The 2024 Tribeca Festival has just unveiled new additions to its already star-studded lineup.
IndieWire can confirm that the New York premiere of “A Quiet Place: Day One” will take place as part of the festival, which runs June 5 through 16. The film will have a special screening June 26 in partnership with Paramount Pictures in IMAX.
The festival, presented by Okx, announced the addition of 11 new feature films, including eight world premieres. Documentaries “Federer: Twelve Final Days” and “Elizabeth Taylor: The Lost Tapes,” produced by J.J. Abrams, are among the highlights, plus Dawn Porter’s “Power of the Dream.”
Hannah Einbinder’s first-ever stand-up comedy special “Hannah Einbinder: Everything Must Go” will also have its world premiere at the festival.
“At our core, we are an activist festival, united by the belief that art can inspire change,” Tribeca Co-Founder and CEO Jane Rosenthal. “We’re excited to add 11 new films to our Festival lineup,...
IndieWire can confirm that the New York premiere of “A Quiet Place: Day One” will take place as part of the festival, which runs June 5 through 16. The film will have a special screening June 26 in partnership with Paramount Pictures in IMAX.
The festival, presented by Okx, announced the addition of 11 new feature films, including eight world premieres. Documentaries “Federer: Twelve Final Days” and “Elizabeth Taylor: The Lost Tapes,” produced by J.J. Abrams, are among the highlights, plus Dawn Porter’s “Power of the Dream.”
Hannah Einbinder’s first-ever stand-up comedy special “Hannah Einbinder: Everything Must Go” will also have its world premiere at the festival.
“At our core, we are an activist festival, united by the belief that art can inspire change,” Tribeca Co-Founder and CEO Jane Rosenthal. “We’re excited to add 11 new films to our Festival lineup,...
- 5/14/2024
- by Samantha Bergeson
- Indiewire
As the final work in progress wrapped on Friday, Göteborg ‘s head of TV Drama Vision Cia Edström and head of industry and Nordic Film Market Josef Kullengård could finally relax after a mission well accomplished.
Two of their biggest challenges this year – hosting an industry showcase for 700-plus international delegates in a brand-new venue, the Clarion Hotel Draken, and lifting the Nordic industry’s moral by the crisis in the drama sector – had been successfully met. Variety drills down on how and why:
All-Time Record Attendees
As many as 2,029 accredited delegates registered for the festival and industry showcases at the 47th Göteborg Film Festival, and parallel TV and film markets, the largest in the Nordic region. “We’ve never hit this silver line,” said Kullengård. The 18th TV Drama Vision drew 729 delegates, the Nordic Film Market 556.
Ideal New Göteborg Industry Hub
Literally built around Götoborg’s historic Draken Cinema...
Two of their biggest challenges this year – hosting an industry showcase for 700-plus international delegates in a brand-new venue, the Clarion Hotel Draken, and lifting the Nordic industry’s moral by the crisis in the drama sector – had been successfully met. Variety drills down on how and why:
All-Time Record Attendees
As many as 2,029 accredited delegates registered for the festival and industry showcases at the 47th Göteborg Film Festival, and parallel TV and film markets, the largest in the Nordic region. “We’ve never hit this silver line,” said Kullengård. The 18th TV Drama Vision drew 729 delegates, the Nordic Film Market 556.
Ideal New Göteborg Industry Hub
Literally built around Götoborg’s historic Draken Cinema...
- 2/3/2024
- by Annika Pham
- Variety Film + TV
More than 200 key European film professionals have published an open letter expressing their shock and concern over the unexplained, sudden firing of long-time Flanders Image boss Christian De Schutter.
Producer Mike Goodridge at Good Chaos, International Documentary Festival Amsterdam (IDFA) co-founder and head of industry Adriek van Nieuwenhuyzen, German Films MD Simone Baumann, Tribeca Artistic Director Frédéric Boyer, Haut et Court Head Of Acquisitions Laure Calliol; Goodfellas Head Of Sales Eva Diederix and Oscar-nominated director Stijn Coninx are among the signatories.
“We the undersigned are professionals in the film industry who are concerned about the termination of employment of our well respected and long-time colleague, Christian De Schutter, from Flanders Image,” they wrote.
They said they had been shocked by both the termination and the manner in which it had been handled by Koen Van Bockstal, CEO of parent body Flanders Audiovisual Fund (Vaf).
“We all learned of De Schutter...
Producer Mike Goodridge at Good Chaos, International Documentary Festival Amsterdam (IDFA) co-founder and head of industry Adriek van Nieuwenhuyzen, German Films MD Simone Baumann, Tribeca Artistic Director Frédéric Boyer, Haut et Court Head Of Acquisitions Laure Calliol; Goodfellas Head Of Sales Eva Diederix and Oscar-nominated director Stijn Coninx are among the signatories.
“We the undersigned are professionals in the film industry who are concerned about the termination of employment of our well respected and long-time colleague, Christian De Schutter, from Flanders Image,” they wrote.
They said they had been shocked by both the termination and the manner in which it had been handled by Koen Van Bockstal, CEO of parent body Flanders Audiovisual Fund (Vaf).
“We all learned of De Schutter...
- 1/12/2024
- by Melanie Goodfellow
- Deadline Film + TV
They claim the Flemish cultural sector will now suffer without De Schutter’s expertise and international contacts.
Over 150 leading figures from the European and international industry have signed an open letter in support of Christian De Schutter, former managing director of Flanders Image, whose sudden removal from his role was announced in a short email sent by Koen Van Bockstal, CEO of Flanders Audiovisual Fund (Vaf), on December 20.
“We’re all flummoxed by the situation and as his longtime colleagues we think we deserve some sort of explanation. We know that many people in Belgium, including your leading filmmakers, are also confused and angered,...
Over 150 leading figures from the European and international industry have signed an open letter in support of Christian De Schutter, former managing director of Flanders Image, whose sudden removal from his role was announced in a short email sent by Koen Van Bockstal, CEO of Flanders Audiovisual Fund (Vaf), on December 20.
“We’re all flummoxed by the situation and as his longtime colleagues we think we deserve some sort of explanation. We know that many people in Belgium, including your leading filmmakers, are also confused and angered,...
- 1/12/2024
- by Geoffrey Macnab
- ScreenDaily
The 23rd edition of the Tribeca Festival will unspool June 5-16, 2024, in New York City, organizers said today, and submissions are now open.
Festival Director Cara Cusumano has been promoted to SVP of Programming and José F. Rodriguez to Senior Programmer.
The fest, presented by Okx, and founded in 2001, has expanded over the years from film into television, immersive, games and audio storytelling and also leans heavily on music and live events, which may be helpful next year as ongoing Hollywood strikes by actors and writers slow production on U.S. projects.
“Tribeca is a global platform for storytellers to showcase art that speaks with purpose. As the industry has changed, we have evolved to be inclusive of all forms of storytelling,” said Tribeca CEO and co-founder Jane Rosenthal. “We’re proud to be the launchpad for the next generation of artists. The 23rd Tribeca Festival will be a groundbreaking...
Festival Director Cara Cusumano has been promoted to SVP of Programming and José F. Rodriguez to Senior Programmer.
The fest, presented by Okx, and founded in 2001, has expanded over the years from film into television, immersive, games and audio storytelling and also leans heavily on music and live events, which may be helpful next year as ongoing Hollywood strikes by actors and writers slow production on U.S. projects.
“Tribeca is a global platform for storytellers to showcase art that speaks with purpose. As the industry has changed, we have evolved to be inclusive of all forms of storytelling,” said Tribeca CEO and co-founder Jane Rosenthal. “We’re proud to be the launchpad for the next generation of artists. The 23rd Tribeca Festival will be a groundbreaking...
