Gregg Rudloff, a three-time Oscar-winning sound mixer and seven-time nominee whose career spanned more than 35 years, has died in Los Angeles. He was 63. The Los Angeles County Coroner’s office is treating his death as a possible suicide.
“It was reported to us possibly as a suicide,” a spokeswoman for the coroner’s office told Deadline. “His body was found at his residence in Sherman Oaks on January 6. A call was made, and during the call it was reported as a possible suicide. We won’t know for sure until the autopsy is completed.”
Rudloff, who was one of the film industry’s most prolific and honored soundmen, won Academy Awards for Mad Max: Fury Road (2015), The Matrix (1999) and Glory (1989). He also was Oscar-nominated four other times — for American Sniper, Argo, Flags of Our Fathers and The Perfect Storm — and won a 1986 Emmy for sound mixing An Early Frost.
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“It was reported to us possibly as a suicide,” a spokeswoman for the coroner’s office told Deadline. “His body was found at his residence in Sherman Oaks on January 6. A call was made, and during the call it was reported as a possible suicide. We won’t know for sure until the autopsy is completed.”
Rudloff, who was one of the film industry’s most prolific and honored soundmen, won Academy Awards for Mad Max: Fury Road (2015), The Matrix (1999) and Glory (1989). He also was Oscar-nominated four other times — for American Sniper, Argo, Flags of Our Fathers and The Perfect Storm — and won a 1986 Emmy for sound mixing An Early Frost.
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- 1/10/2019
- by David Robb
- Deadline Film + TV
David White with Gregg Rudloff at the 2016 Academy Awards.
Gregg Rudloff, a multiple Oscar-winning re-recording mixer who worked on Mad Max: Fury Road, The Lego Movie and The Matrix franchise, has died in Los Angeles. He was 63.
The Us-born sound guru followed in the footsteps of his father Tex Rudloff, an Oscar nominee for The Buddy Holly Story in 1978.
Among his most recent credits were The Other Side of the Wind, Teen Titans Go! To the Movies, The Foreigner, Molly’s Game, Death Note and Fences.
He won best sound Academy Awards for George Miller’s Mad Max: Fury Road, shared with Chris Jenkins and Ben Osmo; The Matrix, shared with John T. Reitz, David E. Campbell and David Lee; and Glory, shared with Donald O. Mitchell, Elliot Tyson and Russell Williams II.
Miller tells If: “Only those privileged to work closely with Gregg Rudloff would know the mastery and brilliance of his work.
Gregg Rudloff, a multiple Oscar-winning re-recording mixer who worked on Mad Max: Fury Road, The Lego Movie and The Matrix franchise, has died in Los Angeles. He was 63.
The Us-born sound guru followed in the footsteps of his father Tex Rudloff, an Oscar nominee for The Buddy Holly Story in 1978.
Among his most recent credits were The Other Side of the Wind, Teen Titans Go! To the Movies, The Foreigner, Molly’s Game, Death Note and Fences.
He won best sound Academy Awards for George Miller’s Mad Max: Fury Road, shared with Chris Jenkins and Ben Osmo; The Matrix, shared with John T. Reitz, David E. Campbell and David Lee; and Glory, shared with Donald O. Mitchell, Elliot Tyson and Russell Williams II.
Miller tells If: “Only those privileged to work closely with Gregg Rudloff would know the mastery and brilliance of his work.
- 1/9/2019
- by The IF Team
- IF.com.au
It's all about the sound! The Motion Picture Sound Editors unveiled the winners of the 2016 Golden Reel Awards and "Mad Max: Fury Road" and "The Revenant" tied for the Best Sound Editing: Feature English Language . FX/Foley. For my Oscar predictions, I chose "Mad Max" for both Sound Editing and Mixing! See my full Oscar predictions here.
Here's the full list of winners of the Golden Reel Awards:
Feature Film
Best Sound Editing in Feature Film: Music Score
Star Wars: The Force Awakens (Walt Disney Studios Motion Pictures)
Supervising Music Editor: Ramiro Belgardt
Music Editor: Paul Apelgren
Best Sound Editing in Feature Film: Music in a Musical
Love & Mercy (Roadside Attractions)
Music Editor: Nicholas Renbeck
Best Sound Editing: Feature English Language . Dialogue/Adr
Bridge Of Spies (Walt Disney Studios Motion Pictures)
Supervising Sound Editors: Richard Hymns, Gary Rydstrom
Supervising Dialogue Editor: Brian Chumney
Supervising Adr Editor: Steve Slanec
Best Sound...
