2024 marks the 40th anniversary of the creature feature C.H.U.D. (watch it Here), which is best remembered for its title – which stands for Cannibalistic Humanoid Underground Dwellers – and for its cast, which included John Heard, Daniel Stern, Christopher Curry, and Kim Griest, with appearances by Jon Polito, Jay Thomas, and John Goodman. To celebrate C.H.U.D.‘s big anniversary, the folks at Dread Central decided to ask Goodman about the film – and found that he was quite happy to reminisce about his experience working with the cannibalistic humanoids!
Goodman said, “I am definitely in C.H.U.D. I’m from St. Louis and I moved to New York in ’75 to do theater and I wanted to do film. I knew if I didn’t go and try to do films, I would kick myself for the rest of my life. C.H.U.D. was made by a lot of the guys I was...
Goodman said, “I am definitely in C.H.U.D. I’m from St. Louis and I moved to New York in ’75 to do theater and I wanted to do film. I knew if I didn’t go and try to do films, I would kick myself for the rest of my life. C.H.U.D. was made by a lot of the guys I was...
- 1/19/2024
- by Cody Hamman
- JoBlo.com
Harper Lee's "To Kill A Mockingbird" is about as quintessentially American as a classic book can get. The 1960 novel, which is still commonly read in schools today, follows young Alabaman girl Scout Finch as she endures the trials and tribulations of her pre-teen years -- and witnesses the grim realities of the Jim Crow-era South. Some aspects of "To Kill A Mockingbird" haven't aged perfectly, but the book remains beloved for good reason. It's funny, sharp, and emotional, full of wisdom and harsh truth, and builds a world that's vividly alive.
That world made the leap from the page to the big screen in 1962, when director Robert Mulligan and playwright Horton Foote adapted "To Kill A Mockingbird" as a film. The movie version is indelible in its own right. It's anchored by a precise performance from Gregory Peck, who plays compassionate defense attorney Atticus Finch. In the 60 years since...
That world made the leap from the page to the big screen in 1962, when director Robert Mulligan and playwright Horton Foote adapted "To Kill A Mockingbird" as a film. The movie version is indelible in its own right. It's anchored by a precise performance from Gregory Peck, who plays compassionate defense attorney Atticus Finch. In the 60 years since...
- 12/26/2023
- by Valerie Ettenhofer
- Slash Film
Cicely Tyson is an Emmy Award-winning actress for “The Oldest Confederate Widow Tells All” in 1994 and 20 years earlier for “The Autobiography of Miss Jane Pittman.”
Tyson has worked steadily in film and television since the 1960s. Her Emmy nominations have come in a variety of categories and for some highly acclaimed television shows such as “Roots” and “King”.
Tyson has also had an acclaimed career on the Broadway stage. She appeared in a number of productions both on and off-Broadway throughout her life. In 2013 and at age 88, Tyson won the Tony as Best Actress in a Play for a revival of the Horton Foote play “The Trip to Bountiful.” (That was the same role that won Geraldine Page the Best Actress Oscar in 1985.)
She received an honorary Oscar for life achievement, induction into the Television Academy Hall of Fame and the Kennedy Center Honors. But its her film career that...
Tyson has worked steadily in film and television since the 1960s. Her Emmy nominations have come in a variety of categories and for some highly acclaimed television shows such as “Roots” and “King”.
Tyson has also had an acclaimed career on the Broadway stage. She appeared in a number of productions both on and off-Broadway throughout her life. In 2013 and at age 88, Tyson won the Tony as Best Actress in a Play for a revival of the Horton Foote play “The Trip to Bountiful.” (That was the same role that won Geraldine Page the Best Actress Oscar in 1985.)
She received an honorary Oscar for life achievement, induction into the Television Academy Hall of Fame and the Kennedy Center Honors. But its her film career that...
- 12/15/2023
- by Misty Holland, Robert Pius and Chris Beachum
- Gold Derby
As of this writing, based on the combined Oscar predictions of Gold Derby users, Fantasia Barrino is the front-runner to win Best Actress with 9/2 odds for playing Celie in “The Color Purple.” Currently in seventh place with 11/1 odds is Annette Bening for “Nyad.” Bening is long overdue for her first win. So could this be similar to 1985 when another overdue veteran beat an actress playing Celie in “The Color Purple?”
In “The Color Purple,” Barrino plays Celie Harris Johnson, an African-American woman struggling to live in the South during the early 1900s. In “Nyad,” Bening plays Diana Nyad, a real-life swimmer who, at age 60 and with the help of her best friend and coach (Jodie Foster), commits to achieving her life-long dream: a 110-mile open ocean swim from Cuba to Florida.
SEEOscar predictions: Fantasia Barrino (‘The Color Purple’) is the early favorite for historic Best Actress victory
During the 1985 season...
In “The Color Purple,” Barrino plays Celie Harris Johnson, an African-American woman struggling to live in the South during the early 1900s. In “Nyad,” Bening plays Diana Nyad, a real-life swimmer who, at age 60 and with the help of her best friend and coach (Jodie Foster), commits to achieving her life-long dream: a 110-mile open ocean swim from Cuba to Florida.
SEEOscar predictions: Fantasia Barrino (‘The Color Purple’) is the early favorite for historic Best Actress victory
During the 1985 season...
- 9/1/2023
- by Jeffrey Kare
- Gold Derby
Jerome Coopersmith, who received a Tony nomination for writing a 1965 Sherlock Holmes musical and penned more than two dozen episodes of the original Hawaii Five-o during the series’ first nine seasons, has died. He was 97.
Coopersmith died peacefully Friday in Rochester, New York, his family announced.
After earning a Purple Heart for his service during World War II, Coopersmith broke into television writing for quiz shows and historical programs. In the early 1950s, he and Horton Foote worked on the kids-focused Gabby Hayes Show and Johnny Jupiter, and the future Pulitzer Prize and Oscar winner behind To Kill a Mockingbird would become his mentor.
Coopersmith wrote 30 regular installments and two feature-length episodes of CBS’ Hawaii Five-o from 1968-76. Among those was the notable 1975 eighth-season installment Retire in Sunny Hawaii … Forever, which featured Helen Hayes in an Emmy-nominated guest-starring stint as the aunt of her real-life son, James MacArthur.
He then...
Coopersmith died peacefully Friday in Rochester, New York, his family announced.
After earning a Purple Heart for his service during World War II, Coopersmith broke into television writing for quiz shows and historical programs. In the early 1950s, he and Horton Foote worked on the kids-focused Gabby Hayes Show and Johnny Jupiter, and the future Pulitzer Prize and Oscar winner behind To Kill a Mockingbird would become his mentor.
Coopersmith wrote 30 regular installments and two feature-length episodes of CBS’ Hawaii Five-o from 1968-76. Among those was the notable 1975 eighth-season installment Retire in Sunny Hawaii … Forever, which featured Helen Hayes in an Emmy-nominated guest-starring stint as the aunt of her real-life son, James MacArthur.
He then...
- 7/27/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Bo Goldman, the late-blooming guru of screenwriting who received Academy Awards for his work on One Flew Over the Cuckoo’s Nest and Melvin and Howard, has died. He was 90.
Goldman died Tuesday in Helendale, California, his son-in-law, director Todd Field, told The New York Times.
Goldman’s first screenplay was, years after he wrote it, directed by Alan Parker for Shoot the Moon (1982), which featured Diane Keaton and Albert Finney in a raw, seriocomic drama about a disintegrating marriage.
He also co-wrote the Mark Rydell-directed rock drama The Rose (1979), starring Bette Midler in an Oscar-nominated turn, and Martin Brest’s Scent of a Woman (1992), which netted him his third Academy Award nom (and Al Pacino the best actor Oscar, too).
Goldman was one of the handful of screenwriters — Paddy Chayefsky, Francis Ford Coppola, Horton Foote, William Goldman, Billy Wilder and Joel and Ethan Coen among them — to win Academy...
Goldman died Tuesday in Helendale, California, his son-in-law, director Todd Field, told The New York Times.
Goldman’s first screenplay was, years after he wrote it, directed by Alan Parker for Shoot the Moon (1982), which featured Diane Keaton and Albert Finney in a raw, seriocomic drama about a disintegrating marriage.
He also co-wrote the Mark Rydell-directed rock drama The Rose (1979), starring Bette Midler in an Oscar-nominated turn, and Martin Brest’s Scent of a Woman (1992), which netted him his third Academy Award nom (and Al Pacino the best actor Oscar, too).
Goldman was one of the handful of screenwriters — Paddy Chayefsky, Francis Ford Coppola, Horton Foote, William Goldman, Billy Wilder and Joel and Ethan Coen among them — to win Academy...
- 7/26/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Despite what the splashy yacht parties in Cannes suggest, media companies really are trying to save money right now. Really!
Top execs at Warner Bros. Discovery, Disney, Netflix, Paramount Global, Amazon and NBCUniversal parent Comcast have all promised shareholders during recent quarterly earnings calls that they’ll be spending wisely amid the economic downturn. Sweeping layoffs and other cost-cutting strategies, including the removal of underperforming content from some streaming services, has been among the first orders of business in 2023.
But no matter how many jobs these Hollywood heavyweights cut, reaching an outlandish savings target (nearly $4 billion for the post-merger Warner Bros. Discovery) is going to require pinching pennies in more areas than staff headcount. While CFOs are shredding budgets to ribbons, TV’s latest FYC season poses another quandary: What is the cost vs. benefit of an Emmy this year? And does the statuette’s symbolic value go down if...
