Obligatory disclaimer: A show that features people dropping dead for some mysterious reason is admittedly a tough sell right now. But one of the reasons that “Into the Night” isn’t quite the derivative thriller it may seem to be on first glance is that its approach is centered around survival.
The new international drama, now streaming on Netflix, focuses on a group of passengers aboard a flight heading west from Brussels to Moscow. When an Italian soldier Terenzio (Stefano Cassetti) forces his way through the gates and onto a commercial flight, he and the handful of other people with him become some of the only individuals to escape a deadly worldwide event brought on by exposure to sunlight.
Under the leadership of pilot Mathieu (Laurent Capelluto) and passenger Sylvie (Pauline Etienne), pressed into cockpit service when the rest of the crew and passengers are left at the terminal after Terenzio forces an early takeoff,...
The new international drama, now streaming on Netflix, focuses on a group of passengers aboard a flight heading west from Brussels to Moscow. When an Italian soldier Terenzio (Stefano Cassetti) forces his way through the gates and onto a commercial flight, he and the handful of other people with him become some of the only individuals to escape a deadly worldwide event brought on by exposure to sunlight.
Under the leadership of pilot Mathieu (Laurent Capelluto) and passenger Sylvie (Pauline Etienne), pressed into cockpit service when the rest of the crew and passengers are left at the terminal after Terenzio forces an early takeoff,...
- 5/5/2020
- by Steve Greene
- Indiewire
Ken Scott directs France-India-Belgium co-production.
A-Z Films has acquired Canadian rights to comedy adventure The Extraordinary Journey Of The Fakir starring Indian star Dhanush and featuring Bérénice Béjo.
Quebecois Ken Scott directed the English-language France-India-Belgium co-production about a Mumbai hustler who embarks on a voyage across Europe in search of his estranged father.
En route, the traveller love in a Swedish furniture store in Paris, gets into trouble with Somali immigrants and winds up in London, finds fortune in Rome, and escapes an unlikely adversary in a hot air balloon.
Barkhad Abdi, Erin Moriarty, Abel Jafri, Gérard Jugnot, Ben Miller,...
A-Z Films has acquired Canadian rights to comedy adventure The Extraordinary Journey Of The Fakir starring Indian star Dhanush and featuring Bérénice Béjo.
Quebecois Ken Scott directed the English-language France-India-Belgium co-production about a Mumbai hustler who embarks on a voyage across Europe in search of his estranged father.
En route, the traveller love in a Swedish furniture store in Paris, gets into trouble with Somali immigrants and winds up in London, finds fortune in Rome, and escapes an unlikely adversary in a hot air balloon.
Barkhad Abdi, Erin Moriarty, Abel Jafri, Gérard Jugnot, Ben Miller,...
- 5/24/2019
- by Jeremy Kay
- ScreenDaily
There are precious few things we know about Valeria Bruni Tedeschi after watching her film “The Summer House” that we did not know before. But here’s one: The writer-director-star understands how her detractors perceive her. And so unfolds an early scene that seems designed to head the inevitable criticisms off at the pass: At a financing meeting for her new film, director Anna (Bruni Tedeschi) faces a panel of nonplussed producers who complain that her next project is the same as all her others and that her screenplay is “fragile.”
The scene is an amusingly brittle comedy of manners with the director, as ever, gamely ready to cast herself as the ditz. But it is also pointedly metatextual and has credibility-laden documentary guru Frederick Wiseman in it, gnomically sitting on the panel looking as baffled to be there as we are to see him. For a moment it seems like Bruni Tedeschi,...
The scene is an amusingly brittle comedy of manners with the director, as ever, gamely ready to cast herself as the ditz. But it is also pointedly metatextual and has credibility-laden documentary guru Frederick Wiseman in it, gnomically sitting on the panel looking as baffled to be there as we are to see him. For a moment it seems like Bruni Tedeschi,...
- 9/19/2018
- by Jessica Kiang
- Variety Film + TV
Title: Les Estivants (The Summer House) Director: Valeria Bruni Tedeschi Cast: Valeria Bruni Tedeschi, Pierre Arditi, Valeria Golino, Noémie Lvovsky, Yolande Moreau, Laurent Stocker de la Comédie Française, Riccardo Scamarcio, Bruno Raffaelli de la Comédie Française, Marisa Borini, Oumy Bruni Garrel, Vincent Perez, Stefano Cassetti, Xavier Beauvois. Valeria Bruni Tedeschi keeps making the same film, […]
The post 75th Venice Film Festival: Les Estivants (The Summer House) Movie Review appeared first on Shockya.com.
