A sumptuously filmed adaptation of David Chariandy’s novel tackles heavy-duty issues such as police brutality, racism and closeted desire with a relatively light touch
“Danger: High Voltage” are among the first words seen on screen in writer-director Clement Virgo’s adaptation of David Chariandy’s 2017 novel. It begins with wannabe DJ/producer Francis (Aaron Pierre) pressuring his younger sibling Michael (Lamar Johnson) to join him in scaling a sinisterly buzzing pylon in their home town of Scarborough, Ontario. The voltage stays at that level throughout much of Brother, which ticks off several films’ worth of heavy-duty subjects – police brutality, racism, the immigrant experience, gang violence, closeted desire, dementia, cancer – and only occasionally verges on the ponderous.
The question that haunts the film is: what made Francis climb that day? After the opening scene, the action shifts forward a decade to find Michael, his old flame Aisha (Kiana Madeira...
“Danger: High Voltage” are among the first words seen on screen in writer-director Clement Virgo’s adaptation of David Chariandy’s 2017 novel. It begins with wannabe DJ/producer Francis (Aaron Pierre) pressuring his younger sibling Michael (Lamar Johnson) to join him in scaling a sinisterly buzzing pylon in their home town of Scarborough, Ontario. The voltage stays at that level throughout much of Brother, which ticks off several films’ worth of heavy-duty subjects – police brutality, racism, the immigrant experience, gang violence, closeted desire, dementia, cancer – and only occasionally verges on the ponderous.
The question that haunts the film is: what made Francis climb that day? After the opening scene, the action shifts forward a decade to find Michael, his old flame Aisha (Kiana Madeira...
- 9/14/2023
- by Ryan Gilbey
- The Guardian - Film News
The spirit of Barry Jenkins’ “Moonlight” weighs heavily, both thematically and stylistically, on “Brother,” a drama about two brothers growing up in a low-income Toronto suburb that lacks the grace and eloquence of the 2016 Best Picture Oscar winner. But even if writer-director Clement Virgo, adapting David Chariandy’s 2017 novel, can’t achieve the sustained aura of ineffable melancholy he’s striving for, the film still hits some lovely notes of grace and poignance that rise above the script’s manipulative nature.
“Brother” also benefits from sterling performances by its two leads: Lamar Johnson as the reserved teenager Michael and Aaron Pierre as his hulking older brother Francis. The two live with their overworked single mother (Marsha Stephanie Blake) in a cramped apartment in the low-income Toronto suburb of Scarborough, which is populated primarily by immigrants.
Alternating between three timelines, the bulk of the story is set in the early 1990s,...
“Brother” also benefits from sterling performances by its two leads: Lamar Johnson as the reserved teenager Michael and Aaron Pierre as his hulking older brother Francis. The two live with their overworked single mother (Marsha Stephanie Blake) in a cramped apartment in the low-income Toronto suburb of Scarborough, which is populated primarily by immigrants.
Alternating between three timelines, the bulk of the story is set in the early 1990s,...
- 8/3/2023
- by Rene Rodriguez
- Variety Film + TV
Stars: Tasiana Shirley, Alexis Vincent-Wolfe, Chelsea Prusky, Nalajoss Ellsworth, Frankie Vincent-Wolfe, Shaun Benson, Kristian Bruun | Written by Nyla Innuksuk, Ryan Cavan | Directed by Nyla Innuksuk
Shot in and around the remote fishing village of Pangnirtung near the arctic circle, Nyla Innuksuk’s debut feature Slash/Back opens with a researcher taking permafrost samples discovering a smoking hole in the tundra. His research into it is cut short when a tentacle reaches out and attacks him. Stuck in a town so small and remote that even Walmart won’t open a store there, the girls “borrow” a boat and cruise out to a remote cabin to hang out. But when a strange-looking polar bear attacks Aju things take a turn for the worse.
It might not be The Thing, but body-jumping aliens are back in the frozen north. And it’s up to a group of Indigenous girls, Maika (Tasiana Shirley...
Shot in and around the remote fishing village of Pangnirtung near the arctic circle, Nyla Innuksuk’s debut feature Slash/Back opens with a researcher taking permafrost samples discovering a smoking hole in the tundra. His research into it is cut short when a tentacle reaches out and attacks him. Stuck in a town so small and remote that even Walmart won’t open a store there, the girls “borrow” a boat and cruise out to a remote cabin to hang out. But when a strange-looking polar bear attacks Aju things take a turn for the worse.
