The ’80s was a decade of movies that you can hear at a roar even on mute. A screenshot of Tom Cruise and Rebecca De Mornay aboard the train in “Risky Business” has a sound to it. The same goes for a still image of Kaneda riding towards Neo-Tokyo in “Akira,” or Jack Nicholson’s car snaking its way up the mountains towards the Overlook Hotel during the opening titles of “The Shining.”
It was a decade of synths and sad jazz; a decade of legends reaching the height of their powers (e.g. John Williams and Ennio Morricone), and of newcomers from other disciplines becoming cinematic virtuosos in their own right (e.g. Ryuichi Sakamoto and Philip Glass). The movies had never sounded that way before, but the best film scores of the ’80s — our picks are listed below — continue to echo in our minds as if they’ve always been there.
It was a decade of synths and sad jazz; a decade of legends reaching the height of their powers (e.g. John Williams and Ennio Morricone), and of newcomers from other disciplines becoming cinematic virtuosos in their own right (e.g. Ryuichi Sakamoto and Philip Glass). The movies had never sounded that way before, but the best film scores of the ’80s — our picks are listed below — continue to echo in our minds as if they’ve always been there.
- 8/15/2023
- by David Ehrlich and Christian Blauvelt
- Indiewire
A myriad of notable Hollywood stars and figures are remembering the late Clarence Avant.
Known as the “Godfather of Black Music,” Avant died at the age of 92 on Sunday at his home in Los Angeles, his family announced in a statement.
“Clarence leaves behind a loving family and a sea of friends and associates that have changed the world and will continue to change the world for generations to come,” the Avant/Sarandos family said. “The joy of his legacy eases the sorrow of our loss.”
His death came 20 months after his wife of 54 years, philanthropist Jacqueline Avant, was shot and killed by an intruder in their Beverly Hills home in the early morning hours of Dec. 1, 2021.
The recording industry insider inspired multiple generations of artists and executives. Among the notable names he advised are Quincy Jones, David Geffen, Jay-Z, Jimmy Jam & Terry Lewis, Pharrell Williams, Whitney Houston, Antonio “L.
Known as the “Godfather of Black Music,” Avant died at the age of 92 on Sunday at his home in Los Angeles, his family announced in a statement.
“Clarence leaves behind a loving family and a sea of friends and associates that have changed the world and will continue to change the world for generations to come,” the Avant/Sarandos family said. “The joy of his legacy eases the sorrow of our loss.”
His death came 20 months after his wife of 54 years, philanthropist Jacqueline Avant, was shot and killed by an intruder in their Beverly Hills home in the early morning hours of Dec. 1, 2021.
The recording industry insider inspired multiple generations of artists and executives. Among the notable names he advised are Quincy Jones, David Geffen, Jay-Z, Jimmy Jam & Terry Lewis, Pharrell Williams, Whitney Houston, Antonio “L.
- 8/14/2023
- by Lexy Perez
- The Hollywood Reporter - Movie News
Clarence Avant, the music executive and film producer who was known unofficially as “The Godfather” of Black entertainment, died on Sunday in his Los Angeles home. He was 92.
“It is with a heavy heart that the Avant/Sarandos family announce the passing of Clarence Alexander Avant,” a statement from his children, Nicole and Alexander, as well as his son-in-law Ted Sarandos read. “Through his revolutionary business leadership, Clarence became affectionately known as ‘the Black Godfather’ in the worlds of music, entertainment, politics and sports. Clarence leaves behind a loving family and a sea of friends and associates that have changed the world and will continue to change the world for generations to come. The joy of his legacy eases the sorrow of our loss.”
Avant began his music industry career in the 1950s as a manager of Teddy P’s Lounge in Newark, New Jersey. He would later go on...
“It is with a heavy heart that the Avant/Sarandos family announce the passing of Clarence Alexander Avant,” a statement from his children, Nicole and Alexander, as well as his son-in-law Ted Sarandos read. “Through his revolutionary business leadership, Clarence became affectionately known as ‘the Black Godfather’ in the worlds of music, entertainment, politics and sports. Clarence leaves behind a loving family and a sea of friends and associates that have changed the world and will continue to change the world for generations to come. The joy of his legacy eases the sorrow of our loss.”
