Sideshow Brings Frankenstein'S Monster To Life: "First brought to life by the words of Mary Shelley, the creation known as Frankenstein’s Monster has taken on many forms throughout popular culture. Inspired by the iconic literary character and his visual legacy across the centuries, the Frankenstein’s Monster Statue by Sideshow honors the creature’s horror roots and tragic nature with a new, original design.
This stunningly detailed, fully sculpted piece shows the hulking figure cloaked in the pelt of a black bear and clad in patchwork pants. Two large electrodes emerge from his back and silver staples hold his reanimated flesh together. He is painted with a cadaverous mixture of yellows and reds, emphasizing how Frankenstein’s creation straddles the line between life and death.
Lurching through a melancholy cemetery scene, Frankenstein’s Monster crosses a snow-dusted grave where a lantern, shovel, and broken skull rest. The headstone...
This stunningly detailed, fully sculpted piece shows the hulking figure cloaked in the pelt of a black bear and clad in patchwork pants. Two large electrodes emerge from his back and silver staples hold his reanimated flesh together. He is painted with a cadaverous mixture of yellows and reds, emphasizing how Frankenstein’s creation straddles the line between life and death.
Lurching through a melancholy cemetery scene, Frankenstein’s Monster crosses a snow-dusted grave where a lantern, shovel, and broken skull rest. The headstone...
- 10/27/2023
- by Jonathan James
- DailyDead
Stars: Lindsey Morgan, Rhona Mitra, Alexander Siddig, James Cosmo, Daniel Bernhardt, Jonathan Howard, Yayan Ruhian, Ieva Andrejevaite, Samantha Jean, Giedre Mockeliunaite, Jeremy Fitzgerald | Written by Liam O’Donnell, Matthew E. Chausse | Directed by Liam O’Donnell
I had initially started this review with a brief history of the place in my heart that I have for the Skyline franchise but you know what? Let me just say that I am a total sci-fi nerd, I love alien invasion film and I especially love a flick that has the balls to have insane ambition and looks to create a wide reaching universe. Skyline has always been that franchise! A franchise that knows exactly what it is and where it wants to be; a franchise that for the budget they have, always pulls out the stops and impresses from start to finish; a franchise that lets be honest doesn’t get the credit it deserves.
I had initially started this review with a brief history of the place in my heart that I have for the Skyline franchise but you know what? Let me just say that I am a total sci-fi nerd, I love alien invasion film and I especially love a flick that has the balls to have insane ambition and looks to create a wide reaching universe. Skyline has always been that franchise! A franchise that knows exactly what it is and where it wants to be; a franchise that for the budget they have, always pulls out the stops and impresses from start to finish; a franchise that lets be honest doesn’t get the credit it deserves.
- 10/26/2020
- by Kevin Haldon
- Nerdly
A different version of “The Sower,” Marine Francen’s poised and petite freshman feature, might have included the extended, rather remarkable story behind its literary source. Aged 84, former village schoolteacher Violette Ailhaud wrote her autobiographical short story “L’homme semence” in 1919, passing it to an attorney with clear instructions that it be given to her eldest female descendant in 1952, a full century after the events it documents; a curious, bittersweet tale of lost innocence and sexual conspiracy in a community of women, it remained in the family for half a century before being published, to steadily building acclaim, in 2006. Some manner of film adaptation was inevitable. Francen’s, however, honors Ailhaud by telling only the story she wrote, albeit with subtly modernized language and aesthetics, underlining its enduringly provocative gender politics in the process.
The resulting film is so delicately wrought and exquisitely visualized that the harsher, eerier details of...
The resulting film is so delicately wrought and exquisitely visualized that the harsher, eerier details of...
- 3/3/2019
- by Guy Lodge
- Variety Film + TV
Chicago – Excluding its rather unnecessary epilogue, Fred Cavayé’s latest thriller, “Point Blank,” clocks in around one hour and fifteen minutes. It’s a fast paced film, but it oddly never feels rushed. All of the set-pieces and dramatic revelations are present and executed to perfection. What’s lacking here is the extra padding so often found in bloated Hollywood blockbusters.
Though Paul Haggis’s “The Next Three Days” aimed to imitate the expertly paced tension of a Cavayé’ picture by remaking his 2008 effort, “Anything for Her,” the original managed to tell the story in half the time and was twice as entertaining. As long as Americans can accept reading subtitles, there is no reason to remake Cavayé’s transcendently entertaining work, which has the power to thrill audiences on any continent.
Blu-ray Rating: 4.0/5.0
In some ways, “Point Blank” is a mirror image of “Anything for Her,” with its wronged protagonist on the run,...
Though Paul Haggis’s “The Next Three Days” aimed to imitate the expertly paced tension of a Cavayé’ picture by remaking his 2008 effort, “Anything for Her,” the original managed to tell the story in half the time and was twice as entertaining. As long as Americans can accept reading subtitles, there is no reason to remake Cavayé’s transcendently entertaining work, which has the power to thrill audiences on any continent.
Blu-ray Rating: 4.0/5.0
In some ways, “Point Blank” is a mirror image of “Anything for Her,” with its wronged protagonist on the run,...
- 12/21/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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