Science fiction is a fascinating film genre. It inspires dreams of extraterrestrial life, futuristic gadgets, and space travel. Today, this all seems more plausible than ever. Yet, besides reflecting society, sci-fi helps us evaluate our actions -- and their consequences.
Creating scenes with nail-biting stunts requires a collaborative effort between actors and directors. Replacing stars with stunt performers due to their physical capabilities usually works but mishaps can still happen --- both on and off camera. The film industry has seen an increase in accidents over the last decade despite the advancement of technology. According to the Los Angeles Times, from 2010 to 2019, 19 fatal injuries occurred on American film sets. As attorney Chris Deacon told the outlet, "If those engaged to work on set in whatever capacity are dying at the hands of the creative process, then something is fundamentally wrong in the production processes."
Sure, authenticity makes for a thrilling watch.
Creating scenes with nail-biting stunts requires a collaborative effort between actors and directors. Replacing stars with stunt performers due to their physical capabilities usually works but mishaps can still happen --- both on and off camera. The film industry has seen an increase in accidents over the last decade despite the advancement of technology. According to the Los Angeles Times, from 2010 to 2019, 19 fatal injuries occurred on American film sets. As attorney Chris Deacon told the outlet, "If those engaged to work on set in whatever capacity are dying at the hands of the creative process, then something is fundamentally wrong in the production processes."
Sure, authenticity makes for a thrilling watch.
- 10/19/2023
- by Marta Djordjevic
- Slash Film
The smash hit monster-gore popcorn flick comes to 4K Ultra HD two years and four months after a deluxe Blu-ray, so we do a pointed comparison for purchase-crazy fans that want official sanction for their madness. Happily, you don’t need to be full-moon looney to go for the 4K: David Naughton and Griffin Dunne’s descent into a lycanthropic nightmare is as wrenching as ever.
An American Werewolf in London 4K
4K Ultra-hd
Arrow Video
1981 / B&w / 1:85 widescreen / 97 min. / Street Date March 15, 2022 / Available from / 59.95
Starring: David Naughton, Griffin Dunne, Jenny Agutter, John Woodvine, Brian Glover, Frank Oz, Sydney Bromley.
Cinematography: Robert Paynter
Art Director: Leslie Dilley
Film Editor: Malcolm Campbell
Original Music: Elmer Bernstein
Special Makeup Effects Designer and Creator: Rick Baker
Produced by George Folsey Jr., Peter Guber, John Peters
Written and Directed by John Landis
The street date for a 4K disc of a certain high-profile...
An American Werewolf in London 4K
4K Ultra-hd
Arrow Video
1981 / B&w / 1:85 widescreen / 97 min. / Street Date March 15, 2022 / Available from / 59.95
Starring: David Naughton, Griffin Dunne, Jenny Agutter, John Woodvine, Brian Glover, Frank Oz, Sydney Bromley.
Cinematography: Robert Paynter
Art Director: Leslie Dilley
Film Editor: Malcolm Campbell
Original Music: Elmer Bernstein
Special Makeup Effects Designer and Creator: Rick Baker
Produced by George Folsey Jr., Peter Guber, John Peters
Written and Directed by John Landis
The street date for a 4K disc of a certain high-profile...
- 3/5/2022
- by Glenn Erickson
- Trailers from Hell
An old-fashioned monster movie gore-fest that hasn’t dimmed in popularity, John Landis’s slightly twisted telling of a hiking mishap pulled nervous laughter from audiences pre-primed to expect ground-breakingly shocking special effects. Rick Baker delivers the shape-shifting fireworks in a two-minute sequence that goes way beyond easy laughs. The story is thin but the execution slick in a Landis film fashioned from his own screenplay, written at age 19.
An American Werewolf in London
Blu-ray
Arrow Video
1981 / Color / 1:85 widescreen / 97 min. / Street Date October 29, 2019 / 49.95
Starring: David Naughton, Griffin Dunne, Jenny Agutter, John Woodvine, Brian Glover, Frank Oz, Sydney Bromley.
Cinematography: Robert Paynter
Film Editor: Malcolm Campbell
Original Music: Elmer Bernstein
Art Direction: Leslie Dilley
Special Makeup Effects Designer and Creator: Rick Baker
Produced by George Folsey Jr., Peter Guber, John Peters
Written and Directed by John Landis
John Landis didn’t overtax Hollywood connections to get into moviemaking. A fast-talking...
