China’s Pingyao International Film Festival has officially named Lin Xudong as artistic director and revealed details of a fresh international film fund.
The announcement, made in Berlin during the European Film Market, also included the addition of seasoned film programmers Naoki Kamiya and Junko Fukatsu to the team. They will serve as programmers for foreign-language films, alongside existing team members Wu Jueren, the programmer for Chinese language films, and shorts programmer Song Jia.
Pyiff’s programme was previously overseen by former artistic director Marco Mueller from 2017 to 2021. Lin stepped in at that time and Mueller became chief consultant for the festival,...
The announcement, made in Berlin during the European Film Market, also included the addition of seasoned film programmers Naoki Kamiya and Junko Fukatsu to the team. They will serve as programmers for foreign-language films, alongside existing team members Wu Jueren, the programmer for Chinese language films, and shorts programmer Song Jia.
Pyiff’s programme was previously overseen by former artistic director Marco Mueller from 2017 to 2021. Lin stepped in at that time and Mueller became chief consultant for the festival,...
- 2/20/2024
- ScreenDaily
Unijapan and Screen International hosted an event to celebrate three rising Japanese directors at this year’s Berlin International Film Festival.
The event was held at Berlin’s CinemaXX Lounge on February 18, 2024.
The directors comprise Akio Fujimoto, Yurina Kaneko, Masaaki Kudo.
The event was introduced by Atsushi Yoshii from the Agency for Cultural Affairs, government of Japan and Kaori Ikeda from Unijapan.
Industry attendees included Locarno Film Festival artistic director Giona A Nazzaro, Tokyo International Film Festival programming director Shozo Ichiyama and Jongsuk Thomas Nam, programmer at Bucheon International Film Festival (Bifan).
Check out some pictures from the event above.
The event was held at Berlin’s CinemaXX Lounge on February 18, 2024.
The directors comprise Akio Fujimoto, Yurina Kaneko, Masaaki Kudo.
The event was introduced by Atsushi Yoshii from the Agency for Cultural Affairs, government of Japan and Kaori Ikeda from Unijapan.
Industry attendees included Locarno Film Festival artistic director Giona A Nazzaro, Tokyo International Film Festival programming director Shozo Ichiyama and Jongsuk Thomas Nam, programmer at Bucheon International Film Festival (Bifan).
Check out some pictures from the event above.
- 2/19/2024
- ScreenDaily
Singaporean writer-director Nicole Midori Woodford is on a roll with her debut feature, Last Shadow At First Light, which premiered in New Directors at San Sebastian film festival and has two nominations at the Asia Pacific Screen Awards (APSAs) for best screenplay and best performance (Mihaya Shirata).
Filmed in Singapore and Japan, the film follows a Singaporean teenage girl with a special connection to the spiritual world who goes on a road trip to uncover the mystery of her Japanese mother’s supposed death. She has been told her mother died by suicide during the recovery effort following the Japan 2011 earthquake and tsunami that killed her maternal grandparents. But she doesn’t believe this to be true.
Meeting up with an uncle in Tokyo, they travel together to a town that was swept away by the tsunami although her uncle is more interested in the local pachinko parlour than helping with the quest.
Filmed in Singapore and Japan, the film follows a Singaporean teenage girl with a special connection to the spiritual world who goes on a road trip to uncover the mystery of her Japanese mother’s supposed death. She has been told her mother died by suicide during the recovery effort following the Japan 2011 earthquake and tsunami that killed her maternal grandparents. But she doesn’t believe this to be true.
Meeting up with an uncle in Tokyo, they travel together to a town that was swept away by the tsunami although her uncle is more interested in the local pachinko parlour than helping with the quest.
- 11/2/2023
- by Liz Shackleton
- Deadline Film + TV
Ten years after he attended the Tokyo International Film Festival for the screening of The Grandmaster, Tony Leung returned to the festival on Thursday to conduct a masterclass.
The Hong Kong acting icon, dressed in a black tailored suit and fashion-forward Kolor sneakers, was met with warm applause at a packed house at Tokyo’s Hulic Hall. Festival programmer Shozo Ichiyama began proceedings with Leung’s early years as an actor, namely his work with Taiwanese filmmaker Hou Hsiao-hsien on the classic A City of Sadness, which Ichiyama considered one of his personal favorites. A City of Sadness was notable as it was set in Taipei, and Leung, at the time, had no experience working outside of Hong Kong and couldn’t speak Mandarin.
“It was the start of my career, and I wanted to challenge myself,” Leung said through an interpreter on why he took on the role, given...