Top execs at Warner Bros. Discovery, Disney, Netflix, Paramount Global, Amazon and NBCUniversal parent Comcast have all promised shareholders during recent quarterly earnings calls that they’ll be spending wisely amid the economic downturn. Sweeping layoffs and other cost-cutting strategies, including the removal of underperforming content from some streaming services, has been among the first orders of business in 2023.
But no matter how many jobs these Hollywood heavyweights cut, reaching an outlandish savings target (nearly $4 billion for the post-merger Warner Bros. Discovery) is going to require pinching pennies in more areas than staff headcount. While CFOs are shredding budgets to ribbons, TV’s latest FYC season poses another quandary: What is the cost vs. benefit of an Emmy this year? And does the statuette’s symbolic value go down if...
- 6/20/2023
- by Jennifer Maas
- Variety Film + TV
Matthew Broderick has graced our screens from his early days on Broadway to his voice-acting role in The Lion King. Before gaining stardom in movies like Ferris Bueller’s Day Off, Broderick started with smaller roles in Horton Foote’s On Valentine’s Day. Broderick has since proven to be a multi-talented, accomplished performer and starred in other major performances. Needless to say, the star has also solidified his position as a top-grossing actor in Hollywood. But there’s more to Matthew Broderick than just Broadway musicals. Here are 10 things you didn’t know about the star. 1. Matthew Broderick Almost Played Alex P. Keaton Michael...
- 4/28/2023
- by Tracy Ume
- TVovermind.com
It was an epic night for the Academy, with now-classic films and performances in competition, an anomaly between Best Picture and Best Director nominations, a young actress redefining the acting categories and the culmination of a decades-long feud. Let’s flashback to when first-time host Frank Sinatra guided the 35th Academy Awards ceremony on April 8, 1963.
In the years of the Best Picture category being limited to five films, the Best Director category typically fell in line with those productions, with maybe one variation. In 1963, only two directors from Best Picture nominees received bids; unsurprisingly, those two films also had the most nominations and the most wins. David Lean‘s sprawling epic biopic “Lawrence of Arabia” led the pack, coming into the night with ten bids and leaving with seven statues, including Best Picture and Lean’s second career win for Best Director. It has the unusual distinction of being the...
In the years of the Best Picture category being limited to five films, the Best Director category typically fell in line with those productions, with maybe one variation. In 1963, only two directors from Best Picture nominees received bids; unsurprisingly, those two films also had the most nominations and the most wins. David Lean‘s sprawling epic biopic “Lawrence of Arabia” led the pack, coming into the night with ten bids and leaving with seven statues, including Best Picture and Lean’s second career win for Best Director. It has the unusual distinction of being the...
- 2/21/2023
- by Susan Pennington
- Gold Derby
Actors doing the absolute most in commitment to their character have a long history in the film industry. To achieve his coyote-esque look in Dan Gilroy's 2014 neo-noir "Nightcrawler," Jake Gyllenhaal dropped 30 pounds, while Christian Bale's extreme weight loss to play a boxer dealing with drug addiction in 2010's "The Fighter" earned him a Best Supporting Actor Oscar for his troubles. A comedic scene in Martin Scorsese's "The Wolf of Wall Street" wasn't working until Jonah Hill took a real sock in the jaw from co-star Jon Bernthal. But men aren't the only ones unafraid of getting physical for their roles; for John Sturges' western classic "Gunfight at the O.K. Corral," Jo Van Fleet requested help from her co-star, a pre-"Spartacus" Kirk Douglas, to galvanize her for a tense scene by hitting her across the face.
Sturges' 1957 U.S. Western stars Van Fleet as Kate Fisher, a...
Sturges' 1957 U.S. Western stars Van Fleet as Kate Fisher, a...
- 2/12/2023
- by Anya Stanley
- Slash Film
Andrew Leynse, whose 21-year tenure as the artistic director of the Off Broadway theater company Primary Stages saw the production of works by such prominent playwrights as Terrence McNally, A.R. Gurney, Theresa Rebeck, Charles Busch and Donald Margulies, died Jan. 20 after a sudden illness. His age was not immediately available.
“It is with endless sadness that we announce the passing of our beloved Artistic Director, Andrew Leynse,” reads a statement released by Primary Stages, which concludes, “Andrew’s dedication to playwrights and the theater launched dozens of careers and brought hundreds of new plays to life. His work had an incredible and indelible contribution to the American theater, and his vision and generosity will never be forgotten.”
Leynse began his career at Primary Stages in a variety of different roles, including Production Manager and Literary Manager, after graduating from Carnegie Mellon University’s directing program. In 1999, he left Primary to...
“It is with endless sadness that we announce the passing of our beloved Artistic Director, Andrew Leynse,” reads a statement released by Primary Stages, which concludes, “Andrew’s dedication to playwrights and the theater launched dozens of careers and brought hundreds of new plays to life. His work had an incredible and indelible contribution to the American theater, and his vision and generosity will never be forgotten.”
Leynse began his career at Primary Stages in a variety of different roles, including Production Manager and Literary Manager, after graduating from Carnegie Mellon University’s directing program. In 1999, he left Primary to...
- 1/23/2023
- by Greg Evans
- Deadline Film + TV
If at first you don’t succeed, try again. Just one year after failing to score an Oscar for Best Original Screenplay for penning Netflix’s “The Trial of the Chicago 7,” Aaron Sorkin is back and vying once more to become the latest screenwriter to take home both screenplay Oscars. This time, he’s eligible for writing the script for the upcoming film “Being the Ricardos.”
The movie stars Nicole Kidman and Javier Bardem as Lucille Ball and Desi Arnaz, respectively, and depicts the personal and professional relationships between the married couple and “I Love Lucy” co-stars over the course of a particularly fraught week in 1952. Early reactions to the film have been overwhelmingly positive, with many critics praising Kidman’s performance. The movie is currently sitting in sixth place in Gold Derby’s combined odds for Best Original Screenplay at 14/1, but it’s been on the rise of late,...
The movie stars Nicole Kidman and Javier Bardem as Lucille Ball and Desi Arnaz, respectively, and depicts the personal and professional relationships between the married couple and “I Love Lucy” co-stars over the course of a particularly fraught week in 1952. Early reactions to the film have been overwhelmingly positive, with many critics praising Kidman’s performance. The movie is currently sitting in sixth place in Gold Derby’s combined odds for Best Original Screenplay at 14/1, but it’s been on the rise of late,...
- 11/23/2021
- by Kaitlin Thomas
- Gold Derby
Woodstock, N.Y. — Indie film distributor Neon is hoping to make a statement with its awards consideration plan for the animated documentary “Flee.”
Tom Quinn, co-founder of Neon, told Variety that Jonas Poher Rasmussen’s story of a gay refugee who fled to safety in Denmark from his home in Afghanistan as a child, will be submitted for Oscar best picture consideration in addition to the documentary, animation and foreign language categories. “Flee” was picked up by Neon and Participant after premiering in January at Sundance, where it won the Grand Jury Prize.
“I think it’s high time that a non-fiction feature film be a part of the best picture category,” Quinn said Saturday during an interview at the 22nd annual Woodstock Film Festival. “Flee” is timely and unfortunately more relevant than ever. It’s a film that resonates culturally, but it’s also pure cinema. It’s also...
Tom Quinn, co-founder of Neon, told Variety that Jonas Poher Rasmussen’s story of a gay refugee who fled to safety in Denmark from his home in Afghanistan as a child, will be submitted for Oscar best picture consideration in addition to the documentary, animation and foreign language categories. “Flee” was picked up by Neon and Participant after premiering in January at Sundance, where it won the Grand Jury Prize.
“I think it’s high time that a non-fiction feature film be a part of the best picture category,” Quinn said Saturday during an interview at the 22nd annual Woodstock Film Festival. “Flee” is timely and unfortunately more relevant than ever. It’s a film that resonates culturally, but it’s also pure cinema. It’s also...
- 10/3/2021
- by Addie Morfoot
- Variety Film + TV
Dramatists Play Service, the theatrical licensing and publishing agency formed in 1936 that represents scores the stage’s most prominent playwrights, has been acquired by Broadway Licensing in what the companies are calling a landmark agreement.
Broadway Licensing, a full-service theatrical licensing partner specializing in the development, production and worldwide distribution of new and established theatrical properties, will now house Dps under its slate of brands. Among the dramatists now represented under this newly formed umbrella are Ayad Akhtar, Edward Albee, Jackie Sibblies Drury, Christopher Durang, Horton Foote, Richard Greenberg, Katori Hall, Beth Henley, George S. Kaufman, Tracy Letts, Martyna Majok, Donald Margulies, Terrence McNally, Arthur Miller, Lynn Nottage, Eugene O’Neill, Susan-Lori Parks, John Patrick Shanley, Alfred Uhry, Paula Vogel, Wendy Wasserstein, Tennessee Williams, Lanford Wilson, and Doug Wright.
The deal was announced today by Sean Cercone, CEO/President, Broadway Licensing, and David J. Moore, Acting President, Dramatists Play Service.
Broadway Licensing, a full-service theatrical licensing partner specializing in the development, production and worldwide distribution of new and established theatrical properties, will now house Dps under its slate of brands. Among the dramatists now represented under this newly formed umbrella are Ayad Akhtar, Edward Albee, Jackie Sibblies Drury, Christopher Durang, Horton Foote, Richard Greenberg, Katori Hall, Beth Henley, George S. Kaufman, Tracy Letts, Martyna Majok, Donald Margulies, Terrence McNally, Arthur Miller, Lynn Nottage, Eugene O’Neill, Susan-Lori Parks, John Patrick Shanley, Alfred Uhry, Paula Vogel, Wendy Wasserstein, Tennessee Williams, Lanford Wilson, and Doug Wright.