- 9/18/2023
- by Jill Goldsmith
- Deadline Film + TV
A Strange Path director Guto Parente on International Narrative Competition jury member Shirin Neshat: “I would love to meet her someday. I think she’s a great artist and I feel very proud to receive four awards.” Photo: Anne-Katrin Titze
At the Tribeca Festival Awards ceremony at Racket, Artistic Director Frédéric Boyer announced the winners of the International Narrative Competition Feature Awards. Best Cinematography went to Linga Acácio for Guto Parente’s A Strange Path; Screenplay to Guto Parente for A Strange Path; Performance to Carlos Francisco for A Strange Path, and for a Tribeca record of four honours, the Best Film went to A Strange Path, produced by Ticiana Augusto Lima, and starring Lucas Limeira and Carlos Francisco with Tarzia Firmino, Rita Cabaço, Renan Capivara, and Ana Marlene.
Guto Parente with Anne-Katrin Titze: “I love Kafka literature, so there’s a lot of influence.”
David (Lucas Limeira), a young filmmaker,...
At the Tribeca Festival Awards ceremony at Racket, Artistic Director Frédéric Boyer announced the winners of the International Narrative Competition Feature Awards. Best Cinematography went to Linga Acácio for Guto Parente’s A Strange Path; Screenplay to Guto Parente for A Strange Path; Performance to Carlos Francisco for A Strange Path, and for a Tribeca record of four honours, the Best Film went to A Strange Path, produced by Ticiana Augusto Lima, and starring Lucas Limeira and Carlos Francisco with Tarzia Firmino, Rita Cabaço, Renan Capivara, and Ana Marlene.
Guto Parente with Anne-Katrin Titze: “I love Kafka literature, so there’s a lot of influence.”
David (Lucas Limeira), a young filmmaker,...
- 6/28/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Nordic Party makes a welcome return on May 22.
The festivals’ DJ competition at the Nordic Party makes a welcome return tonight in Cannes after a three-year hiatus.
Teams from Berlinale, Cph:Dox, Karlovy vary, Les Arcs & Tribeca (combined), Rotterdam and Sarajevo – plus a team from the Scandinavia House in Cannes – will each get a chance to play a three-song set to impress the crowds on the dancefloor as well as the judges to take the top honour of best DJ team of the night.
The winner gets bragging rights, a novelty Viking hat, and the chance to judge next year’s competition.
The festivals’ DJ competition at the Nordic Party makes a welcome return tonight in Cannes after a three-year hiatus.
Teams from Berlinale, Cph:Dox, Karlovy vary, Les Arcs & Tribeca (combined), Rotterdam and Sarajevo – plus a team from the Scandinavia House in Cannes – will each get a chance to play a three-song set to impress the crowds on the dancefloor as well as the judges to take the top honour of best DJ team of the night.
The winner gets bragging rights, a novelty Viking hat, and the chance to judge next year’s competition.
- 5/22/2023
- by Wendy Mitchell
- ScreenDaily
The grant will be open for applicants of underrepresented genders.
Breaking Through The Lens (Bttl) has opened up a $10,800 feature film development grant for directors of underrepresented genders.
The grant is funded by jewellery brand Chopard, with Chopard president Caroline Scheufele part of the grant’s official jury.
The winning recipient will become a part of the 2024 Bttl training programme line-up. Applications open on May 23. The winner will be announced at Venice Film Festival.
Bttl, a US-based non-profit that advocates for a more equitable film industry, supports directors of underrepresented genders through three key pitching and industry events, held at Cannes,...
Breaking Through The Lens (Bttl) has opened up a $10,800 feature film development grant for directors of underrepresented genders.
The grant is funded by jewellery brand Chopard, with Chopard president Caroline Scheufele part of the grant’s official jury.
The winning recipient will become a part of the 2024 Bttl training programme line-up. Applications open on May 23. The winner will be announced at Venice Film Festival.
Bttl, a US-based non-profit that advocates for a more equitable film industry, supports directors of underrepresented genders through three key pitching and industry events, held at Cannes,...
- 5/19/2023
- by Mona Tabbara
- ScreenDaily
Tribeca Film Festival has set its 2023 TV and Now lineup, which will feature eight series premieres, two first looks at returning classics and eight selections in the Now showcase.
Max’s “Full Circle” from director Steven Soderbergh starring Dennis Quaid, Claire Danes, Timothy Olyphant, Zazie Beetz and Jharrel Jerome will premiere alongside HBO Sports Documentaries’ “The Golden Boy,” which follows the life of cultural icon Oscar De La Hoya, from executive producers Mark Wahlberg and Mario Lopez. AMC’s “The Walking Dead: Dead City” starring Lauren Cohan and Jeffrey Dean Morgan will also premiere.
BET’s “Diarra from Detroit,” executive produced by Kenya Barris and Starz’s “Outlander” season seven starring Catriona Blafe and Sam Heughan will also feature along with Disney+’s “Choir” based on the “America’s Got Talent” finalists the Detroiit Youth Choir, A&e’s investigative documentary featuring Jay-Z “Exposing Parchman” and Paramount+’s “De La Calle” docuseries...
Max’s “Full Circle” from director Steven Soderbergh starring Dennis Quaid, Claire Danes, Timothy Olyphant, Zazie Beetz and Jharrel Jerome will premiere alongside HBO Sports Documentaries’ “The Golden Boy,” which follows the life of cultural icon Oscar De La Hoya, from executive producers Mark Wahlberg and Mario Lopez. AMC’s “The Walking Dead: Dead City” starring Lauren Cohan and Jeffrey Dean Morgan will also premiere.
BET’s “Diarra from Detroit,” executive produced by Kenya Barris and Starz’s “Outlander” season seven starring Catriona Blafe and Sam Heughan will also feature along with Disney+’s “Choir” based on the “America’s Got Talent” finalists the Detroiit Youth Choir, A&e’s investigative documentary featuring Jay-Z “Exposing Parchman” and Paramount+’s “De La Calle” docuseries...
- 4/20/2023
- by Dessi Gomez
- The Wrap
The 22nd edition of the Tribeca Festival unveiled a 2023 lineup with a record number of female helmers and heavy on films directed by actors like Chelsea Peretti’s First Time Female Director, John Slattery thriller Maggie Moore(s) with Tina Fey and Jon Hamm, David Duchovny’s Bucky F*cking Dent and Steve Buscemi’s The Listener.
Marvel also screens its first original documentary, Stan Lee by David Gelb, as the fest unspools June 7-18 in New York City. Also making an appearance: Downtown Owl by Lily Rabe and Hamish Linklater, and Eric Larue by Michael Shannon.
In all, 109 feature, narrative, documentary and animated films from 127 directors across 36 countries will showcase emerging and household names.
Tribeca is expanding its Midnight offering this year, and will also present its second annual Human/Nature award for environmental storytelling to world-premiering Common Ground by Rebecca and Josh Tickell.
Related music and live events...
Marvel also screens its first original documentary, Stan Lee by David Gelb, as the fest unspools June 7-18 in New York City. Also making an appearance: Downtown Owl by Lily Rabe and Hamish Linklater, and Eric Larue by Michael Shannon.
In all, 109 feature, narrative, documentary and animated films from 127 directors across 36 countries will showcase emerging and household names.
Tribeca is expanding its Midnight offering this year, and will also present its second annual Human/Nature award for environmental storytelling to world-premiering Common Ground by Rebecca and Josh Tickell.
Related music and live events...
- 4/18/2023
- by Jill Goldsmith
- Deadline Film + TV
‘Triangle of Sadness’ Directed by Ruben Östlund;Ruben Östlund, Cannes Competition, Palme d’Or WinnerWhat a production! I have not seen ‘Triangle of Sadness’ yet. I want to, though it was not on the top of my list during Cannes this year. Looking at the credits, I am wondering what it took to get this produced.
