No two ways about it: April’s a great month for the Criterion Channel, which (among other things; more in a second) adds two recent favorites. We’re thrilled at the SVOD premiere of Hamaguchi’s entrancing Wheel of Fortune and Fantasy, our #3 of 2021, and Bruno Dumont’s lacerating France, featuring Léa Seydoux’s finest performance yet.
Ethan Hawke’s Adventures in Moviegoing runs the gamut from Eagle Pennell’s Last Night at the Alamo to 4 Months, 3 Weeks and 2 Days, while a 14-film John Ford retro (mostly) skips westerns altogether. And no notes on the Delphine Seyrig retro—multiple by Akerman, Ulrike Ottinger, Duras, a smattering of Buñuel, and Seyrig’s own film Be Pretty and Shut Up! That of all things might be the crown jewl.
See the full list of April titles below and more on the Criterion Channel.
—
3 Bad Men, John Ford, 1926
Aar paar, Guru Dutt,...
Ethan Hawke’s Adventures in Moviegoing runs the gamut from Eagle Pennell’s Last Night at the Alamo to 4 Months, 3 Weeks and 2 Days, while a 14-film John Ford retro (mostly) skips westerns altogether. And no notes on the Delphine Seyrig retro—multiple by Akerman, Ulrike Ottinger, Duras, a smattering of Buñuel, and Seyrig’s own film Be Pretty and Shut Up! That of all things might be the crown jewl.
See the full list of April titles below and more on the Criterion Channel.
—
3 Bad Men, John Ford, 1926
Aar paar, Guru Dutt,...
- 3/25/2022
- by Leonard Pearce
- The Film Stage
For the last five months, Film Comment — the house organ of Film at Lincoln Center, a repository for erudite film coverage, and a thought leader in specialty film — has existed in limbo. It’s not dead; while the staff was put on hiatus in March, publisher Eugene Hernandez is working to determine next steps. It’s not in print; its last physical edition was March/April. It’s not quite digital: Content for the May/June issue is available at the Film Comment site and at Zinio, but any internet consumer knows that online publications can’t survive on bimonthly updates.
From the critical brickbats of Pauline Kael vs. Andrew Sarris to defining identities for seminal filmmakers like Max Ophüls, John Huston, and Martin Scorsese, Film Comment has been at the center of a vital global film conversation for 58 years. Embraced by cinephiles and academics, it also saw the art...
From the critical brickbats of Pauline Kael vs. Andrew Sarris to defining identities for seminal filmmakers like Max Ophüls, John Huston, and Martin Scorsese, Film Comment has been at the center of a vital global film conversation for 58 years. Embraced by cinephiles and academics, it also saw the art...
- 8/24/2020
- by Anne Thompson
- Thompson on Hollywood
For the last five months, Film Comment — the house organ of Film at Lincoln Center, a repository for erudite film coverage, and a thought leader in specialty film — has existed in limbo. It’s not dead; while the staff was put on hiatus in March, publisher Eugene Hernandez is working to determine next steps. It’s not in print; its last physical edition was March/April. It’s not quite digital: Content for the May/June issue is available at the Film Comment site and at Zinio, but any internet consumer knows that online publications can’t survive on bimonthly updates.
From the critical brickbats of Pauline Kael vs. Andrew Sarris to defining identities for seminal filmmakers like Max Ophüls, John Huston, and Martin Scorsese, Film Comment has been at the center of a vital global film conversation for 58 years. Embraced by cinephiles and academics, it also saw the art...
From the critical brickbats of Pauline Kael vs. Andrew Sarris to defining identities for seminal filmmakers like Max Ophüls, John Huston, and Martin Scorsese, Film Comment has been at the center of a vital global film conversation for 58 years. Embraced by cinephiles and academics, it also saw the art...