The deal was announced today by Sean Cercone, CEO/President, Broadway Licensing, and David J. Moore, Acting President, Dramatists Play Service.
- 3/23/2021
- by Greg Evans
- Deadline Film + TV
Aaron Sorkin already has a number of awards to his name, many of them Primetime Emmys for his television work, but he could add another statuette to his collection with an Oscar win for Best Original Screenplay for “The Trial of the Chicago 7.” The movie, which debuted on Netflix in October and tells the story of the real-life Chicago 7, who were anti-Vietnam War protesters charged with a number of crimes, including intention to incite a riot at the 1968 Democratic National Convention, is currently leading Gold Derby’s combined odds at 18/5. And frankly, it’s not even a close competition at this point.
Although the much-hyped “Mank” was close behind the Sorkin-directed film for a while, it started a downward trend soon after its release on Netflix in early December. Written by the late Jack Fincher, “Mank” actually continues to dive in the odds, and this week fell below Lee Isaac Chung‘s “Minari,...
Although the much-hyped “Mank” was close behind the Sorkin-directed film for a while, it started a downward trend soon after its release on Netflix in early December. Written by the late Jack Fincher, “Mank” actually continues to dive in the odds, and this week fell below Lee Isaac Chung‘s “Minari,...
- 2/1/2021
- by Kaitlin Thomas
- Gold Derby
Honorary Oscar winner Cicely Tyson passed today at the age of 96. During a career that spanned seven decades, Tyson appeared in dozens of films, TV series, telefilms and on Broadway, winning a Tony Award for The Trip to Bountiful in 2013. She might be best known to younger audiences for her role in the hit ABC drama How to Get Away with Murder, on which she recurred as Ophelia Harkness, mother of lead character Annalise Harkness (Viola Davis).
Tyson made her silver-screen debut in 1957’s Carib Gold and went on to appear in such films as The Heart Is a Lonely Hunter (1967), George Cukor’s The Blue Bird (1976) — which also featured Elizabeth Taylor, Jane Fonda and Ava Gardner — A Hero Ain’t Nothin’ But a Sandwich (1978) and 1981 Richard Pryor comedy Bustin’ Loose, Fried Green Tomatoes (1991), Tyler Perry’s Diary of a Mad Black Woman (2005) and Madea’s Family Reunion (2006) and Best Picture...
Tyson made her silver-screen debut in 1957’s Carib Gold and went on to appear in such films as The Heart Is a Lonely Hunter (1967), George Cukor’s The Blue Bird (1976) — which also featured Elizabeth Taylor, Jane Fonda and Ava Gardner — A Hero Ain’t Nothin’ But a Sandwich (1978) and 1981 Richard Pryor comedy Bustin’ Loose, Fried Green Tomatoes (1991), Tyler Perry’s Diary of a Mad Black Woman (2005) and Madea’s Family Reunion (2006) and Best Picture...
- 1/29/2021
- by Brandon Choe
- Deadline Film + TV
Exclusive: The 27th annual Austin Film Festival (Aff) has unveiled their first wave of programming for its virtual edition for the fest which takes place October 22-29.
In addition to panels, the writers-driven fest will feature the world premiere of Anne Rapp’s Horton Foote: The Road to Home, which puts the spotlight on the work of the titular Oscar-winning screenwriter of the 1962 adaptation of Harper Lee’s To Kill a Mockingbird. Aff will also feature world premieres from second-round writers through the Festival’s Screenplay competitions, including The Catch from first-time director Matthew Ya-Hsiung Balzer as well as Paper Tiger, which also marks the directorial debut of Paul Kowalski. Khaled Ridgeway will also debut the Texas Premiere of his film Death of a Telemarketer starring Larmorne Morris, Haley Joel Osment, and Jackie Earle Haley.
Aff will spotlight Texas filmmakers with the North-American premiere of Blinders, directed by former Terrence Malick...
In addition to panels, the writers-driven fest will feature the world premiere of Anne Rapp’s Horton Foote: The Road to Home, which puts the spotlight on the work of the titular Oscar-winning screenwriter of the 1962 adaptation of Harper Lee’s To Kill a Mockingbird. Aff will also feature world premieres from second-round writers through the Festival’s Screenplay competitions, including The Catch from first-time director Matthew Ya-Hsiung Balzer as well as Paper Tiger, which also marks the directorial debut of Paul Kowalski. Khaled Ridgeway will also debut the Texas Premiere of his film Death of a Telemarketer starring Larmorne Morris, Haley Joel Osment, and Jackie Earle Haley.
Aff will spotlight Texas filmmakers with the North-American premiere of Blinders, directed by former Terrence Malick...
- 8/27/2020
- by Dino-Ray Ramos
- Deadline Film + TV
Here’s a story about a different kind of ‘lockdown.’ This near-perfect Americana drama might be the real pinnacle of Sissy Spacek’s wonderful career. The no-baloney tale of rural life on the Texas coastline during WW2 is packed with strong emotions and solid sentiment. Wartime hardship and catch-as-catch-can romance strike an uneasy balance with more threatening material, including a highly suspenseful finish. First-time director Jack Fisk hits this one out of the park, with help from Eric Roberts, William Sanderson, Tracey Walter, R.G. Armstrong, Sam Shepard and little Henry Thomas. This is one of those special pictures that creates a warm feeling about people. The ‘Rum and Coca Cola’ scene is perfection of a special kind.
Raggedy Man
Blu-ray
Kl Studio Classics
1981 / Color / 1:85 widescreen / 94 min. / Street Date July 28, 2020 / available through Kino Lorber / 29.95
Starring: Sissy Spacek, Eric Roberts, Sam Shepard, William Sanderson, Tracey Walter, R.G. Armstrong, Henry Thomas,...
Raggedy Man
Blu-ray
Kl Studio Classics
1981 / Color / 1:85 widescreen / 94 min. / Street Date July 28, 2020 / available through Kino Lorber / 29.95
Starring: Sissy Spacek, Eric Roberts, Sam Shepard, William Sanderson, Tracey Walter, R.G. Armstrong, Henry Thomas,...
- 7/28/2020
- by Glenn Erickson
- Trailers from Hell
Bettina Gilois, a screenwriter who worked on “McFarland USA” and “Bessie,” has died from cancer. She was 58.
Gilois passed away on Sunday, her friend told multiple media outlets. TheWrap has reached out to representatives for Gilois.
Along with “McFarland USA,” Gilois co-wrote the film “Glory Road” about Texas Western college basketball team of the 1960s, and “The Lost Wife of Robert Durst,” a 2017 Lifetime TV movie that starred Katharine McPhee. The HBO pic “Bessie” starred Queen Latifah as Bessie Smith. Gilois received an Emmy nomination for co-writing the biopic about the legendary blues singer, which she shared with Dee Rees, Christopher Cleveland and Horton Foote.
Also Read: Charlie Daniels, Country Music Singer of 'The Devil Went Down to Georgia,' Dies at 83
Gilois was in the middle of writing the series “Muscle Shoals” about the famed Alabama recording studio, which was being produced by Johnny Depp, with Nancy Wilson of Heart composing the music.
Gilois passed away on Sunday, her friend told multiple media outlets. TheWrap has reached out to representatives for Gilois.
Along with “McFarland USA,” Gilois co-wrote the film “Glory Road” about Texas Western college basketball team of the 1960s, and “The Lost Wife of Robert Durst,” a 2017 Lifetime TV movie that starred Katharine McPhee. The HBO pic “Bessie” starred Queen Latifah as Bessie Smith. Gilois received an Emmy nomination for co-writing the biopic about the legendary blues singer, which she shared with Dee Rees, Christopher Cleveland and Horton Foote.
Also Read: Charlie Daniels, Country Music Singer of 'The Devil Went Down to Georgia,' Dies at 83
Gilois was in the middle of writing the series “Muscle Shoals” about the famed Alabama recording studio, which was being produced by Johnny Depp, with Nancy Wilson of Heart composing the music.
- 7/6/2020
- by Tim Baysinger
- The Wrap
A group of young, scrappy and brilliant writers penned some of the most accomplished dramas presented live during the Golden Age of TV in the 1950s. Writers such as Paddy Chayefsky, J.P. Miller (“The Days of Wine and Roses”), Reginald Rose (“Twelve Angry Men”), Tad Mosel (“The Haven”), James Costigan (“Little Moon of Alban”) and Horton Foote.
But the most influential and best-known of these writers was Rod Serling, who became a superstar as not only creator and writer but host of the landmark 1959-1964 CBS sci-fi/fantasy anthology series “The Twilight Zone,” for which he won two Emmys for his writing. “The Twilight Zone” and even his less successful 1970-73 NBC anthology series “Night Gallery” has overshadowed his earlier work for which he won three Emmys for his writing.
Among his earliest work was the 1953 “Kraft Television Theatre” presentation “A Long Time Till Dawn,” which gave a 22-year-old James Dean...
But the most influential and best-known of these writers was Rod Serling, who became a superstar as not only creator and writer but host of the landmark 1959-1964 CBS sci-fi/fantasy anthology series “The Twilight Zone,” for which he won two Emmys for his writing. “The Twilight Zone” and even his less successful 1970-73 NBC anthology series “Night Gallery” has overshadowed his earlier work for which he won three Emmys for his writing.