IMDb synopsis of this film: A cruise for the super-rich sinks thus leaving survivors, including a fashion model celebrity couple, trapped on an island.
I could ask a few of my friends about their involvement in its production, e.g., Jim Stark, Micah Green, Philippe Bober, Lizzie Francke, Mike Goodridge…I wonder what they would tell me. Or I could guess…which is what I am doing here as a subject of this blog.
Philippe Bober: Coproduction Office is the international sales agent for the film. But the company is also, as the name suggests, a coproducer and Philippe usually takes a strong part in the development of the project as well as representing it for licensing to territories. In this case (I have to repeat that have not seen the film, but based upon what I have only heard said), I would guess that he did not do much with the development because when he does, the project is in no way formulaic; I have heard this film has traces of Ostland’s previous film, The Square, which then makes it more prosaic. Bober’s hand in film always makes the film unique.
And Philippe usually works with younger budding talent or else hardcore art house filmmakers. However, as international sales agent, perhaps some presales by him to territories helped finance the film. I am unsure that was necessary because the director Ruben Ostlund is so well known and accoladed already that I would think the money might come from other more well established sources. You can see the companies involved and get an idea of funding.
That’s where I would guess Micah Greene would enter the picture. At 30Westhe is not only producing and is best friends with the US distributor, Neon, one of the top U.S. films distributors today, but he comes from the most prestigious CAA where he was in charge of international financing for their films. He was and is still on top and deserves every good thing that comes his way. A mensch. Lizzie Francke is a true producer, has done horror and comes from the roots of arthouse films from U.K. She is now Editor-at-Large at the BFI Film Fund now. There certainly is a need for such a UK partner. Is there a need for more? Mike Goodridge, founder of the brand new production company Good Chaos, is also there. Aside from producing, Mike has worn many hats, beginning as a journalist and heading up the L.A. office at Screen International, heading up Protagonist a top U.K. international sales agency as well as a production company, heading up Beijing (?) Film Festival, all around professional and all around good guy.
Olivier Père, former head along with (now Tribeca’s Frederic Boyer) looks like he is involved in every current production these days… Check out his credits in IMDb:
La grande magie (co-producer) (post-production)
2022Blind Willow, Sleeping Woman (producer)
2022Pacifiction (co-producer)
2022More Than Ever (co-producer)
2022Triangle of Sadness (co-producer)
2022Brother and Sister (co-producer)
2022Corsage (co-producer)
2022One Fine Morning (co-producer)
2022Les Harkis (co-producer)
And last but not least, Jim Stark, another with an eye, like Philippe Bober, for cutting edge talent and stories, has made 17 films as exec producer, producer, associate producer or co-producer just since 2018. That is almost four films a year! For those who might remember, he also discovered and produced for Jim Jarmusch on his first five films starting with Down by Law in 1986, done just after we all witnessed ourselves transported by Stranger Than Paradise at the New York Film Festival, the year Jim and I met and I began buying his films for Lorimar and Republic.
The Owner (executive producer) (filming)
Inside (executive producer) (post-production)
2022Triangle of Sadness (executive producer)
2021El camino de Sol (associate producer)
2021The Middle Man (executive producer)
2021/IVAlma (co-producer)
2021Prayers for the Stolen (producer)
2020Treasure City (producer)
2020The 11th Green (executive producer)
2019Not Not Jazz (Documentary) (producer)
2019Echo (co-producer)
2019The Whistlers (associate producer)
2019One Taxi Ride (Documentary) (executive producer)
2019The Operative (associate producer)
2018Our Time (associate producer)
2018Birds of Passage (co-producer)
2018/IIAdam (producer)
___
Five is not a bad number of women represented on a list of 31 producers, coproducers, associate produces, executive producers and line producers…that’s almost 20 . But the list still sounds to me like an old boys’ list and I wonder if they all got back a good share of the budget. We all know movies never make money, but the above and below the line members do. What was the budget? Was this everyone’s reward for all the times they do not get paid because they are making art built into the budget?
Or am I just being cynical? Hollywood stunts don’t surprise me but what does surprise me is that it also won the top prize in Cannes. These producers are all-round good guys who are also good business men, and networking is crucial to this business. It’s nice to see them all together; this roster is very impressive.
Writing for young talent, I would say: This is a list of acquaintances you should aspire to have, study their credits, speak to them about their projects when you meet them. But, also remember to network yourself within your own circle. This list is of people who have all known each other many years, wearing many different coats and hats. So will you if you heed these words: Network and know who you are meeting and why you are meeting them as you go through your festival circuit(s) with your dreams of making the films that will change the world, then when you reach their age, you will also be poised to profit from all your work.
‘Triangle of Sadness’ produced by:
Brina Elizabeta Blaz…executive producer
Philippe Bober…producer
Julio Chavezmontes…co-producer
Alessandro Del Vigna…executive producer
Lizzie Francke…executive producer
Dan Friedkin…executive producer
Ryan Friedkin…executive producer
Rose Garnett…executive producer
Mike Goodridge…co-producer
Micah Green…executive producer
Faruk Guven…co-producer
Per Damgaard Hansen…co-producer
Erik Hemmendorff…producer
Giorgos Karnavas…co-producer
Konstantinos Kontovrakis…co-producer
Clemens Köstlin…co-producer
Jovan Marjanovic…associate producer
Mouns Overgaard…pre-production: line producer
Marina Perales Marhuenda…co-producer
Mirsad Purivatra…associate producer
Olivier Père…co-producer
Andreas Roald…executive producer
James Benjamin Shannon…executive producer
Danae Spathara…line producer: Greece
Jim Stark…executive producer
Daniel Steinman…executive producer
Bradley Thomas…executive producer
Zahra Waldeck…line producer: Sweden
Pierre Wallon…line producer: Greece
Dan Wechsler…executive producer
Jamal Zeinal Zade…executive producer
And, just for the record, if you look at the IMDb list of production companies (rather than people) involved, you will see this is a giant of a coproduction involving private and public companies, TV stations and international film funds:
Production CompaniesImperative Entertainment (presents)Film i Väst (in association with)BBC Films (in association with)30West (in association with)Plattform Produktion (production)Essential Filmproduktion GmbH (co-production)Coproduction Office (co-production)Sveriges Television (Svt) (co-production)Zdf/Arte (co-production)Arte France Cinéma (co-production)Trt (co-production)Svenska Filminstitutet (Sfi) (support)Eurimages (support)Medienboard Berlin-Brandenburg (support)Det Danske Filminstitut (support)Moin — Film Fund Hamburg Schleswig-Holstein (support)British Film Institute (BFI) (support)Nordisk Film (participation)Arte France (participation)Canal+ (participation)Ciné+ (participation)Heretic (in association with)Bord Cadre Films (in association with)Sovereign Films (II) (in association with)Piano (in association)
And finally, since the return on the investment, theoretically, comes from the final sources of revenues, the consumer, it is worth knowing what streamers receive, that that information is the hardest to get. Second to that is the monies paid to the Isa (international sales agents) though sales to distributors. Here are the distributors as listed in IMDb and Cinando, two sources of such information which do not always list the same information:
Distributors as listed on IMDb:Sf Studios (2022) (Sweden) (theatrical)Vertigo Média Kft. (2022) (Hungary) (theatrical)Bac Films (2022) (France) (theatrical)Avalon (2022) (Spain) (all media)Elastica (2022) (Spain) (all media)Front Row Filmed Entertainment (2022) (United Arab Emirates) (all media) (Middle East, North Africa and Iran)Neon (USA) (all media)Vertigo Média Kft. (2022) (Hungary) (all media)
Distributors as listed on Cinando and not on IMDb:
Benelux, Surinam, Dutch Antilles — September Film Distribution Belgium, Theatrical, TV, DVD-video, VOD, Airline
Baltics — Filmstop Ou, Theatrical, TV, VOD
Italy — Teodora Film, Theatrical, TV, DVD-video, VOD, Airline
South Korea — Green Narae Media Co., Ltd., Theatrical, TV, DVD-video, VOD
Lithuania — A-one Films Baltic, Theatrical, TV, DVD-video, VOD, Airline
Poland — Gutek Film Ltd, Theatrical, TV, DVD-video, VOD
Romania — Independenta Film, Theatrical, TV, DVD-video, VOD
Serbia — Five Stars Film Distribution
Singapore — Anticipate Pictures, Theatrical, TV, DVD-video, VOD
Slovenia, territories of former Yugoslavia — Demiurg — Cvetka Flakus, S.P., Theatrical, TV, DVD-video, VOD
Switzerland — Xenix Filmdistribution Gmbh, Theatrical, TV, DVD-video, VOD, Airline
Turkey — Filmarti Film, Theatrical, TV, DVD-video, VOD...