An American Werewolf in London
Blu-ray
Arrow Video
1981 / Color / 1:85 widescreen / 97 min. / Street Date October 29, 2019 / 49.95
Starring: David Naughton, Griffin Dunne, Jenny Agutter, John Woodvine, Brian Glover, Frank Oz, Sydney Bromley.
Cinematography: Robert Paynter
Film Editor: Malcolm Campbell
Original Music: Elmer Bernstein
Art Direction: Leslie Dilley
Special Makeup Effects Designer and Creator: Rick Baker
Produced by George Folsey Jr., Peter Guber, John Peters
Written and Directed by John Landis
John Landis didn’t overtax Hollywood connections to get into moviemaking. A fast-talking...
- 10/26/2019
- by Glenn Erickson
- Trailers from Hell
John Landis made his first dent in Hollywood with this hilarious parody of Z-grade monster movies, and it was big enough to launch a film career. The kudos go to Landis’ comic monkey-man performance, wearing a Schockthropus ape suit by the 20 year-old self taught makeup whiz Rick Baker. Only monster movie fans will understand, but they’ll be charmed. This foreign edition is stacked with schlock-thropic extras.
Schlock
Blu-ray + DVD
Turbine Media Group
1973 / Color / Region Free / 1:78 widescreen (Blu-ray); 1:37 Academy (Ntsc DVD) / 79 min. / Available from Rakete Shop (De) / Street Date April 27, 2018 / Euros 29.99
Starring: John Landis, Saul Kahan, Eliza Garrett, Joseph Piantadosi, Enrica Blankey (Harriet Medin), Forrest J. Ackerman, Jack H. Harris, Donald F. Glut, John Chambers, Ivan Lepper.
Cinematography: Robert E. Collins
Film Editor: George Folsey Jr.
Makeup Artist: Rick Baker
Original Music: David Gibson
Produced by George Folsey Jr., Jack H. Harris, James C. O’Rourke
Written and...
Schlock
Blu-ray + DVD
Turbine Media Group
1973 / Color / Region Free / 1:78 widescreen (Blu-ray); 1:37 Academy (Ntsc DVD) / 79 min. / Available from Rakete Shop (De) / Street Date April 27, 2018 / Euros 29.99
Starring: John Landis, Saul Kahan, Eliza Garrett, Joseph Piantadosi, Enrica Blankey (Harriet Medin), Forrest J. Ackerman, Jack H. Harris, Donald F. Glut, John Chambers, Ivan Lepper.
Cinematography: Robert E. Collins
Film Editor: George Folsey Jr.
Makeup Artist: Rick Baker
Original Music: David Gibson
Produced by George Folsey Jr., Jack H. Harris, James C. O’Rourke
Written and...
- 5/3/2018
- by Glenn Erickson
- Trailers from Hell
Exclusive: Prosecutors in the Midnight Rider trial, set to begin March 9, are looking to become the first ever to convict filmmakers on manslaughter charges. In the 100 years between the death of Sarah Jones and the first film-related deaths — on July 1, 1914, when 16-year-old actress Grace McHugh drowned and cameraman Owen Carter died trying to rescue her while filming a scene for the movie Across The Border – more than 80 people have died in 52 fatal accidents while filming in the U.S. Only two resulted in indictments, none in convictions.
The last time a manslaughter case went before a jury was nearly 30 years ago, in the infamous Twilight Zone case, which ended in the acquittals of director John Landis and four co-defendants. “It was a very difficult case to prosecute,” Lea D’Agostino, the deputy district attorney who prosecuted the Twilight Zone case, later said. “You didn’t have people who went in maliciously to do something.
The last time a manslaughter case went before a jury was nearly 30 years ago, in the infamous Twilight Zone case, which ended in the acquittals of director John Landis and four co-defendants. “It was a very difficult case to prosecute,” Lea D’Agostino, the deputy district attorney who prosecuted the Twilight Zone case, later said. “You didn’t have people who went in maliciously to do something.
