Disney+ has debuted the trailer for the documentary on the iconic group ‘The Beach Boys’.
The doc is a celebration of the legendary band that revolutionized pop music, and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations and generations to come.
It traces the band from humble family beginnings and features never-before-seen footage and all-new interviews with The Beach Boys’ Brian Wilson, Mike Love, Al Jardine, David Marks, Bruce Johnston, plus other luminaries in the music business, including Lindsey Buckingham, Janelle Monáe, Ryan Tedder, and Don Was.
Viewers will also hear from the group’s Carl and Dennis Wilson in their own words, plus view a new interview with Blondie Chaplin and hear audio from Ricky Fataar.
Directed by Frank Marshall and Thom Zimny and written by Mark Monroe. The film is produced by Frank Marshall, Irving Azoff, Nicholas Ferrall, Jeanne Elfant Festa,...
The doc is a celebration of the legendary band that revolutionized pop music, and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations and generations to come.
It traces the band from humble family beginnings and features never-before-seen footage and all-new interviews with The Beach Boys’ Brian Wilson, Mike Love, Al Jardine, David Marks, Bruce Johnston, plus other luminaries in the music business, including Lindsey Buckingham, Janelle Monáe, Ryan Tedder, and Don Was.
Viewers will also hear from the group’s Carl and Dennis Wilson in their own words, plus view a new interview with Blondie Chaplin and hear audio from Ricky Fataar.
Directed by Frank Marshall and Thom Zimny and written by Mark Monroe. The film is produced by Frank Marshall, Irving Azoff, Nicholas Ferrall, Jeanne Elfant Festa,...
- 4/10/2024
- by Zehra Phelan
- HeyUGuys.co.uk
Get ready for some fun, fun, fun! Disney+ has released the trailer for its “The Beach Boys” documentary, which is set to stream on the platform May 24.
The trailer features clips from interviews with original band members, rock and roll historian Josh Kun, music star Janelle Monáe and more. The film is a celebration of the band that encapsulated the California dream in their revolutionary pop music. It features never-before-seen footage and all-new interviews with The Beach Boys’ Brian Wilson, Mike Love, Al Jardine, David Marks, Bruce Johnston and other artists including Lindsey Buckingham, Monáe, Ryan Tedder and Don Was. Viewers will also hear from former members Blondie Chaplin and Ricky Fataar, and the late Carl and Dennis Wilson will be featured in archival interviews.
“I’m super happy with the way the documentary turned out, they did an amazing job,” Wilson said in a statement. “It really brought me...
The trailer features clips from interviews with original band members, rock and roll historian Josh Kun, music star Janelle Monáe and more. The film is a celebration of the band that encapsulated the California dream in their revolutionary pop music. It features never-before-seen footage and all-new interviews with The Beach Boys’ Brian Wilson, Mike Love, Al Jardine, David Marks, Bruce Johnston and other artists including Lindsey Buckingham, Monáe, Ryan Tedder and Don Was. Viewers will also hear from former members Blondie Chaplin and Ricky Fataar, and the late Carl and Dennis Wilson will be featured in archival interviews.
“I’m super happy with the way the documentary turned out, they did an amazing job,” Wilson said in a statement. “It really brought me...
- 4/9/2024
- by Selena Kuznikov
- Variety Film + TV
Disney+ has revealed the official trailer and key art for The Beach Boys, an all-new documentary that will begin streaming on May 24, 2024.
The Beach Boys is a celebration of the legendary band that revolutionized pop music and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations and generations to come.
The documentary traces the band’s humble family beginnings and features never-before-seen footage and all-new interviews with Brian Wilson, Mike Love, Al Jardine, David Marks, and Bruce Johnston, plus other luminaries in the music business, including Lindsey Buckingham, Janelle Monáe, Ryan Tedder, and Don Was.
Disney+ viewers will also hear from the group’s Carl and Dennis Wilson in their own words, plus view a new interview with Blondie Chaplin and hear audio from Ricky Fataar.
The Beach Boys is a Kennedy/Marshall and White Horse Pictures Production directed by Frank Marshall and Thom Zimny...
The Beach Boys is a celebration of the legendary band that revolutionized pop music and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations and generations to come.
