[on the cinematic shooting of still photography] That's the DNA for everything I've done for the past thirty-five years. That attempt to look at a photograph and see time. To hear movement and sound, then search for the close-up, a tilt, a pan, a reveal. To create what the auteurs called 'mise en scene'. I wanted to be one of those auteurs when I was growing up, and abandoned it for the sheer power of fact.