IMDb synopsis of this film: A cruise for the super-rich sinks thus leaving survivors, including a fashion model celebrity couple, trapped on an island.
I could ask a few of my friends about their involvement in its production, e.g., Jim Stark, Micah Green, Philippe Bober, Lizzie Francke, Mike Goodridge…I wonder what they would tell me. Or I could guess…which is what I am doing here as a subject of this blog.
Philippe Bober: Coproduction Office is the international sales agent for the film. But the company is also, as the name suggests, a coproducer and Philippe usually takes a strong part in the development of the project as well as representing it for licensing to territories. In this case (I have to repeat that have not seen the film, but based upon what I have only heard said), I would guess that he did not do much with the development because when he does, the project is in no way formulaic; I have heard this film has traces of Ostland’s previous film, The Square, which then makes it more prosaic. Bober’s hand in film always makes the film unique.
And Philippe usually works with younger budding talent or else hardcore art house filmmakers. However, as international sales agent, perhaps some presales by him to territories helped finance the film. I am unsure that was necessary because the director Ruben Ostlund is so well known and accoladed already that I would think the money might come from other more well established sources. You can see the companies involved and get an idea of funding.
That’s where I would guess Micah Greene would enter the picture. At 30Westhe is not only producing and is best friends with the US distributor, Neon, one of the top U.S. films distributors today, but he comes from the most prestigious CAA where he was in charge of international financing for their films. He was and is still on top and deserves every good thing that comes his way. A mensch. Lizzie Francke is a true producer, has done horror and comes from the roots of arthouse films from U.K. She is now Editor-at-Large at the BFI Film Fund now. There certainly is a need for such a UK partner. Is there a need for more? Mike Goodridge, founder of the brand new production company Good Chaos, is also there. Aside from producing, Mike has worn many hats, beginning as a journalist and heading up the L.A. office at Screen International, heading up Protagonist a top U.K. international sales agency as well as a production company, heading up Beijing (?) Film Festival, all around professional and all around good guy.
Olivier Père, former head along with (now Tribeca’s Frederic Boyer) looks like he is involved in every current production these days… Check out his credits in IMDb:
La grande magie (co-producer) (post-production)
2022Blind Willow, Sleeping Woman (producer)
2022Pacifiction (co-producer)
2022More Than Ever (co-producer)
2022Triangle of Sadness (co-producer)
2022Brother and Sister (co-producer)
2022Corsage (co-producer)
2022One Fine Morning (co-producer)
2022Les Harkis (co-producer)
And last but not least, Jim Stark, another with an eye, like Philippe Bober, for cutting edge talent and stories, has made 17 films as exec producer, producer, associate producer or co-producer just since 2018. That is almost four films a year! For those who might remember, he also discovered and produced for Jim Jarmusch on his first five films starting with Down by Law in 1986, done just after we all witnessed ourselves transported by Stranger Than Paradise at the New York Film Festival, the year Jim and I met and I began buying his films for Lorimar and Republic.
The Owner (executive producer) (filming)
Inside (executive producer) (post-production)
2022Triangle of Sadness (executive producer)
2021El camino de Sol (associate producer)
2021The Middle Man (executive producer)
2021/IVAlma (co-producer)
2021Prayers for the Stolen (producer)
2020Treasure City (producer)
2020The 11th Green (executive producer)
2019Not Not Jazz (Documentary) (producer)
2019Echo (co-producer)
2019The Whistlers (associate producer)
2019One Taxi Ride (Documentary) (executive producer)
2019The Operative (associate producer)
2018Our Time (associate producer)
2018Birds of Passage (co-producer)
2018/IIAdam (producer)
___
Five is not a bad number of women represented on a list of 31 producers, coproducers, associate produces, executive producers and line producers…that’s almost 20 . But the list still sounds to me like an old boys’ list and I wonder if they all got back a good share of the budget. We all know movies never make money, but the above and below the line members do. What was the budget? Was this everyone’s reward for all the times they do not get paid because they are making art built into the budget?
Or am I just being cynical? Hollywood stunts don’t surprise me but what does surprise me is that it also won the top prize in Cannes. These producers are all-round good guys who are also good business men, and networking is crucial to this business. It’s nice to see them all together; this roster is very impressive.
Writing for young talent, I would say: This is a list of acquaintances you should aspire to have, study their credits, speak to them about their projects when you meet them. But, also remember to network yourself within your own circle. This list is of people who have all known each other many years, wearing many different coats and hats. So will you if you heed these words: Network and know who you are meeting and why you are meeting them as you go through your festival circuit(s) with your dreams of making the films that will change the world, then when you reach their age, you will also be poised to profit from all your work.
‘Triangle of Sadness’ produced by:
Brina Elizabeta Blaz…executive producer
Philippe Bober…producer
Julio Chavezmontes…co-producer
Alessandro Del Vigna…executive producer
Lizzie Francke…executive producer
Dan Friedkin…executive producer
Ryan Friedkin…executive producer
Rose Garnett…executive producer
Mike Goodridge…co-producer
Micah Green…executive producer
Faruk Guven…co-producer
Per Damgaard Hansen…co-producer
Erik Hemmendorff…producer
Giorgos Karnavas…co-producer
Konstantinos Kontovrakis…co-producer
Clemens Köstlin…co-producer
Jovan Marjanovic…associate producer
Mouns Overgaard…pre-production: line producer
Marina Perales Marhuenda…co-producer
Mirsad Purivatra…associate producer
Olivier Père…co-producer
Andreas Roald…executive producer
James Benjamin Shannon…executive producer
Danae Spathara…line producer: Greece
Jim Stark…executive producer
Daniel Steinman…executive producer
Bradley Thomas…executive producer
Zahra Waldeck…line producer: Sweden
Pierre Wallon…line producer: Greece
Dan Wechsler…executive producer
Jamal Zeinal Zade…executive producer
And, just for the record, if you look at the IMDb list of production companies (rather than people) involved, you will see this is a giant of a coproduction involving private and public companies, TV stations and international film funds:
Production CompaniesImperative Entertainment (presents)Film i Väst (in association with)BBC Films (in association with)30West (in association with)Plattform Produktion (production)Essential Filmproduktion GmbH (co-production)Coproduction Office (co-production)Sveriges Television (Svt) (co-production)Zdf/Arte (co-production)Arte France Cinéma (co-production)Trt (co-production)Svenska Filminstitutet (Sfi) (support)Eurimages (support)Medienboard Berlin-Brandenburg (support)Det Danske Filminstitut (support)Moin — Film Fund Hamburg Schleswig-Holstein (support)British Film Institute (BFI) (support)Nordisk Film (participation)Arte France (participation)Canal+ (participation)Ciné+ (participation)Heretic (in association with)Bord Cadre Films (in association with)Sovereign Films (II) (in association with)Piano (in association)
And finally, since the return on the investment, theoretically, comes from the final sources of revenues, the consumer, it is worth knowing what streamers receive, that that information is the hardest to get. Second to that is the monies paid to the Isa (international sales agents) though sales to distributors. Here are the distributors as listed in IMDb and Cinando, two sources of such information which do not always list the same information:
Distributors as listed on IMDb:Sf Studios (2022) (Sweden) (theatrical)Vertigo Média Kft. (2022) (Hungary) (theatrical)Bac Films (2022) (France) (theatrical)Avalon (2022) (Spain) (all media)Elastica (2022) (Spain) (all media)Front Row Filmed Entertainment (2022) (United Arab Emirates) (all media) (Middle East, North Africa and Iran)Neon (USA) (all media)Vertigo Média Kft. (2022) (Hungary) (all media)
Distributors as listed on Cinando and not on IMDb:
Benelux, Surinam, Dutch Antilles — September Film Distribution Belgium, Theatrical, TV, DVD-video, VOD, Airline
Baltics — Filmstop Ou, Theatrical, TV, VOD
Italy — Teodora Film, Theatrical, TV, DVD-video, VOD, Airline
South Korea — Green Narae Media Co., Ltd., Theatrical, TV, DVD-video, VOD
Lithuania — A-one Films Baltic, Theatrical, TV, DVD-video, VOD, Airline
Poland — Gutek Film Ltd, Theatrical, TV, DVD-video, VOD
Romania — Independenta Film, Theatrical, TV, DVD-video, VOD
Serbia — Five Stars Film Distribution
Singapore — Anticipate Pictures, Theatrical, TV, DVD-video, VOD
Slovenia, territories of former Yugoslavia — Demiurg — Cvetka Flakus, S.P., Theatrical, TV, DVD-video, VOD
Switzerland — Xenix Filmdistribution Gmbh, Theatrical, TV, DVD-video, VOD, Airline
Turkey — Filmarti Film, Theatrical, TV, DVD-video, VOD...