The documentary traces the band’s humble family beginnings and features never-before-seen footage and all-new interviews with Brian Wilson, Mike Love, Al Jardine, David Marks, and Bruce Johnston, plus other luminaries in the music business, including Lindsey Buckingham, Janelle Monáe, Ryan Tedder, and Don Was.
Disney+ viewers will also hear from the group’s Carl and Dennis Wilson in their own words, plus view a new interview with Blondie Chaplin and hear audio from Ricky Fataar.
The Beach Boys is a Kennedy/Marshall and White Horse Pictures Production directed by Frank Marshall and Thom Zimny...
- 4/9/2024
- by Mirko Parlevliet
- Vital Thrills
Disney announced on Tuesday that its new documentary The Beach Boys, on the iconic California band of the same name, will begin streaming on Disney+ on May 24.
Directed by Frank Marshall and Thom Zimny, the film is described as a celebration of the band that revolutionized pop music, and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations to come. The documentary traces the band from humble family beginnings and features never-before-seen footage and all-new interviews with The Beach Boys’ Brian Wilson, Mike Love, Al Jardine, David Marks and Bruce Johnston, plus other luminaries in the music business, including Lindsey Buckingham, Janelle Monáe, Ryan Tedder, and Don Was.
Viewers will also hear from the group’s Carl and Dennis Wilson in their own words, plus view a new interview with Blondie Chaplin and hear audio from Ricky Fataar.
Founded in Hawthorne, California in 1961, The...
Directed by Frank Marshall and Thom Zimny, the film is described as a celebration of the band that revolutionized pop music, and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations to come. The documentary traces the band from humble family beginnings and features never-before-seen footage and all-new interviews with The Beach Boys’ Brian Wilson, Mike Love, Al Jardine, David Marks and Bruce Johnston, plus other luminaries in the music business, including Lindsey Buckingham, Janelle Monáe, Ryan Tedder, and Don Was.
Viewers will also hear from the group’s Carl and Dennis Wilson in their own words, plus view a new interview with Blondie Chaplin and hear audio from Ricky Fataar.
Founded in Hawthorne, California in 1961, The...
- 3/26/2024
- by Matt Grobar
- Deadline Film + TV
“The Beach Boys,” a documentary about the iconic band, will premiere on Disney+ on May 24.
The doc is described as “a celebration of the legendary band that revolutionized pop music and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations and generations to come.”
“The Beach Boys” will include never-before-seen footage and new interviews with band members Brian Wilson, Mike Love, Al Jardine, David Marks and Bruce Johnston, as well as music stars like Lindsey Buckingham, Janelle Monáe, Ryan Tedder and Don Was. Former members Blondie Chaplin and Ricky Fataar are also participating, and the late Carl and Dennis Wilson will be heard from in archival interviews.
Directed by Frank Marshall and Thom Zimny, “The Beach Boys” was written by Mark Monroe and produced by Kennedy/Marshall and White Horse Pictures. Producers include Marshall, Irving Azoff, Nicholas Ferrall, Jeanne Elfant Festa and Aly Parker.
The doc is described as “a celebration of the legendary band that revolutionized pop music and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations and generations to come.”
“The Beach Boys” will include never-before-seen footage and new interviews with band members Brian Wilson, Mike Love, Al Jardine, David Marks and Bruce Johnston, as well as music stars like Lindsey Buckingham, Janelle Monáe, Ryan Tedder and Don Was. Former members Blondie Chaplin and Ricky Fataar are also participating, and the late Carl and Dennis Wilson will be heard from in archival interviews.
Directed by Frank Marshall and Thom Zimny, “The Beach Boys” was written by Mark Monroe and produced by Kennedy/Marshall and White Horse Pictures. Producers include Marshall, Irving Azoff, Nicholas Ferrall, Jeanne Elfant Festa and Aly Parker.
- 3/26/2024
- by Ellise Shafer
- Variety Film + TV
The BFI’s Missing Believed Wiped returns to BFI Southbank this December to present British television rediscoveries, not seen by audiences for decades, most since their original transmission dates…. The bespoke line-up of TV gems feature some of the countries most-loved television celebrities and iconic characters including Alf Garnett in Till Death Us Do Part: Sex Before Marriage, Cilla Black in her eponymous BBC show featuring Dudley Moore , Jimmy Edwards in Whack-o!, a rare interview with Peter Davison about playing Doctor Who, an appearance by future Doctor Who Patrick Troughton from ITV’s early police drama, No Hiding Place plus a significant screen debut from a young Pete Postlethwaite.