It might not be The Thing, but body-jumping aliens are back in the frozen north. And it’s up to a group of Indigenous girls, Maika (Tasiana Shirley...
- 6/30/2022
- by Jim Morazzini
- Nerdly
How do you find yourself while running away from who you are? That’s the essential question at the heart of “Wildhood,” the impressive sophomore feature from Two Spirit L’nu filmmaker Bretten Hannam. Enlivened by elegant handheld cinematography and a galvanizing breakout performance from Phillip Lewitski, “Wildhood” is a beautiful testament to the power of authentic storytelling.
Filmed in English and Mi’kmaw, the film shares the Mi’kmaw culture with the greater world through the eyes of a wayward youth in search of his estranged mother. As he thrashes through the landscape with wild abandon, he slowly softens to the kind strangers he meets along the way, discovering himself with the gentle guidance of his people. It’s
“Wildhood” opens with Lincoln, or Link (Lewitski), hunched over as his little brother Travis (Avery Winters-Anthony) scrubs bleach into his hair in their modest trailer home. Stretching lithely in the mirror,...
Filmed in English and Mi’kmaw, the film shares the Mi’kmaw culture with the greater world through the eyes of a wayward youth in search of his estranged mother. As he thrashes through the landscape with wild abandon, he slowly softens to the kind strangers he meets along the way, discovering himself with the gentle guidance of his people. It’s
“Wildhood” opens with Lincoln, or Link (Lewitski), hunched over as his little brother Travis (Avery Winters-Anthony) scrubs bleach into his hair in their modest trailer home. Stretching lithely in the mirror,...
- 6/24/2022
- by Jude Dry
- Indiewire
This review of “Wildhood” was first published July 17, 2022, before its opening in Los Angeles.
Rather than a run-of-the-mill coming-of-age road trip, “Wildhood” is a young protagonist’s quest to bring harmony to the intersections of his identity. From writer-director Bretten Hannam — a Two-Spirit, non-binary individual — the wandering drama unfolds across the Mi’kmaq people’s territory in the Maritime Provinces of Eastern Canada.
To examine the queer experience through the lens of indigenous youth, Hannam centers on Lincoln, aka Link (Phillip Lewitski), a mixed-race teen who dyes his hair blond and doesn’t speak Mi’kmaq, the language of his mother’s people. On many fronts, he doesn’t truly know who he is yet. But the key to attaining some clarity, he finds out, has long been denied to him.
Link’s abusive and homophobic father kept secret the letters his mother sent him over the years. The realization that she didn’t die,...
Rather than a run-of-the-mill coming-of-age road trip, “Wildhood” is a young protagonist’s quest to bring harmony to the intersections of his identity. From writer-director Bretten Hannam — a Two-Spirit, non-binary individual — the wandering drama unfolds across the Mi’kmaq people’s territory in the Maritime Provinces of Eastern Canada.
To examine the queer experience through the lens of indigenous youth, Hannam centers on Lincoln, aka Link (Phillip Lewitski), a mixed-race teen who dyes his hair blond and doesn’t speak Mi’kmaq, the language of his mother’s people. On many fronts, he doesn’t truly know who he is yet. But the key to attaining some clarity, he finds out, has long been denied to him.
Link’s abusive and homophobic father kept secret the letters his mother sent him over the years. The realization that she didn’t die,...
- 6/24/2022
- by Carlos Aguilar
- The Wrap
In preparation for a summer return to in-person artist development labs, the Sundance Institute today named those selected as fellows for its 2022 Directors, Screenwriters and Native Labs.
Creatives developing original work for the screen as part of the Native Lab include Justin Ducharme (Positions), Taietsarón:sere ‘Tai’ Leclaire (How to Deal with Systemic Racism in the Afterlife), Daniel Pewewardy (Residential), Tiare Ribeaux (Huaka’i) and Tim Worrall (Ka Whawhai Tonu – Struggle Without End).
Those participating in the Directors Lab and/or the Screenwriters Lab include Dina Amer (Cain and Abel), Zandashé Brown (The Matriarch), Caledonia Curry and Meagan Brothers (Sibylant Sisters), Hasan Hadi (The President’s Cake), Michael León and Ashley Alvafez (Crabs in a Barrel), Eliza McNitt (Black Hole), Olive Nwosu (Lady), Neo Sora (Earthquake) and Yuan Yang (Late Spring).
The Native Lab began online from May 2-6 and continues in person from May 9-14, in Santa Fe, Nm, for...
