Nearly three decades before ESPN’s O.J.: Made in America blurred the lines between TV documentary series and feature film, an episode of PBS’ Eyes on the Prize was nominated for an Academy Award. That 1987 episode, “Bridge to Freedom,” lost the Oscar to The Ten-Year Lunch: The Wit and Legend of the Algonquin Round Table.
I mention this mainly because that Oscar was pretty much the only thing Eyes on the Prize lost. Henry Hampton’s 14-hour chronicle of the civil rights movement won Emmys, a Peabody and the TCA Award for program of the year. Between regular encore ...
I mention this mainly because that Oscar was pretty much the only thing Eyes on the Prize lost. Henry Hampton’s 14-hour chronicle of the civil rights movement won Emmys, a Peabody and the TCA Award for program of the year. Between regular encore ...
- 8/17/2021
- The Hollywood Reporter - Film + TV
Nearly three decades before ESPN’s O.J.: Made in America blurred the lines between TV documentary series and feature film, an episode of PBS’ Eyes on the Prize was nominated for an Academy Award. That 1987 episode, “Bridge to Freedom,” lost the Oscar to The Ten-Year Lunch: The Wit and Legend of the Algonquin Round Table.
I mention this mainly because that Oscar was pretty much the only thing Eyes on the Prize lost. Henry Hampton’s 14-hour chronicle of the civil rights movement won Emmys, a Peabody and the TCA Award for program of the year. Between regular encore ...
I mention this mainly because that Oscar was pretty much the only thing Eyes on the Prize lost. Henry Hampton’s 14-hour chronicle of the civil rights movement won Emmys, a Peabody and the TCA Award for program of the year. Between regular encore ...
- 8/17/2021
- The Hollywood Reporter - Movie News
Documentarian Senain Kheshgi takes us through a few of her favorite documentaries.
Show Notes: Movies Referenced In This Episode
American Movie (1999)
Dog Day Afternoon (1975) – Katt Shea’s trailer commentary
The French Connection (1971) – Dennis Lehane’s trailer commentary, Mark Pellington’s trailer commentary
Grey Gardens (1975)
Salesman (1969)
Real Life (1979)
Hoop Dreams (1994)
Seven Up! (1964)
Don’t Look Back (1967)
Primary (1960)
The Thin Blue Line (1988)
Reds (1981)
The Trial of the Chicago 7 (2020) – Dennis Cozzalio’s 2020 best-of list
High School (1968)
Hospital (1970)
Titicut Follies (1967)
Harlan County, USA (1976)
Salaam Bombay! (1988)
Mississippi Masala (1991)
India Cabaret (1985)
The 400 Blows (1959) – Robert Weide’s trailer commentary
Bicycle Thieves (1949) – Dennis Cozzalio’s Muriel Awards column
Shoeshine (1946)
Citizen Kane (1941) – John Landis’s trailer commentary
Day For Night (1973) – Neil Labute’s trailer commentary
Sherman’s March (1986)
Capturing The Friedmans (2003)
I Think We’re Alone Now (2008)
The Mole Agent (2020)
The Act of Killing (2012)
Other Notable Items
Walter Hill
Walton Goggins
The Majority
Mark Borchardt
Mike Schank
The...
Show Notes: Movies Referenced In This Episode
American Movie (1999)
Dog Day Afternoon (1975) – Katt Shea’s trailer commentary
The French Connection (1971) – Dennis Lehane’s trailer commentary, Mark Pellington’s trailer commentary
Grey Gardens (1975)
Salesman (1969)
Real Life (1979)
Hoop Dreams (1994)
Seven Up! (1964)
Don’t Look Back (1967)
Primary (1960)
The Thin Blue Line (1988)
Reds (1981)
The Trial of the Chicago 7 (2020) – Dennis Cozzalio’s 2020 best-of list
High School (1968)
Hospital (1970)
Titicut Follies (1967)
Harlan County, USA (1976)
Salaam Bombay! (1988)
Mississippi Masala (1991)
India Cabaret (1985)
The 400 Blows (1959) – Robert Weide’s trailer commentary
Bicycle Thieves (1949) – Dennis Cozzalio’s Muriel Awards column
Shoeshine (1946)
Citizen Kane (1941) – John Landis’s trailer commentary
Day For Night (1973) – Neil Labute’s trailer commentary
Sherman’s March (1986)
Capturing The Friedmans (2003)
I Think We’re Alone Now (2008)
The Mole Agent (2020)
The Act of Killing (2012)
Other Notable Items
Walter Hill
Walton Goggins
The Majority
Mark Borchardt
Mike Schank
The...