However for Nerdly readers, one of the real highlights of this edition of Missing Believed Wiped is the uncovering of TV horror Late Night Horror: The Corpse Can’t Play. Originally broadcast on 3 May, 1968 on BBC2 this is the only...
However for Nerdly readers, one of the real highlights of this edition of Missing Believed Wiped is the uncovering of TV horror Late Night Horror: The Corpse Can’t Play. Originally broadcast on 3 May, 1968 on BBC2 this is the only...
- 12/11/2017
- by Phil Wheat
- Nerdly
Feature Alex Westthorp 28 Mar 2014 - 07:00
In a new series, Alex talks us through the film roles of the actors who've played the Doctor. First up, William Hartnell and Jon Pertwee...
We know them best as the twelve very different incarnations of the Doctor. But all the actors who've been the star of Doctor Who, being such good all-rounders in the first place, have also had film careers. Admittedly, some CVs are more impressive than others, but this retrospective attempts to pick out some of the many worthwhile films which have starred, featured or seen a fleeting cameo by the actors who would become (or had been) the Doctor.
William Hartnell was, above all else, a film star. He is by far the most prolific film actor of the main twelve to play the Time Lord. With over 70 films to his name, summarising Hartnell's film career is difficult at best.
In a new series, Alex talks us through the film roles of the actors who've played the Doctor. First up, William Hartnell and Jon Pertwee...
We know them best as the twelve very different incarnations of the Doctor. But all the actors who've been the star of Doctor Who, being such good all-rounders in the first place, have also had film careers. Admittedly, some CVs are more impressive than others, but this retrospective attempts to pick out some of the many worthwhile films which have starred, featured or seen a fleeting cameo by the actors who would become (or had been) the Doctor.
William Hartnell was, above all else, a film star. He is by far the most prolific film actor of the main twelve to play the Time Lord. With over 70 films to his name, summarising Hartnell's film career is difficult at best.
- 3/26/2014
- by louisamellor
- Den of Geek
Student revue group helped launch careers of Peter Cook, Stephen Fry and Emma Thompson
Considering how successful Cambridge has been as a theatrical training ground for writers and performers, outsiders may be surprised to find that the university has no drama school.
The whole thing, Marlowe Society and Adc (Amateur Dramatic Club) presenting the classics, and Footlights tickling the comic muse, is kept going by the initiative of generation after generation of undergraduates. There are of course senior members of the university to advise and guide, but the various clubs lurch from flop to triumph with only ticket sales and members' enthusiasm and talent to sustain them.
Next week Cambridge celebrates the centenary of the Footlights, which came into existence on June 9, 1883. The Footlights has certainly lived off its wits. And what wits they have been. Skimming through Robert Hewison's centennial history of the club, the eye catches names like Ian Hay,...
Considering how successful Cambridge has been as a theatrical training ground for writers and performers, outsiders may be surprised to find that the university has no drama school.
The whole thing, Marlowe Society and Adc (Amateur Dramatic Club) presenting the classics, and Footlights tickling the comic muse, is kept going by the initiative of generation after generation of undergraduates. There are of course senior members of the university to advise and guide, but the various clubs lurch from flop to triumph with only ticket sales and members' enthusiasm and talent to sustain them.
Next week Cambridge celebrates the centenary of the Footlights, which came into existence on June 9, 1883. The Footlights has certainly lived off its wits. And what wits they have been. Skimming through Robert Hewison's centennial history of the club, the eye catches names like Ian Hay,...
- 6/3/2013
- The Guardian - Film News
I'm not going to say that television can't accurately depict the horror and tragedy of a school shooting. I'm just saying that it hasn't, yet, and probably won't.
Television is meant to entertain people in order to make money for networks and studios. Full stop.
People can talk about messages, and education, and addressing issues -- but in the end, we as an audience know that the goal is to get ratings and make money. And we as an audience shouldn't be okay with a TV show blatantly using the plight of real dead children and their families in order to do that.