Among his earliest work was the 1953 “Kraft Television Theatre” presentation “A Long Time Till Dawn,” which gave a 22-year-old James Dean...
- 6/4/2020
- by Susan King
- Gold Derby
Actress Shirley Knight, star of “Sweet Bird of Youth,” and “As Good As It Gets” has died, her daughter actress Kaitlin Hopkins announced in a facebook post. She was 83.
Knight received two Oscar nominations for her work in her third and fourth films, “The Dark at the Top of the Stairs” and “Sweet Bird of Youth, and appeared in numerous movies such as “Paul Blart: Mall Cop,” and television shows such as “Thirtysomething” and “NYPD Blue.”
A native from Kansas, Knight received a Tony Award in 1976 for her portrayal as an alcoholic actress in “Kennedy’s Children,” and received a second nomination again in 1997 in Horton Foote’s Pulitzer Prize-winning “The Young Man From Atlanta.” Knight won two Emmys in 1995 and a Golden Globe, the first Emmy was for Outstanding Supporting Actress in a Miniseries or a Movie in the the television movie “The McMartin Trial,” where she starred as Peggy Buckley,...
Knight received two Oscar nominations for her work in her third and fourth films, “The Dark at the Top of the Stairs” and “Sweet Bird of Youth, and appeared in numerous movies such as “Paul Blart: Mall Cop,” and television shows such as “Thirtysomething” and “NYPD Blue.”
A native from Kansas, Knight received a Tony Award in 1976 for her portrayal as an alcoholic actress in “Kennedy’s Children,” and received a second nomination again in 1997 in Horton Foote’s Pulitzer Prize-winning “The Young Man From Atlanta.” Knight won two Emmys in 1995 and a Golden Globe, the first Emmy was for Outstanding Supporting Actress in a Miniseries or a Movie in the the television movie “The McMartin Trial,” where she starred as Peggy Buckley,...
- 4/22/2020
- by Umberto Gonzalez
- The Wrap
Shirley Knight, who was twice Oscar nominated for best supporting actress, for “The Dark at the Top of the Stairs” (1960) and “Sweet Bird of Youth” (1962), and won a Tony and three Emmys, died on Wednesday of natural causes in San Marcos, Texas. She was 83.
Her daughter, actress Kaitlin Hopkins, paid tribute to Knight in a lengthy Facebook post.
Knight continued to work as she approached 80, reprising her role as Mom in “Paul Blart: Mall Cop 2” in 2015 after appearing in the 2009 original.
In 1997’s “As Good as It Gets,” starring Jack Nicholson and Helen Hunt, Knight played the mother of Hunt’s character; the New York Times called her performance “tenderly funny.”
Other film credits of recent vintage include Luis Mandoki’s “Angel Eyes” (2001), starring Jennifer Lopez; thriller “The Salton Sea” (2002); “Grandma’s Boy” (2006); Rebecca Miller’s “The Private Lives of Pippa Lee” (2009), with Robin Wright; “Our Idiot Brother” (2011), toplined by...
Her daughter, actress Kaitlin Hopkins, paid tribute to Knight in a lengthy Facebook post.
Knight continued to work as she approached 80, reprising her role as Mom in “Paul Blart: Mall Cop 2” in 2015 after appearing in the 2009 original.
In 1997’s “As Good as It Gets,” starring Jack Nicholson and Helen Hunt, Knight played the mother of Hunt’s character; the New York Times called her performance “tenderly funny.”
Other film credits of recent vintage include Luis Mandoki’s “Angel Eyes” (2001), starring Jennifer Lopez; thriller “The Salton Sea” (2002); “Grandma’s Boy” (2006); Rebecca Miller’s “The Private Lives of Pippa Lee” (2009), with Robin Wright; “Our Idiot Brother” (2011), toplined by...
- 4/22/2020
- by Carmel Dagan
- Variety Film + TV
The Young Man from Atlanta is the Pulitzer Prize-winning play by two-time Academy Award winner and former Signature Residency One Playwright Horton Foote, directed by Michael Wilson. Tickets are on sale now for the production, which officially opened on Sunday, November 24th in The Irene Diamond Stage at The Pershing Square Signature Center. Let's see what the critics are saying...
- 11/25/2019
- by Review Roundups
- BroadwayWorld.com
The Young Man from Atlanta is the Pulitzer Prize-winning play by two-time Academy Award winner and former Signature Residency One Playwright Horton Foote, directed by Michael Wilson. Tickets, priced at 35 thanks to the Signature Ticket Initiative, are on sale now for the production, which officially opens on Sunday, November 24th in The Irene Diamond Stage at The Pershing Square Signature Center 480 West 42nd Street between 9th and 10th Avenues.
- 11/15/2019
- by BWW News Desk
- BroadwayWorld.com
Aidan Quinn (CBS’ Elementary) has been cast in a lead role of Signature Theatre’s upcoming Off Broadway revival of Horton Foote’s Pulitzer Prize-winning The Young Man From Atlanta.
The production will be directed by Michael Wilson (The Orphans’ Home Cycle), and is set to begin previews at the Irene Diamond Stage at the Pershing Square Signature Center on Nov. 5, with an opening night of Nov. 24. The engagement runs through Dec. 8.
Signature announced the casting today. In addition to Quinn, the previously announced production will feature Devon Abner, Dan Bittner, Pat Bowie, Kristine Nielsen, Jon Orsini and Larry Pine. Additional casting will be determined at a later date.
Quinn and Nielsen (Gary: A Sequel to Titus Andronicus) will play Will and Lilly Dale Kidder, the play’s central couple. The drama follows the aging Kidders as they grieve the recent drowning death of their son Bill, who may or...
The production will be directed by Michael Wilson (The Orphans’ Home Cycle), and is set to begin previews at the Irene Diamond Stage at the Pershing Square Signature Center on Nov. 5, with an opening night of Nov. 24. The engagement runs through Dec. 8.
Signature announced the casting today. In addition to Quinn, the previously announced production will feature Devon Abner, Dan Bittner, Pat Bowie, Kristine Nielsen, Jon Orsini and Larry Pine. Additional casting will be determined at a later date.
Quinn and Nielsen (Gary: A Sequel to Titus Andronicus) will play Will and Lilly Dale Kidder, the play’s central couple. The drama follows the aging Kidders as they grieve the recent drowning death of their son Bill, who may or...
- 9/5/2019
- by Greg Evans
- Deadline Film + TV
Tony Sokol Jul 10, 2019
Rip Torn, who played characters from Judas Iscariot to the producer on The Larry Sanders Show, dies at 88.
Respected and versatile character actor Rip Torn died Tuesday in Lakeville, Conn., according to Variety. Publicist Rick Miramontez did not release a cause of death, but said Torn was with his wife, Amy Wright, and two daughters, Katie and Angelica. He was 88.
Torn believed actors should “play drama as comedy and comedy as drama,” according to the statement, and the actor was equally at home both. He starred in comedies like Albert Brooks' Defending Your Life and the Men in Black films, as well as TV comedies 30 Rock, playing General Electric CEO Don Geiss, mentor to Alec Baldwin’s Jack Donaghy, and Curb Your Enthusiasm.
Torn won an Emmy for his part in HBO's The Larry Sanders Show, and was nominated for a Tony award in...
Rip Torn, who played characters from Judas Iscariot to the producer on The Larry Sanders Show, dies at 88.
Respected and versatile character actor Rip Torn died Tuesday in Lakeville, Conn., according to Variety. Publicist Rick Miramontez did not release a cause of death, but said Torn was with his wife, Amy Wright, and two daughters, Katie and Angelica. He was 88.
Torn believed actors should “play drama as comedy and comedy as drama,” according to the statement, and the actor was equally at home both. He starred in comedies like Albert Brooks' Defending Your Life and the Men in Black films, as well as TV comedies 30 Rock, playing General Electric CEO Don Geiss, mentor to Alec Baldwin’s Jack Donaghy, and Curb Your Enthusiasm.
Torn won an Emmy for his part in HBO's The Larry Sanders Show, and was nominated for a Tony award in...
- 7/10/2019
- Den of Geek
Rip Torn, who played Garry Shandling’s profane, fiercely loyal producer on HBO’s The Larry Sanders Show, co-starred in the original Men in Black films and was a major star of Broadway and Off Broadway during a seven-decade career, died today surrounded by family at his home in Lakeville, Ct. He was 88.
The prolific Torn played the unstoppable and unflappable Artie on Larry Sanders, which aired from 1992-98 and followed the behind-the-scenes and onstage antics of a successful late-night network talk show. Along with scoring a Supporting Actor in a Comedy Emmy in 1996, he was nominated for each of the show’s six seasons.
The year Torn won his Emmy, he also had been up for Guest Actor in a Drama Series for his turn on CBS’ Chicago Hope. In 2008, he earned his ninth and final Emmy nom, for his recurring role as Don Geiss on NBC’s 30 Rock.
The prolific Torn played the unstoppable and unflappable Artie on Larry Sanders, which aired from 1992-98 and followed the behind-the-scenes and onstage antics of a successful late-night network talk show. Along with scoring a Supporting Actor in a Comedy Emmy in 1996, he was nominated for each of the show’s six seasons.
The year Torn won his Emmy, he also had been up for Guest Actor in a Drama Series for his turn on CBS’ Chicago Hope. In 2008, he earned his ninth and final Emmy nom, for his recurring role as Don Geiss on NBC’s 30 Rock.
