Brooklyn Close-Up, a monthly series at BAMcinématek, opens tonight with The Warriors (1979) and James Hughes spoke with Walter Hill recently for the Voice. Hill: "[T]his vaguely futuristic, science-fiction movie — why was it so audience-friendly? I don't exactly have the answer. I wish I did." Hughes: "Disturbing to admirers of the film is the specter of a remake, which was at one time attached to director Tony Scott, who planned to move the action to contemporary La. Its future remains unclear. 'I have no idea what the studio plans are,' Hill says. 'They don't call me. The producer tells me they've spent five times as much in developing a sequel as we did to make the movie. I made my version. Somebody else wants to take a shot at it, good luck.'"
On Saturday, Hill will be at MoMA for a screening of another of his landmark works: "His most underappreciated and airtight film,...
On Saturday, Hill will be at MoMA for a screening of another of his landmark works: "His most underappreciated and airtight film,...
- 10/31/2011
- MUBI
Long before The Life of Brian, George Harrison funded an award-winning film stuffed with British talent – so why has it taken 40 years to surface?
In 1979 George Harrison purchased, almost on a whim, what Terry Jones would later call "the most expensive movie ticket of all time". After a single reading of the script of Monty Python's Life of Brian, he mortgaged his own luxury mansion and sank the resultant funds into a project that had been abandoned, days before shooting started, by its original backer, Bernie Delfont of Emi. Why did he do it? "Because I liked the script and I wanted to see the movie," said Harrison later. A Beatle can do that.
From that almost informal exchange of favours between good friends sprang arguably the most interesting British production company of the 1980s, Handmade Films, backed by Harrison and his producing partner Denis O'Brien. Handmade gave us Brian and Withnail & I,...
In 1979 George Harrison purchased, almost on a whim, what Terry Jones would later call "the most expensive movie ticket of all time". After a single reading of the script of Monty Python's Life of Brian, he mortgaged his own luxury mansion and sank the resultant funds into a project that had been abandoned, days before shooting started, by its original backer, Bernie Delfont of Emi. Why did he do it? "Because I liked the script and I wanted to see the movie," said Harrison later. A Beatle can do that.
From that almost informal exchange of favours between good friends sprang arguably the most interesting British production company of the 1980s, Handmade Films, backed by Harrison and his producing partner Denis O'Brien. Handmade gave us Brian and Withnail & I,...
- 10/31/2011
- by John Patterson
- The Guardian - Film News
Pioneering director of theatre-in-the-round and musical shows in the Potteries
Once described by Simon Hoggart as the "furry caterpillar" because of his habitual woolly sweaters, Peter Cheeseman, who has died aged 78, offered a unique vision of the role of theatre in the community. He pioneered theatre-in-the-round and, as the artistic director of the Victoria theatre in Stoke-on-Trent and then the New Vic in Newcastle-under-Lyme, installed a vibrant, creative hothouse in the industrial sprawl of the Potteries.
English regional theatre in the late 1950s was still dominated by the Edwardian values of the West End, the star system and the cosy conventions of the French-windows farce. Peter's passionate commitment to breaking the fourth wall of the proscenium arch stage, and rooting a resident company of actors, writers, musicians and designers in the local community, was revolutionary. He became involved in 1961 with the Studio Theatre Company, founded by Stephen Joseph. Peter put...
Once described by Simon Hoggart as the "furry caterpillar" because of his habitual woolly sweaters, Peter Cheeseman, who has died aged 78, offered a unique vision of the role of theatre in the community. He pioneered theatre-in-the-round and, as the artistic director of the Victoria theatre in Stoke-on-Trent and then the New Vic in Newcastle-under-Lyme, installed a vibrant, creative hothouse in the industrial sprawl of the Potteries.
English regional theatre in the late 1950s was still dominated by the Edwardian values of the West End, the star system and the cosy conventions of the French-windows farce. Peter's passionate commitment to breaking the fourth wall of the proscenium arch stage, and rooting a resident company of actors, writers, musicians and designers in the local community, was revolutionary. He became involved in 1961 with the Studio Theatre Company, founded by Stephen Joseph. Peter put...
- 4/29/2010
- by Robin Thornber
- The Guardian - Film News
The world's growing interest in all things green--along with international conferences like COP15--have put pressure on Olympic organizers to prove that the 2010 Winter Olympics won't have a big environmental impact. That's why the International Olympic Committee enlisted help from energy conservation startup Pulse Energy in monitoring real-time energy usage at this year's games. The best part: Pulse's Venue Energy Tracker Web site lets anyone keep track of the amount of energy being consumed in Olympic sports arenas.
According to Pulse Energy CEO David Halliwell, the idea for the energy tracker came about over a couple of years. "The Olympic organizers had so much other stuff going on that they weren't focused on keeping track of how things were going. But in the summertime, the committee suggested that they should keep track of how venues were performing in real time. They wanted to set a benchmark for how the Olympics should operate,...
According to Pulse Energy CEO David Halliwell, the idea for the energy tracker came about over a couple of years. "The Olympic organizers had so much other stuff going on that they weren't focused on keeping track of how things were going. But in the summertime, the committee suggested that they should keep track of how venues were performing in real time. They wanted to set a benchmark for how the Olympics should operate,...
- 1/23/2010
- by Ariel Schwartz
- Fast Company
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