Avant began his music industry career in the 1950s as a manager of Teddy P’s Lounge in Newark, New Jersey. He would later go on...
- 8/14/2023
- by Kayla Cobb
- The Wrap
Clarence Avant, the beloved recording industry insider whose work as an executive, label owner, dealmaker and mentor earned him the nickname the “Godfather of Black Music,” has died. He was 92.
Avant died Sunday at his home in Los Angeles, his family announced in a statement. His death came 20 months after his wife of 54 years, philanthropist Jacqueline Avant, was shot and killed by an intruder in their Beverly Hills home in the early morning hours of Dec. 1, 2021.
Survivors include their daughter, Nicole Avant, a producer, former U.S. ambassador to the Bahamas and the wife of Netflix co-ceo and chief content officer Ted Sarandos, and their son, Alexander, a producer (Dad Stop Embarrassing Me!) and talent rep.
“Clarence leaves behind a loving family and a sea of friends and associates that have changed the world and will continue to change the world for generations to come,” the Avant/Sarandos family said.
Avant died Sunday at his home in Los Angeles, his family announced in a statement. His death came 20 months after his wife of 54 years, philanthropist Jacqueline Avant, was shot and killed by an intruder in their Beverly Hills home in the early morning hours of Dec. 1, 2021.
Survivors include their daughter, Nicole Avant, a producer, former U.S. ambassador to the Bahamas and the wife of Netflix co-ceo and chief content officer Ted Sarandos, and their son, Alexander, a producer (Dad Stop Embarrassing Me!) and talent rep.
“Clarence leaves behind a loving family and a sea of friends and associates that have changed the world and will continue to change the world for generations to come,” the Avant/Sarandos family said.
- 8/14/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Wayne Shorter, the legendary, Grammy-winning saxophonist who — in addition to his own renowned albums and work with jazz supergroup Weather Report — collaborated with the likes of Miles Davis, Herbie Hancock, Steely Dan, and Joni Mitchell, has died at the age of 89.
The venerated musician died Thursday morning, March 2, in Los Angeles, Shorter’s rep confirmed to Rolling Stone. No cause of death was provided. His longtime label Blue Note said in a statement Thursday, “Visionary composer, saxophonist, visual artist, devout Buddhist, devoted husband, father, and grandfather Wayne Shorter has passed...
The venerated musician died Thursday morning, March 2, in Los Angeles, Shorter’s rep confirmed to Rolling Stone. No cause of death was provided. His longtime label Blue Note said in a statement Thursday, “Visionary composer, saxophonist, visual artist, devout Buddhist, devoted husband, father, and grandfather Wayne Shorter has passed...
- 3/2/2023
- by Daniel Kreps
- Rollingstone.com
12 January 2023 – Blue Note Records has announced the upcoming 2023 line-up for the Tone Poet Audiophile Vinyl Reissue Series. The acclaimed series is produced by the “Tone Poet” Joe Harley and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at Rti in Camarillo, California, and packaged in deluxe gatefold tip-on jackets. The titles were once again handpicked by Harley and include acknowledged treasures of the Blue Note catalog as well as underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz.
Newly announced titles begin March 3 with the release of two under-recognized albums that are available for pre-order now on the Blue Note Store. Pianist Andrew Hill’s excellent 1968 session Dance With Death featured his singular compositions performed by a versatile quintet with trumpeter Charles Tolliver, saxophonist Joe Farrell,...
Newly announced titles begin March 3 with the release of two under-recognized albums that are available for pre-order now on the Blue Note Store. Pianist Andrew Hill’s excellent 1968 session Dance With Death featured his singular compositions performed by a versatile quintet with trumpeter Charles Tolliver, saxophonist Joe Farrell,...
- 1/12/2023
- by Music Martin Cid Magazine
- Martin Cid Music
The man who gunned down philanthropist Jacqueline Avant with an Ar-15 style rifle at the Beverly Hills residence she shared with her music legend husband Clarence Avant was sentenced to 190 years to life in prison Tuesday.
Aariel Maynor, 30, pleaded no contest last month to Avant’s Dec. 1 murder and the attempted murder of a security guard, who was not injured when Maynor fired at him four to eight times.
Deputy District Attorney Victor Avila said Avant was shot in the back after she was ambushed in the dark of her home.