Creatives developing original work for the screen as part of the Native Lab include Justin Ducharme (Positions), Taietsarón:sere ‘Tai’ Leclaire (How to Deal with Systemic Racism in the Afterlife), Daniel Pewewardy (Residential), Tiare Ribeaux (Huaka’i) and Tim Worrall (Ka Whawhai Tonu – Struggle Without End).
Those participating in the Directors Lab and/or the Screenwriters Lab include Dina Amer (Cain and Abel), Zandashé Brown (The Matriarch), Caledonia Curry and Meagan Brothers (Sibylant Sisters), Hasan Hadi (The President’s Cake), Michael León and Ashley Alvafez (Crabs in a Barrel), Eliza McNitt (Black Hole), Olive Nwosu (Lady), Neo Sora (Earthquake) and Yuan Yang (Late Spring).
The Native Lab began online from May 2-6 and continues in person from May 9-14, in Santa Fe, Nm, for...
- 5/9/2022
- by Matt Grobar
- Deadline Film + TV
Exclusive: Rising actors Lamar Johnson (The Hate U Give), Aaron Pierre (The Underground Railroad), Marsha Stephanie Blake (When They See Us) and Kiana Madeira (Fear Street Trilogy) have been set to star in feature drama Brother, which is filming in and around Toronto.
Written and directed by Clement Virgo (Greenleaf) and based on David Chariandy’s novel, Brother is set against Toronto’s early hip hop scene. The film charts the story of Francis and Michael, sons of Caribbean immigrants, who are maturing into young men during the sweltering summer of 1991. Escalating tensions set off a series of events that change the course of the brothers’ lives forever.
Producing are Virgo and Damon D’Oliveira of Conquering Lion Pictures, along with Aeschylus Poulos and Sonya Di Rienzo of Hawkeye Pictures.
The pic will be distributed in Canada by Elevation Pictures. Foreign sales will be handled by Bron Releasing. Filming will run...
Written and directed by Clement Virgo (Greenleaf) and based on David Chariandy’s novel, Brother is set against Toronto’s early hip hop scene. The film charts the story of Francis and Michael, sons of Caribbean immigrants, who are maturing into young men during the sweltering summer of 1991. Escalating tensions set off a series of events that change the course of the brothers’ lives forever.
Producing are Virgo and Damon D’Oliveira of Conquering Lion Pictures, along with Aeschylus Poulos and Sonya Di Rienzo of Hawkeye Pictures.
The pic will be distributed in Canada by Elevation Pictures. Foreign sales will be handled by Bron Releasing. Filming will run...
- 10/15/2021
- by Andreas Wiseman
- Deadline Film + TV
There is a prescient shot that opens “Let Him Go,” the frontier drama starring Kevin Costner and Diane Lane. A flat stretch of Montana plain, a blanket of blue-gray sky, as if Heaven itself was just beyond the horizon. It is haunting, that endless horizon. Thomas Bezucha, who directs, holds the shot long enough to get you thinking. Cinematographer Guy Godfree, with a Canadian Screen Award under his belt, shoots the film.
Continue reading ‘Let Him Go’: Kevin Costner & Diane Lane Bring The Heart In This Violent Midwestern Thriller [Review] at The Playlist.
Continue reading ‘Let Him Go’: Kevin Costner & Diane Lane Bring The Heart In This Violent Midwestern Thriller [Review] at The Playlist.
- 11/5/2020
- by Asher Luberto
- The Playlist
Diane Lane is watching America spin from abroad in Toronto. She quarantined for two weeks before filming recently began for the long in the works FX series “Y: The Last Man.” But on this day, she’s revisiting a film she shot last year, the period thriller “Let Him Go.” A movie that has gotten mostly positive reviews, but has critics universal in two aspects. Recognition of up and coming cinematographer Guy Godfree‘s beautiful lensing and yet another noteworthy performance by the 2003 Oscar Best Actress nominee.
Continue reading Diane Lane On ‘Let Him Go’ And The Unexpected Pandemic Relevance of ‘Y’ [Interview] at The Playlist.
Continue reading Diane Lane On ‘Let Him Go’ And The Unexpected Pandemic Relevance of ‘Y’ [Interview] at The Playlist.
- 11/3/2020
- by Gregory Ellwood
- The Playlist
Writer-director Thomas Bezucha clearly flourishes under a big sky: Returning to Montana for “Let Him Go,” he fulfills the promise of his acclaimed debut feature, 2000’s “Big Eden,” also shot in the Treasure State. But where his earlier film was a lovely romantic comedy about the power of community, this new film (based on the novel by Larry Watson) is a nail-biting thriller about a couple rescuing their young grandson from a terrible new family.