The Hong Kong acting icon, dressed in a black tailored suit and fashion-forward Kolor sneakers, was met with warm applause at a packed house at Tokyo’s Hulic Hall. Festival programmer Shozo Ichiyama began proceedings with Leung’s early years as an actor, namely his work with Taiwanese filmmaker Hou Hsiao-hsien on the classic A City of Sadness, which Ichiyama considered one of his personal favorites. A City of Sadness was notable as it was set in Taipei, and Leung, at the time, had no experience working outside of Hong Kong and couldn’t speak Mandarin.
“It was the start of my career, and I wanted to challenge myself,” Leung said through an interpreter on why he took on the role, given...
- 10/28/2023
- by Abid Rahman
- The Hollywood Reporter - Movie News
Chinese filmmaker Jia Zhangke is relieved that the festival he founded in the ancient walled city of Pingyao in China’s Shanxi province is back on track after a tricky few years during the pandemic.
Now in its seventh edition, Pingyao International Film Festival (Pyiff) takes place in a purpose built festival centre, with five screening rooms, exhibition halls and other facilities, inside the stunning Unesco world heritage site of Pingyao. Lin Xudong, a critic, academic and documentary filmmaker, is artistic director of the festival, with veteran festival director Marco Mueller as chief artistic consultant.
The festival managed to keep going through the pandemic era, last year shifting its dates from October to January, but the centre was often closed for months at a time due to China’s strict Covid regulations. “We had some difficult days – we had to shut down completely for 18 months in the middle of the...
Now in its seventh edition, Pingyao International Film Festival (Pyiff) takes place in a purpose built festival centre, with five screening rooms, exhibition halls and other facilities, inside the stunning Unesco world heritage site of Pingyao. Lin Xudong, a critic, academic and documentary filmmaker, is artistic director of the festival, with veteran festival director Marco Mueller as chief artistic consultant.
The festival managed to keep going through the pandemic era, last year shifting its dates from October to January, but the centre was often closed for months at a time due to China’s strict Covid regulations. “We had some difficult days – we had to shut down completely for 18 months in the middle of the...
- 10/25/2023
- by Liz Shackleton
- Deadline Film + TV
Shozo Ichiyama’s first two years as programming director of the Tokyo International Film Festival were overshadowed by travel restrictions sparked by a stubborn and deadly pandemic, but now he is looking to this edition of the festival to fully reflect the lineup revamp he has been working toward.
A well-connected film festival veteran and international producer, Ichiyama’s aims are for a coherent and connected film slate, along with making Tokyo a place where the industry from Asia and beyond come to meet.
The latter aim takes a step toward being realized by the more than 600 overseas guests expected at the 2023 edition of the festival (compared to around 100 in 2022), and “more requests coming in every day,” with attendee numbers boosted by the return of an in-person Tiffcom content market after a three-year pandemic-inflicted hiatus.
Meanwhile, with film production globally now firing again on all cylinders, there has been an...
A well-connected film festival veteran and international producer, Ichiyama’s aims are for a coherent and connected film slate, along with making Tokyo a place where the industry from Asia and beyond come to meet.
The latter aim takes a step toward being realized by the more than 600 overseas guests expected at the 2023 edition of the festival (compared to around 100 in 2022), and “more requests coming in every day,” with attendee numbers boosted by the return of an in-person Tiffcom content market after a three-year pandemic-inflicted hiatus.
Meanwhile, with film production globally now firing again on all cylinders, there has been an...
- 10/23/2023
- by Gavin J Blair
- The Hollywood Reporter - Movie News
Previous recipients include Steven Spielberg, Yoji Yamada and Hou Hsiao-Hsien.
Tokyo International Film Festival (TIFF) is to honour Chinese filmmaker Gu Xiaogang and Indonesian director Mouly Surya with the Kurosawa Akira Award at its upcoming 36th edition, which runs October 23 to November 1.
The award, which was revived last year after an absence of 14 years, is presented to filmmakers who have “made waves in cinema” and are expected to help guide the industry’s future. A ceremony to present the awards will be held at Tokyo’s Imperial Hotel on October 31.
Director Gu broke through with internationally acclaimed debut Dwelling In The Fuchun Mountains,...
Tokyo International Film Festival (TIFF) is to honour Chinese filmmaker Gu Xiaogang and Indonesian director Mouly Surya with the Kurosawa Akira Award at its upcoming 36th edition, which runs October 23 to November 1.
The award, which was revived last year after an absence of 14 years, is presented to filmmakers who have “made waves in cinema” and are expected to help guide the industry’s future. A ceremony to present the awards will be held at Tokyo’s Imperial Hotel on October 31.
Director Gu broke through with internationally acclaimed debut Dwelling In The Fuchun Mountains,...