- 7/27/2021
- by Kris Millsap
- Trailers from Hell
HBO Max, HBO and Anonymous Content’s AC Studios have teamed to bring the legacy of Henry Hampton’s critically acclaimed civil rights documentary Eyes on the Prize to the small screen.
Starting today, Part 1 of the Oscar-nominated and Peabody and Emmy Award-winning Eyes on the Prize docuseries is available for streaming on HBO Max. It will be followed by the premiere of Eyes on the Prize: Hallowed Ground, a one-hour Max Original documentary special directed by Oscar-nominated filmmaker Sophia Nahli Allison (A Love Song For Latasha), on Thursday, August 19 on HBO Max.
HBO is also in production on a new documentary series reflecting on the legacy of the movement covered in the original Eyes on the Prize, and its ties to the present day. The new docuseries also will be available for streaming on HBO Max.
Created and executive produced by Hampton and his Blackside film production company, the...
Starting today, Part 1 of the Oscar-nominated and Peabody and Emmy Award-winning Eyes on the Prize docuseries is available for streaming on HBO Max. It will be followed by the premiere of Eyes on the Prize: Hallowed Ground, a one-hour Max Original documentary special directed by Oscar-nominated filmmaker Sophia Nahli Allison (A Love Song For Latasha), on Thursday, August 19 on HBO Max.
HBO is also in production on a new documentary series reflecting on the legacy of the movement covered in the original Eyes on the Prize, and its ties to the present day. The new docuseries also will be available for streaming on HBO Max.
Created and executive produced by Hampton and his Blackside film production company, the...
- 7/19/2021
- by Denise Petski
- Deadline Film + TV
The groundbreaking Oscar-nominated and Peabody and Emmy award-winning documentary “Eyes on the Prize,” from documentarian and historian Henry Hampton, is coming to a new audience.
HBO Max, HBO and Anonymous Content’s AC Studios are joining forces to bring the 14-part PBS docuseries to HBO, where, starting Monday, viewers will be able to stream part one of Hampton’s chronicle of Black history and the civil rights movement, which debuted in 1987.
But the legacy of “Eyes on the Prize” does not end there — part one of “Eyes on the Prize” will be followed by the premiere of a one-hour Max Original documentary special, “Eyes on the Prize: Hallowed Ground” on Aug. 19.
The new special is directed by Oscar-nominated filmmaker and artist Sophia Nahli Allison (“A Love Song for Latasha”) with executive producers including Patrisse Cullors, Mervyn Marcano and De La Revolución Films’ Melina Matsoukas, as well as Anonymous Content’s Joy Gorman Wettels,...
HBO Max, HBO and Anonymous Content’s AC Studios are joining forces to bring the 14-part PBS docuseries to HBO, where, starting Monday, viewers will be able to stream part one of Hampton’s chronicle of Black history and the civil rights movement, which debuted in 1987.
But the legacy of “Eyes on the Prize” does not end there — part one of “Eyes on the Prize” will be followed by the premiere of a one-hour Max Original documentary special, “Eyes on the Prize: Hallowed Ground” on Aug. 19.
The new special is directed by Oscar-nominated filmmaker and artist Sophia Nahli Allison (“A Love Song for Latasha”) with executive producers including Patrisse Cullors, Mervyn Marcano and De La Revolución Films’ Melina Matsoukas, as well as Anonymous Content’s Joy Gorman Wettels,...
- 7/19/2021
- by Angelique Jackson
- Variety Film + TV
RaMell Ross’ debut feature, Hale County This Morning, This Evening, an intimate and cinematic portrait of black lives in Alabama, took the top award tonight at the 12th annual Cinema Eye Honors, winning Outstanding Nonfiction Feature. It was the second Cinema Eye Feature Honor in a row for producer Joslyn Barnes, who also produced last year’s award winner, Strong Island.