- 12/18/2022
- by Sydney
- Sydney's Buzz
Les Arcs Film Festival’s industry sidebar has unveiled prizes for several projects at different stages, including Annarita Zambrano’s black comedy “Rossosperanza.”
“Rossosperanza” is being produced by Italy’s Mad Entertainment, Rai Cinema, Minnerva Pictures, and France’s Ts Productions. The movie is set in the 1980’s and unfolds at a luxurious villa turned into a rehabilitation center for troubled children from rich families.
The film was one of the 14 projects in post-production presented to film executives from top international banners and festivals as part of the work-in-progress section. The sidebar, now in its 12th edition, is curated by Frederic Boyer, the director artistic of both Tribeca and Les Arcs film festivals, alongside producer and fest co-founder Jeremy Zelnik, among others.
“Rossosperanza” won the TitraFilm Award, chosen by a jury comprising of Ava Cahen, the artistic director of Cannes Critics’ Week), Louisa Dent, managing director of Curzon Artificial Eye,...
“Rossosperanza” is being produced by Italy’s Mad Entertainment, Rai Cinema, Minnerva Pictures, and France’s Ts Productions. The movie is set in the 1980’s and unfolds at a luxurious villa turned into a rehabilitation center for troubled children from rich families.
The film was one of the 14 projects in post-production presented to film executives from top international banners and festivals as part of the work-in-progress section. The sidebar, now in its 12th edition, is curated by Frederic Boyer, the director artistic of both Tribeca and Les Arcs film festivals, alongside producer and fest co-founder Jeremy Zelnik, among others.
“Rossosperanza” won the TitraFilm Award, chosen by a jury comprising of Ava Cahen, the artistic director of Cannes Critics’ Week), Louisa Dent, managing director of Curzon Artificial Eye,...
- 12/14/2022
- by Elsa Keslassy
- Variety Film + TV
Alpine event runs December 10-17.
The in-person 14th edition of Les Arcs Film Festival returns to the French Alps from December 10-17 to celebrate European Cinema and present eight films in Official Competition as well as the industry programme.
Official Competition selections vying for the Crystal Arrow award include David Wagner’s Eismayer from Austria (Loco Films handles sales), Macedonian director Teona Strugar Mitevska’s co-production The Happiest Man In The World (distributed by Pyramide Films), and Fulvio Risuleo’s Ghost Night from Italy (Vision Distribution), and Leonor Serraille’s French title Un Petit Frère (Diaphana Distribution).
Rounding out the...
The in-person 14th edition of Les Arcs Film Festival returns to the French Alps from December 10-17 to celebrate European Cinema and present eight films in Official Competition as well as the industry programme.
Official Competition selections vying for the Crystal Arrow award include David Wagner’s Eismayer from Austria (Loco Films handles sales), Macedonian director Teona Strugar Mitevska’s co-production The Happiest Man In The World (distributed by Pyramide Films), and Fulvio Risuleo’s Ghost Night from Italy (Vision Distribution), and Leonor Serraille’s French title Un Petit Frère (Diaphana Distribution).
Rounding out the...
- 11/9/2022
- by Rebecca Leffler
- ScreenDaily
Arthouse cinemas have a “crucial” role in promoting industry diversity,
The Venice Production Bridge panel on ’Visibility for Diversity - Promotional Strategies for Arthouse Cinema’ saw industry experts outline an action plan through which the challenges faced by the independent theatre sector may be addressed.
European Member of Parliament Salima Yenbou, the keynote speaker at the event on September 2, stressed the “crucial” role arthouse cinemas have in promoting industry diversity, and called for new strategies to draw the public back into these theatres.
“It is essential today to make arthouse cinemas dynamic again so as to support the diversity they offer,...
The Venice Production Bridge panel on ’Visibility for Diversity - Promotional Strategies for Arthouse Cinema’ saw industry experts outline an action plan through which the challenges faced by the independent theatre sector may be addressed.
European Member of Parliament Salima Yenbou, the keynote speaker at the event on September 2, stressed the “crucial” role arthouse cinemas have in promoting industry diversity, and called for new strategies to draw the public back into these theatres.
“It is essential today to make arthouse cinemas dynamic again so as to support the diversity they offer,...
- 9/5/2022
- by Alina Trabattoni
- ScreenDaily
Cannes’ Directors’ Fortnight, the section running alongside the Cannes Film Festival, has appointed Julien Rejl as artistic director. He will succeed to Paolo Moretti, who had his third and last edition this year.
Rejl was named by the Srf (Société des réalisateurs de films), the governing body of Directors’ Fortnight. When announcing the news of Moretti’s exit in February, the Srf said it wished “to rethink thoroughly Directors’ Fortnight, its name, its singularity, and its strategic and political role.”
While the international name of the section doesn’t seem to have changed, the Srf suggested that it was rebranding it in French as the “Quinzaine des Cinéastes” to reflect its wish to be “more inclusive and turned towards film and filmmakers in a decisive and firmly political way.”
The Srf said Rejl’s “sheer, communicative, structured and versatile passion is exactly what arthouse cinema will need in the coming years.
Rejl was named by the Srf (Société des réalisateurs de films), the governing body of Directors’ Fortnight. When announcing the news of Moretti’s exit in February, the Srf said it wished “to rethink thoroughly Directors’ Fortnight, its name, its singularity, and its strategic and political role.”
While the international name of the section doesn’t seem to have changed, the Srf suggested that it was rebranding it in French as the “Quinzaine des Cinéastes” to reflect its wish to be “more inclusive and turned towards film and filmmakers in a decisive and firmly political way.”
The Srf said Rejl’s “sheer, communicative, structured and versatile passion is exactly what arthouse cinema will need in the coming years.