- 7/10/2019
- by Erik Pedersen and Greg Evans
- Deadline Film + TV
“We approach it as if we’re originating the role,” reveals Jeff Daniels. The role in question is Atticus Finch in Aaron Sorkin’s stage adaptation of Harper Lee’s “To Kill a Mockingbird.” Daniels’ fresh approach to the iconic character netted the actor his third Tony nomination (following his two for “God of Carnage” in 2009 and “Blackbird” in 2016). Watch the exclusive video interview above.
“Mockingbird” is one of the most beloved stories in the American canon, and has already become an acclaimed film. Gregory Peck played Atticus in that 1962 Horton Foote treatment, and took home an Oscar for his efforts. In order to play the character to the fullest and not allow the legacy of Peck to get in the way, Daniels says “you tip your hat to him and all that he achieved with that success. And then you hit the delete button.” Instead of treating Peck’s performance as the definitive version,...
“Mockingbird” is one of the most beloved stories in the American canon, and has already become an acclaimed film. Gregory Peck played Atticus in that 1962 Horton Foote treatment, and took home an Oscar for his efforts. In order to play the character to the fullest and not allow the legacy of Peck to get in the way, Daniels says “you tip your hat to him and all that he achieved with that success. And then you hit the delete button.” Instead of treating Peck’s performance as the definitive version,...
- 5/24/2019
- by Sam Eckmann
- Gold Derby
Hollywood icon and multiple award-winner Cicely Tyson has signed with CAA for agency representation, while she continues to be managed by her longtime manager, Larry Thompson.
With a career spanning over six decades, Tyson has solidified her standing as of one of Hollywood’s most revered performers. The fashion model-turned-actress breakout role came in the 1972’s Sounder, which earned her an Oscar and Golden Globe award nom for best actress. She followed that up with memorable turns in films such as The Heart Is a Lonely Hunter, Fried Green Tomatoes, The Help, Diary of a Mad Black Woman, and most recently Richard Linklater’s Last Flag Flying. She also received an Honorary Oscar at the Motion Picture Academy’s Governors Awards in 2018.
On the TV side, Tyson nabbed her first and second Emmy in 1974 for The Autobiography of Miss Jane Pittman television movie. Other credits include the original Roots miniseries,...
With a career spanning over six decades, Tyson has solidified her standing as of one of Hollywood’s most revered performers. The fashion model-turned-actress breakout role came in the 1972’s Sounder, which earned her an Oscar and Golden Globe award nom for best actress. She followed that up with memorable turns in films such as The Heart Is a Lonely Hunter, Fried Green Tomatoes, The Help, Diary of a Mad Black Woman, and most recently Richard Linklater’s Last Flag Flying. She also received an Honorary Oscar at the Motion Picture Academy’s Governors Awards in 2018.
On the TV side, Tyson nabbed her first and second Emmy in 1974 for The Autobiography of Miss Jane Pittman television movie. Other credits include the original Roots miniseries,...
- 5/22/2019
- by Amanda N'Duka
- Deadline Film + TV
Jeff Daniels is in it for the art, not the awards. That’s why he’s co-hosting two films on Turner Classic Movies this Sunday May 19 with Ben Mankiewicz: “To Kill a Mockingbird” (1962) and “The Trip to Bountiful” (1985) — both are films written by legendary scribe Horton Foote.
“Why did I want to pay tribute to Horton Foote?” Daniels said. “He’s a great writer. End of story.”
Daniels has earned a Tony nomination for Best Actor in a play in the role of Atticus Finch in Aaron Sorkin’s adaptation of Harper Lee’s classic novel, currently running on Broadway. That Daniels wants to talk about Horton Foote and his screenplay for the 1962 “Mockingbird” film is striking, considering how much Sorkin’s take on the material departs from both the novel and the film. This Atticus Finch has feet of clay — or is at least a tad less godlike than Gregory Peck’s portrayal,...
“Why did I want to pay tribute to Horton Foote?” Daniels said. “He’s a great writer. End of story.”
Daniels has earned a Tony nomination for Best Actor in a play in the role of Atticus Finch in Aaron Sorkin’s adaptation of Harper Lee’s classic novel, currently running on Broadway. That Daniels wants to talk about Horton Foote and his screenplay for the 1962 “Mockingbird” film is striking, considering how much Sorkin’s take on the material departs from both the novel and the film. This Atticus Finch has feet of clay — or is at least a tad less godlike than Gregory Peck’s portrayal,...
- 5/17/2019
- by Christian Blauvelt
- Indiewire
Anna Deavere Smith has been named a playwright in residence of Off Broadway’s Signature Theatre’s 2019-20 season, with two of her groundbreaking plays set for revival.
Though Smith will not perform in either of the shows, her Fires in the Mirror and Twilight: Los Angeles, 1992 are set to debut next October and April, respectively. Signature announced that a new play by the author will be produced in an upcoming season.
Signature’s Artistic Director Paige Evans said, “I’m delighted to be bringing Anna Deavere Smith to Signature next season. Anna revolutionized the theatrical form with her groundbreaking documentary work, and it will be fascinating to see how these two seminal plays resonate today.”
Also announced for Signature’s 2019-20 season is the first New York revival of Horton Foote’s The Young Man from Atlanta, which debuted at the Signature in 1995 before a 1997 Broadway staging. Performances begin Nov.
Though Smith will not perform in either of the shows, her Fires in the Mirror and Twilight: Los Angeles, 1992 are set to debut next October and April, respectively. Signature announced that a new play by the author will be produced in an upcoming season.
Signature’s Artistic Director Paige Evans said, “I’m delighted to be bringing Anna Deavere Smith to Signature next season. Anna revolutionized the theatrical form with her groundbreaking documentary work, and it will be fascinating to see how these two seminal plays resonate today.”
Also announced for Signature’s 2019-20 season is the first New York revival of Horton Foote’s The Young Man from Atlanta, which debuted at the Signature in 1995 before a 1997 Broadway staging. Performances begin Nov.
- 4/11/2019
- by Greg Evans
- Deadline Film + TV
The 2019-2020 Signature Theatre Season will feature six works by five resident playwrights, including two productions by Signature's new Residency 1 playwright Anna Deavere Smith, world premiere plays from Residency 5 playwrights Katori Halland Dominique Morisseau, a New York premiere from new Residency 5 playwright Lauren Yee, and a new production of a Pulitzer Prize-winning play from Legacy playwright Horton Foote, the company announced today.
- 4/11/2019
- by BWW News Desk
- BroadwayWorld.com
George Morfogen, an actor whose career spanned Broadway (most recently in 2008’s A Man For All Seasons), film and the TV role for which he’s probably most widely known — as the seen-it-all inmate Bob Rebadow of HBO’s Oz — died March 8 at his home in New York.
His death was announced by his family in a New York Times obituary. No cause was disclosed, but donations in his memory can be made to the Parkinson’s Foundation.
Although Morfogen will be instantly recognizable to viewers of the intense, addictive Oz (1997–2003), in which his quiet, laid-back, eldery survivor of the brutal Oswald State Correctional Facility often was a mentor to younger, hotter heads, the actor appeared on no fewer than 12 TV series. Among them were St, Elsewhere, Deadly Matrimony, Blood Feud and Sherlock Holmes. His TV credits go back to Kojak and The Adams Chronicles...
His death was announced by his family in a New York Times obituary. No cause was disclosed, but donations in his memory can be made to the Parkinson’s Foundation.
Although Morfogen will be instantly recognizable to viewers of the intense, addictive Oz (1997–2003), in which his quiet, laid-back, eldery survivor of the brutal Oswald State Correctional Facility often was a mentor to younger, hotter heads, the actor appeared on no fewer than 12 TV series. Among them were St, Elsewhere, Deadly Matrimony, Blood Feud and Sherlock Holmes. His TV credits go back to Kojak and The Adams Chronicles...
- 3/13/2019
- by Greg Evans
- Deadline Film + TV
“One time Atticus said you never really knew a man until you stood in his shoes and walked around in them; just standin’ on the Radley porch was enough. The summer that had begun so long ago had ended, and another summer had taken its place, and a fall, and Boo Radley had come out.”
We live in a time of super heroes and intergalactic adventurers, but according to the American Film Institute, the greatest hero in film history doesn’t wear a cape, carry a gun or crack a whip: He’s Atticus Finch, played with soft-spoken, gentle conviction by Gregory Peck in To Kill A Mockingbird.
The greatest movie hero of all time doesn’t wear a cape, carry a gun or crack a whip – he’s Atticus Finch, the soft-spoken Southern lawyer at the center of To Kill a Mockingbird. Named the screen’s greatest hero by the American Film Institute,...
We live in a time of super heroes and intergalactic adventurers, but according to the American Film Institute, the greatest hero in film history doesn’t wear a cape, carry a gun or crack a whip: He’s Atticus Finch, played with soft-spoken, gentle conviction by Gregory Peck in To Kill A Mockingbird.
The greatest movie hero of all time doesn’t wear a cape, carry a gun or crack a whip – he’s Atticus Finch, the soft-spoken Southern lawyer at the center of To Kill a Mockingbird. Named the screen’s greatest hero by the American Film Institute,...
- 2/27/2019
- by Tom Stockman
- WeAreMovieGeeks.com
Peter Masterson, director of the movie “A Trip to Bountiful” and co-writer of the musical “The Best Little Whorehouse in Texas,” died Tuesday at his home in Kinderhook, N.Y. He was 84.
Masterson’s son, also named Peter, told the Associated Press that his father died from complications of Parkinson’s disease.