This week's "Glee" episode was about a school shooting false alarm. Gunshots were fired on campus, and the lockdown and chaos that ensued made for riveting, emotional TV. Kids left teary goodbye videos for their loved ones; one boy had a panic attack in an attempt to get to his girlfriend,...
Television is meant to entertain people in order to make money for networks and studios. Full stop.
People can talk about messages, and education, and addressing issues -- but in the end, we as an audience know that the goal is to get ratings and make money. And we as an audience shouldn't be okay with a TV show blatantly using the plight of real dead children and their families in order to do that.
This week's "Glee" episode was about a school shooting false alarm. Gunshots were fired on campus, and the lockdown and chaos that ensued made for riveting, emotional TV. Kids left teary goodbye videos for their loved ones; one boy had a panic attack in an attempt to get to his girlfriend,...
- 4/12/2013
- by editorial@zap2it.com
- Zap2It - From Inside the Box
Comedy writer and actor who starred in 70s sitcom Sykes and Harry Potter and the Goblet of Fire has died after a short illness
From writing a film where the only word uttered is "rhubarb" to creating one of TV's most popular sitcom partnerships, Eric Sykes – who died on Wednesday aged 89 – will be remembered as one of Britain's finest comedy actors and writers.
Tributes came in thick and fast for a man who was seldom off radios, stages or screens in a career spanning 60 years that will spark different memories for different generations.
Some will know him best for writing and directing the silly slapstick film The Plank while others will remember his sitcom partnership with Hattie Jacques, who played his perpetually exasperated sister.
More recently, in the face of near total deafness and blindness, Sykes appeared in the fourth Harry Potter film and, in 2007, the British comedy Son of Rambow.
From writing a film where the only word uttered is "rhubarb" to creating one of TV's most popular sitcom partnerships, Eric Sykes – who died on Wednesday aged 89 – will be remembered as one of Britain's finest comedy actors and writers.
Tributes came in thick and fast for a man who was seldom off radios, stages or screens in a career spanning 60 years that will spark different memories for different generations.
Some will know him best for writing and directing the silly slapstick film The Plank while others will remember his sitcom partnership with Hattie Jacques, who played his perpetually exasperated sister.
More recently, in the face of near total deafness and blindness, Sykes appeared in the fourth Harry Potter film and, in 2007, the British comedy Son of Rambow.
- 7/4/2012
- by Mark Brown
- The Guardian - Film News
Here is a collection of geek art submissions from GeekTyrant readers. We recently asked for the geekiest art submissions possible. The image above is called Skyward Bear by Santiago Robles. Check out some of the coolest pieces below:
If it Bleeds by Jubelson Tardin
Cute Batman by Joshua Adams
Hand vs. Foot by Dallin Bird
Superman by Charles Peters
Warren White by Jimmy Edwards
Agent Coulson by Dany Winterbottom
Finn The Human Drive Mashup by The Stray
Get to the Choppa by Rachel Mursic
Indiana Jones meets The Rocketeer by Mike McMahon
Which is your favorite?
Follow Tiberius on Twitter, Facebook and Tumblr...
If it Bleeds by Jubelson Tardin
Cute Batman by Joshua Adams
Hand vs. Foot by Dallin Bird
Superman by Charles Peters
Warren White by Jimmy Edwards
Agent Coulson by Dany Winterbottom
Finn The Human Drive Mashup by The Stray
Get to the Choppa by Rachel Mursic
Indiana Jones meets The Rocketeer by Mike McMahon
Which is your favorite?
Follow Tiberius on Twitter, Facebook and Tumblr...
- 6/10/2012
- by Tiberius
- GeekTyrant
Directed by Richard Lester
Written by John Antrobus, Adapted by Charles Wood, based on the play by Spike Milligan and John Antrobus
Featuring (in order of height) Rita Tushingham, Dudley Moore, Harry Secombe, Arthur Lowe, Roy Kinnear, Spick Milligan, Ronald Fraser, Jimmy Edwards, Michael Hordern, Peter Cook, Ralph Richardson
If listing cast members by order of height seems rather absurd, welcome to The Bed Sitting Room. That’s how the film opens and it just gets stranger from there. It’s possibly the oddest post apocalyptic tale ever filmed, short of Six String Samurai, though not as much fun.