The post 75th Venice Film Festival: Les Estivants (The Summer House) Movie Review appeared first on Shockya.com.
- 9/7/2018
- by Chiara Spagnoli Gabardi
- ShockYa
Sony Pictures International Productions, the local language production arm of Sony Pictures, has boarded French-Indian-Belgian co-production The Extraordinary Journey Of The Fakir starring Bérénice Béjo, Barkhad Abdi, Erin Moriarty and Abel Jafri. Sony Pictures Releasing International will release the title in the UK and France in Spring 2018. Gérard Jugnot (The Chorus), Ben Miller (Johnny English), Sarah-Jeanne Labrosse (Bon Cop Bad Cop) and Stefano Cassetti (Young & Beau…...
- 7/18/2017
- Deadline
I Am The Keeper, Dreamland and Father’s Garden win at Swiss Film Awards; First Saas-Fee Filmfest honours Soldate Jeannette and Love Steaks.
Sabine Boss’ I Am The Keeper (Der Goalie bin ig) was the big winner at this year Swiss Film Awards in Zurich, picking up four prizes for Best Feature Film, Best Screenplay, Best Actor (Marcus Signer) and Best Film Score after being nominated in seven categories.
The production by C-Film Ag and Carac Film, based on the eponymous novel by Pedro Lenz about an ex-junkie’s past catching up with him as he tries to find a way back into normal life, was released by Ascot Elite Entertainment Group in cinemas in the German-speaking part of Switzerland on Feb 6 and has already posted over 68,000 admissions.
The members of the Swiss Film Academy voted to give the Quartz trophy for Best Actress to Ursina Lardi for her performance as a prostitute in Zurich in [link...
Sabine Boss’ I Am The Keeper (Der Goalie bin ig) was the big winner at this year Swiss Film Awards in Zurich, picking up four prizes for Best Feature Film, Best Screenplay, Best Actor (Marcus Signer) and Best Film Score after being nominated in seven categories.
The production by C-Film Ag and Carac Film, based on the eponymous novel by Pedro Lenz about an ex-junkie’s past catching up with him as he tries to find a way back into normal life, was released by Ascot Elite Entertainment Group in cinemas in the German-speaking part of Switzerland on Feb 6 and has already posted over 68,000 admissions.
The members of the Swiss Film Academy voted to give the Quartz trophy for Best Actress to Ursina Lardi for her performance as a prostitute in Zurich in [link...
- 3/24/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Fear Paris Trailer. Joe Dante, Xavier Gens, and Timo Vuorensola‘s Fear Paris sales teaser trailer stars Delphine Chaneac, Tomas Lemarquis, and Stefano Cassetti. The Fear Paris announcement trailer, formerly titled Paris I’ll Kill You, is for the new fantasy, horror, and science fiction anthology that will explore the “dark [...]
Continue reading: Fear Paris Sales Teaser Trailer: 5 Directors’ Horror & Scifi Anthology...
Continue reading: Fear Paris Sales Teaser Trailer: 5 Directors’ Horror & Scifi Anthology...
- 2/5/2014
- by Rollo Tomasi
- Film-Book
François Ozon has concocted a tense, serious study of a 17-year-old girl's sexual awakening. It plays a little like Belle de Jour without the subversion
François Ozon's new film is a luxurious fantasy of a young girl's flowering: a very French and very male fantasy, like the pilot episode of the world's classiest soap opera. There's some softcore eroticism and an entirely, if enjoyably, absurd final scene with Charlotte Rampling, whose cameo lends a grandmotherly seal of approval to the drama's sexual adventure. But this is well-crafted and well-acted, with strong performances from Géraldine Pailhas and Frédéric Pierrot as well-to-do middle-aged couple Sylvie and Patrick, and from newcomer Marine Vacth as Isabelle, their 17-year-old daughter, who is on the verge of a seismic personal transformation. There is also a nice contribution from Fantin Ravat as Isabelle's kid brother Victor: a saucer-eyed onlooker and confidant – and also, I suspect,...
François Ozon's new film is a luxurious fantasy of a young girl's flowering: a very French and very male fantasy, like the pilot episode of the world's classiest soap opera. There's some softcore eroticism and an entirely, if enjoyably, absurd final scene with Charlotte Rampling, whose cameo lends a grandmotherly seal of approval to the drama's sexual adventure. But this is well-crafted and well-acted, with strong performances from Géraldine Pailhas and Frédéric Pierrot as well-to-do middle-aged couple Sylvie and Patrick, and from newcomer Marine Vacth as Isabelle, their 17-year-old daughter, who is on the verge of a seismic personal transformation. There is also a nice contribution from Fantin Ravat as Isabelle's kid brother Victor: a saucer-eyed onlooker and confidant – and also, I suspect,...