Aariel Maynor, 30, pleaded no contest last month to Avant’s Dec. 1 murder and the attempted murder of a security guard, who was not injured when Maynor fired at him four to eight times.
Deputy District Attorney Victor Avila said Avant was shot in the back after she was ambushed in the dark of her home.
- 4/19/2022
- by Nancy Dillon
- Rollingstone.com
If you purchase an independently reviewed product or service through a link on our website, Rolling Stone may receive an affiliate commission.
From multi-instrumentalist Eric Dolphy‘s 1964 album Out to Lunch! to trumpeter Freddie Hubbard’s Hub–Tones, Blue Note Records has produced some of the most classic jazz albums since it started over 80 years ago. And now, the legendary label has launched its newest line of tees with apparel company Uniqlo, which celebrates some of Blue Note’s most iconic album cover art.
Buy:
Blue Note x Uniqlo Tees...
From multi-instrumentalist Eric Dolphy‘s 1964 album Out to Lunch! to trumpeter Freddie Hubbard’s Hub–Tones, Blue Note Records has produced some of the most classic jazz albums since it started over 80 years ago. And now, the legendary label has launched its newest line of tees with apparel company Uniqlo, which celebrates some of Blue Note’s most iconic album cover art.
Buy:
Blue Note x Uniqlo Tees...
- 4/7/2022
- by John Lonsdale
- Rollingstone.com
A California man pleaded guilty Thursday to the shocking home-invasion slaying of philanthropist Jacqueline Avant inside the Beverly Hills residence she shared with her music legend husband Clarence Avant.
Aariel Maynor, 30, gave his open plea in a Los Angeles courtroom, admitting he broke into the famous couple’s Trousdale Estates home in the pre-dawn hours of Dec. 1 and used an “assault long barrel pistol” to gun down Avant and shoot at a security guard who wasn’t injured.
Maynor is now facing up to 170 years to life in prison for...
Aariel Maynor, 30, gave his open plea in a Los Angeles courtroom, admitting he broke into the famous couple’s Trousdale Estates home in the pre-dawn hours of Dec. 1 and used an “assault long barrel pistol” to gun down Avant and shoot at a security guard who wasn’t injured.
Maynor is now facing up to 170 years to life in prison for...
- 3/3/2022
- by Nancy Dillon
- Rollingstone.com
When we talk about rock, we talk about bands: Zeppelin, the Who, the Stones. But when we talk about jazz, we tend to talk about individuals: Miles, Monk, Coltrane. On some level, that makes sense: If the song is the primary mode of rock expression, the solo is generally the way you make your mark in jazz. Whether you’re considering Coleman Hawkins, Louis Armstrong, Freddie Hubbard, or the colossal, now-retired Sonny Rollins, it was when they stepped out front and said their piece that they truly embodied their legendary status.
- 3/7/2020
- by Hank Shteamer
- Rollingstone.com
McCoy Tyner, one of the most distinctive and influential jazz pianists of the past 60 years, who became best known for his work with John Coltrane’s legendary 1960s quartet, died at age 81.
“It is with heavy hearts that we announce the passing of jazz legend Alfred ‘McCoy’ Tyner,” his family wrote in a statement. “McCoy was an inspired musician who devoted his life to his art, his family, and his spirituality. McCoy Tyner’s music and legacy will continue to inspire fans and future talent for generations to come.”
Tyner...
“It is with heavy hearts that we announce the passing of jazz legend Alfred ‘McCoy’ Tyner,” his family wrote in a statement. “McCoy was an inspired musician who devoted his life to his art, his family, and his spirituality. McCoy Tyner’s music and legacy will continue to inspire fans and future talent for generations to come.”
Tyner...
- 3/6/2020
- by Hank Shteamer
- Rollingstone.com
Kamasi Washington’s explosive jazz-fusion elicits a rhythmic trance in his new “Hub-Tones” video. The track, which appears on the saxophonist’s recently issued double LP, Heaven and Earth, is an updated version of trumpeter Freddie Hubbard’s 1963 piece of the same name. Director Jenn Nkiru zooms in on three women locked in their hypnotic dances, focusing primarily on one woman who closes her eyes and shakes a tambourine throughout the shapeshifting nine-minute track. Nkiru – who also helmed Washington’s “Fists of Fury” – fills the video with nods to her...