Between its taut script and some indelible performances, “Let Him Go” succeeds both as a low-key character study and as a breathlessly intense thriller about the clash between good (but not perfect) people and bad people, none of whom are to be trifled with.
Bezucha opens with some idyllic images right out of Norman Rockwell, and only subtly does an undercurrent of Edward Hopper become visible. Retired sheriff George Blackledge (Kevin Costner) and his wife...
Between its taut script and some indelible performances, “Let Him Go” succeeds both as a low-key character study and as a breathlessly intense thriller about the clash between good (but not perfect) people and bad people, none of whom are to be trifled with.
Bezucha opens with some idyllic images right out of Norman Rockwell, and only subtly does an undercurrent of Edward Hopper become visible. Retired sheriff George Blackledge (Kevin Costner) and his wife...
- 11/2/2020
- by Alonso Duralde
- The Wrap
Almost a year ago, I saw Buffaloed at the 2019 Tribeca Film Festival and was absolutely blown away. Not only is it a wonderfully smart and razor sharp satirical dramedy, it features the best turn to date by Zoey Deutch, who is quickly becoming among the most exciting actresses in the business. With the movie finally coming out this Friday, it’s a perfect excuse to unveil the first installment for 2020 of the Spotlight on the Stars series, since Deutch is well on her way to being one of the biggest in the industry. Mark my words, ladies and gentlemen, she’s shooting straight to the top of the A-list. The film itself is the year’s best title, without question. The synopsis, courtesy of Rotten Tomatoes, is as follows: “Peg Dahl (Zoey Deutch) has never run with the Buffalo pack. As a young girl obsessed with making enough cash to...
- 2/12/2020
- by Joey Magidson
- Hollywoodnews.com
Plus One Photo: Guy Godfree
The winners of the Tribeca Film Festival Narrative Feature and Documentary Audience Awards were announced this afternoon. The Narrative Feature Audience Award went to Jeff Chan and Andrew Rhymer's Plus One, starring Maya Erskine, Jack Quaid, Ed Begley Jr., Rosalind Chao, Beck Bennett, and Finn Wittrock.
Gay Chorus Deep South Photo: Adam Hobbs
Stefon Bristol's See You Yesterday, produced by Spike Lee, with Eden Duncan-Smith and Dante Crichlow earned second place.
The Documentary Narrative Audience Award goes to David Charles Rodrigues's Gay Chorus Deep South on the San Francisco Gay Men's Chorus's tour through the deep south with the Oakland interfaith Gospel Choir.
Second place went to Lesley Chilcott's Watson on Captain Paul Watson, co-founder of GreenPeace and Sea Shepherd.
Tribeca Film Festival Audience Award winners and second place finishers will join the jury award-winners with additional screenings on Sunday at...
The winners of the Tribeca Film Festival Narrative Feature and Documentary Audience Awards were announced this afternoon. The Narrative Feature Audience Award went to Jeff Chan and Andrew Rhymer's Plus One, starring Maya Erskine, Jack Quaid, Ed Begley Jr., Rosalind Chao, Beck Bennett, and Finn Wittrock.
Gay Chorus Deep South Photo: Adam Hobbs
Stefon Bristol's See You Yesterday, produced by Spike Lee, with Eden Duncan-Smith and Dante Crichlow earned second place.
The Documentary Narrative Audience Award goes to David Charles Rodrigues's Gay Chorus Deep South on the San Francisco Gay Men's Chorus's tour through the deep south with the Oakland interfaith Gospel Choir.
Second place went to Lesley Chilcott's Watson on Captain Paul Watson, co-founder of GreenPeace and Sea Shepherd.
Tribeca Film Festival Audience Award winners and second place finishers will join the jury award-winners with additional screenings on Sunday at...
- 5/4/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
“Plus One” is proof of the continued vitality of traditional romantic comedy formulas. Yet far more thrillingly, it’s a testament to star power — which it has in spades, courtesy of Maya Erskine (Hulu’s “Pen15”), whose lead turn in writers-directors Jeff Chan and Andrew Rhymer’s winning film would, in a just world, make her an immediate A-lister. As a single woman who forges a pact with her college friend to attend their litany of summer weddings together, Erskine has a force of personality — and whip-crack comedic timing — that energizes this superior brand of amorous adventure. Genre fans won’t want to miss it when Rlje Films releases it in theaters and on VOD in June, following its Tribeca Film Festival premiere.