- 5/16/2013
- by Peter Bradshaw
- The Guardian - Film News
Cannes 2011 is in full swing and it seems rather odd to post this clip from a movie which screened at the festival back in 2010 but it really shows how long some of these movies take to be seen in the rest of the world after debuting at the prestigious Cannes Film Festival. Love Like Poison is directed by Katell Quillévéré and stars Clara Augarde, Lio, Michel Galabru, Stefano Cassetti, Thierry Neuvic and Youen Leboulanger-Gourvil. It’s available to view in cinemas now.
A coming-of-age drama which skillfully combines sexual frankness with a captivating sense of innocence, first-time director Katell Quillévéré’s charming Love Like Poison was a surprise, yet deserved, critical hit at the 2010 Cannes Film Festival.
Anna, a young teenager, comes home from her Catholic boarding school for the holidays and discovers her father has left. Her mother is devastated and confined in the company of the local priest,...
A coming-of-age drama which skillfully combines sexual frankness with a captivating sense of innocence, first-time director Katell Quillévéré’s charming Love Like Poison was a surprise, yet deserved, critical hit at the 2010 Cannes Film Festival.
Anna, a young teenager, comes home from her Catholic boarding school for the holidays and discovers her father has left. Her mother is devastated and confined in the company of the local priest,...
- 5/16/2011
- by David Sztypuljak
- HeyUGuys.co.uk
Attack The Block (15)
(Joe Cornish, 2011, UK) John Boyega, Nick Frost, Jodie Whittaker. 88 mins
More Critters than Cloverfield, this alien-invasion movie is modest in scale and ambition but makes up for it in local flavour. The setting is south London – Brit cinema's default "ghetto" location, bruv – where sharp-toothed ETs come to regret messing with the hoodies, who team up with their recent victim and the upstairs drug dealer to defend their manor. It's no Shaun Of The Dead, but it's up-to-date and fitfully entertaining, and there's at least some social grit beneath the down-with-the-kids comedy.
A Screaming Man (PG)
(Mahamat-Saleh Haroun, 2010, Cha/Fra/Bel) Youssouf Djaoro, Dioucounda Koma, Emile Abssolo M'Bo. 91 mins
Saying a great deal with few resources, this skillful Chadian drama finds weighty moral, global and generational concerns in the story of a swimming pool attendant and his son.
Love Like Poison (15)
(Katell Quillévéré, 2010, Fra) Clara Augarde, Lio, Stefano Cassetti.
(Joe Cornish, 2011, UK) John Boyega, Nick Frost, Jodie Whittaker. 88 mins
More Critters than Cloverfield, this alien-invasion movie is modest in scale and ambition but makes up for it in local flavour. The setting is south London – Brit cinema's default "ghetto" location, bruv – where sharp-toothed ETs come to regret messing with the hoodies, who team up with their recent victim and the upstairs drug dealer to defend their manor. It's no Shaun Of The Dead, but it's up-to-date and fitfully entertaining, and there's at least some social grit beneath the down-with-the-kids comedy.
A Screaming Man (PG)
(Mahamat-Saleh Haroun, 2010, Cha/Fra/Bel) Youssouf Djaoro, Dioucounda Koma, Emile Abssolo M'Bo. 91 mins
Saying a great deal with few resources, this skillful Chadian drama finds weighty moral, global and generational concerns in the story of a swimming pool attendant and his son.
Love Like Poison (15)
(Katell Quillévéré, 2010, Fra) Clara Augarde, Lio, Stefano Cassetti.
- 5/13/2011
- by Steve Rose
- The Guardian - Film News
Rating: 3 out of 5 stars
Coming of age stories have been a staple of cinema for nearly as long as the medium has been in existence. Exploring themes of budding sexuality, immerging adulthood and familiarity with life, love and death, all through the often-confused mind of a teenager, these films seek to analyse the difficulties of growing up.
Love Like Poison, French writer/director Katell Quillévéré’s first feature length film, attempts to slot into this subgenre of dramatic cinema whilst also critiquing the overbearing influence of the Catholic Church. To non-French/non-Catholic audiences the film loses an element of its impact through this overarching theme of Catholicism as an important aspect of everyday life. However, it does succeed in offering an insightful glimpse into growing up in a small French town.
On a limited theatrical release in the UK from today, Love Like Poison is reviewed below.
Anna (Clara Augarde...