Here's the full list of winners of the Golden Reel Awards:
Feature Film
Best Sound Editing in Feature Film: Music Score
Star Wars: The Force Awakens (Walt Disney Studios Motion Pictures)
Supervising Music Editor: Ramiro Belgardt
Music Editor: Paul Apelgren
Best Sound Editing in Feature Film: Music in a Musical
Love & Mercy (Roadside Attractions)
Music Editor: Nicholas Renbeck
Best Sound Editing: Feature English Language . Dialogue/Adr
Bridge Of Spies (Walt Disney Studios Motion Pictures)
Supervising Sound Editors: Richard Hymns, Gary Rydstrom
Supervising Dialogue Editor: Brian Chumney
Supervising Adr Editor: Steve Slanec
Best Sound...
- 2/28/2016
- by Manny
- Manny the Movie Guy
Roger Savage; photo by Zorro Gamarnik
A 40-year veteran of the Australian film industry has been recognised for his achievements by the Australian Screen Sound Guild Awards.
The Syd Butterworth lifetime Achievement Award went to sound mixer Roger Savage at a ceremony last night at Sydney’s The Establishment.
Savage’s first film was a surf documentary about the 1970 World Championship, Getting Back To Nothing, directed by Tim Burstall in 1971. His next film was Mad Max in 1979 Mad Max, as well as other classics Star Wars: Return of the Jedi and Crocodile Dundee. More recently Savage has worked on Mao’s Last Dancer and Mental.
Elsewhere at the awards, Burning Man won the best film sound recording beating out Wish You Were Here, Swerve, Lore and Killer Elite.
In a similar list of nominees, the best Film Sound Design went to Wish You Were Here ahead of Burning Man, Lore,...
A 40-year veteran of the Australian film industry has been recognised for his achievements by the Australian Screen Sound Guild Awards.
The Syd Butterworth lifetime Achievement Award went to sound mixer Roger Savage at a ceremony last night at Sydney’s The Establishment.
Savage’s first film was a surf documentary about the 1970 World Championship, Getting Back To Nothing, directed by Tim Burstall in 1971. His next film was Mad Max in 1979 Mad Max, as well as other classics Star Wars: Return of the Jedi and Crocodile Dundee. More recently Savage has worked on Mao’s Last Dancer and Mental.
Elsewhere at the awards, Burning Man won the best film sound recording beating out Wish You Were Here, Swerve, Lore and Killer Elite.
In a similar list of nominees, the best Film Sound Design went to Wish You Were Here ahead of Burning Man, Lore,...
- 11/26/2012
- by Colin Delaney
- Encore Magazine
The Australian Sound Guild has announced the winners of.the 2012 Assg Awards.
Held yesterday at The Establishment Ballroom in Sydney, well over a hundred guests were in attendance.
The Assg has reported this year saw a record number of nominations.
Roger Savage (Babe, Moulin Rouge, Mental) was honoured with the Syd Butterworth Lifetime Achievement Award, and in his acceptance speech spoke of the difficulties the industry is currently facing.
.The problem we all face is low budgets,. he said. .We need to adapt to this new environment. It.s not just in Australia, it.s global. What we need to do is adapt and change.
.It is a collaborative industry and I.d like to share (this award) with everyone associated with sound, both past and present..
Best film sound mixing and best soundtrack both went to Killer Elite while Best Film Sound Design was awarded to Wish You Were Here.
Held yesterday at The Establishment Ballroom in Sydney, well over a hundred guests were in attendance.
The Assg has reported this year saw a record number of nominations.
Roger Savage (Babe, Moulin Rouge, Mental) was honoured with the Syd Butterworth Lifetime Achievement Award, and in his acceptance speech spoke of the difficulties the industry is currently facing.
.The problem we all face is low budgets,. he said. .We need to adapt to this new environment. It.s not just in Australia, it.s global. What we need to do is adapt and change.
.It is a collaborative industry and I.d like to share (this award) with everyone associated with sound, both past and present..
Best film sound mixing and best soundtrack both went to Killer Elite while Best Film Sound Design was awarded to Wish You Were Here.
- 11/25/2012
- by Emily Blatchford
- IF.com.au
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