Forced to navigate a nuptials season that reminds them of their loneliness — highlighted by their relegation to the singles tables — oft-drunk Alice (Erskine) and picky Ben (Jack Quaid...
Forced to navigate a nuptials season that reminds them of their loneliness — highlighted by their relegation to the singles tables — oft-drunk Alice (Erskine) and picky Ben (Jack Quaid...
- 5/1/2019
- by Nick Schager
- Variety Film + TV
Amiable “Giant Little Ones” treads familiar ground in the teenage coming-out narrative subgenre, from the protagonist’s suddenly confused Bff relationship to photogenic swim-team participation and the usual array of seriocomic support types. But Canadian writer-director Keith Behrman’s first big-screen feature since debut “Flower & Garnet” in 2002 is also polished and lively, with just enough fresh angles to avoid feeling like a rote recycling of gay cinema tropes. It has decent potential to attract niche offshore theatrical exposure in addition to digital-format sales.
Floppy-haired Franky (Josh Wiggins) is a popular high-schooler just turning 16, inseparable from longtime best bud Ballas (Darren Mann). Both have girlfriends, though Ballas claims to have done the deed — a lot — with his, while Franky remains a virgin. Landing in the same bed at the end of Franky’s drunken birthday celebration, the two boys “experiment.” The morning after, both are discomfited by their interlude, Franky in...
Floppy-haired Franky (Josh Wiggins) is a popular high-schooler just turning 16, inseparable from longtime best bud Ballas (Darren Mann). Both have girlfriends, though Ballas claims to have done the deed — a lot — with his, while Franky remains a virgin. Landing in the same bed at the end of Franky’s drunken birthday celebration, the two boys “experiment.” The morning after, both are discomfited by their interlude, Franky in...
- 9/14/2018
- by Dennis Harvey
- Variety Film + TV
Naming a film after a famous song can be mildly distracting: As much as we’re swept up in the action at hand, a small part of our brains keeps semi-patiently waiting for the tune to turn up. In “The Parting Glass,” Stephen Moyer’s modest but rather lovely directorial debut, you wait for the eponymous Irish folk song to kick in toward the end, as befits its gorgeous, farewell-themed lyrics, and so it does — used in pretty much the exact way one might have expected, but no less stirring and satisfying for that. That’s an outcome typical of this finely wrought, deeply felt family drama, in which a fractious Irish-American clan of adult siblings gathers to mourn their recently deceased kid sister: Written with great humor and humanity by actor Denis O’Hare — who also takes a key role in a classy ensemble that includes Melissa Leo, Cynthia Nixon,...
- 6/25/2018
- by Guy Lodge
- Variety Film + TV
Left to right: Sally Hawkins as Maud Lewis and Ethan Hawke as Everett Lewis. Photo by Duncan Deyoung, Courtesy of Sony Pictures Classics.
Sally Hawkins gives a winning performance as Canadian folk artist Maud Lewis in the biopic Maudie. Despite suffering from crippling arthritis since childhood, Maud is determined to paint and live life on her own terms, in director Aisling Walsh’s inspiring but frank portrait of a self-taught artist in rural Nova Scotia. Against all expectations, Maud captures the attention of the art world, and achieves fame for her appealing colorful art. The remarkable story is fascinating but much of the film’s appeal comes from Sally Hawkins’ delightful performance as the woman artist who overcame so many obstacles.
In Nova Scotia in 1938, Maud Dawley (Sally Hawkins)is in her early 30s and finds herself shuffled off to live with her stern Aunt Ida (Gabrielle Rose) by her...
Sally Hawkins gives a winning performance as Canadian folk artist Maud Lewis in the biopic Maudie. Despite suffering from crippling arthritis since childhood, Maud is determined to paint and live life on her own terms, in director Aisling Walsh’s inspiring but frank portrait of a self-taught artist in rural Nova Scotia. Against all expectations, Maud captures the attention of the art world, and achieves fame for her appealing colorful art. The remarkable story is fascinating but much of the film’s appeal comes from Sally Hawkins’ delightful performance as the woman artist who overcame so many obstacles.
In Nova Scotia in 1938, Maud Dawley (Sally Hawkins)is in her early 30s and finds herself shuffled off to live with her stern Aunt Ida (Gabrielle Rose) by her...