- 8/24/2020
- by Anne Thompson
- Indiewire
On December 14, 1977, the American artist Chris Burden embarked on an approximately six-month-long relationship that would be characterized by a dysfunctional cycle of desire, adventure, instability, and eventual remorse. What began as an angry rebound following a breakup with his girlfriend and frustration with his New York art dealer became an obsession that would result in accusations of stolen property, a hit-and-run accident, and insurance claims involving the Los Angeles Police Department and California Highway Patrol.However, the object of Burden’s fixation was not a person, but a thing: a 16,000-pound 1952 Ford tractor-trailer that he nicknamed “Big Job.” He would later recall of the vehicle: “It was a bad truck and I wanted it.”Chris Burden, Big Wrench, 1980 (still), single-channel video, color, sound, 15:12 minutesBurden first laid eyes on Big Job on the side of Lincoln Boulevard in Venice, California, where it had been parked with a “For Sale” sign in the window.
- 1/29/2019
- MUBI
Real comedy still happens on late night, we can prove it. If you like Conan comedy gold, Fallon friendliness, cutesy Corden, list-making Letterman, kneedy Kimmel, and all the rest, I hope you’ll enjoy this column too.
Last night on late night, Letterman talked about retirement with President Obama, Conan sat down with Avengers’ Jeremy Renner and Silicon Valley‘s T.J Miller, Fallon made an 80s music video with Jack Black, James Corden did a 5 minute “best scene” green screen of Arnold Schwarzenegger’s movies with him, Kimmel talked about being Manny Pacquiao’s very own “Justin Bieber”, and at The Daily Show, producer Brian Grazer shared his thoughts on his book and career.
Late Show with Dave Letterman
“Hoping for a pardon”, “Down to the bitter end” With his time at CBS almost up, Dave is doing some pretty fun things, like sitting down with Obama and joking about playing dominos in retirement.
Last night on late night, Letterman talked about retirement with President Obama, Conan sat down with Avengers’ Jeremy Renner and Silicon Valley‘s T.J Miller, Fallon made an 80s music video with Jack Black, James Corden did a 5 minute “best scene” green screen of Arnold Schwarzenegger’s movies with him, Kimmel talked about being Manny Pacquiao’s very own “Justin Bieber”, and at The Daily Show, producer Brian Grazer shared his thoughts on his book and career.
Late Show with Dave Letterman
“Hoping for a pardon”, “Down to the bitter end” With his time at CBS almost up, Dave is doing some pretty fun things, like sitting down with Obama and joking about playing dominos in retirement.
- 5/5/2015
- by Max Wood
- SoundOnSight
Liam Gillick in New York on Exhibition: "The problem is essentially a crisis in representation. These people in the film thought they were beyond difference." Photo: Anne-Katrin Titze
A married couple live in a fantastic house in London designed by late architect James Melvin. Their relationship to each other and to the building, their work as artists and how it relates to their bodies are exposed by Joanna Hogg in Exhibition.
Liam Gillick and I continue our conversation with an examination of a crisis in representation, the influence of Julia Kristeva and Luce Irigaray, and how Valie Export and early Marina Abramovic informed Viv Albertine's portrait of the artist D. Ed Rutherford's cinematography, Liam's future in acting and the meaning of bare feet are also explored.
Anne-Katrin Titze: Where did you first see the finished film?
Liam Gillick as H on his belly in the grass with...
A married couple live in a fantastic house in London designed by late architect James Melvin. Their relationship to each other and to the building, their work as artists and how it relates to their bodies are exposed by Joanna Hogg in Exhibition.
Liam Gillick and I continue our conversation with an examination of a crisis in representation, the influence of Julia Kristeva and Luce Irigaray, and how Valie Export and early Marina Abramovic informed Viv Albertine's portrait of the artist D. Ed Rutherford's cinematography, Liam's future in acting and the meaning of bare feet are also explored.
Anne-Katrin Titze: Where did you first see the finished film?
Liam Gillick as H on his belly in the grass with...
- 7/29/2014
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Vienna-based sales agent EastWest Distribution has picked up six new titles including Rotterdam premiere Whispers Behind The Wall.
Speaking exclusively to ScreenDaily at this week’s When East Meets West in Trieste, EastWest’s Sasha Wieser said that two of these titles will be screening in the festival programmes of Rotterdam and Berlin.