- 2/3/2015
- by David Robb
- Deadline
One of the most iconic (if not the most iconic) music videos of all time is getting a massive revamp! John Landis, who directed the 1983 Michael Jackson short film Thriller, told The New York Daily News that he plans to helm a 3D reboot of the mega-hit. He adds that the new video is expected to be released in 2015 and could even air in theaters. "It is going to reappear in a highly polished and three-dimensional way that is very exciting on the big screen," he was quoted as saying. The "Thriller" 3D reboot was greenlit after Landis, video producer George Folsey Jr. and the late King of Pop's estate settled a legal dispute over it in 2012. The terms of the settlement, which the...
- 10/2/2014
- E! Online
Michael Jackson’s short film and music video “Thriller” will be released in 3-D in 2015, though the nature of the release is unknown.
"Thriller" Short Film
“Thriller” was originally released in 1983, and isone of Jackson’s most famous videos. The scary, zombie theme and iconic dance moves secured the video a place in music and film history. It was the first music video to be inducted into the National Film Registry by the Library of Congress.
Directed by John Landis (Animal House), the video had a $500,000 budget, making it the most expensive music video of its time. Jackson reportedly wanted to release a re-vamped version to go along with his ‘This Is It’ tour before he died and Landis has been working on the project for months.
“The iconic video has never been released on Blu-ray or seen in cinemas and 3-D, and that was always a vision Michael had.
"Thriller" Short Film
“Thriller” was originally released in 1983, and isone of Jackson’s most famous videos. The scary, zombie theme and iconic dance moves secured the video a place in music and film history. It was the first music video to be inducted into the National Film Registry by the Library of Congress.
Directed by John Landis (Animal House), the video had a $500,000 budget, making it the most expensive music video of its time. Jackson reportedly wanted to release a re-vamped version to go along with his ‘This Is It’ tour before he died and Landis has been working on the project for months.
“The iconic video has never been released on Blu-ray or seen in cinemas and 3-D, and that was always a vision Michael had.
- 9/30/2014
- Uinterview
The John Landis-directed mini-movie – first shown publicly 30 years ago this week – influenced a generation of directors including Spike Jonze, turned music promos into an industry, and established MTV as a cultural force
John Landis was in London in 1983 when Michael Jackson called to ask if he was interested in making a video for Thriller, the title track of the album he'd released a little under a year before. Seemingly unaware of the time difference, Jackson had called at 2am UK time and the sleepy director had to feign knowledge of the song, which he hadn't heard. Jackson, for his part, hadn't seen Landis's films Animal House, The Blues Brothers or Trading Places; he wanted Landis because of An American Werewolf in London. Landis said he would do the video if it could be a short film, and Jackson embraced the idea. The 13-minute film that resulted changed the music video for ever,...
John Landis was in London in 1983 when Michael Jackson called to ask if he was interested in making a video for Thriller, the title track of the album he'd released a little under a year before. Seemingly unaware of the time difference, Jackson had called at 2am UK time and the sleepy director had to feign knowledge of the song, which he hadn't heard. Jackson, for his part, hadn't seen Landis's films Animal House, The Blues Brothers or Trading Places; he wanted Landis because of An American Werewolf in London. Landis said he would do the video if it could be a short film, and Jackson embraced the idea. The 13-minute film that resulted changed the music video for ever,...
- 11/22/2013
- The Guardian - Film News
If you’re anywhere near the Los Angeles area this Saturday, you may be interested in checking out “An Evening with the Makers of An American Werewolf in London,” a special event that features a screening of the film and a number of guests, including John Landis and Rick Baker:
“The moon seemed perennially full on screen in the 1980s, a decade that saw more than its share of classic—and not-so-classic—werewolf movies including Wolfen (1981), The Howling petrology (1981-1989), The Company of Wolves (1984), Silver Bullet (1985) and Teen Wolf (1985), to name a few. Towering above them all is writer-director John Landis’ An American Werewolf in London (1981). A defining film of the era,American Werewolf proved wildly successful thanks to Landis’ deft balance of comedy and horror, while Rick Baker’s Academy Award–winning makeup effects set the bar for technical mastery. The film’s influence can be felt in...
“The moon seemed perennially full on screen in the 1980s, a decade that saw more than its share of classic—and not-so-classic—werewolf movies including Wolfen (1981), The Howling petrology (1981-1989), The Company of Wolves (1984), Silver Bullet (1985) and Teen Wolf (1985), to name a few. Towering above them all is writer-director John Landis’ An American Werewolf in London (1981). A defining film of the era,American Werewolf proved wildly successful thanks to Landis’ deft balance of comedy and horror, while Rick Baker’s Academy Award–winning makeup effects set the bar for technical mastery. The film’s influence can be felt in...