- 7/14/2017
- by Cate Marquis
- WeAreMovieGeeks.com
Maud Lewis, as played by Sally Hawkins in Aisling Walsh’s Maudie, was an incredibly important Canadian folk artist. Most of her paintings, all rather small-sized, involved whatever she would see in the Nova Scotian outdoors: boats, birds, dogs, cats, horses, trees, outdoor scenes, etc. Today her paintings sell for the tens of thousands, mostly due to the fact that they are so rare, but also so beautifully simple. In fact, two of her paintings were chosen to stand inside the White House.
Lewis was housekeeper to Everett Lewis (Ethan Hawke), a fish peddler who verbally abused her at first, but grew fond of her shy, subtle quirkiness and ended up marrying her in the process. As his living, he goes door-to-door selling the fish he’d catch on a daily basis. It was with that connection that Maud met a New York woman who was in living the small...
Lewis was housekeeper to Everett Lewis (Ethan Hawke), a fish peddler who verbally abused her at first, but grew fond of her shy, subtle quirkiness and ended up marrying her in the process. As his living, he goes door-to-door selling the fish he’d catch on a daily basis. It was with that connection that Maud met a New York woman who was in living the small...
- 9/14/2016
- by The Film Stage
- The Film Stage
I’ve never been a young parent who suddenly fell in love with my same-gendered best friend, but boy if Lovesong didn’t nail what it felt like to be in my early twenties. This is a film all about the difficulty to say what you truly want to say, and the distance that crops up between people as a result of that prideful fear. It’s a fear of both rejection and acceptance, what Joni Mitchell was talking about when she warned against expressing honest feeling in “Both Sides Now.” A “no” could end everything between you and this one other person. A “yes” could end everything between you and everyone else.
Sarah (Riley Keough) and Mindy (Jena Malone) are around 23 when we meet them. Sarah already has a young daughter, but her husband, Dean (Cary Joji Fukunaga) is away for months on end for business. She’s lonely...
Sarah (Riley Keough) and Mindy (Jena Malone) are around 23 when we meet them. Sarah already has a young daughter, but her husband, Dean (Cary Joji Fukunaga) is away for months on end for business. She’s lonely...
- 2/5/2016
- by Scott Nye
- CriterionCast
This is a particularly bittersweet Tgif because Tff 2012 is nearing the end. Though, with the excitement of yesterday's thought-provoking panels and awards ceremony, it's hard to feel too down. Check out what's in store for Festival fans today and on the horizon for Saturday. Tribeca Talks Industry - New Filmmakers On Film 2:30 pm: Sva Theater Sponsored by Panavision Price: Free While a growing number of filmmakers turn to digital technology, Panavision's grant program still offers artists the chance to shoot on film by providing them with exclusive camera packages with legendary Panavision lenses, as well as a wide range of digital cameras. Join Una Noche director (and big Tff winner!) Lucy Mulloy, Kodak's Us Account Manager of Features and Post-Production Bob Mastronardi, cinematographer Guy Godfree, producer Casey Fenton (Unmanned), Panavision NY's Peter Brogna, and other film artists as they discuss the program and new opportunities for emerging talent. Moderated...
- 4/27/2012
- TribecaFilm.com
Yesterday I posted a Preview of some of our most anticipated films at this year.s Tribeca Film Festival. Since there are a lot of other things going on besides movie screenings, I thought I.d share with you some of the coolest events also taking place as part of Tff. Unfortunately I will be unable to attend nearly all of these events but hopefully some of you will be able to check them out!
100 Years of Universal
In celebration of 100 years of Universal Pictures, join us for a conversation with iconic actors and directors Robert De Niro, Meryl Streep and Judd Apatow as they share their favorite moments and memories from Universal.s extraordinary history. Moderated by Film Editor for Deadline Hollywood Mike Fleming.
****This event will be streamed for Free at TribecaFilm.com today at 3 Pm! ***
Meet The Filmmakers At Apple
The SoHo and 14 St. Apple stores will...
100 Years of Universal
In celebration of 100 years of Universal Pictures, join us for a conversation with iconic actors and directors Robert De Niro, Meryl Streep and Judd Apatow as they share their favorite moments and memories from Universal.s extraordinary history. Moderated by Film Editor for Deadline Hollywood Mike Fleming.
****This event will be streamed for Free at TribecaFilm.com today at 3 Pm! ***
Meet The Filmmakers At Apple
The SoHo and 14 St. Apple stores will...
- 4/19/2012
- by Jerry Cavallaro
- WeAreMovieGeeks.com
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