Masterson, a native of Houston, had a wide-ranging career as an actor, director, and writer. He and Larry L. King wrote the book for “The Best Little Whorehouse in Texas,” which opened on Broadway in 1978. His wife, Carlin Glynn, starred as Mona Stangley in the play and won a Tony Award. Masterson also directed that production with Tommy Tune and was nominated for two Tonys and a Drama Desk Award.
Survivors include his wife and his daughter, actress Mary Stuart Masterson. The Mastersons starred in the 1975 movie “The Stepford Wives” as the Walter Eberhart character and his 8-year-old daughter,...
Masterson’s son, also named Peter, told the Associated Press that his father died from complications of Parkinson’s disease.
Masterson, a native of Houston, had a wide-ranging career as an actor, director, and writer. He and Larry L. King wrote the book for “The Best Little Whorehouse in Texas,” which opened on Broadway in 1978. His wife, Carlin Glynn, starred as Mona Stangley in the play and won a Tony Award. Masterson also directed that production with Tommy Tune and was nominated for two Tonys and a Drama Desk Award.
Survivors include his wife and his daughter, actress Mary Stuart Masterson. The Mastersons starred in the 1975 movie “The Stepford Wives” as the Walter Eberhart character and his 8-year-old daughter,...
- 12/20/2018
- by Dave McNary
- Variety Film + TV
‘To Kill A Mockingbird’ Broadway Review: Aaron Sorkin, Jeff Daniels Deliver An Atticus For Our Times
When Scout, Jem and Dill take the stage in Aaron Sorkin’s To Kill a Mockingbird, they’re not rolling a tire down the sidewalk or peering into the knothole of some old oak tree. The children — played, with no excuses offered or needed, by adults — appear in what seems to be an empty, dilapidated building, maybe an old courthouse fallen into neglect. Justice itself has become a thing of memory, its paint peeling.
What really happened that night Bob Ewell died, wonders Scout (Celia Keenan-Bolger), the most inquisitive and persistent of the three? Could a man really fall on his own knife? Something about the grim story of that harvest night doesn’t add up, no matter what Atticus or the local newspaper said, and young Miss Finch (is she still young?) wants her brother, her best friend and the audience at Broadway’s Shubert Theatre to reconsider. Everything.
What really happened that night Bob Ewell died, wonders Scout (Celia Keenan-Bolger), the most inquisitive and persistent of the three? Could a man really fall on his own knife? Something about the grim story of that harvest night doesn’t add up, no matter what Atticus or the local newspaper said, and young Miss Finch (is she still young?) wants her brother, her best friend and the audience at Broadway’s Shubert Theatre to reconsider. Everything.
- 12/14/2018
- by Greg Evans
- Deadline Film + TV
Horton Foote strikes again, with a warm and thoughtful tale of life as it was lived in East Texas in 1950. Geraldine Page won an Oscar for her unguarded portrait of Carrie Watts, a woman who has outlived her peers and been uprooted from an ideal hometown of her youth. Her trip to recover her life becomes a bittersweet acknowledgment that some things just need to be accepted with as much grace as can be mustered.
The Trip to Bountiful
Blu-ray
Kl Studio Classics
1985 / Color / 1:85 widescreen / 108 min. / Street Date September 25, 2018 / available through Kino Lorber / 29.95
Starring: Geraldine Page, John Heard, Carlin Glynn, Richard Bradford, Rebecca De Mornay.
Cinematography: Fred Murphy
Film Editor: Jay Freund
Original Music: Norman Kasow, J.A.C. Redford
Written by Horton Foote from his play
Produced by Dennis Bishop, Horton Foote, Sam Grogg, Sterling Van Wagenen, George Yaneff
Directed by Peter Masterson
They say ‘you can’t go home...
The Trip to Bountiful
Blu-ray
Kl Studio Classics
1985 / Color / 1:85 widescreen / 108 min. / Street Date September 25, 2018 / available through Kino Lorber / 29.95
Starring: Geraldine Page, John Heard, Carlin Glynn, Richard Bradford, Rebecca De Mornay.
Cinematography: Fred Murphy
Film Editor: Jay Freund
Original Music: Norman Kasow, J.A.C. Redford
Written by Horton Foote from his play
Produced by Dennis Bishop, Horton Foote, Sam Grogg, Sterling Van Wagenen, George Yaneff
Directed by Peter Masterson
They say ‘you can’t go home...
- 9/22/2018
- by Glenn Erickson
- Trailers from Hell
Mary Willard, playwright, TV writer and wife of four-time Emmy nominee Fred Willard, has died at the age of 71.
Willard died on July 13, but news of her death was recently made public.
Champion is the one word that comes to mind when remembering Mary Willard and she wasn’t just Fred Willard’s best cheerleader, but she also mentored and nurtured a number of creative comedic writers and actors through the Willards’ Los Angeles-based comedy sketch group The Mohos over the last two-plus decades (which anecdotally I was a part of some years ago).
‘Let’s put on a show’ was an unofficial mantra, and within less than two-weeks time, the troupe would pull wigs out of the closet and brush up pages for performances at the Io West and The Bang Theater and even as far as the Inland Empire. Those trying out sketches at Mohos had the opportunity...
Willard died on July 13, but news of her death was recently made public.
Champion is the one word that comes to mind when remembering Mary Willard and she wasn’t just Fred Willard’s best cheerleader, but she also mentored and nurtured a number of creative comedic writers and actors through the Willards’ Los Angeles-based comedy sketch group The Mohos over the last two-plus decades (which anecdotally I was a part of some years ago).
‘Let’s put on a show’ was an unofficial mantra, and within less than two-weeks time, the troupe would pull wigs out of the closet and brush up pages for performances at the Io West and The Bang Theater and even as far as the Inland Empire. Those trying out sketches at Mohos had the opportunity...
- 9/6/2018
- by Anthony D'Alessandro
- Deadline Film + TV
Off Broadway’s Signature Theatre has announced a 2018-19 season featuring six works by five resident playwrights, including two productions by Signature’s new playwright-in-residence, Lynn Nottage, and a world premiere musical from Dave Malloy.
A Tony nominee for Natasha, Pierre & The Great Comet of 1812, Malloy is Signature’s first musical theater writer-in-residence. His new musical, Octet, will be directed by Annie Tippe.
Nottage, winner of two Pulitzer Prizes (for Ruined and Sweat) will see new productions of two of her comedies, Fabulation, or The Re-Education of Undine and By the Way, Meet Vera Stark. Signature said a new play by Nottage will be produced during the 2019-20 season.
All performances will take place at the company’s Frank Gehry-designed Pershing Square Signature Center on 42nd Street, at the western edge of the Broadway theater district.
Signature’s Legacy Program, which welcomes past playwrights-in-residence. It will feature productions from...
A Tony nominee for Natasha, Pierre & The Great Comet of 1812, Malloy is Signature’s first musical theater writer-in-residence. His new musical, Octet, will be directed by Annie Tippe.
Nottage, winner of two Pulitzer Prizes (for Ruined and Sweat) will see new productions of two of her comedies, Fabulation, or The Re-Education of Undine and By the Way, Meet Vera Stark. Signature said a new play by Nottage will be produced during the 2019-20 season.
All performances will take place at the company’s Frank Gehry-designed Pershing Square Signature Center on 42nd Street, at the western edge of the Broadway theater district.
Signature’s Legacy Program, which welcomes past playwrights-in-residence. It will feature productions from...
- 4/12/2018
- by Dade Hayes
- Deadline Film + TV
“A Quiet Place” is an amusing title for what turns out to be a meticulously muscle-clenching exercise in gimmicky horror, the type that imagines a future population terrorized by sight-challenged predators who hunt by human noise. The title is all kinds of winking: It sounds like a lost Horton Foote play about hardscrabble people of the land, and yet that’s the setting here — a quaint, secluded farm, only the struggle is to survive being ripped apart by aliens.
Then there’s the last thing a theater showing a well-made horror movie is … again, see title. Director-star-co-writer John Krasinski’s careful deployment of nerve-distressing moments doesn’t even need a burst of gnarly monster to get an audience vocalizing: listen for the crowd reaction when his wife (off and onscreen) Emily Blunt cautiously ascends a staircase, and the camera stays back to show an errant nail jutting from a step, awaiting someone’s bare foot on the way down.
The collective, dread-inducing moan I heard from the audience around me at that reveal is surely, in my estimation, what horror filmmakers live for more than the shock and gore. (Because it’s real suspense; like Hitchcock’s ticking bomb under the table, we know it’s there.)
Watch Video: John Krasinski, Emily Blunt Live in Fear in First Trailer for 'A Quiet Place'
So yes, “A Quiet Place” is sweat-it-out fun in a trap-rich minefield. (I would also have been happy with a “Get Out”-like exclamatory title: maybe “Shut the F— Up”?) It’s also perfectly in keeping with the near-ubiquity of whisper-acting lately across television and movies of all stripes, dialogue delivered as if mumbling weren’t inarticulate enough. Finally, here’s a movie in which hushed talking would make absolute sense. And yet communication in the Abbott family is mostly with sign language, since their pre-teen oldest, Regan (Millicent Simmonds), is deaf.
Of course, Asl is a beneficial tool when speaking is a no-no, until you realize a child who can’t hear also can’t tell when she’s making a sound. (Hence, the markers in the floorboards that tell Regan where they won’t squeak.) It’s one of the cleverest things about the survival architecture of “A Quiet Place”; what seems ingeniously helpful in one sense can suddenly look useless when applied to other scenarios. At the same time, in the screenplay by Bryan Woods, Scott Beck, and Krasinski, there are tactics to outlast the creatures when in their midst — it’s related to a given noise’s volume — which creates other pulse-quickening moments of near-miss panic.