- 10/21/2013
- by Jonathan James
- DailyDead
Michael Jackson’s groundbreaking dance routines and unique vocals have influenced generations of musicians, dancers and entertainers for decades. He was one of entertainment’s greatest icons, and like most gifted individuals he was always pushing boundaries, reinventing himself, and testing his limits. The New York Times once described him as one of the six most famous people on the planet, but I’d like to up the ante by saying, he was the most famous person on the planet. Of his many achievements, Jackson helped elevate the music video, turning it into an art form with complex story lines, never-before-seen dance choreography, elaborate special effects and famous cameo appearances. And while he developed some of the greatest music videos of all time, it wasn’t always easy for him. At first Jackson struggled to receive coverage on MTV because he was African American. Pressure from CBS Records persuaded MTV...
- 10/3/2013
- by Ricky
- SoundOnSight
While much has been said about Universal Studios not having a standout year at the box office, or at least one befitting of the landmark studio's 100th Anniversary this year, you’d barely be able to tell by the rate at which they’re celebrating. The Academy of Motion Picture Arts and Sciences (AMPAS) has played a large part in this celebration, running a repertory screening series entitled “Universal’s Legacy of Horror,” which kicked off last week in Los Angeles with a Guillermo Del Toro hosted double bill of “Bride of Frankenstein” and the Bela Lugosi-starring “Dracula.” Last night AMPAS played the classic 1941 tale “The Wolfman” with Lon Chaney, along with the most recent film playing in the series – “Animal House” writer-director John Landis’ “An American Werewolf in London.” Landis, star David Naughton, producer George Folsey Jr., and legendary make-up artist Rick Baker...
- 10/10/2012
- by Benjamin Wright
- The Playlist
As we gear up for Halloween. the Academy is hosting an October-long celebration of classic horror films in honor of “Universal.s Legacy of Horror“- part of the studio.s year-long 100th anniversary celebration. This week’s films highlight The Man Who Laughs, The Wolfman and An American Werewolf In London. Just last week writer, director Guillermo del Toro, a big fan of Jaws, hosted the kick-off screening celebrating the studio that defined .horror films..
Del Toro also answered questions from fans on the Academy’s Facebook page.
For those not in the Southern California area, you can watch all these cinematic masterpieces of the horror genre on Blu-ray in the Universal Classic Monsters: The Essential Collection which debuted on October 2 from Universal Studios Home Entertainment.
If you’re in the Beverly Hills area, check out the lineup for the rest of the month:
“The Man Who Laughs” (1928) Monday,...
Del Toro also answered questions from fans on the Academy’s Facebook page.
For those not in the Southern California area, you can watch all these cinematic masterpieces of the horror genre on Blu-ray in the Universal Classic Monsters: The Essential Collection which debuted on October 2 from Universal Studios Home Entertainment.
If you’re in the Beverly Hills area, check out the lineup for the rest of the month:
“The Man Who Laughs” (1928) Monday,...
- 10/7/2012
- by Michelle McCue
- WeAreMovieGeeks.com
Pictured: Bela Lugosi, Dracula, 1931. Courtesy of AMPAS
Looking for a good scare next month? Before you head out trick-or-treating on the 31st, and you’re in the Southern California area, you need to head over to the Academy in Beverly Hills. Our friends at AMPAS are hosting an October-long celebration of classic horror films in honor of “Universal.s Legacy of Horror”- part of the studio.s year-long 100th anniversary celebration. Writer & director Guillermo del Toro, a true aficionado of the horror-genre, will host the kick-off screening celebrating the studio that defined “horror films. ” The Academy will screen newly restored prints from Universal.
For those not wanting bad dreams the Academy will also present “Universal.s Legacy of Horror: A Centennial Exhibition,” which includes rare posters, stills and other artifacts celebrating Universal.s distinctive contributions to the classic horror genre and the studio.s founding 100 years ago. The exhibition...
