- [on his first love] I'd say the music. That's my essence. I always tell people, "Don't make me choose because you won't get me in any more films!" Of course, that's not realistic because nobody forces you to choose ... you choose yourself. Essentially, I'm a musician. Always have been. When that darkness comes, I always resort to music to try and get myself back into a positive state of mind. That's not to say making films, writing or acting isn't important to me. It's very important because it's another way of telling people how I feel and who I am.
- I've never personally played a character for audience sympathy. I've always tried to bring a slice of realism to the character that shows they're like everybody else, but just happen to kill people sometimes.
- [on being a guest at horror conventions] I love doing them. Maybe other people don't. I just think if you're not in touch with your fans, why bother? I mean, it's a job but it's not a job. I can't do that many of them though. I try to limit my appearances to maybe four or five a year if that sounds right. When you're on screen and you're depicting something, you're influencing a lot of people. So it's very important if you're influencing them in a way that can be negative, that you go out there and show the positive side of you. The convention circuit is a good way to get out there and meet and greet your fans and say thank you. And at the same time, pick up a little pocket money if you're not working. So it works on both ends.
- My style of acting is to go over the edge during rehearsal -- to push it as far as I possibly can, just to see how far I can go. And I set my parameters from there.
- [on working with Lucy Grantham] Lucy was incredible. She's gone on to get her PhD so it wasn't a career that she wanted. It was just something that happened.
- [discussing his on set relationship with Sandra Peabody] Sandra was a little different. I think she was more...vulnerable. Memory-wise, there's a visceral attraction to Sandra's Mari in the film. Krug does that. And then the other thing is that he really feels kind of filthy, kind of dirty when he attacks this innocent. But he can't help himself. He's gone too far at that point. And that's the way we inter-related, even when we weren't shooting. Sandra was an innocent and I held my character. She didn't want to get anywhere near me.
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