- 6/27/2022
- by Elsa Keslassy
- Variety Film + TV
Frédéric Boyer on Gastón Duprat and Mariano Cohn’s Official Competition, starring Penelope Cruz, Antonio Banderas, and Oscar Martínez: “Extraordinary! It’s like a Spencer Tracy, Katharine Hepburn type of slapstick” Photo: Anne-Katrin Titze
In the second installment with Tribeca Film Festival Artistic Director Frédéric Boyer we discuss Joachim Back’s Corner Office, John Michael McDonagh’s The Forgiven, David Frankel’s Jerry and Marge Go Large, Paul Dektor’s American Dreamer, Andrew Bujalski’s There, There, Annette K Olesen’s A Matter Of Trust, Kyra Sedgwick’s Space Oddity, Katie Holmes’s Alone Together, Peter Hengl’s Family Dinner, Clara Stern’s Breaking The Ice, and Gastón Duprat and Mariano Cohn’s Official Competition (Penelope Cruz, Antonio Banderas, Oscar...
In the second installment with Tribeca Film Festival Artistic Director Frédéric Boyer we discuss Joachim Back’s Corner Office, John Michael McDonagh’s The Forgiven, David Frankel’s Jerry and Marge Go Large, Paul Dektor’s American Dreamer, Andrew Bujalski’s There, There, Annette K Olesen’s A Matter Of Trust, Kyra Sedgwick’s Space Oddity, Katie Holmes’s Alone Together, Peter Hengl’s Family Dinner, Clara Stern’s Breaking The Ice, and Gastón Duprat and Mariano Cohn’s Official Competition (Penelope Cruz, Antonio Banderas, Oscar...
- 5/31/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Michelangelo Frammartino on Nicola Lanza, the shepherd in Il Buco (The Hole): “His face seems like the bark of a tree; it seems created by the stones of the Pollino.”
When I spoke with Michelangelo Frammartino in 2013 at the Tribeca Film Festival MoMA PS1 world première of Alberi, hosted by Artistic Director Frédéric Boyer, I mentioned that he should check out James Turrell’s Meeting on the third floor. Now in 2022 he sees the connection to Meeting and the opening shot by cinematographer Renato Berta in Il Buco (The Hole), co-written with Giovanna Giuliani and produced by Marco Serrecchia.
Michelangelo Frammartino with Anne-Katrin Titze and the rock on shepherds: “They have this ability to never appear, and therefore they are the voice of the mountain.”
Bird sounds start the film, as we see the sky from below, from the perspective of a cave with a vaguely horseshoe-shaped opening. The...
When I spoke with Michelangelo Frammartino in 2013 at the Tribeca Film Festival MoMA PS1 world première of Alberi, hosted by Artistic Director Frédéric Boyer, I mentioned that he should check out James Turrell’s Meeting on the third floor. Now in 2022 he sees the connection to Meeting and the opening shot by cinematographer Renato Berta in Il Buco (The Hole), co-written with Giovanna Giuliani and produced by Marco Serrecchia.
Michelangelo Frammartino with Anne-Katrin Titze and the rock on shepherds: “They have this ability to never appear, and therefore they are the voice of the mountain.”
Bird sounds start the film, as we see the sky from below, from the perspective of a cave with a vaguely horseshoe-shaped opening. The...
- 5/19/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Michelangelo Frammartino’s Il Buco (The Hole), co-written with Giovanna Giuliani, looks tenderly, elegantly, discerningly at humanity’s topsy-turvy preoccupations through the expert eye of the great cinematographer Renato Berta (an Alain Resnais regular). Bird sounds start the film, as we see the sky from below, from the perspective of a cave with a vaguely horseshoe-shaped opening.
Upside-down trees resemble the Alberi, men in traditional tree costumes, featured in Frammartino’s fabulous installation film which had its world premiere at MoMA PS1 during the Tribeca Film Festival in 2013, and where I first spoke to Michelangelo after being introduced by Artistic Director Frédéric Boyer at the reception. I mentioned to him then the art installation called Meeting by James Turrell, which consists of a waiting room with a hole in the ceiling from where one can observe the changes in the New York City sky as they happen approximately...
Upside-down trees resemble the Alberi, men in traditional tree costumes, featured in Frammartino’s fabulous installation film which had its world premiere at MoMA PS1 during the Tribeca Film Festival in 2013, and where I first spoke to Michelangelo after being introduced by Artistic Director Frédéric Boyer at the reception. I mentioned to him then the art installation called Meeting by James Turrell, which consists of a waiting room with a hole in the ceiling from where one can observe the changes in the New York City sky as they happen approximately...
- 5/16/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Tribeca Film Festival Artistic Director Frédéric Boyer with Anne-Katrin Titze (in Dôen) on Tessa Louise-Salomé’s The Wild One on Jack Garfein, narrated by Willem Dafoe: “He’s a creator of the Actors Studio in L.A. with Paul Newman and he was a mentor of Ben Gazzara and he is also a survivor of the Holocaust.”
In the first instalment with Tribeca Film Festival Artistic Director Frédéric Boyer we discuss the success of the 20th anniversary edition being back on the big screen and some of the selections of this year’s program.
Frédéric Boyer on Lior Ashkenazi in Moshe Rosenthal’s Karaoke: “He’s wonderful! He is typically a man, he plays the macho and it’s cool!” Photo: Anne-Katrin Titze
Shirin Neshat and Shoja Azari, Moshe Rosenthal, Del Kathryn Barton (Blaze with Simon Baker), Becky Hutner (Fashion Reimagined on Amy Powney’s Mother Of Pearl), Alexandre...
In the first instalment with Tribeca Film Festival Artistic Director Frédéric Boyer we discuss the success of the 20th anniversary edition being back on the big screen and some of the selections of this year’s program.
Frédéric Boyer on Lior Ashkenazi in Moshe Rosenthal’s Karaoke: “He’s wonderful! He is typically a man, he plays the macho and it’s cool!” Photo: Anne-Katrin Titze
Shirin Neshat and Shoja Azari, Moshe Rosenthal, Del Kathryn Barton (Blaze with Simon Baker), Becky Hutner (Fashion Reimagined on Amy Powney’s Mother Of Pearl), Alexandre...
- 5/5/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Les Arcs Film Festival has unveiled the 15-title lineup of its Work-in-Progress session, the popular industry sidebar whose alumni roster include Vladimar Jóhannsson’s “Lamb,” Lukas Dhont’s “Girl” and Nora Fingscheidt’s “System Crasher.”
The section, curated by Frederic Boyer, the artistic director of Tribeca and Les Arcs Film Festival, will include “Opponent,” a drama by Swedish up-and-comer Milad Alami (“The Charmer”) and produced by Sweden’s Tangy and Norway’s Ape&Bjørn; “Preparations for a Miracle,” directed by Tobias Nölle and produced by Switzerland’s Hugofilm Features and Germany’s Flare Film; and “Silver Haze,” helmed by Sacha Polak and produced by Dutch banner Viking Film and the U.K.’s Emu Films.
Spanning 18 countries across Europe, the selection comprises films in post-production, eight of which are by female directors. Jeremy Zelnik who spearheads Les Arcs’s Industry Village received a record 164 projects, which reflects the fact that many...
The section, curated by Frederic Boyer, the artistic director of Tribeca and Les Arcs Film Festival, will include “Opponent,” a drama by Swedish up-and-comer Milad Alami (“The Charmer”) and produced by Sweden’s Tangy and Norway’s Ape&Bjørn; “Preparations for a Miracle,” directed by Tobias Nölle and produced by Switzerland’s Hugofilm Features and Germany’s Flare Film; and “Silver Haze,” helmed by Sacha Polak and produced by Dutch banner Viking Film and the U.K.’s Emu Films.
Spanning 18 countries across Europe, the selection comprises films in post-production, eight of which are by female directors. Jeremy Zelnik who spearheads Les Arcs’s Industry Village received a record 164 projects, which reflects the fact that many...