Looking for a good scare next month? Before you head out trick-or-treating on the 31st, and you’re in the Southern California area, you need to head over to the Academy in Beverly Hills. Our friends at AMPAS are hosting an October-long celebration of classic horror films in honor of “Universal.s Legacy of Horror”- part of the studio.s year-long 100th anniversary celebration. Writer & director Guillermo del Toro, a true aficionado of the horror-genre, will host the kick-off screening celebrating the studio that defined “horror films. ” The Academy will screen newly restored prints from Universal.
For those not wanting bad dreams the Academy will also present “Universal.s Legacy of Horror: A Centennial Exhibition,” which includes rare posters, stills and other artifacts celebrating Universal.s distinctive contributions to the classic horror genre and the studio.s founding 100 years ago. The exhibition...
- 9/25/2012
- by Michelle McCue
- WeAreMovieGeeks.com
Say what you will about Michael Jackson, Thriller is arguably one of the single greatest music videos of all time. Sadly, due to disputes between the Jackson Estate and director John Landis, all that's available now are crappy standard definition versions of it here and there.
Thankfully this fact may finally change...
According to The Hollywood Reporter the estate of Michael Jackson has put the finishing touches on a deal with director John Landis and producer George Folsey, Jr., that resolves litigation concerning net profits on the late singer's Thriller video as well as a fight over a previously planned musical theater production of the hit song/video.
In January 2009, Landis and Folsey sued Jackson and his company, Optimum Productions, claiming they were still owed money for work on the 14-minute video. Then Jackson died in June of that year, prompting anyone with a debt to file a claim on his estate.
Thankfully this fact may finally change...
According to The Hollywood Reporter the estate of Michael Jackson has put the finishing touches on a deal with director John Landis and producer George Folsey, Jr., that resolves litigation concerning net profits on the late singer's Thriller video as well as a fight over a previously planned musical theater production of the hit song/video.
In January 2009, Landis and Folsey sued Jackson and his company, Optimum Productions, claiming they were still owed money for work on the 14-minute video. Then Jackson died in June of that year, prompting anyone with a debt to file a claim on his estate.
- 9/2/2012
- by Uncle Creepy
- DreadCentral.com
The estate of Michael Jackson tells The Hollywood Reporter that it has put the finishing touches on a deal with director John Landis and producer George Folsey Jr. that resolves litigation concerning net profits on the late singer's "Thriller" video as well as a fight over a previously planned musical theater production of the hit song/video. In January 2009, Landis and Folsey sued Jackson and his company, Optimum Productions, claiming they were still owed money for work on the 14-minute video. Then, Jackson died in June of that year, prompting anyone with a debt to file a claim on
read more...
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- 8/31/2012
- by Eriq Gardner
- The Hollywood Reporter - Movie News
It's always been a dream of mine to attend the entire Sundance Film Festival and, last week, I was able to fulfill that dream. Leave it to Edgar Wright to simultaneously program one of the most amazing repertory programs in recent memory and make me reconsider what dreams are made of. The Wright Stuff II ran from January 14-31 at the New Beverly Cinema in Los Angeles and featured Wright-selected double features with special guests, Q&A's, fun trailers and more. We did a preview of what was playing at the event [1]and now that it's over, Wright has provided his own look back with some reveals of the many surprises he provided to Los Angeles fans. Check out some highlights after the break. On Wright's blog, Edgar Wright Here [2], he posted a huge list of thank yous and more. Here are some of the highlights of what he posted.
- 2/2/2011
- by Germain Lussier
- Slash Film
The director and producer of the iconic "Thriller' music video are less than thrilled. George Folsey, Jr., the video's producer, filed a claim on Thursday stating that he is due more than $1 million for his contribution, according to The Associated Press. An attorney for director John Landis also made a claim on Thursday against Michael Jackson's estate. He believes to be owed more than $1.3 million, the AP reported. He sued the singer prior to his death on the foundation that Jackson hadn't paid him his portion of profits in recent years. Landis also filed a suit to prevent Jackson from pursuing additional "Thriller" projects, such as a Broadway show. The cases continue to be pending. Jackson's former manager, Leonard Rowe, said he is owed more than $300,000 on Thursday. Earlier this week, dermatologist Dr. Arnold Klein filed a claim as well.
[Read full story on The Insider]...
[Read full story on The Insider]...