- 10/17/2018
- by Ryan Reed
- Rollingstone.com
Since revamping and reopening just a handful of months ago, New York City’s The Quad Cinema has become yet another top tier art house offering up some of the year’s most interesting retrospectives and film series. Be it a retrospective for filmmaker Lina Wertmuller or their superlative look at the immigrant experience through a cinematic lens, The Quad has given cinephiles rather frequent occasion to put down their hard earned cash and take in a film or two.
Now, on the occasion of the release of the director’s latest documentary, the theater is commencing yet another revelatory retrospective, this time of an underrated juggernaut of French cinema.
Rarely uttered in the same breath as the true titans of French cinema, director Bertrand Tavernier has cemented himself as one of the nation’s great cinematic artists through his human and humane portraits of various communities. After getting his start as an assistant to director Jean-Pierre Melville, Tavernier would in many ways jettison with stylistic formalism of his contemporaries for pictures that feel far more tactile and loose. Lived in is a term often thrown around with Tavernier’s work, and it’s fitting despite being something of a cliche. Yes, his pictures feel decidedly of one singular voice and worldview, yet there is an audacious energy to each frame that ultimately turns each picture into a vital document of a very specific subculture. Older than many New Wave directors, it’s clear to see that Tavernier would garner much influence from their work, yet he never lost sight of the specificity of his own aesthetic eye.
So, this retrospective couldn’t have come at a more exciting moment. Not only is Tavernier back with a new picture that is a centerpiece of sorts here, but the director is the type of undervalued auteur that is just the type of discovery cineastes crave. Take Death Watch, for example. A gorgeously composed satire that is only more relevant today as its tale of a reporter capturing the last moments of a woman’s life through the camera in his eye is as prescient as ever. Harvey Keitel stars opposite Romy Schneider, both of whom are truly fantastic here, in what plays like a minor work when taken in context of masterpieces like Coup de Torchon, but is a delightful discovery in its own right.
Speaking of Torchon, Tavernier’s masterpiece and still arguably his best picture is part of this 17 film series, as is the brilliant Round Midnight. Starring Dexter Gordon, the film introduces the viewer to a talented yet deeply troubled saxophone player in late 50’s Paris, and is one of Tavernier’s most moving and stylistically exciting works. The music here is recorded live, with Gordon playing opposite legends like Herbie Hancock and the brilliant Freddie Hubbard. It’s this type of tactile vitality that’s a staple of Tavernier’s work, proving the filmmaker to be something far more than the intellectual-turned-critic-turned-filmmaker that he is oft billed as.
But those seeking Tavernier’s critical lens won’t have to look much further than his dry but profoundly dense new film My Journey Through French Cinema. Clocking in at well over three hours, we watch as Tavernier weaves a yarn about ostensibly his experience with cinema of his homeland, going from the works of Jacques Becker to those of the New Wave generation that would come right after he began working. Looking critically at everything from Casque D’Or to Le Petit Soldat, Tavernier takes a similar route as someone like Martin Scorsese, ostensibly building a critical analysis of cinema out of a deeply personal memoir. Built around Tavernier’s own experiences seeing these respective films (even down to the specific theaters he saw them in), French Cinema doesn’t just see the personal nature of its title as a superficiality. While yes, the picture is quite dry and a lengthy watch, there’s something quietly moving about it, turning the often dull “video essay” into something far more captivating.
For more information on this retrospective, head over to The Quad online.
Now, on the occasion of the release of the director’s latest documentary, the theater is commencing yet another revelatory retrospective, this time of an underrated juggernaut of French cinema.
Rarely uttered in the same breath as the true titans of French cinema, director Bertrand Tavernier has cemented himself as one of the nation’s great cinematic artists through his human and humane portraits of various communities. After getting his start as an assistant to director Jean-Pierre Melville, Tavernier would in many ways jettison with stylistic formalism of his contemporaries for pictures that feel far more tactile and loose. Lived in is a term often thrown around with Tavernier’s work, and it’s fitting despite being something of a cliche. Yes, his pictures feel decidedly of one singular voice and worldview, yet there is an audacious energy to each frame that ultimately turns each picture into a vital document of a very specific subculture. Older than many New Wave directors, it’s clear to see that Tavernier would garner much influence from their work, yet he never lost sight of the specificity of his own aesthetic eye.