- 12/3/2021
- by Elsa Keslassy
- Variety Film + TV
Kakhi (Levan Tediashvili) with his son Soso (Giorgi Tabidze) at Brooklyn’s Brighton Beach in Levan Koguashvili’s Brighton 4th, a Tribeca Film Festival highlight Photo: Kino Iberica
The Tribeca Film Festival International Narrative Competition jury comprised of Alexander Payne, Melissa Leo, Delroy Lindo, Peter Scarlet, and Lesli Klainberg awarded Best Film to Levan Koguashvili’s Brighton 4th, produced by Irakli Rodonaya, Olena Yershova, Michel Merkt, Kateryna Merkt. Best Screenplay went to Boris Frumin, and Best Actor to Levan Tediashvili.
In the first instalment of my conversation with Levan Koguashvili, we discussed his love of Italian Neorealism, working with the amazing Phedon Papamichael, Women from Georgia, Georgian painter Niko Pirosmani, Frédéric Boyer, Sophia Loren in Lady Liberty, Kakhi Kavsadze and when Georgian men sing, and the comedy of cheese.
Levan Koguashvili with Anne-Katrin Titze: “My heart for sure belongs to Italian Neorealism and all those great movies.”
When we first...
The Tribeca Film Festival International Narrative Competition jury comprised of Alexander Payne, Melissa Leo, Delroy Lindo, Peter Scarlet, and Lesli Klainberg awarded Best Film to Levan Koguashvili’s Brighton 4th, produced by Irakli Rodonaya, Olena Yershova, Michel Merkt, Kateryna Merkt. Best Screenplay went to Boris Frumin, and Best Actor to Levan Tediashvili.
In the first instalment of my conversation with Levan Koguashvili, we discussed his love of Italian Neorealism, working with the amazing Phedon Papamichael, Women from Georgia, Georgian painter Niko Pirosmani, Frédéric Boyer, Sophia Loren in Lady Liberty, Kakhi Kavsadze and when Georgian men sing, and the comedy of cheese.
Levan Koguashvili with Anne-Katrin Titze: “My heart for sure belongs to Italian Neorealism and all those great movies.”
When we first...
- 7/5/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Tribeca Film Festival’s Artistic Director Frédéric Boyer (in Paris) with Anne-Katrin Titze (in New York) agrees with Frances McDormand’s Oscar speech: “We have to teach a young generation to see a film on a big screen.”
Tribeca Film Festival’s Artistic Director Frédéric Boyer is always a good person to talk cinema. We covered in our conversation the Opening Night selection, Jon M Chu’s adaption of Lin-Manuel Miranda’s Tony Award-winning musical In the Heights; Mariem Pérez Riera’s Rita Moreno: Just a Girl Who Decided To Go For It; Pan Nalin’s Last Film Show; Andrew Gaynord’s All My Friends Hate Me with Tom Stourton; Thomas Robsahm and Aslaug Holm’s A-ha the Movie; Thomas Daneskov’s Wild Men; Shariff Korver’s Do Not Hesitate; Adam Leon’s Italian Studies, starring Vanessa Kirby; Morgan Neville’s Roadrunner: A Film About Anthony Bourdain; Warwick Ross...
Tribeca Film Festival’s Artistic Director Frédéric Boyer is always a good person to talk cinema. We covered in our conversation the Opening Night selection, Jon M Chu’s adaption of Lin-Manuel Miranda’s Tony Award-winning musical In the Heights; Mariem Pérez Riera’s Rita Moreno: Just a Girl Who Decided To Go For It; Pan Nalin’s Last Film Show; Andrew Gaynord’s All My Friends Hate Me with Tom Stourton; Thomas Robsahm and Aslaug Holm’s A-ha the Movie; Thomas Daneskov’s Wild Men; Shariff Korver’s Do Not Hesitate; Adam Leon’s Italian Studies, starring Vanessa Kirby; Morgan Neville’s Roadrunner: A Film About Anthony Bourdain; Warwick Ross...
- 5/20/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Boyer is also artistic director at Les Arcs.
Frédéric Boyer has been named head of programming at Iceland’s Reykjavik International Film Festival (Riff).
He replaces Giorgio Gosetti, former head of Venice sidebar Giornate degli Autori, as Riff’s main programmer.
Boyer will continue to hold positions as artistic director of the Tribeca Film Festival and the Les Arcs European Film Festival.
Other members of Riff’s programming team include festival director Hrönn Marinósdóttir, Guðrún Helga Jónasdóttir, Ana Catala and Gosetti, who will remain part of the committee.
Boyer’s ambitions for the festival include adding more films about artists...
Frédéric Boyer has been named head of programming at Iceland’s Reykjavik International Film Festival (Riff).
He replaces Giorgio Gosetti, former head of Venice sidebar Giornate degli Autori, as Riff’s main programmer.
Boyer will continue to hold positions as artistic director of the Tribeca Film Festival and the Les Arcs European Film Festival.
Other members of Riff’s programming team include festival director Hrönn Marinósdóttir, Guðrún Helga Jónasdóttir, Ana Catala and Gosetti, who will remain part of the committee.
Boyer’s ambitions for the festival include adding more films about artists...
- 7/16/2020
- by 1100142¦Wendy Mitchell¦39¦
- ScreenDaily
Francesca Mazzoleni’s “Puntasacra,” Francisco Bermejo’s “The Other One” and Nick Brandestini’s “Sapelo” scooped the top prizes in the three major sections at Switzerland’s Visions du Réel prize ceremony Sunday night, held online as the whole of the documentary festival.
Major plaudits in the festival’s main International Feature Film Competition also went to Markku Lehmuskallio and Johannes Lehmuskallios “Anerca, Breath of Life,” Afsaneh Salari’s “The Silhouettes,” Mo Scarpelli’s “El Father Plays Himself” and José Permar’s “Off the Road.”
The Audience Award, one of the key prizes for distributors,was nabbed by Chines-German feature “Mirror Mirror on the Wall.”
Acquired by Italy’s True Colours for world sales, “Puntasacra” won Visions du Réel’s top Sesterce d’Or la Mobilière for a doc feature that portrays the resilient inhabitants of the last triangle of habitable land at the mouth of the Italy’s Tiber...
Major plaudits in the festival’s main International Feature Film Competition also went to Markku Lehmuskallio and Johannes Lehmuskallios “Anerca, Breath of Life,” Afsaneh Salari’s “The Silhouettes,” Mo Scarpelli’s “El Father Plays Himself” and José Permar’s “Off the Road.”
The Audience Award, one of the key prizes for distributors,was nabbed by Chines-German feature “Mirror Mirror on the Wall.”
Acquired by Italy’s True Colours for world sales, “Puntasacra” won Visions du Réel’s top Sesterce d’Or la Mobilière for a doc feature that portrays the resilient inhabitants of the last triangle of habitable land at the mouth of the Italy’s Tiber...
- 5/3/2020
- by John Hopewell and Jamie Lang
- Variety Film + TV
The popular professional event will be expanded to unspool over one full day, on Monday 16 December; projects with no sales agent attached will rub shoulders with films that are already represented. For its ninth edition, Les Arcs' Work in Progress section is freshening up its image. In a market that is less and less predictable, the main goal of the industry team is to keep homing in on new talents. That said, the Wip team headed up by Frédéric Boyer felt the need to also showcase more established directors - mostly those who have a history with Work in Progress. That is why at the last edition, in addition to the competitive section, several scenes from eagerly awaited films by renowned helmers were screened with sales agents already...
Catherine Breillat on a "little dialogue" she had with Marie-Hélène Breillat and Maria Schneider in Bernardo Bertolucci's Last Tango In Paris: "We found it ridiculous to say, but the beautiful choreography by Vittorio Storaro and the Louma, changed completely the sense of the scene." Photo: Anne-Katrin Titze
Catherine Breillat upon reading the tributes for Bernardo Bertolucci by Saverio Costanzo, Richard Peña, Atom Egoyan, Don Rosenfeld, and Frédéric Boyer on Tuesday, sent the following to me this morning on the filmmaker, who directed Catherine and her sister Marie-Hélène Breillat in Last Tango In Paris and became a life-long friend. Bernardo Bertolucci died on Monday, November 26 in Rome at the age of 77.
