Actress Angela Lansbury, whose 75-year career encompassed triumphs on the big screen, in musical theater and on television, died at her Los Angeles home on Tuesday, her family announced in a statement obtained by Variety. She was 96 — five days shy of her 97th birthday.
Nominated for three Oscars, she won seven Tony Awards and holds the record for Emmy actress nods with 12 for her role on “Murder, She Wrote.”
As honored as she was in film and on stage, Lansbury achieved her greatest popularity on the small screen. In 1984 she stepped into a role originally offered to Jean Stapleton: the flinty crime-solving mystery novelist Jessica Fletcher on CBS’ “Murder, She Wrote.” The show became appointment TV for its fans on Sunday nights, and ran for 12 highly rated seasons. The actress captured four Golden Globe Awards for her turn. Between 1997 and 2003, she reprised the role in four telepics.
Discovered while...
Nominated for three Oscars, she won seven Tony Awards and holds the record for Emmy actress nods with 12 for her role on “Murder, She Wrote.”
As honored as she was in film and on stage, Lansbury achieved her greatest popularity on the small screen. In 1984 she stepped into a role originally offered to Jean Stapleton: the flinty crime-solving mystery novelist Jessica Fletcher on CBS’ “Murder, She Wrote.” The show became appointment TV for its fans on Sunday nights, and ran for 12 highly rated seasons. The actress captured four Golden Globe Awards for her turn. Between 1997 and 2003, she reprised the role in four telepics.
Discovered while...
- 10/11/2022
- by Chris Morris
- Variety Film + TV
New York City Center’s Encores!, which recently announced that its acclaimed production of Into The Woods is planning a Broadway transfer, has set revivals of The Light in the Piazza, Dear World and Oliver! for its 2023 season.
Encores!, which presents a mix of classic and rarely performed Broadway musicals in enhanced concert form, will kick off the 2023 season on February 1 with The Light in the Piazza starring Ruthie Ann Miles (The King & I) and directed by Chay Yew. The musical, which premiered in 2005, features a book by Craig Lucas and music and lyrics by Adam Guettel based on the 1960 novella by Elizabeth Spencer, and follows an American mother and daughter living in the shadow of a tragic accident who find joy while on vacation in 1950s Florence.
Encores! describes the upcoming production, which will run through Feb. 5, as “a deeply personal exploration of the material, transmuting the musical’s...
Encores!, which presents a mix of classic and rarely performed Broadway musicals in enhanced concert form, will kick off the 2023 season on February 1 with The Light in the Piazza starring Ruthie Ann Miles (The King & I) and directed by Chay Yew. The musical, which premiered in 2005, features a book by Craig Lucas and music and lyrics by Adam Guettel based on the 1960 novella by Elizabeth Spencer, and follows an American mother and daughter living in the shadow of a tragic accident who find joy while on vacation in 1950s Florence.
Encores! describes the upcoming production, which will run through Feb. 5, as “a deeply personal exploration of the material, transmuting the musical’s...
- 6/14/2022
- by Greg Evans
- Deadline Film + TV
The York Theatre Company,dedicated to the development of new musicals and the preservation of musical gems from the past, has announced the cast of the 1969 musical Dear World with book by Jerome Lawrence and Robert E. Lee, new version by David Thompson based on an adaptation by Maurice Valency of the play The Madwoman of Chaillot by Jean Giraudoux, music and lyrics by Jerry Herman, starring 6-time Emmy Award and Tony Award-winner Tyne Daly Gypsy as Countess Aurelia.
- 2/16/2017
- by BWW News Desk
- BroadwayWorld.com
The already-incredible line-up for the 2016 New York Film Festival just got even more promising. Ang Lee‘s Billy Lynn’s Long Halftime Walk will hold its world premiere at the festival on October 14th, the NY Times confirmed today. The adaptation of Ben Fountain‘s Iraq War novel, with a script by Simon Beaufoy (Slumdog Millionaire), follows a teenage soldier who survives a battle in Iraq and then is brought home for a victory lap before returning.
Lee has shot the film at 120 frames per second in 4K and native 3D, giving it unprecedented clarity for a feature film, which also means the screening will be held in a relatively small 300-seat theater at AMC Lincoln Square, one of the few with the technology to present it that way. While it’s expected that this Lincoln Square theater will play the film when it arrives in theaters, it may be...