Polish-born Grzegorz Muskala’s dark psychological thriller Whispers Behind The Wall - a young law student falls for the charms of his enigmatic Berlin landlady with terrifying consequences - will have its international premiere in Rotterdam tomorrow in the Bright Future programme.
The feature debut is the first full in-house production of Sol Bondy’s Berlin-based One Two Films and Muskala’s graduation film from the German Film & Television Academy Berlin (dffb). It had its world premiere at the Filmfest Oldenburg last September and won the prize for Best Musical Score at the Kinofest Lünen in November.
Bondy was one...
Speaking exclusively to ScreenDaily at this week’s When East Meets West in Trieste, EastWest’s Sasha Wieser said that two of these titles will be screening in the festival programmes of Rotterdam and Berlin.
Polish-born Grzegorz Muskala’s dark psychological thriller Whispers Behind The Wall - a young law student falls for the charms of his enigmatic Berlin landlady with terrifying consequences - will have its international premiere in Rotterdam tomorrow in the Bright Future programme.
The feature debut is the first full in-house production of Sol Bondy’s Berlin-based One Two Films and Muskala’s graduation film from the German Film & Television Academy Berlin (dffb). It had its world premiere at the Filmfest Oldenburg last September and won the prize for Best Musical Score at the Kinofest Lünen in November.
Bondy was one...
- 1/24/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Vienna-based sales agent EastWest Distribution has picked up six new titles including Rotterdam premiere Whispers Behind The Wall.
Speaking exclusively to ScreenDaily at this week’s When East Meets West in Trieste, EastWest’s Sasha Wieser said that two of these titles will be screening in the festival programmes of Rotterdam and Berlin.
Polish-born Grzegorz Muskala’s dark psychological thriller Whispers Behind The Wall - a young law student falls for the charms of his enigmatic Berlin landlady with terrifying consequences - will have its international premiere in Rotterdam tomorrow in the Bright Future programme.
The feature debut is the first full in-house production of Sol Bondy’s Berlin-based One Two Films and Muskala’s graduation film from the German Film & Television Academy Berlin (dffb). It had its world premiere at the Filmfest Oldenburg last September and won the prize for Best Musical Score at the Kinofest Lünen in November.
Bondy was one...
Speaking exclusively to ScreenDaily at this week’s When East Meets West in Trieste, EastWest’s Sasha Wieser said that two of these titles will be screening in the festival programmes of Rotterdam and Berlin.
Polish-born Grzegorz Muskala’s dark psychological thriller Whispers Behind The Wall - a young law student falls for the charms of his enigmatic Berlin landlady with terrifying consequences - will have its international premiere in Rotterdam tomorrow in the Bright Future programme.
The feature debut is the first full in-house production of Sol Bondy’s Berlin-based One Two Films and Muskala’s graduation film from the German Film & Television Academy Berlin (dffb). It had its world premiere at the Filmfest Oldenburg last September and won the prize for Best Musical Score at the Kinofest Lünen in November.
Bondy was one...
- 1/24/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
The Bradford International Film Festival is typically an underground-friendly fest. This year appears to be no exception with two very special experimental film retrospectives, as well as a few modern underground-type flicks.
The 19th annual Biff will roll on April 11-21 at several locations around Bradford and Leeds in England, including the National Media Museum, Hebden Bridge Picture House, Hyde Park Picture House and other venues.
Biff is hosting a tribute to Stan Brakhage this year by screening the prolific filmmaker’s magnum opus, Dog Star Man, as well as a selection of his short films, from 1963′s legendary Mothlight to 1994′s Black Ice. There’s also going to be an epic-sized tribute/retrospective of experimental films from Austria, a country with a proud avant-garde filmmaking tradition that’s typically overlooked.
From Austria, Biff is, of course, screening two works from one of the experimental film world’s biggest masters,...
The 19th annual Biff will roll on April 11-21 at several locations around Bradford and Leeds in England, including the National Media Museum, Hebden Bridge Picture House, Hyde Park Picture House and other venues.