Also Read: Emily Blunt and John Krasinski Explain Why They Joined Forces for 'A Quiet Place' (Exclusive Video)
After a ghost-town-foraging prologue that introduces the Abbott clan as a tight unit, but then deals them a horrific tragedy, “A Quiet Place” settles in nearly a year later at their forest-enclosed homestead, where a system of lights, soft household items (they eat on leaves instead of plates), sanded pathways and padded spaces ensure a base level of safety for Lee (Krasinski), Evelyn (Blunt, sublimely good), Regan, and Marcus (Noah Jupe, “Wonder”).
Security-minded Lee toils away in his lair of radios and electronic parts trying to find survivors or to build a better hearing aid. Otherwise he’s a grim-faced survivalist with little time to address Regan’s sense of neglect, feeling that dad considers her the weak link. Simmonds, who made such a strong impression in “Wonderstruck,” continues to impress here, deftly offering a believable picture of how jeopardy and inner turmoil motivate a lonely adolescent.
Watch Video: 'A Quiet Place' Star Emily Blunt on Working With Director-Husband John Krasinski: 'Wonderful Relief'
At the top of the readiness concerns, however, is Evelyn’s pregnancy. But as prepared as the family is — from a soundproofed barn bunker for the birth to the creepily coffin-like box through which oxygen can be pumped to an squealing infant — Evelyn’s unexpected labor still partly triggers the second half’s rollicking succession of nail-biting encounters with the audio-aroused and relentless fiends. You won’t get a description here of the shrieking, hungry predators (who wants a design spoiler?) but they’re among the nastiest-looking in recent memory.
Krasinski, aided greatly by Charlotte Bruus Christensen’s textured cinematography, knows when the monsters are best kept offscreen and when to give them their close-up. And as you might expect in a movie that hinges on sound, the mix of silence with noises variously environmental, exposing, and terrifying, coupled with the occasional music-laced excitement (Marco Beltrami composed the score), is spot on.
“A Quiet Place” grounds its existential fear with a fair amount of emotion, too, convincingly played. Threaded throughout the peril is a simple but effective message about familial love, communication, and sacrifice, and there are just enough small moments — for the cast to convey with their faces between major frights — that serve to deepen things ever so slightly.
Whether you’re in it for the ride, or the story of loved ones under siege, it’s safe to say nobody could have expected Krasinski (after two unassuming features, including the dysfunctional-clan dramedy “The Hollars”) to have this in him as a director. Maybe for some filmmakers sincerely interested in human emotions, all they need to show their stuff is to add monsters.
Read original story ‘A Quiet Place’ Film Review: Make Some Noise for John Krasinski’s Nerve-Racking Horror Tale At TheWrap...
Then there’s the last thing a theater showing a well-made horror movie is … again, see title. Director-star-co-writer John Krasinski’s careful deployment of nerve-distressing moments doesn’t even need a burst of gnarly monster to get an audience vocalizing: listen for the crowd reaction when his wife (off and onscreen) Emily Blunt cautiously ascends a staircase, and the camera stays back to show an errant nail jutting from a step, awaiting someone’s bare foot on the way down.
The collective, dread-inducing moan I heard from the audience around me at that reveal is surely, in my estimation, what horror filmmakers live for more than the shock and gore. (Because it’s real suspense; like Hitchcock’s ticking bomb under the table, we know it’s there.)
Watch Video: John Krasinski, Emily Blunt Live in Fear in First Trailer for 'A Quiet Place'
So yes, “A Quiet Place” is sweat-it-out fun in a trap-rich minefield. (I would also have been happy with a “Get Out”-like exclamatory title: maybe “Shut the F— Up”?) It’s also perfectly in keeping with the near-ubiquity of whisper-acting lately across television and movies of all stripes, dialogue delivered as if mumbling weren’t inarticulate enough. Finally, here’s a movie in which hushed talking would make absolute sense. And yet communication in the Abbott family is mostly with sign language, since their pre-teen oldest, Regan (Millicent Simmonds), is deaf.
Of course, Asl is a beneficial tool when speaking is a no-no, until you realize a child who can’t hear also can’t tell when she’s making a sound. (Hence, the markers in the floorboards that tell Regan where they won’t squeak.) It’s one of the cleverest things about the survival architecture of “A Quiet Place”; what seems ingeniously helpful in one sense can suddenly look useless when applied to other scenarios. At the same time, in the screenplay by Bryan Woods, Scott Beck, and Krasinski, there are tactics to outlast the creatures when in their midst — it’s related to a given noise’s volume — which creates other pulse-quickening moments of near-miss panic.
Also Read: Emily Blunt and John Krasinski Explain Why They Joined Forces for 'A Quiet Place' (Exclusive Video)
After a ghost-town-foraging prologue that introduces the Abbott clan as a tight unit, but then deals them a horrific tragedy, “A Quiet Place” settles in nearly a year later at their forest-enclosed homestead, where a system of lights, soft household items (they eat on leaves instead of plates), sanded pathways and padded spaces ensure a base level of safety for Lee (Krasinski), Evelyn (Blunt, sublimely good), Regan, and Marcus (Noah Jupe, “Wonder”).
Security-minded Lee toils away in his lair of radios and electronic parts trying to find survivors or to build a better hearing aid. Otherwise he’s a grim-faced survivalist with little time to address Regan’s sense of neglect, feeling that dad considers her the weak link. Simmonds, who made such a strong impression in “Wonderstruck,” continues to impress here, deftly offering a believable picture of how jeopardy and inner turmoil motivate a lonely adolescent.
Watch Video: 'A Quiet Place' Star Emily Blunt on Working With Director-Husband John Krasinski: 'Wonderful Relief'
At the top of the readiness concerns, however, is Evelyn’s pregnancy. But as prepared as the family is — from a soundproofed barn bunker for the birth to the creepily coffin-like box through which oxygen can be pumped to an squealing infant — Evelyn’s unexpected labor still partly triggers the second half’s rollicking succession of nail-biting encounters with the audio-aroused and relentless fiends. You won’t get a description here of the shrieking, hungry predators (who wants a design spoiler?) but they’re among the nastiest-looking in recent memory.
Krasinski, aided greatly by Charlotte Bruus Christensen’s textured cinematography, knows when the monsters are best kept offscreen and when to give them their close-up. And as you might expect in a movie that hinges on sound, the mix of silence with noises variously environmental, exposing, and terrifying, coupled with the occasional music-laced excitement (Marco Beltrami composed the score), is spot on.
“A Quiet Place” grounds its existential fear with a fair amount of emotion, too, convincingly played. Threaded throughout the peril is a simple but effective message about familial love, communication, and sacrifice, and there are just enough small moments — for the cast to convey with their faces between major frights — that serve to deepen things ever so slightly.
Whether you’re in it for the ride, or the story of loved ones under siege, it’s safe to say nobody could have expected Krasinski (after two unassuming features, including the dysfunctional-clan dramedy “The Hollars”) to have this in him as a director. Maybe for some filmmakers sincerely interested in human emotions, all they need to show their stuff is to add monsters.
Read original story ‘A Quiet Place’ Film Review: Make Some Noise for John Krasinski’s Nerve-Racking Horror Tale At TheWrap...
- 4/4/2018
- by Robert Abele
- The Wrap
“A Quiet Place” is an amusing title for what turns out to be a meticulously muscle-clenching exercise in gimmicky horror, the type that imagines a future population terrorized by sight-challenged predators who hunt by human noise. The title is all kinds of winking: It sounds like a lost Horton Foote play about hardscrabble people of the land, and yet that’s the setting here — a quaint, secluded farm, only the struggle is to survive being ripped apart by aliens. Then there’s the last thing a theater showing a well-made horror movie is … again, see title. Director-star-co-writer John Krasinski’s careful...
- 4/4/2018
- by Robert Abele
- The Wrap
A big welcome to UK disc purveyors Indicator, or Powerhouse, or how does Powerhouse Indicator sound? Savant’s first review from the new label is a favorite from the Columbia library. The extras are the lure: they company has snagged long-form, in-depth interviews with James Fox and director Arthur Penn. Everybody’s written about The Chase but here Penn tells his side of the story.
The Chase (1966)
Blu-ray + DVD
Powerhouse: Indicator
1966 / Color / 2:35 widescreen / 134 min. / Street Date September 25, 2017 / Available from Amazon UK / £14.99
Starring: Marlon Brando, Jane Fonda, Robert Redford, E.G. Marshall,
Angie Dickinson, Janice Rule, Miriam Hopkins, Martha Hyer, Richard Bradford,
Robert Duvall, James Fox, Diana Hyland, Henry Hull, Jocelyn Brando, Clifton James, Steve Ihnat
Cinematography: Joseph Lashelle
Production Designer: Richard Day
Art Direction: Robert Luthardt
Film Editor: Gene Milford
Original Music: John Barry
Written by Lillian Hellman from the novel by Horton Foote
Produced by Sam Spiegel
Directed by Arthur Penn
Yes,...
The Chase (1966)
Blu-ray + DVD
Powerhouse: Indicator
1966 / Color / 2:35 widescreen / 134 min. / Street Date September 25, 2017 / Available from Amazon UK / £14.99
Starring: Marlon Brando, Jane Fonda, Robert Redford, E.G. Marshall,
Angie Dickinson, Janice Rule, Miriam Hopkins, Martha Hyer, Richard Bradford,
Robert Duvall, James Fox, Diana Hyland, Henry Hull, Jocelyn Brando, Clifton James, Steve Ihnat
Cinematography: Joseph Lashelle
Production Designer: Richard Day
Art Direction: Robert Luthardt
Film Editor: Gene Milford
Original Music: John Barry
Written by Lillian Hellman from the novel by Horton Foote
Produced by Sam Spiegel
Directed by Arthur Penn
Yes,...