The 12th Annual Cinema Eye Honors were presented at the Museum of the Moving Image in Astoria, New York and were streamed live via the Museum of the Moving Image and Cinema Eye Honors Facebook pages. Filmmaker Steve James, a winner for Outstanding Series for America to Me, was the host.
The awards capped a week of events that brought together nonfiction filmmakers from around the globe. Cinema Eye was founded in 2007 as a protest of that year’s existing awards which it claimed failed to recognize many of...
The 12th Annual Cinema Eye Honors were presented at the Museum of the Moving Image in Astoria, New York and were streamed live via the Museum of the Moving Image and Cinema Eye Honors Facebook pages. Filmmaker Steve James, a winner for Outstanding Series for America to Me, was the host.
The awards capped a week of events that brought together nonfiction filmmakers from around the globe. Cinema Eye was founded in 2007 as a protest of that year’s existing awards which it claimed failed to recognize many of...
- 1/11/2019
- by Bruce Haring
- Deadline Film + TV
RaMell Ross’s debut feature, “Hale County This Morning, This Evening” took the top prize at the Cinema Eye Honors Thursday night in New York, winning outstanding nonfiction feature.
Bing Liu’s much-lauded skateboarding doc “Minding the Gap,” which tied the Cinema Eye record for most noms with seven, took home three trophies, including outstanding achievement in direction, editing, and debut. “Free Solo” also won three awards, with “Shirkers” nabbing two honors.
“Hale County’s” win marks the second for producer Joslyn Barnes, who also won last year for “Strong Island.” “Free Solo’s” three wins landed Jimmy Chin the title of most awarded individual in Cinema Eye history, with five awards including his two for 2015’s “Meru.”
See the full list of winners below.
Outstanding Achievement in Nonfiction Feature Filmmaking
“Hale County This Morning, This Evening,” RaMell Ross
Outstanding Achievement in Direction
Bing Liu, “Minding the Gap”
Outstanding Achievement...
Bing Liu’s much-lauded skateboarding doc “Minding the Gap,” which tied the Cinema Eye record for most noms with seven, took home three trophies, including outstanding achievement in direction, editing, and debut. “Free Solo” also won three awards, with “Shirkers” nabbing two honors.
“Hale County’s” win marks the second for producer Joslyn Barnes, who also won last year for “Strong Island.” “Free Solo’s” three wins landed Jimmy Chin the title of most awarded individual in Cinema Eye history, with five awards including his two for 2015’s “Meru.”
See the full list of winners below.
Outstanding Achievement in Nonfiction Feature Filmmaking
“Hale County This Morning, This Evening,” RaMell Ross
Outstanding Achievement in Direction
Bing Liu, “Minding the Gap”
Outstanding Achievement...
- 1/11/2019
- by Variety Staff
- Variety Film + TV
Exclusive: Cinema Eye Honors said that Eyes on the Prize, the landmark civil rights docuseries that first aired on public television in 1987, will receive the group’s 2019 Legacy Award. The honor will be bestowed January 10 during the 12th annual Cinema Eye Honors awards ceremony in New York.
“For me and so many others, Eyes on the Prize was a transformational cinematic experience, artfully crafting the history of a nation into an unforgettable story,” Cinema Eye board co-chair Dawn Porter said Thursday. “Countless filmmakers have been inspired by this elegant body of work.”
Created and by the late Henry Hampton’s Blackside, the 14-part Eyes on the Prize is considered the definitive documentary record of the American civil rights era, tracing the country’s long and brutal march toward equality and the fight to end decades of discrimination and segregation. It aired in two parts, the first covering the years 1954–1965 and...
“For me and so many others, Eyes on the Prize was a transformational cinematic experience, artfully crafting the history of a nation into an unforgettable story,” Cinema Eye board co-chair Dawn Porter said Thursday. “Countless filmmakers have been inspired by this elegant body of work.”
Created and by the late Henry Hampton’s Blackside, the 14-part Eyes on the Prize is considered the definitive documentary record of the American civil rights era, tracing the country’s long and brutal march toward equality and the fight to end decades of discrimination and segregation. It aired in two parts, the first covering the years 1954–1965 and...