So, this retrospective couldn’t have come at a more exciting moment. Not only is Tavernier back with a new picture that is a centerpiece of sorts here, but the director is the type of undervalued auteur that is just the type of discovery cineastes crave. Take Death Watch, for example. A gorgeously composed satire that is only more relevant today as its tale of a reporter capturing the last moments of a woman’s life through the camera in his eye is as prescient as ever. Harvey Keitel stars opposite Romy Schneider, both of whom are truly fantastic here, in what plays like a minor work when taken in context of masterpieces like Coup de Torchon, but is a delightful discovery in its own right.
Speaking of Torchon, Tavernier’s masterpiece and still arguably his best picture is part of this 17 film series, as is the brilliant Round Midnight. Starring Dexter Gordon, the film introduces the viewer to a talented yet deeply troubled saxophone player in late 50’s Paris, and is one of Tavernier’s most moving and stylistically exciting works. The music here is recorded live, with Gordon playing opposite legends like Herbie Hancock and the brilliant Freddie Hubbard. It’s this type of tactile vitality that’s a staple of Tavernier’s work, proving the filmmaker to be something far more than the intellectual-turned-critic-turned-filmmaker that he is oft billed as.
But those seeking Tavernier’s critical lens won’t have to look much further than his dry but profoundly dense new film My Journey Through French Cinema. Clocking in at well over three hours, we watch as Tavernier weaves a yarn about ostensibly his experience with cinema of his homeland, going from the works of Jacques Becker to those of the New Wave generation that would come right after he began working. Looking critically at everything from Casque D’Or to Le Petit Soldat, Tavernier takes a similar route as someone like Martin Scorsese, ostensibly building a critical analysis of cinema out of a deeply personal memoir. Built around Tavernier’s own experiences seeing these respective films (even down to the specific theaters he saw them in), French Cinema doesn’t just see the personal nature of its title as a superficiality. While yes, the picture is quite dry and a lengthy watch, there’s something quietly moving about it, turning the often dull “video essay” into something far more captivating.
For more information on this retrospective, head over to The Quad online.
- 6/22/2017
- by Joshua Brunsting
- CriterionCast
Ever since Rolling Stone Brian Jones stumbled through Morocco in a hash haze, only to come upon the Master Musicians of Jajouka in a small village in 1968, there's been an interconnectedness between Western rock stars and Eastern mysticism. From the Beatles and the Beach Boys holed up in Rishikesh with Maharishi Mahesh Yogi to the Beastie Boys making a "Bodhisattva Vow" and raising consciousness about Tibet, there's been a quest for enlightenment amid the flash of rock stardom, a search for ancient roots deep inside of modern music.
But when...
But when...
- 12/1/2015
- Rollingstone.com
Jazz legend Ornette Coleman has died at age 85 of cardiac arrest, according to The New York Times. The alto saxophonist is one of the select few individuals to change the face of jazz forever. His fittingly titled third album, The Shape of Jazz to Come (1959), set the course of improvisational jazz for decades. Just one year later, his Free Jazz album gave a name and further direction to the burgeoning experimental jazz scene. Controversial at the time, Coleman's album — made with fellow soon-to-be-jazz-legends Don Cherry, Freddie Hubbard and Eric Dolphy, among others —
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- 6/11/2015
- by Joe Lynch, Billboard
- The Hollywood Reporter - Movie News
Five years ago, about six weeks after HitFix launched, I reviewed a Billy Joel concert at the opening of a new venue at Agua Caliente Casino in Palm Springs. Growing up, I was a massive Joel fan. His had been one of my first concerts and his music served as a soundtrack for much of my youth, as it did for millions of people. But the show I saw that day in February 2009 was a poor facsimile to the many great Joel concerts I’d seen over the years. I said as much, as well as commented that his ability to sustain notes that night was shot and he seemed to be going through the motions. Then a funny thing happened. I figured since HitFix was still a little baby (editorially, it was just me, Gregory Ellwood, Dan Fienberg and Drew McWeeny), very few people would see the review. That was pretty naive (okay,...
