The fourth annual London Underground Film Festival is the first edition of the fest to be run by new caretakers Daniel Fawcett and Clara Pais, two accomplished filmmakers. The festival will run November 14-17 at the legendary avant-garde media center, the Horse Hospital.
Fawcett and Pais have programmed a bold fest, which begins on the 14th with the London-based documentary Grasp the Nettle by Dean Puckett. The film follows the challenges faced by a group of land rights activists fighting for a piece of disused land in West London. Also on opening night is Randy Moore’s Escape From Tomorrow, which was filmed surreptitiously at Disneyland; and Táu by Daniel Castro Zimbrón.
Other films screening at the fest include the award winning doc A Body Without Organs, directed by Steven Graves; Alex Munt’s Warhol homage Poor Little Rich Girls (After Warhol); Irene Lusztig’s history of childbirth, The Motherhood...
Fawcett and Pais have programmed a bold fest, which begins on the 14th with the London-based documentary Grasp the Nettle by Dean Puckett. The film follows the challenges faced by a group of land rights activists fighting for a piece of disused land in West London. Also on opening night is Randy Moore’s Escape From Tomorrow, which was filmed surreptitiously at Disneyland; and Táu by Daniel Castro Zimbrón.
Other films screening at the fest include the award winning doc A Body Without Organs, directed by Steven Graves; Alex Munt’s Warhol homage Poor Little Rich Girls (After Warhol); Irene Lusztig’s history of childbirth, The Motherhood...
- 11/13/2013
- by Mike Everleth
- Underground Film Journal
It’s October, and you hear it all the time—usually in reference to film, but coming up in all sorts of discussions about horror and Halloween-related media: “Will this actually scare me?”
Cue the skeptics. “Oh sure, it’s horror, but it’s not scary.” “It’s been so long since something really terrified me.” I’m guilty of saying such things myself—mostly because I enjoy being scared by movies and books, and it’s such a rare treat these days. I’m not talking about shock-factor dime-a-dozen jump-because-the-music-tells-you-to scares. I mean a story that is genuinely unsettling, with imagery that lingers in your brain like a default synaptic firing and makes you see things in mirrors that aren’t there.
Look no further, friend. Independent publishing company Fanboy Comics have released two graphic novels that manage to tap into terror in a way I haven’t seen...
Cue the skeptics. “Oh sure, it’s horror, but it’s not scary.” “It’s been so long since something really terrified me.” I’m guilty of saying such things myself—mostly because I enjoy being scared by movies and books, and it’s such a rare treat these days. I’m not talking about shock-factor dime-a-dozen jump-because-the-music-tells-you-to scares. I mean a story that is genuinely unsettling, with imagery that lingers in your brain like a default synaptic firing and makes you see things in mirrors that aren’t there.
Look no further, friend. Independent publishing company Fanboy Comics have released two graphic novels that manage to tap into terror in a way I haven’t seen...
- 10/15/2013
- by Holly Interlandi
- FamousMonsters of Filmland
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