Lee has shot the film at 120 frames per second in 4K and native 3D, giving it unprecedented clarity for a feature film, which also means the screening will be held in a relatively small 300-seat theater at AMC Lincoln Square, one of the few with the technology to present it that way. While it’s expected that this Lincoln Square theater will play the film when it arrives in theaters, it may be...
- 8/22/2016
- by Jordan Raup
- The Film Stage
Marc Allégret: From André Gide lover to Simone Simon mentor (photo: Marc Allégret) (See previous post: "Simone Simon Remembered: Sex Kitten and Femme Fatale.") Simone Simon became a film star following the international critical and financial success of the 1934 romantic drama Lac aux Dames, directed by her self-appointed mentor – and alleged lover – Marc Allégret.[1] The son of an evangelical missionary, Marc Allégret (born on December 22, 1900, in Basel, Switzerland) was to have become a lawyer. At age 16, his life took a different path as a result of his romantic involvement – and elopement to London – with his mentor and later "adoptive uncle" André Gide (1947 Nobel Prize winner in Literature), more than 30 years his senior and married to Madeleine Rondeaux for more than two decades. In various forms – including a threesome with painter Théo Van Rysselberghe's daughter Elisabeth – the Allégret-Gide relationship remained steady until the late '20s and their trip to...
- 2/28/2015
- by Andre Soares
- Alt Film Guide
Simone Simon in 'La Bête Humaine' 1938: Jean Renoir's film noir (photo: Jean Gabin and Simone Simon in 'La Bête Humaine') (See previous post: "'Cat People' 1942 Actress Simone Simon Remembered.") In the late 1930s, with her Hollywood career stalled while facing competition at 20th Century-Fox from another French import, Annabella (later Tyrone Power's wife), Simone Simon returned to France. Once there, she reestablished herself as an actress to be reckoned with in Jean Renoir's La Bête Humaine. An updated version of Émile Zola's 1890 novel, La Bête Humaine is enveloped in a dark, brooding atmosphere not uncommon in pre-World War II French films. Known for their "poetic realism," examples from that era include Renoir's own The Lower Depths (1936), Julien Duvivier's La Belle Équipe (1936) and Pépé le Moko (1937), and particularly Marcel Carné's Port of Shadows (1938) and Daybreak (1939).[11] This thematic and...
- 2/6/2015
- by Andre Soares
- Alt Film Guide
Vivien Leigh biography, movies, and photo exhibit among centenary celebrations (photo: Vivien Leigh and Laurence Olivier as Emma Hamilton and Lord Nelson in ‘That Hamilton Woman’) [See previous post: "Vivien Leigh Turns 100: Centenary of One of the Greatest Movie Stars."] From November 30, 2013, to July 20, 2014, London’s National Portrait Gallery will be hosting a Vivien Leigh photo exhibit, tracing her life and career. The exhibit will be a joint celebration of both Leigh’s centenary and the 75th anniversary of Gone with the Wind. (Scroll down to check out a classy Vivien Leigh video homage. See also: “‘Gone with the Wind’ article.”) Additionally, the British Film Institute is hosting a lengthy Vivien Leigh and Gone with the Wind celebration, screening all of Leigh’s post-1936 movies, from Fire Over England to Ship of Fools — and including The Deep Blue Sea ("a digital copy of the only surviving 35mm print we were able to locate; the condition is variable"). I should add that Terence Davies recently...
- 11/7/2013
- by Andre Soares
- Alt Film Guide
Paul Henreid: From lighting two cigarettes and blowing smoke onto Bette Davis’ face to lighting two cigarettes while directing twin Bette Davises Paul Henreid is back as Turner Classic Movies’ Star of the Month of July 2013. TCM will be showing four movies featuring Henreid (Now, Voyager; Deception; The Madwoman of Chaillot; The Spanish Main) and one directed by him (Dead Ringer). (Photo: Paul Henreid lights two cigarettes on the set of Dead Ringer, while Bette Davis remembers the good old days.) (See also: “Paul Henreid Actor.”) Irving Rapper’s Now, Voyager (1942) was one of Bette Davis’ biggest hits, and it remains one of the best-remembered romantic movies of the studio era — a favorite among numerous women and some gay men. But why? Personally, I find Now, Voyager a major bore, made (barely) watchable only by a few of the supporting performances (Claude Rains, Best Supporting Actress Academy Award nominee...