- 5/28/2014
- by Melinda Newman
- Hitfix
It's inevitable that I miss out on some terrific music and culture every year. The sheer volume of releases seems to increase every year, and the lack of time to listen to everything, the recommendations of fellow critics and friends, well, there's just so many hours in a day. Here then are some things that I finally got around to ingesting in the last few weeks. Even caught a few live shows in between all of the mounting work. And if that wasn't enough, a killer new tune from His Purple Badass - Prince!
Syd Arthur On An On (Dawn Chorus)
Prog is back! This young U.K.-based quartet -- guitar, violin, bass, drums -- borrows more from Gentle Giant than from the sound of its hometown of Canterbury, i.e., bands such as Caravan, Soft Machine, Egg, or Gong. I've not enjoyed a progressive rock record this much...
Syd Arthur On An On (Dawn Chorus)
Prog is back! This young U.K.-based quartet -- guitar, violin, bass, drums -- borrows more from Gentle Giant than from the sound of its hometown of Canterbury, i.e., bands such as Caravan, Soft Machine, Egg, or Gong. I've not enjoyed a progressive rock record this much...
- 1/28/2013
- by Dusty Wright
- www.culturecatch.com
Here's a bit of an '80s rewind for you to start your week. While Martin Scorsese is no stranger to popping up in the front of the camera from time to time, the appearances are usually brief, but here's a look at something a little meatier. The director took a very small part in Bertrand Tavernier's 1986 film "Round Midnight." The 1950s-set film stars jazz legend Dexter Gordon as a fading musician who heads to Paris in a last attempt to revitalize his career in the face of alcoholism and personal woes. Scorsese plays a crooked former New York City club manager whose good intentions aren't what they seem. Jazz heads should take note that Herbie Hancock, Wayne Shorter, Freddie Hubbard and more make appearances. The film is on DVD and we urge you to check it out, but this brief scene is a nice little appetizer. Watch below.
- 10/15/2012
- by Kevin Jagernauth
- The Playlist
The Cookers: Believe (Motema)
I love this group for featuring Billy Harper, one of the most underrated tenor saxophonists and jazz composers on the scene. That said, it is pretty much an all-star band; the arguable exception, trumpeter David Weiss -- the youngest member -- is the arranger of all the non-Harper tracks on the band's third album, and thus puts as much of a stamp on the project as anyone. The other players are trumpeter Eddie Henderson, long a member of Harper's superb quintet; alto saxophonist Craig Handy, the second-youngest member, who used to have another band with Weiss (pop-culture aside: they also collaborated on the music for The Cosby Mysteries); and the ace rhythm section of pianist George Cables, bassist Cecil McBee, and drummer Billy Hart, all three of whom contribute compositions here.
(If I have a complaint, it's that after three albums, we still haven't...
I love this group for featuring Billy Harper, one of the most underrated tenor saxophonists and jazz composers on the scene. That said, it is pretty much an all-star band; the arguable exception, trumpeter David Weiss -- the youngest member -- is the arranger of all the non-Harper tracks on the band's third album, and thus puts as much of a stamp on the project as anyone. The other players are trumpeter Eddie Henderson, long a member of Harper's superb quintet; alto saxophonist Craig Handy, the second-youngest member, who used to have another band with Weiss (pop-culture aside: they also collaborated on the music for The Cosby Mysteries); and the ace rhythm section of pianist George Cables, bassist Cecil McBee, and drummer Billy Hart, all three of whom contribute compositions here.
(If I have a complaint, it's that after three albums, we still haven't...
- 9/30/2012
- by SteveHoltje
- www.culturecatch.com
Joe Henderson always had the respect of fellow musicians and hardcore jazz fanatics, but for a long time it seemed the closest he'd get to fame was his brief stint in Blood, Sweat & Tears (years later he reminisced, in one of my favorite interviews, about how that short period was when sax companies wanted his endorsement and gave him free horns). Hardly fair considering that he spent a quarter century ranked among the top three tenor saxophonists alive, along with Rollins and Shorter. Then, almost miraculously, Verve put together a masterful production/promotion campaign that made him more famous in his last decade than he'd ever been before. Alas, emphysema took him at age 64, but he'd managed to leave an impressive legacy with nary a misstep -- he never made a bad album, and his appearance on anyone else's album was always a mark of quality. (Why is Ptah, the...
