Cinematographer David Dunlap takes Awards Daily TV inside the White House on Netflix’s Emmy®-winning political drama House of Cards. Each shot in Netflix’s House Of Cards feels composed with the utmost precision.
- 6/27/2017
- by Jazz Tangcay
- AwardsDaily.com
On this week’s Shot by Shot podcast we’re dodging zombies.
If it’s Wednesday, errr Thursday (apologies for the delay), it must be time for another episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects hosted by myself and Ops founder Geoff Todd. This week we’re tackling our first comedy on the ‘cast, Edgar Wright’s debut feature Shaun of the Dead, starring — duh — Simon Pegg and Nick Frost and shot by cinematographer David M. Dunlap.
Comedy isn’t often thought of as being especially cinematographical, but that’s one way in which Shaun stands out: the film is full of crafty techniques and stylish flourishes that not only spice up the film’s visual landscape, they also contribute to tone, atmosphere, and even narrative.
If this is your first listen to our show, the format’s simple: each week Geoff and I each pick a...
If it’s Wednesday, errr Thursday (apologies for the delay), it must be time for another episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects hosted by myself and Ops founder Geoff Todd. This week we’re tackling our first comedy on the ‘cast, Edgar Wright’s debut feature Shaun of the Dead, starring — duh — Simon Pegg and Nick Frost and shot by cinematographer David M. Dunlap.
Comedy isn’t often thought of as being especially cinematographical, but that’s one way in which Shaun stands out: the film is full of crafty techniques and stylish flourishes that not only spice up the film’s visual landscape, they also contribute to tone, atmosphere, and even narrative.
If this is your first listen to our show, the format’s simple: each week Geoff and I each pick a...
- 4/20/2017
- by H. Perry Horton
- FilmSchoolRejects.com
The American Society of Cinematographers (Asc) have announced the television nominees for their 31st annual Outstanding Achievement Awards.
This year “Game of Thrones” received two nominations, more than any other show. Anette Haellmigk and Fabian Wagner are both receiving their third nominations for the HBO show. Haellmigk was previously nominated for the series in 2014 and 2015, and Wagner in 2015 and 2016.
Other notable nominees include Christopher Norr who is receiving his third consecutive nomination for his work on “Gotham,” and Richard Rutkowski gets his second nomination for “Manhattan.” New series receiving praise this year include “Westworld” and “The Exorcist.”
Read More: Sundance 2017 Announces Short Selections, With New Films From Kristen Stewart, Laura Poitras and Many More
The nominees were selected by Asc active members who voted on submissions. This year’s winners will be revealed on February 4, 2017, at the organization’s annual ceremony at the Hollywood & Highland Ray Dolby Ballroom in Los Angeles.
This year “Game of Thrones” received two nominations, more than any other show. Anette Haellmigk and Fabian Wagner are both receiving their third nominations for the HBO show. Haellmigk was previously nominated for the series in 2014 and 2015, and Wagner in 2015 and 2016.
Other notable nominees include Christopher Norr who is receiving his third consecutive nomination for his work on “Gotham,” and Richard Rutkowski gets his second nomination for “Manhattan.” New series receiving praise this year include “Westworld” and “The Exorcist.”
Read More: Sundance 2017 Announces Short Selections, With New Films From Kristen Stewart, Laura Poitras and Many More
The nominees were selected by Asc active members who voted on submissions. This year’s winners will be revealed on February 4, 2017, at the organization’s annual ceremony at the Hollywood & Highland Ray Dolby Ballroom in Los Angeles.
- 12/6/2016
- by Liz Calvario
- Indiewire
Channeling David Fincher: How ‘House of Cards’ Created a ‘Hyper’ Look For Its Most Ambitious Episode
Television shows establish the foundation of their look and visual language with their pilot episode. This is especially true for “House of Cards,” in which one of Hollywood’s most distinct visual storytellers, David Fincher, served as both executive producer and the director of the first two episodes. From its precise and dramatic compositions to its monochromatic color palette to the often dark, low source light photography, “House of Cards” embodies some of the most recognizable elements of Fincher’s style.
Read More: ‘House of Cards’ Season 4 Might Be the Best Season Yet, But It Won’t Be Your Favorite
Which is precisely why cinematographer David M. Dunlap faced a challenge when the show’s forty-fifth episode called for something very different. In the episode, President Frank Underwood (Kevin Spacey) is unconscious and fighting for his life in a hospital, having been shot at the end of previous episode. A...
Read More: ‘House of Cards’ Season 4 Might Be the Best Season Yet, But It Won’t Be Your Favorite
Which is precisely why cinematographer David M. Dunlap faced a challenge when the show’s forty-fifth episode called for something very different. In the episode, President Frank Underwood (Kevin Spacey) is unconscious and fighting for his life in a hospital, having been shot at the end of previous episode. A...
- 8/17/2016
- by Chris O'Falt
- Indiewire
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