- 7/10/2013
- by Andre Soares
- Alt Film Guide
Bryan Forbes dies at 86: Directed Katharine Hepburn, Leslie Caron, the original The Stepford Wives Director Bryan Forbes, whose films include the then-daring The L-Shaped Room, the all-star The Madwoman of Chaillot, and the original The Stepford Wives, has died "after a long illness" at his home in Virginia Water, Surrey, England. Forbes was 86. Born John Theobald Clarke on July 22, 1926, in London, Bryan Forbes began his film career as an actor in supporting roles in British productions of the late 1940s, e.g., Michael Powell and Emeric Pressburger’s The Small Back Room / Hour of Glory and Thornton Freeland’s Dear Mr. Prohack. Another twenty or so movie roles followed in the ’50s, including those in Ronald Neame’s The Million Pound Note / Man with a Million (1954), supporting Gregory Peck, and Carol Reed’s The Key (1958), supporting Sophia Loren and William Holden. Bryan Forbes director Despite his relatively prolific output in the previous decade,...
- 5/9/2013
- by Andre Soares
- Alt Film Guide
Audiences will be captivated at what happens on stage when the Stephen F. Austin State University School of Theatre presents 'The Madwoman of Chaillot' tonight through Nov. 17, in W.M. Turner Auditorium. But equally fascinating and impressive is what goes on behind the scenes of this Sfa production of the play written by French dramatist Jean Giraudoux and adapted by Maurice Valency. Read on to get a glimpse into the backstage work...
- 11/13/2012
- by BWW News Desk
- BroadwayWorld.com
Experimental French director acclaimed for his post-apocalyptic film La Jetée
The essay film, a form pitched between documentary and personal reflection, exploring the subjectivity of the cinematic perspective, has now become an accepted genre. Jean-Marie Straub, Danièle Huillet, Jean-Luc Godard, Errol Morris and Michael Moore are among its main recent exponents, but Chris Marker, who has died aged 91, was credited with inventing the form.
Marker's creative use of sound, images and text in his poetic, political and philosophical documentaries made him one of the most inventive of film-makers. They looked forward to what is called "the new documentary", but also looked back to the literary essay in the tradition of Michel de Montaigne. Marker's interests lay in transitional societies – "life in the process of becoming history," as he put it. How do various cultures perceive and sustain themselves and each other in the increasingly intermingled modern world?
He was born Christian François Bouche-Villeneuve,...
The essay film, a form pitched between documentary and personal reflection, exploring the subjectivity of the cinematic perspective, has now become an accepted genre. Jean-Marie Straub, Danièle Huillet, Jean-Luc Godard, Errol Morris and Michael Moore are among its main recent exponents, but Chris Marker, who has died aged 91, was credited with inventing the form.
Marker's creative use of sound, images and text in his poetic, political and philosophical documentaries made him one of the most inventive of film-makers. They looked forward to what is called "the new documentary", but also looked back to the literary essay in the tradition of Michel de Montaigne. Marker's interests lay in transitional societies – "life in the process of becoming history," as he put it. How do various cultures perceive and sustain themselves and each other in the increasingly intermingled modern world?
He was born Christian François Bouche-Villeneuve,...
- 7/30/2012
- by Ronald Bergan
- The Guardian - Film News
“We are still coming to terms with Robert Bresson, and the peculiar power and beauty of his films,” Martin Scorsese said in the 2010 book “A Passion For Film,” describing the often overlooked French filmmaker as “one of the cinema’s greatest artists.”
But while he may be revered by some as the finest French filmmaker bar Jean Renoir, outside hardcore cinephile circles he and his films are virtually unknown (perhaps regarded as too opaque or nebulous). Just consider the fact that almost every definitive book on the elusive director was published during the aughts to feel the full truth of Scorsese's statement about how we're still in the process of appreciating and understanding his life and work. Even Bresson’s actual birthdate is contested, adding further the ambiguities surrounding the director.
“Make visible what, without you, might perhaps never have been seen,” the meticulous Bresson once famously said, hinting at...
But while he may be revered by some as the finest French filmmaker bar Jean Renoir, outside hardcore cinephile circles he and his films are virtually unknown (perhaps regarded as too opaque or nebulous). Just consider the fact that almost every definitive book on the elusive director was published during the aughts to feel the full truth of Scorsese's statement about how we're still in the process of appreciating and understanding his life and work. Even Bresson’s actual birthdate is contested, adding further the ambiguities surrounding the director.