Coming of age stories have been a staple of cinema for nearly as long as the medium has been in existence. Exploring themes of budding sexuality, immerging adulthood and familiarity with life, love and death, all through the often-confused mind of a teenager, these films seek to analyse the difficulties of growing up.
Love Like Poison, French writer/director Katell Quillévéré’s first feature length film, attempts to slot into this subgenre of dramatic cinema whilst also critiquing the overbearing influence of the Catholic Church. To non-French/non-Catholic audiences the film loses an element of its impact through this overarching theme of Catholicism as an important aspect of everyday life. However, it does succeed in offering an insightful glimpse into growing up in a small French town.
On a limited theatrical release in the UK from today, Love Like Poison is reviewed below.
Anna (Clara Augarde...
- 5/13/2011
- by Stuart Cummins
- Obsessed with Film
A bittersweet French gem from last year's Cannes festival gets a welcome UK release
Writer-director Katell Quillévéré, with her first feature, reveals herself to be a supremely natural film-maker; her movie speaks of Catholicism, nascent sexuality and la France profonde – and the characters she creates are subtly but richly sympathetic. This is a coming-of-age movie that is touching, funny, desperately sad and has a spiritual dimension that comes to its mysterious and satisfying fruition at the very end, with an inspired choral arrangement of Radiohead's Creep over the final credits.
Love Like Poison (the title is taken from a Serge Gainsbourg song) centres on a crisis with many facets. Anna, played by Clara Augarde, is a floweringly beautiful 14-year-old girl who comes home from her boarding school for the summer to find that her father, Paul (Thierry Neuvic), has left the family home for another woman. Her mother, Jeanne (Lio), now conceives a miserable,...
Writer-director Katell Quillévéré, with her first feature, reveals herself to be a supremely natural film-maker; her movie speaks of Catholicism, nascent sexuality and la France profonde – and the characters she creates are subtly but richly sympathetic. This is a coming-of-age movie that is touching, funny, desperately sad and has a spiritual dimension that comes to its mysterious and satisfying fruition at the very end, with an inspired choral arrangement of Radiohead's Creep over the final credits.
Love Like Poison (the title is taken from a Serge Gainsbourg song) centres on a crisis with many facets. Anna, played by Clara Augarde, is a floweringly beautiful 14-year-old girl who comes home from her boarding school for the summer to find that her father, Paul (Thierry Neuvic), has left the family home for another woman. Her mother, Jeanne (Lio), now conceives a miserable,...
- 5/12/2011
- by Peter Bradshaw
- The Guardian - Film News
A bittersweet French gem from last year's Cannes festival gets a welcome UK release
Writer-director Katell Quillévéré, with her first feature, reveals herself to be a supremely natural film-maker; her movie speaks of Catholicism, nascent sexuality and la France profonde – and the characters she creates are subtly but richly sympathetic. This is a coming-of-age movie that is touching, funny, desperately sad and has a spiritual dimension that comes to its mysterious and satisfying fruition at the very end, with an inspired choral arrangement of Radiohead's Creep over the final credits.
Love Like Poison (the title is taken from a Serge Gainsbourg song) centres on a crisis with many facets. Anna, played by Clara Augarde, is a floweringly beautiful 14-year-old girl who comes home from her boarding school for the summer to find that her father, Paul (Thierry Neuvic), has left the family home for another woman. Her mother, Jeanne (Lio), now conceives a miserable,...
Writer-director Katell Quillévéré, with her first feature, reveals herself to be a supremely natural film-maker; her movie speaks of Catholicism, nascent sexuality and la France profonde – and the characters she creates are subtly but richly sympathetic. This is a coming-of-age movie that is touching, funny, desperately sad and has a spiritual dimension that comes to its mysterious and satisfying fruition at the very end, with an inspired choral arrangement of Radiohead's Creep over the final credits.
Love Like Poison (the title is taken from a Serge Gainsbourg song) centres on a crisis with many facets. Anna, played by Clara Augarde, is a floweringly beautiful 14-year-old girl who comes home from her boarding school for the summer to find that her father, Paul (Thierry Neuvic), has left the family home for another woman. Her mother, Jeanne (Lio), now conceives a miserable,...
- 5/12/2011
- by Peter Bradshaw
- The Guardian - Film News
A bittersweet French gem from last year's Cannes festival gets a welcome UK release
Writer-director Katell Quillévéré, with her first feature, reveals herself to be a supremely natural film-maker; her movie speaks of Catholicism, nascent sexuality and la France profonde – and the characters she creates are subtly but richly sympathetic. This is a coming-of-age movie that is touching, funny, desperately sad and has a spiritual dimension that comes to its mysterious and satisfying fruition at the very end, with an inspired choral arrangement of Radiohead's Creep over the final credits.