Marie-Hélène Breillat and Catherine Breillat as dressmakers Monique and Mouchette in Last Tango In Paris
"I am also very pained by Bernardo Bertolucci's death. When I played for him this small character in Last Tango in Paris [dressmaker Mouchette], I...
Catherine Breillat upon reading the tributes for Bernardo Bertolucci by Saverio Costanzo, Richard Peña, Atom Egoyan, Don Rosenfeld, and Frédéric Boyer on Tuesday, sent the following to me this morning on the filmmaker, who directed Catherine and her sister Marie-Hélène Breillat in Last Tango In Paris and became a life-long friend. Bernardo Bertolucci died on Monday, November 26 in Rome at the age of 77.
Marie-Hélène Breillat and Catherine Breillat as dressmakers Monique and Mouchette in Last Tango In Paris
"I am also very pained by Bernardo Bertolucci's death. When I played for him this small character in Last Tango in Paris [dressmaker Mouchette], I...
- 11/29/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Bernardo Bertolucci's The Last Emperor was chosen by Wong Kar Wai as artistic director of The Metropolitan Museum of Art Costume Institute exhibition China: Through the Looking Glass, curated by Andrew Bolton Photo: Anne-Katrin Titze
Bernardo Bertolucci died in Rome today, November 26, at the age of 77. When I contacted filmmakers Saverio Costanzo and Atom Egoyan, producer Don Rosenfeld, Richard Peña, Director Emeritus of the New York Film Festival, and Tribeca Film Festival Artistic Director Frédéric Boyer, for a remembrance of Bernardo Bertolucci, they sent the following personal tributes.
Atom sent his from Canada where he is filming Guest Of Honour.
Atom Egoyan on Bernardo Bertolucci: "I'll never forget Bertolucci introducing Michelangelo Antonioni at a special outdoor screening of L'Avventura at the Taormina Film Festival in 1994." Photo: Anne-Katrin Titze
"Shooting today and busy, but I'll never forget Bertolucci introducing Michelangelo Antonioni at a special outdoor screening of L'Avventura at the...
Bernardo Bertolucci died in Rome today, November 26, at the age of 77. When I contacted filmmakers Saverio Costanzo and Atom Egoyan, producer Don Rosenfeld, Richard Peña, Director Emeritus of the New York Film Festival, and Tribeca Film Festival Artistic Director Frédéric Boyer, for a remembrance of Bernardo Bertolucci, they sent the following personal tributes.
Atom sent his from Canada where he is filming Guest Of Honour.
Atom Egoyan on Bernardo Bertolucci: "I'll never forget Bertolucci introducing Michelangelo Antonioni at a special outdoor screening of L'Avventura at the Taormina Film Festival in 1994." Photo: Anne-Katrin Titze
"Shooting today and busy, but I'll never forget Bertolucci introducing Michelangelo Antonioni at a special outdoor screening of L'Avventura at the...
- 11/26/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Record 46% of feature slate directed by women.
Liz Garbus’ The Fourth Estate will close the 17th annual Tribeca Film Festival presented by At&T and Drake Doremus’ Zoe has been selected as the Centerpiece Gala, festival brass announced on Wednesday (March 7) as they unveiled a feature slate featuring a record 46% of films directed by women.
The Fourth Estate follows The New York Times’ coverage of the Trump administration’s first year, while sci-fi romance Zoe (pictured) stars Ewan McGregor, Léa Seydoux, Rashida Jones, and Theo James. The festival runs from April 18-29.
The line-up includes world premieres for Martin Freeman in...
Liz Garbus’ The Fourth Estate will close the 17th annual Tribeca Film Festival presented by At&T and Drake Doremus’ Zoe has been selected as the Centerpiece Gala, festival brass announced on Wednesday (March 7) as they unveiled a feature slate featuring a record 46% of films directed by women.
The Fourth Estate follows The New York Times’ coverage of the Trump administration’s first year, while sci-fi romance Zoe (pictured) stars Ewan McGregor, Léa Seydoux, Rashida Jones, and Theo James. The festival runs from April 18-29.
The line-up includes world premieres for Martin Freeman in...
- 3/7/2018
- by Jeremy Kay
- ScreenDaily
Record 46% of feature slate directed by women.
Liz Garbus’ The Fourth Estate will close the 17th annual Tribeca Film Festival presented by At&T and Drake Doremus’ Zoe has been selected as the Centerpiece Gala, festival brass announced on Wednesday (March 7) as they unveiled a feature slate featuring a record 46% of films directed by women.
The Fourth Estate follows The New York Times’ coverage of the Trump administration’s first year, while sci-fi romance Zoe (pictured) stars Ewan McGregor, Léa Seydoux, Rashida Jones, and Theo James. The festival runs from April 18-29.
The line-up includes world premieres for Martin Freeman in...
Liz Garbus’ The Fourth Estate will close the 17th annual Tribeca Film Festival presented by At&T and Drake Doremus’ Zoe has been selected as the Centerpiece Gala, festival brass announced on Wednesday (March 7) as they unveiled a feature slate featuring a record 46% of films directed by women.
The Fourth Estate follows The New York Times’ coverage of the Trump administration’s first year, while sci-fi romance Zoe (pictured) stars Ewan McGregor, Léa Seydoux, Rashida Jones, and Theo James. The festival runs from April 18-29.
The line-up includes world premieres for Martin Freeman in...
- 3/7/2018
- by Jeremy Kay
- ScreenDaily
New chief Paolo Moretti replaces Edouard Waintrop who leaves after the 2018 edition of the respected parallel sidebar.
The French Directors Guild (Société des Réalisateurs) has announced the appointment of respected Italian film programmer Paolo Moretti as delegate general of Cannes Directors’ Fortnight, replacing its current head Edouard Waintrop who will step down after this year’s edition.
Moretti, who was selected by the Srf board after three-round recruitment process, will take up the role in November 2018.“The Srf put their full confidence in him to write a new chapter in the history of Cannes Directors’ Fortnight,” said the directors guild in a statement.
The French Directors Guild (Société des Réalisateurs) has announced the appointment of respected Italian film programmer Paolo Moretti as delegate general of Cannes Directors’ Fortnight, replacing its current head Edouard Waintrop who will step down after this year’s edition.
Moretti, who was selected by the Srf board after three-round recruitment process, will take up the role in November 2018.“The Srf put their full confidence in him to write a new chapter in the history of Cannes Directors’ Fortnight,” said the directors guild in a statement.
- 3/2/2018
- ScreenDaily
Frederic Boyer whose edition for Directors' Fortnight in Cannes this year showed eight feature debuts has not been reappointed for the coming year. Srf (Society of Film Directors) is recruiting the new Director General for the 2012 edition of the Directors' Fortnight. Applications should be sent by email until July 8, 2011 (CV or career path and a letter from the project). Interviews will be held the week of…...
- 6/22/2011
- Sydney's Buzz
Frederic Boyer replaces Olivier Pere at Directors' Fortnight which is run by Societe des Realisateurs de Films (SRF). Olivier Pere is leaving to head up the Locarno Film Festival where as announced last September he will replace Frederic Maire on September 1, 2009. Pere began at the Fortnight in 2004 after two artistic directors, Francois Da Silva and Marie-Pierre Macia, left within a year of one another. Boyer who has been a member of the selection committee of the Fortnight since Pere’s arrival in 2004 will begin his new job in November to prepare the 2010 edition.
- 5/2/2009
- Sydney's Buzz
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