“Make visible what, without you, might perhaps never have been seen,” the meticulous Bresson once famously said, hinting at...
- 4/18/2012
- by The Playlist
- The Playlist
Alluring Australian actor best known for her role in The Wicker Man
Such is the superficial nature of fame that the Australian-born actor Diane Cilento, who has died of cancer aged 78, was best remembered as the wife of Sean Connery from 1962 to 1973, during the height of his fame as James Bond. The attractive, blonde, husky-voiced Cilento would be more fittingly recalled for her roles in a dozen or so British films in the 1950s and 60s, to which she brought a dose of much-needed sexuality. However, her best-known part was in the cultish The Wicker Man (1973), her last British picture before returning to her homeland.
Born in Brisbane, she was the daughter of Sir Raphael and Lady Phyllis Cilento, both physicians. Much to their initial disappointment, Diane decided against following them into the medical profession. After winning a scholarship to the Royal Academy of Dramatic Art, London, at the age...
Such is the superficial nature of fame that the Australian-born actor Diane Cilento, who has died of cancer aged 78, was best remembered as the wife of Sean Connery from 1962 to 1973, during the height of his fame as James Bond. The attractive, blonde, husky-voiced Cilento would be more fittingly recalled for her roles in a dozen or so British films in the 1950s and 60s, to which she brought a dose of much-needed sexuality. However, her best-known part was in the cultish The Wicker Man (1973), her last British picture before returning to her homeland.
Born in Brisbane, she was the daughter of Sir Raphael and Lady Phyllis Cilento, both physicians. Much to their initial disappointment, Diane decided against following them into the medical profession. After winning a scholarship to the Royal Academy of Dramatic Art, London, at the age...
- 10/7/2011
- by Ronald Bergan
- The Guardian - Film News
Diane Cilento, a tall, voluptuous, sometimes blonde/sometimes brunette beauty best remembered for her Academy Award-nominated performance in the 1963 Oscar winner Tom Jones, died in Cairns, in the north of Queensland, according to an online report in the Australian publication The Newsport/Port Douglas Daily. The report says Cilento was 81; as per the IMDb, she had turned 78 yesterday. The cause of death, "after a long battle with illness," hasn't been disclosed. Born to a family of doctors on Oct. 5, 1933, in Brisbane, Queensland, Cilento began her film career in British and British-set Hollywood productions of the early 1950s. By mid-decade, Cilento was already getting cast in leads and semi-leads, in mid-level fare such as Roy Ward Baker's Passage Home (1955), opposite Anthony Steel and Peter Finch, and Alan Bromly's The Angel Who Pawned Her Harp (1956), in the title role as an angel who, in order to fulfill her mission on Earth,...
- 10/7/2011
- by Andre Soares
- Alt Film Guide
The secret of success is sincerity. Once you can fake that you’ve got it made.
—Jean Giraudoux
1. It is profoundly difficult to articulate the precise manner in which Abbas Kiarostami and his two lead actors, Juliette Binoche and William Shimell, expel the complicated emotional vapor that is Certified Copy. By saying this, I mean to convey a certain contradictory truth about the film. There are indeed aspects of Certified Copy that can be very directly explicated—it is nothing if not “thematic”—and there are in fact pivotal moments in the film’s construction at which specific types of dramatic gestures give way to other, virtually opposing gestures. In this respect, the word “pivotal” is a literal description, and does not just mean “important;” the situation and its meaning “pivots,” shifting into a different register in a manner similar to the way a motive changes shape and tempo between symphonic movements.
—Jean Giraudoux
1. It is profoundly difficult to articulate the precise manner in which Abbas Kiarostami and his two lead actors, Juliette Binoche and William Shimell, expel the complicated emotional vapor that is Certified Copy. By saying this, I mean to convey a certain contradictory truth about the film. There are indeed aspects of Certified Copy that can be very directly explicated—it is nothing if not “thematic”—and there are in fact pivotal moments in the film’s construction at which specific types of dramatic gestures give way to other, virtually opposing gestures. In this respect, the word “pivotal” is a literal description, and does not just mean “important;” the situation and its meaning “pivots,” shifting into a different register in a manner similar to the way a motive changes shape and tempo between symphonic movements.
- 3/11/2011
- MUBI
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