The Forever Now: Contemporary Painting in an Atemporal World Museum of Modern Art, NYC December 14, 2014-April 5, 2015
Between 1942 and 1963 Dorothy Canning Miller was the curator of the influential Americans shows at the Museum of Modern Art. Beginning with Americans 1942: 18 Artists From 9 States and ending with Americans 1963, Miller presented the work of artists such as Hyman Bloom, Robert Motherwell, Jay DeFeo, Robert Rauschenberg, Jasper Johns, Lee Bontecou, and Frank Stella -- artists who would ultimately be the defining contributors to the mid-century American art historical canon. After a gap of nearly a half-century, MoMA once again is reviving this tradition with Laura Hoptman’s The Forever Now: Contemporary Painting in an Atemoporal World, an exhibition of seventeen painters representing current trends in painting.
In contrast to the U.S-centric exhibitions of the past, Forever Now emphasizes the concept of "a-temporality," a phenomenon of culture defined by the science fiction/cultural theorist William Gibson,...
Between 1942 and 1963 Dorothy Canning Miller was the curator of the influential Americans shows at the Museum of Modern Art. Beginning with Americans 1942: 18 Artists From 9 States and ending with Americans 1963, Miller presented the work of artists such as Hyman Bloom, Robert Motherwell, Jay DeFeo, Robert Rauschenberg, Jasper Johns, Lee Bontecou, and Frank Stella -- artists who would ultimately be the defining contributors to the mid-century American art historical canon. After a gap of nearly a half-century, MoMA once again is reviving this tradition with Laura Hoptman’s The Forever Now: Contemporary Painting in an Atemoporal World, an exhibition of seventeen painters representing current trends in painting.
In contrast to the U.S-centric exhibitions of the past, Forever Now emphasizes the concept of "a-temporality," a phenomenon of culture defined by the science fiction/cultural theorist William Gibson,...
- 2/25/2015
- by bradleyrubenstein
- www.culturecatch.com
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