Love Like Poison (the title is taken from a Serge Gainsbourg song) centres on a crisis with many facets. Anna, played by Clara Augarde, is a floweringly beautiful 14-year-old girl who comes home from her boarding school for the summer to find that her father, Paul (Thierry Neuvic), has left the family home for another woman. Her mother, Jeanne (Lio), now conceives a miserable,...
Writer-director Katell Quillévéré, with her first feature, reveals herself to be a supremely natural film-maker; her movie speaks of Catholicism, nascent sexuality and la France profonde – and the characters she creates are subtly but richly sympathetic. This is a coming-of-age movie that is touching, funny, desperately sad and has a spiritual dimension that comes to its mysterious and satisfying fruition at the very end, with an inspired choral arrangement of Radiohead's Creep over the final credits.
Love Like Poison (the title is taken from a Serge Gainsbourg song) centres on a crisis with many facets. Anna, played by Clara Augarde, is a floweringly beautiful 14-year-old girl who comes home from her boarding school for the summer to find that her father, Paul (Thierry Neuvic), has left the family home for another woman. Her mother, Jeanne (Lio), now conceives a miserable,...
- 5/12/2011
- by Peter Bradshaw
- The Guardian - Film News
Love Like Poison / Un Poison Violent
Director: Katell Quillévéré
Written by Katell Quillévéré
2010, France
With a title borrowed from Serge Gainsbourg, it should be no great surprise that Katell Quillévéré’s feature debut Love Like Poison combines subversiveness with musical eclecticism and a touch of bawdy humour. Quillévéré isn’t trying to pick up the mantle of Claude Chabrol — this is a coming-of-age drama set in rural Brittany and punctuated with some unexpected English folk songs. Even if you’ve had your fill of adolescent angst, narcotic experiments and clandestine gropings, the fearless performance here of young Clara Augarde is reason enough to watch.
The story begins in church, with 14-year-old Anna (Augarde), being distracted during Holy Communion by winsome choirboy Pierre (Youen Leboulanger-Gourvil) giving her the eye. This is the first of several occasions in the film, when Anna’s behaviour during a religious service doesn’t meet the...
Director: Katell Quillévéré
Written by Katell Quillévéré
2010, France
With a title borrowed from Serge Gainsbourg, it should be no great surprise that Katell Quillévéré’s feature debut Love Like Poison combines subversiveness with musical eclecticism and a touch of bawdy humour. Quillévéré isn’t trying to pick up the mantle of Claude Chabrol — this is a coming-of-age drama set in rural Brittany and punctuated with some unexpected English folk songs. Even if you’ve had your fill of adolescent angst, narcotic experiments and clandestine gropings, the fearless performance here of young Clara Augarde is reason enough to watch.
The story begins in church, with 14-year-old Anna (Augarde), being distracted during Holy Communion by winsome choirboy Pierre (Youen Leboulanger-Gourvil) giving her the eye. This is the first of several occasions in the film, when Anna’s behaviour during a religious service doesn’t meet the...
- 5/9/2011
- by Susannah
- SoundOnSight
Un poison violent (translates into Love Like Poison) is Jean Vigo prize wining screenplay - your typical French family drama big on dialogue, not interested in style. Helmer Katell Quillévéré presented her directorial debut in the Quinzaine last night and I couldn't help think back to last year's Bruno Dumont film Hadewijch - both films take certain aspects of religion and cross it with female adolescence. - Un poison violent (translates into Love Like Poison) is Jean Vigo prize wining screenplay - your typical French family drama big on dialogue, not interested in style. Helmer Katell Quillévéré presented her directorial debut in the Quinzaine last night and I couldn't help think back to last year's Bruno Dumont film Hadewijch - both films take certain aspects of religion and cross it with female adolescence. Apologies for the lack of video clarity in the first portion,...
- 5/15/2010
- IONCINEMA.com
Un poison violent (translates into Love Like Poison) is Jean Vigo prize wining screenplay - your typical French family drama big on dialogue, not interested in style. Helmer Katell Quillévéré presented her directorial debut in the Quinzaine last night and I couldn't help think back to last year's Bruno Dumont film Hadewijch - both films take certain aspects of religion and cross it with female adolescence. Apologies for the lack of video clarity in the first portion, but if you stick around you'll see some familiar faces among the cast - including Stefano Cassetti of Roberto Succo fame. Clara Augarde the red head teen and film's centerpiece, does a formidable job.
- 5/15/2010
- IONCINEMA.com
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