- 4/24/2012
- by SteveHoltje
- www.culturecatch.com
Bobby Hutcherson Bebop composer/vibraphonist Bobby Hutcherson was born in Los Angeles in 1941 to a musical family. Bobby learned piano from his aunt, and grew up around Dexter Gordon. In his teens, he dedicated himself to the vibraphone, and before he hit 20, Bobby landed in New York at the legendary Birdland. In the Big Apple, Hutcherson honed his four-mallet chops and became an in-demand session player. He recorded for Blue Note, Columbia, and Verve. Collaborations include Lionel Hampton, Milt Jackson, Eric Dolphy, Grant Green, Hank Mobley, Freddie Hubbard, and Herbie Hancock. With hundreds of tracks to collect, discover the beauty of "When You Are Near," from the virtuoso's 1966 Happenings. Buy: Amazon.com Genre: Jazz Artist: Bobby Hutcherson Song: When You Are Near Album: Happenings Dr. Dog Philly-based alt-rock quintette Dr. Dog started as a side project by vocalists/songwriters Toby Leaman...
- 6/4/2010
- by Phil Ramone and Danielle Evin
- Huffington Post
Cepia Cepia is the electro-ambient brainchild of Minneapolis-based bassist/songwriter and sound engineer Huntley Miller. Founded in the early aughts, Cepia = a marriage of music, rhythmic-math, and specter-effect emotion. Collaborations include Dosh, Suki Takahashi, and J.T. Bates. With nearly a score of remixes and CDs to collect, get lost in "Pearl," from the 2006 release Pearl. Buy: Amazon.com Genre: Electronic Artist: Cepia Song: Pearl Album: Pearl Hank Mobley Tenor sax master Hank Mobley was born in 1930 in southern Georgia and raised in northern New Jersey. Early professional landmarks include performances with legendary drummer Max Roach and trumpeter Dizzy Gillespie. Mobley was in at the founding of the Jazz Messengers and went on to lead a variety of hard-bop units and cut over two dozen albums. Collaborations include Miles Davis, Lee Morgan, Duke Jordan, Paul Chambers, Wynton Kelly, Freddie Hubbard, and Rudy Van Gelder. Mobley passed in 1986....
- 11/20/2009
- by Phil Ramone and Danielle Evin
- Huffington Post
Freddie Hubbard just didn't have all the luck in the world. He even had the misfortune of dying at the wrong time, just between Christmas and New Year's, on December 29th 2008. But that shouldn't silence the fact that when Hubbard was on, he was a barn-burning trumpeter who deserves to be in the top five of all time, if not higher.
Always young and feisty in appearance, with a pugnacious quality that did not win friends and influence people, Hubbard made a splash as a sideman with Herbie Hancock and as a mainstay of the early Blue Note hard bop and post-bop forces of the early '60s. As rock was making its presence felt, Hubbard's ferocious technique combined with daring, innovative rhythm and phrasing to etch some of the most blistering solos ever put down. Right up there with Louis's Hot Fives.
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Always young and feisty in appearance, with a pugnacious quality that did not win friends and influence people, Hubbard made a splash as a sideman with Herbie Hancock and as a mainstay of the early Blue Note hard bop and post-bop forces of the early '60s. As rock was making its presence felt, Hubbard's ferocious technique combined with daring, innovative rhythm and phrasing to etch some of the most blistering solos ever put down. Right up there with Louis's Hot Fives.
read more...
- 1/6/2009
- by Ken Krimstein
- www.culturecatch.com
To peruse this week's top news stories is to read a lot about death.Legendary novelist Donald Westlake dead this week at the age of 75. Legendary jazz musician Freddie Hubbard succumbs to a heart attack at the age of 70. Mia Farrow's adopted daughter, Lark Previn, passes away Christmas Day at the age of 35. Reported this week: Toxicology results confirm the death of Dr Dre's son, Andre, last summer, was due to an accidental overdose. And of course on Friday came the news that John Travolta's son, Jett, had been found dead in the bathroom of the couple's home in the Bahamas. He was 16.Lost among the woeful reports: That Robert Graham, wo ...
- 1/4/2009
- by By Actress Archives
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