- 12/20/2018
- by Patrick Hipes
- Deadline Film + TV
Premiering at Tiff 2017, Sammy Davis, Jr.: I’ve Gotta Be Me is the first major film documentary to examine Davis’ vast talent and his journey for identity through the shifting tides of civil rights and racial progress during 20th-century America.
Today Sammy Davis is seen primarily as part of The Rat Pack. That quartet of bad boys who sing and joke around is very much a part of time when Frank Sinatra and Dean Martin were the kings of the Las Vegas scene.
But Sammy Davis Jr. was much more than that and merely by lending his black face to that group makes The Rat Pack seem like a liberal if slightly dissolute, but a filled-with-fun group. In truth, his position with Sinatra, Martin, Peter Lawford was not all that comfortable and the path Davis had already trod before landing there was not a simple or easy one.
He...
Today Sammy Davis is seen primarily as part of The Rat Pack. That quartet of bad boys who sing and joke around is very much a part of time when Frank Sinatra and Dean Martin were the kings of the Las Vegas scene.
But Sammy Davis Jr. was much more than that and merely by lending his black face to that group makes The Rat Pack seem like a liberal if slightly dissolute, but a filled-with-fun group. In truth, his position with Sinatra, Martin, Peter Lawford was not all that comfortable and the path Davis had already trod before landing there was not a simple or easy one.
He...
- 10/20/2017
- by Sydney Levine
- Sydney's Buzz
This Sunday, February 7, 2016, tune in to the World Channel for the next episode of the Emmy-Award winning series "Eyes on the Prize" which kicked off on January 17, 2016. Created by Executive Producer Henry Hampton, the World Channel's broadcast of the critically-acclaimed and in-depth documentary series on civil rights in America, couldn't be more timely, at a time when the national spotlight is on issues of race and inequality in the USA, as well as the marking of the 50th anniversary of the Voting Rights Act, and the 60th anniversary of the Montgomery Bus Boycott. Journalist and writer Al Letson hosts new introductions to each episode. The next chapter, airing this Sunday...
- 2/5/2016
- by Tambay A. Obenson
- ShadowAndAct
DVD Playhouse: January 2011
By
Allen Gardner
Wall Street: Money Never Sleeps (20th Century Fox) Sequel to the seminal 1980s film catches up with a weathered, but still determined Gordon Gekko (Michael Douglas, who seems to savor every syllable of Allan Loeb and Stephen Schiff’s screenplay) just out of jail and back on the comeback trail. In attempting to repair his relationship with his estranged daughter (Carey Mulligan), Gekko forges a reluctant alliance with her fiancé (Shia Labeouf), himself an ambitious young turk who finds himself seduced by Gekko’s silver tongue and promise of riches. Lifeless film is further evidence of director Oliver Stone’s decline. Once America’s most exciting filmmaker, Stone hasn’t delivered a film with any teeth since 1995’s Nixon. Labeouf and Mulligan generate no sparks on-screen, and the story feels forced from the protracted opening to the final, Disney-esque denouement. Only a brief cameo by Charlie Sheen,...
By
Allen Gardner
Wall Street: Money Never Sleeps (20th Century Fox) Sequel to the seminal 1980s film catches up with a weathered, but still determined Gordon Gekko (Michael Douglas, who seems to savor every syllable of Allan Loeb and Stephen Schiff’s screenplay) just out of jail and back on the comeback trail. In attempting to repair his relationship with his estranged daughter (Carey Mulligan), Gekko forges a reluctant alliance with her fiancé (Shia Labeouf), himself an ambitious young turk who finds himself seduced by Gekko’s silver tongue and promise of riches. Lifeless film is further evidence of director Oliver Stone’s decline. Once America’s most exciting filmmaker, Stone hasn’t delivered a film with any teeth since 1995’s Nixon. Labeouf and Mulligan generate no sparks on-screen, and the story feels forced from the protracted opening to the final, Disney-esque denouement. Only a brief cameo by Charlie Sheen,...
- 1/21/2011
- by The Hollywood Interview.com
- The Hollywood Interview
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