Biff is hosting a tribute to Stan Brakhage this year by screening the prolific filmmaker’s magnum opus, Dog Star Man, as well as a selection of his short films, from 1963′s legendary Mothlight to 1994′s Black Ice. There’s also going to be an epic-sized tribute/retrospective of experimental films from Austria, a country with a proud avant-garde filmmaking tradition that’s typically overlooked.
From Austria, Biff is, of course, screening two works from one of the experimental film world’s biggest masters,...
- 3/11/2013
- by Mike Everleth
- Underground Film Journal
A look at what's new on DVD today:
"And Soon the Darkness"
Directed by Marcus Efron
Released by Anchor Bay Entertainment
A remake of the 1970 British thriller of the same name, director Marcos Efron transplants the story from France to Argentina where two friends' bike ride across the mountains takes a turn for the disastrous when one mysteriously disappears. "All the Boys Love Mandy Lane" star Amber Heard and "The Unborn"'s Odette Yustman bring their collected screaming ability to this horror film. Karl Urban and "Babel"'s Adrianna Barraza co-star.
"The American"
Directed by Anton Corbijn
Released by Universal Home Video
Ahh, Focus might've suckered unsuspecting moviegoers at the multiplex with an amped-up action ad campaign for this elegaic account of the last assignment of a hit man (George Clooney) - "The American" scored an impressive D- from Cinemascore as it became the number one film at the box...
"And Soon the Darkness"
Directed by Marcus Efron
Released by Anchor Bay Entertainment
A remake of the 1970 British thriller of the same name, director Marcos Efron transplants the story from France to Argentina where two friends' bike ride across the mountains takes a turn for the disastrous when one mysteriously disappears. "All the Boys Love Mandy Lane" star Amber Heard and "The Unborn"'s Odette Yustman bring their collected screaming ability to this horror film. Karl Urban and "Babel"'s Adrianna Barraza co-star.
"The American"
Directed by Anton Corbijn
Released by Universal Home Video
Ahh, Focus might've suckered unsuspecting moviegoers at the multiplex with an amped-up action ad campaign for this elegaic account of the last assignment of a hit man (George Clooney) - "The American" scored an impressive D- from Cinemascore as it became the number one film at the box...
- 12/20/2010
- by Stephen Saito
- ifc.com
A look at what's new on DVD today:
"$5 a Day" (2008)
Directed by Nigel Cole
Released by Image Entertainment
A refugee of the bankrupt Capitol Films, this dramedy starring Christopher Walken as a raconteur who claims he's able to live a full life on the titular Lincoln bill is finally seeing the light of day after premiering at the 2008 Toronto Film Festival. Alessandro Nivola co-stars as his son who drives him to New Mexico when he falls ill. Sharon Stone and Amanda Peet are along for the ride.
"2:22" (2008)
Directed by Phillip Guzman
Released by Inception Media Group
A quartet of thieves scheme to rob a boutique hotel on New Year's Eve, but find out that what's waiting for them on the inside is even colder than the snow-caked streets outside. Just as he did for his 2006 crime thriller "Played," star/co-writer Rossi called upon famous pals Gabriel Byrne and Val Kilmer...
"$5 a Day" (2008)
Directed by Nigel Cole
Released by Image Entertainment
A refugee of the bankrupt Capitol Films, this dramedy starring Christopher Walken as a raconteur who claims he's able to live a full life on the titular Lincoln bill is finally seeing the light of day after premiering at the 2008 Toronto Film Festival. Alessandro Nivola co-stars as his son who drives him to New Mexico when he falls ill. Sharon Stone and Amanda Peet are along for the ride.
"2:22" (2008)
Directed by Phillip Guzman
Released by Inception Media Group
A quartet of thieves scheme to rob a boutique hotel on New Year's Eve, but find out that what's waiting for them on the inside is even colder than the snow-caked streets outside. Just as he did for his 2006 crime thriller "Played," star/co-writer Rossi called upon famous pals Gabriel Byrne and Val Kilmer...
- 8/24/2010
- by Stephen Saito
- ifc.com
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