other invasions were more insidious: the aliens looked like us, lived among us, even controlled us from within.
- 11/10/2016
- Den of Geek
Delmer Daves' easygoing cattle drive western can't make an action hero out of Jack Lemmon, but with fine work from co-star Glenn Ford it presents a thoughtful anti-myth: no glorious rescues or noble gunfights, and the demure maiden doesn't wait for the handsome cowboy hero. With Brian Donlevy (excellent) and Anna Kashf. Cowboy Blu-ray Twilight Time Limited Edition 1958 / Color / 1:85 widescreen / 92 min. / Ship Date February 9, 2016 / available through Twilight Time Movies / 29.95 Starring Glenn Ford, Jack Lemmon, Anna Kashfi, Brian Donlevy, Strother Martin, Dick York, Victor Manuel Mendoza, Richard Jaeckel, King Donovan Cinematography Charles Lawton Jr. Production Designer Cary Odell Film Editor Al Clark, William A. Lyon Original Music George Duning Written by Edmund H. North and, originally uncredited Dalton Trumbo from a book by Frank Harris Produced by Julian Blaustein Directed by Delmer Daves
Reviewed by Glenn Erickson
Not Delmer Daves' best Western, but a rather good movie, Cowboy...
Reviewed by Glenn Erickson
Not Delmer Daves' best Western, but a rather good movie, Cowboy...
- 2/27/2016
- by Glenn Erickson
- Trailers from Hell
Chicago – “The Day the Earth Stood Still” is about an alien visitor’s decision to wipe out the human race. And, if an interstellar race actually gets to see this film, it would be hard to blame them for wanting to clean house on planet Earth.
Rating: 1.0/5.0 The original “Day the Earth Stood Still” was a plea for peace. The film was made shortly after the nuclear bombs were dropped on Japan and it was producer Julian Blaustein’s desire to make a metaphorical sci-fi film that led to one of the most influential movies in the history of the genre.
Read Brian Tallerico’s full review of “The Day the Earth Stood Still” in our reviews section. Even with the importance of the original “Day” in mind, there’s absolutely no reason that a modern filmmaker couldn’t make a riveting and contemporary update of its story. We clearly...
Rating: 1.0/5.0 The original “Day the Earth Stood Still” was a plea for peace. The film was made shortly after the nuclear bombs were dropped on Japan and it was producer Julian Blaustein’s desire to make a metaphorical sci-fi film that led to one of the most influential movies in the history of the genre.
Read Brian Tallerico’s full review of “The Day the Earth Stood Still” in our reviews section. Even with the importance of the original “Day” in mind, there’s absolutely no reason that a modern filmmaker couldn’t make a riveting and contemporary update of its story. We clearly...
- 12/12/2008
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Chicago – Fifty-seven years after the original cautionary tale became a sci-fi classic, director Scott Derrickson and stars Keanu Reeves and Jennifer Connelly are returning to the big screen with a remake of “The Day the Earth Stood Still”.
Never a studio to let a cross-marketing possibility pass it by, Fox has released the original classic on Blu-Ray in a special edition packed with informative and interesting special features. The jury may still be out on the critical and commercial success of the remake, but this special edition proves that the original still has dramatic power and an important place in film history.
To fully appreciate the significance of “The Day the Earth Stood Still”, one must place it in the context of when it was released. The tension of the nuclear world of the late ’40s and early ’50s led to a society of fear and paranoia. As made clear in the excellent special feature,...
Never a studio to let a cross-marketing possibility pass it by, Fox has released the original classic on Blu-Ray in a special edition packed with informative and interesting special features. The jury may still be out on the critical and commercial success of the remake, but this special edition proves that the original still has dramatic power and an important place in film history.
To fully appreciate the significance of “The Day the Earth Stood Still”, one must place it in the context of when it was released. The tension of the nuclear world of the late ’40s and early ’50s led to a society of fear and paranoia. As made clear in the excellent special feature,...
- 12/9/2008
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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