- 9/26/2017
- by Glenn Erickson
- Trailers from Hell
As America's great playwrights go, Horton Foote, who passed on in 2009, just shy of his 93rd birthday, was perhaps the most understated of them all. In a prolific career that involved golden age television dramas, Academy Award winning screenplays and dozens of stage works, his favorite source of inspiration was the relatives and neighbors he observed growing up in the quiet comfort of East Texas.
- 7/2/2017
- by Michael Dale
- BroadwayWorld.com
Verdict? The film of August Wilson’s play is absorbing, intense. If we rate by quality of writing, acting skill, and the craft of direction, Denzel Washington’s film betters most of its fellow Best Picture nominees. It’s also something positive for the arts, a ‘black experience’ play that can’t be pigeonholed as merely black- themed. The appeal of its compelling characters goes beyond racial boundaries. Viola Davis did win a well- deserved Oscar, and this is fine work from one end to the other.
Fences
Blu-ray + Digital HD
Paramount
2016 / Color / 2:35 widescreen / 138 min. / Street Date March 14, 2017 / 39.99
Starring: Denzel Washington, Viola Davis, Stephen McKinley Henderson, Jovan Adepo, Russell Hornsby, Mykelti Williamson, Saniyya Sidney.
Cinematography: Charlotte Bruus Christensen
Film Editor: Hughes Winborne
Original Music: Marcelo Zarvos
Written by August Wilson from his play
Produced by Denzel Washington, Scott Rudin, Todd Black
Directed by Denzel Washington,
2017 is the year for envelope- fumbling at the Oscars,...
Fences
Blu-ray + Digital HD
Paramount
2016 / Color / 2:35 widescreen / 138 min. / Street Date March 14, 2017 / 39.99
Starring: Denzel Washington, Viola Davis, Stephen McKinley Henderson, Jovan Adepo, Russell Hornsby, Mykelti Williamson, Saniyya Sidney.
Cinematography: Charlotte Bruus Christensen
Film Editor: Hughes Winborne
Original Music: Marcelo Zarvos
Written by August Wilson from his play
Produced by Denzel Washington, Scott Rudin, Todd Black
Directed by Denzel Washington,
2017 is the year for envelope- fumbling at the Oscars,...
- 3/21/2017
- by Glenn Erickson
- Trailers from Hell
Every year, IndieWire looks beyond the countless top 10 lists written by critics to widen the field. We turn to friends and colleagues in the independent film community — programmers, distributors, publicists and others — to give them the opportunity to share their favorite films and other media from the past 12 months. We also invited them to share their resolutions and anticipated events for 2017.
The Best of 2016: IndieWire’s Year in Review Bible
Cameron Bailey, Artistic Director, Toronto International Film Festival
I’m limiting my list to films that had Us and Canadian theatrical releases in 2016. I saw far more than 10 this year that I liked, but if I have to be brutal, I’ll limit it to the films that lifted me.
1. “Moonlight”
2. “Julieta”
3. “Toni Erdmann”
4. “Cemetery of Splendor”
5. “Arrival”
6. “Fences”
7. “13th”
8. “American Honey”
9. “Things to Come”
10. “Moana”
Michael Barker, Co-President, Sony Pictures Classics
“Now is the winter of our discontent.
The Best of 2016: IndieWire’s Year in Review Bible
Cameron Bailey, Artistic Director, Toronto International Film Festival
I’m limiting my list to films that had Us and Canadian theatrical releases in 2016. I saw far more than 10 this year that I liked, but if I have to be brutal, I’ll limit it to the films that lifted me.
1. “Moonlight”
2. “Julieta”
3. “Toni Erdmann”
4. “Cemetery of Splendor”
5. “Arrival”
6. “Fences”
7. “13th”
8. “American Honey”
9. “Things to Come”
10. “Moana”
Michael Barker, Co-President, Sony Pictures Classics
“Now is the winter of our discontent.
- 12/30/2016
- by Eric Kohn
- Indiewire
Horton Foote, Lillian Hellman and Arthur Penn's All-Star vision of an Ugly America found few friends in 1965; now its overstated scenes of social injustice and violence are daily events. Marlon Brando leads a terrific cast -- Robert Redford, Jane Fonda, Angie Dickinson, Robert Duvall! -- to endure the worst Saturday ever to hit one cursed Texas township. The Chase (1966) Blu-ray Twilight Time 1966 / Color / 2:35 widescreen / 134 min. / Street Date October 11, 2016 / Available from the Twilight Time Movies Store / 29.95 Starring Marlon Brando, Jane Fonda, Robert Redford, E.G. Marshall, Angie Dickinson, Janice Rule, Miriam Hopkins, Martha Hyer, Richard Bradford, Robert Duvall, James Fox, Diana Hyland, Henry Hull, Jocelyn Brando, Clifton James, Steve Ihnat Cinematography Joseph Lashelle Production Designer Richard Day Art Direction Robert Luthardt Film Editor Gene Milford Original Music John Barry Written by Lillian Hellman from the novel by Horton Foote Produced by Sam Spiegel Directed by Arthur Penn
Reviewed by Glenn Erickson...
Reviewed by Glenn Erickson...
- 10/29/2016
- by Glenn Erickson
- Trailers from Hell
One of the best-remembered dramas of the '70s gives us controversial actresses, a lavish production and a story by the even more controversial Lillian Hellman. Director Fred Zinnemann makes it into a suspenseful, deeply affecting experience. Julia Blu-ray Twilight Time Limited Edition 1977 / Color / 1:85 widescreen / 118 min. / Ship Date April 12, 2016 / available through Twilight Time Movies / 29.95 Starring Jane Fonda, Vanessa Redgrave, Jason Robards, Maximilian Schell, Hal Holbrook, Meryl Streep, Rosemary Murphy, Dora Doll, Elisabeth Mortensen, John Glover, Lisa Pelikan, Susan Jones, Cathleen Nesbitt, Maurice Denham. Cinematography Douglas Slocombe Film Editor Walter Murch Original Music Georges Delerue Written by Alvin Sargent based on the story by Lillian Hellman Produced by Richard Roth Directed by Fred Zinnemann
Reviewed by Glenn Erickson
Fred Zinnemann was a cinema activist from way back, a filmmaker of uncompromising convictions. His most frequent theme is anti-fascism, although he began with a very Soviet-styled pro-union film in Mexico, Redes.
Reviewed by Glenn Erickson
Fred Zinnemann was a cinema activist from way back, a filmmaker of uncompromising convictions. His most frequent theme is anti-fascism, although he began with a very Soviet-styled pro-union film in Mexico, Redes.
- 4/30/2016
- by Glenn Erickson
- Trailers from Hell
The Confirmation opens with a child and his mother waiting outside a church. As the first lines of dialogue were spoken, I felt a sudden pang of shock, thinking I had unwittingly sat down for one of the numerous heavy-handed faith-based features crowding multiplexes. Thankfully, as it continued, the film revealed itself to instead be a rather smart comedy in which faith is a subject sometimes pondered by its characters. Seen through the eyes of its young protagonist, there is so much power in those big unanswerable questions of faith. The boy’s middle-class parents do not see eye-to-eye on the matter of religion, rarely agreeing on any subject since their divorce.
The first directorial effort from Bob Nelson, who also pens the screenplay, is another father-son tale following his Nebraska — this one a more slight, albeit heartfelt dramedy, set long after the parents’ break-up. It is not a film...
The first directorial effort from Bob Nelson, who also pens the screenplay, is another father-son tale following his Nebraska — this one a more slight, albeit heartfelt dramedy, set long after the parents’ break-up. It is not a film...
- 3/15/2016
- by Tony Hinds
- The Film Stage
If you like a gripping drama, you will want to catch Tony nominee Michael Cumpsty Boardwalk Empire,' End of the Rainbow and Michael Crane in The Body of an American, now playing at the Cherry Lane Theatre, directed by Obie winner Jo Bonney Father Comes Home from the Wars..., Lost Girls and presented by Primary Stages and Rhoda R. Herrick, in association with Hartford Stage. Winner of the 2014 Horton Foote Prize for Outstanding New American Play and the Inaugural Edward M. Kennedy Award shared with Tony-winner All The Way. The Body of an American tells the true story of an extraordinary friendship as two men, a war photojournalist and playwright, journey from some of the most dangerous places on earth to the depths of the human soul. Winning rave reviews for its previous productions in London and elsewhere, The Body of an American by Guggenheim Fellow Dan O'Brien is...
- 3/9/2016
- by TJ Fitzgerald
- BroadwayWorld.com
In 1997, Movieline magazine hosted a 35th anniversary screening of To Kill a Mockingbird, with an amazing array of talent there to discuss the film: actors Gregory Peck, Robert Duvall, Brock Peters, Phillip Alford and Mary Badham (the latter two of whom played the children, Jem and Scout), screenwriter Horton Foote, producer Alan J. Pakula and director Robert Mulligan. One person missing from that reunion was the reclusive author of the novel, Harper Lee, who died Friday at the age of 89. Lee came back into the news last year with the publication of an earlier version of Mockingbird, Go
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read more...
- 2/20/2016
- by Stephen Farber
- The Hollywood Reporter - Movie News
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