- 10/30/2009
- by TheInsider
- TheInsider.com
Michael Jackson's This Is It wasn't the only big hit for Mj's estate this week. John Landis, who directed the King of Pop's Thriller video, producer George Folsey Jr. and a production company filed claims against the estate Thursday seeking more than $2.4 million in profits related to the 1982 production. Landis first sued Jackson in January, shortly after the singer sold the Broadway rights to Thriller, for about $1 million he said he was owed for his work on the '80s-era game-changer, which put Mj on the map as a pioneer in video production. Now he says Jackson owed him $400,000 from the Broadway deal (which wasn't his right to make in the first place, he says), while Folsey is...
- 10/30/2009
- E! Online
An American Werewolf In London, that second best of all lycanthropic thrillers, is just emerging on Blu-ray and a new DVD edition today. The best, (super)naturally, remains 1941’s The Wolf Man (with a remake due next February), but 28 years after its 1981 release, American Werewolf is still looking mighty fine.
And I have anecdotes.
Jim Steranko’s Mediascene Prevue, the magazine I worked for at the time, had Already interviewed American Werewolf writer-director John Landis. Steranko had made a trip to La in early 1981 and quizzed him then for issue #46 (the Bo Derek Tarzan cover). We thought we were done with American Werewolf, but then unexpectedly Universal Pictures invited Prevue to a weekend press junket in NYC in August (I think). Steranko decided I should attend. After all, we had already published Prevue’s story, so this might be nothing more than interview experience for me (my first hotel press junket!
And I have anecdotes.
Jim Steranko’s Mediascene Prevue, the magazine I worked for at the time, had Already interviewed American Werewolf writer-director John Landis. Steranko had made a trip to La in early 1981 and quizzed him then for issue #46 (the Bo Derek Tarzan cover). We thought we were done with American Werewolf, but then unexpectedly Universal Pictures invited Prevue to a weekend press junket in NYC in August (I think). Steranko decided I should attend. After all, we had already published Prevue’s story, so this might be nothing more than interview experience for me (my first hotel press junket!
- 9/16/2009
- by no-reply@starlog.com (David McDonnell)
- Starlog
Last night, the New Beverly here in Los Angeles hosted a double-feature bill of An American Werewolf In London along with the documentary Beware The Moon: Remembering An American Werewolf In London , which was making its U.S. premiere exclusively for this screening. In between the two features, ShockTillYouDrop.com invited Beware The Moon director/writer/producer Paul Davis, producer Romy Alford-Sancto and American Werewolf alumni George Folsey (producer), Rick Baker (special FX), Tom Hester (special FX) and Les Dilley (art director) up to the front to field some questions about both films for a special Q&A session. Below you'll find the complete transcript of that Q & A for all of those that couldn't be there. Enjoy! ShockTillYouDrop.com: For all the American...
- 9/15/2009
- shocktillyoudrop.com
After the passing of Michael Jackson last week, Tom DeFeo aka "The Godfather of Fangoria" (our owner & president) asked me to post a copy of our Screamography episode featuring John Landis. With last night's news that Dimension might be remaking An American Werewolf In London, the episode certainly seems hauntingly timely.
Presented below is the full, 54-minute episode of Fangoria's Screamography: John Landis, along with a text transcript featuring Landis on Jackson.The segment on An American Werewolf begins around the 23 minute mark, with the segment on Thriller beginning around 37.
Fangoria Screamography - John Landis
Transcript: The Making Of Michael Jackson's Thriller (at 37:00 in the video):
Narrator: Landis' next project was for the small screen and starred The King of Pop...
John Landis: Thriller cost about $600,000 which at the time was huge because the average rock video cost between $50K and $100K, and we made one for $600K.
Presented below is the full, 54-minute episode of Fangoria's Screamography: John Landis, along with a text transcript featuring Landis on Jackson.The segment on An American Werewolf begins around the 23 minute mark, with the segment on Thriller beginning around 37.
Fangoria Screamography - John Landis
Transcript: The Making Of Michael Jackson's Thriller (at 37:00 in the video):
Narrator: Landis' next project was for the small screen and starred The King of Pop...
John Landis: Thriller cost about $600,000 which at the time was huge because the average rock video cost between $50K and $100K, and we made one for $600K.
- 6/29/2009
- by no-reply@fangoria.com (James Zahn)
- Fangoria
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