After the credits roll, the film opens on a BBC anchorman (Thornton), dressed in a suit from mid-chest up, (Thornton) knocking at a makeshift door in the middle of a field of mud. Invited in by the inhabitant, the anchorman squats behind a hollowed out television and announces the third (or...
Written by John Antrobus, Adapted by Charles Wood, based on the play by Spike Milligan and John Antrobus
Featuring (in order of height) Rita Tushingham, Dudley Moore, Harry Secombe, Arthur Lowe, Roy Kinnear, Spick Milligan, Ronald Fraser, Jimmy Edwards, Michael Hordern, Peter Cook, Ralph Richardson
If listing cast members by order of height seems rather absurd, welcome to The Bed Sitting Room. That’s how the film opens and it just gets stranger from there. It’s possibly the oddest post apocalyptic tale ever filmed, short of Six String Samurai, though not as much fun.
After the credits roll, the film opens on a BBC anchorman (Thornton), dressed in a suit from mid-chest up, (Thornton) knocking at a makeshift door in the middle of a field of mud. Invited in by the inhabitant, the anchorman squats behind a hollowed out television and announces the third (or...
- 4/10/2012
- by Chris McMillan
- Planet Fury
Directed by Richard Lester
Written by John Antrobus, Adapted by Charles Wood, based on the play by Spike Milligan and John Antrobus
Featuring (in order of height) Rita Tushingham, Dudley Moore, Harry Secombe, Arthur Lowe, Roy Kinnear, Spick Milligan, Ronald Fraser, Jimmy Edwards, Michael Hordern, Peter Cook, Ralph Richardson
If listing cast members by order of height seems rather absurd, welcome to The Bed Sitting Room. That’s how the film opens and it just gets stranger from there. It’s possibly the oddest post apocalyptic tale ever filmed, short of Six String Samurai, though not as much fun.
After the credits roll, the film opens on a BBC anchorman (Thornton), dressed in a suit from mid-chest up, (Thornton) knocking at a makeshift door in the middle of a field of mud. Invited in by the inhabitant, the anchorman squats behind a hollowed out television and announces the third (or...
Written by John Antrobus, Adapted by Charles Wood, based on the play by Spike Milligan and John Antrobus
Featuring (in order of height) Rita Tushingham, Dudley Moore, Harry Secombe, Arthur Lowe, Roy Kinnear, Spick Milligan, Ronald Fraser, Jimmy Edwards, Michael Hordern, Peter Cook, Ralph Richardson
If listing cast members by order of height seems rather absurd, welcome to The Bed Sitting Room. That’s how the film opens and it just gets stranger from there. It’s possibly the oddest post apocalyptic tale ever filmed, short of Six String Samurai, though not as much fun.
After the credits roll, the film opens on a BBC anchorman (Thornton), dressed in a suit from mid-chest up, (Thornton) knocking at a makeshift door in the middle of a field of mud. Invited in by the inhabitant, the anchorman squats behind a hollowed out television and announces the third (or...
- 4/10/2012
- by Chris McMillan
- Planet Fury
I have absolutely no shame in admitting that last night’s One Tree Hill finale reduced me to tears at several points. For fans of the show, the episode did what the show had always done best (and what often brought scorn and ridicule from folks who didn’t get the appeal): It embraced its own predictability and cheesiness and while wrapping viewers in the warm and comforting embrace of a world where dreams come true and good almost always triumphs over evil. Like almost no other, Hill was a show which not only remembered its past, but knew that fans did as well and regularly rewarded them with references to events — big and small — to characters, moments and jokes from previous seasons. Here are our five favorites from last night’s finale.
The Edwards-Scott Memorial Scholarship Program
The season three episode in which troubled student Jimmy Edwards held...
The Edwards-Scott Memorial Scholarship Program
The season three episode in which troubled student Jimmy Edwards held...
- 4/5/2012
- by Richard M. Simms
- The TV Addict
Let me begin this rant by saying that Dan Scott is one of the most interesting, dimensional characters "One Tree Hill" has ever seen, and Paul Johansson is a fantastic actor, director, and all-around human being. He also has very excellent hair. This isn't meant as a criticism of Johansson at all.
It's also not meant as a criticism of "One Tree Hill" executive producer Mark Schwahn or any of his writing staff. It's simply a (very opinionated) look at a character from a dedicated fan of the show. (Because, for the record, I do really, really love this show, and have since I was 16.)
In this week's episode, Dan saved Nathan from his kidnappers and, quite literally, took a bullet for him. Because of Dan, Nathan will be reunited with his wife and children. It was arguably one of the most thrilling, suspenseful episodes in the series' nine-year run,...
It's also not meant as a criticism of "One Tree Hill" executive producer Mark Schwahn or any of his writing staff. It's simply a (very opinionated) look at a character from a dedicated fan of the show. (Because, for the record, I do really, really love this show, and have since I was 16.)
In this week's episode, Dan saved Nathan from his kidnappers and, quite literally, took a bullet for him. Because of Dan, Nathan will be reunited with his wife and children. It was arguably one of the most thrilling, suspenseful episodes in the series' nine-year run,...
- 3/16/2012
- by editorial@zap2it.com
- Zap2It - From Inside the Box
Versatile actor and writer often called upon to play toffs and bumbling clerics
The actor Jonathan Cecil, who has died of pneumonia aged 72 after suffering from emphysema, spent much of his career playing upper-class characters. That is hardly surprising since his father was Lord David Cecil, Goldsmiths' professor of English literature at Oxford University, and Jonathan's grandfather was the 4th Marquess of Salisbury. Although often typecast as a comic blueblood, there was infinitely more to Jonathan than that. He excelled in Chekhov and Shakespeare, and four times played Sir Andrew Aguecheek in Twelfth Night, always investing the character with a silvery pathos. In 1998 he had an outstanding season at Shakespeare's Globe, where he appeared in As You Like It and Thomas Middleton's A Mad World, My Masters, in which he played Sir Bounteous Progress – "gazing benignly", as John Gross wrote, "on almost everything, even his own undoing".
I...
The actor Jonathan Cecil, who has died of pneumonia aged 72 after suffering from emphysema, spent much of his career playing upper-class characters. That is hardly surprising since his father was Lord David Cecil, Goldsmiths' professor of English literature at Oxford University, and Jonathan's grandfather was the 4th Marquess of Salisbury. Although often typecast as a comic blueblood, there was infinitely more to Jonathan than that. He excelled in Chekhov and Shakespeare, and four times played Sir Andrew Aguecheek in Twelfth Night, always investing the character with a silvery pathos. In 1998 he had an outstanding season at Shakespeare's Globe, where he appeared in As You Like It and Thomas Middleton's A Mad World, My Masters, in which he played Sir Bounteous Progress – "gazing benignly", as John Gross wrote, "on almost everything, even his own undoing".
I...
- 9/25/2011
- by Michael Billington
- The Guardian - Film News
It might look rather old school today, but St Trinian's was once a subversive force in British cinema
I blame Harry Potter. I blame him for a lot of stuff: for the resurrection of those weedy Cs Lewis novels, for inducting a generation of new readers through the door marked "Fantasy", and I even blame him for the new generation of St Trinian's movies, which should have remained where they belonged and made most sense: in sexually repressed, austerity-ridden 1950s England.
Remove the hussies and hoydens of St Trinian's – referred to in the last St film as "Hogwarts for pikeys" – from that context and they deteriorate into anachronism, like National Service comedies or Carry On films made after 1969. They belong to a period when public schools, which educated only a minuscule percentage of Britons, seemed so much part of the national psyche that the entire country was familiar with their strange,...
I blame Harry Potter. I blame him for a lot of stuff: for the resurrection of those weedy Cs Lewis novels, for inducting a generation of new readers through the door marked "Fantasy", and I even blame him for the new generation of St Trinian's movies, which should have remained where they belonged and made most sense: in sexually repressed, austerity-ridden 1950s England.
Remove the hussies and hoydens of St Trinian's – referred to in the last St film as "Hogwarts for pikeys" – from that context and they deteriorate into anachronism, like National Service comedies or Carry On films made after 1969. They belong to a period when public schools, which educated only a minuscule percentage of Britons, seemed so much part of the national psyche that the entire country was familiar with their strange,...
- 12/12/2009
- by John Patterson
- The Guardian - Film News
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