- 9/25/2023
- by Michael Rosser
- ScreenDaily
The Tokyo International Film Festival revealed Monday that China’s Xiaogang Gu and Indonesia’s Mouly Surya will jointly receive the festival’s prestigious world cinema honor, the Kurosawa Akira Award, at the upcoming 36th edition of the event.
The award, which until last year had been on a 14-year hiatus, is presented to “filmmakers who have made waves in cinema and are expected to help guide the industry’s future.” The prize has been previously awarded to film luminaries such as Steven Spielberg, Yoji Yamada and Taiwan’s Hou Hsiao-hsien. Last year’s recipients were Mexican auteur Alejandro González Iñárritu and Japan’s own Koji Fukada.
The 2023 honorees were chosen by a selection committee including director Yoji Yamada, veteran actress Fumi Dan, casting director and producer Yoko Narahashi, film critic Saburo Kawamoto and Tokyo Festival’s programming director Shozo Ichiyama.
Hailing from southern China, Gu’s debut feature,...
The award, which until last year had been on a 14-year hiatus, is presented to “filmmakers who have made waves in cinema and are expected to help guide the industry’s future.” The prize has been previously awarded to film luminaries such as Steven Spielberg, Yoji Yamada and Taiwan’s Hou Hsiao-hsien. Last year’s recipients were Mexican auteur Alejandro González Iñárritu and Japan’s own Koji Fukada.
The 2023 honorees were chosen by a selection committee including director Yoji Yamada, veteran actress Fumi Dan, casting director and producer Yoko Narahashi, film critic Saburo Kawamoto and Tokyo Festival’s programming director Shozo Ichiyama.
Hailing from southern China, Gu’s debut feature,...
- 9/25/2023
- by Abid Rahman
- The Hollywood Reporter - Movie News
A first trailer has been unveiled for Nicole Midori Woodford’s feature debut “Last Shadow at First Light,” which world premieres at the New Directors strand of the San Sebastian Film Festival.
The film is in competition for the New Directors Award. Starring acclaimed Japanese actor Nagase Masatoshi (“Sweet Bean”) and newcomer Shirata Mihaya, the film follows a teenage girl (Shirata) with a special ability to communicate with the spiritual world as she goes on a road trip from Singapore to Japan. On arrival, she is chaperoned by a cynical uncle (Nagase) to uncover the mystery of her strange dreams and her mother’s disappearance years ago. Tsutsui Mariko, Peter Yu (“A Land Imagined”) feature in supporting roles.
The feature is presented by Jeremy Chua’s Potocol (Singapore), Shozo Ichiyama’s Fourier Films (Japan), Studio Virc (Slovenia) and Happy Infinite Productions (Philippines), executive produced by Jermyn Wong and Sally Ng...
The film is in competition for the New Directors Award. Starring acclaimed Japanese actor Nagase Masatoshi (“Sweet Bean”) and newcomer Shirata Mihaya, the film follows a teenage girl (Shirata) with a special ability to communicate with the spiritual world as she goes on a road trip from Singapore to Japan. On arrival, she is chaperoned by a cynical uncle (Nagase) to uncover the mystery of her strange dreams and her mother’s disappearance years ago. Tsutsui Mariko, Peter Yu (“A Land Imagined”) feature in supporting roles.
The feature is presented by Jeremy Chua’s Potocol (Singapore), Shozo Ichiyama’s Fourier Films (Japan), Studio Virc (Slovenia) and Happy Infinite Productions (Philippines), executive produced by Jermyn Wong and Sally Ng...
- 9/23/2023
- by Naman Ramachandran and Patrick Frater
- Variety Film + TV
‘Perfect Days’ director Wim Wenders will also preside over the festival’s international competition jury.
Wim Wenders’ Perfect Days is set to open this year’s Tokyo International Film Festival, which has also set monster feature Godzilla Minus One as its closing film.
Perfect Days will receive its Asian premiere at TIFF, which runs from October 23 to November 1. The film premiered in Competition at Cannes in May, where lead actor Koji Yakusho received the best actor award, and will screen at Toronto in September.
Set in Tokyo, it follows a toiler cleaner who seems utterly content as he goes about...
Wim Wenders’ Perfect Days is set to open this year’s Tokyo International Film Festival, which has also set monster feature Godzilla Minus One as its closing film.
Perfect Days will receive its Asian premiere at TIFF, which runs from October 23 to November 1. The film premiered in Competition at Cannes in May, where lead actor Koji Yakusho received the best actor award, and will screen at Toronto in September.
Set in Tokyo, it follows a toiler cleaner who seems utterly content as he goes about...
- 8/30/2023
- by Michael Rosser
- ScreenDaily
The Busan film festival’s Asian Project Market is set to welcome several of the region’s top auteurs either as producers or prospective directors at its next edition in October.
Apm organizers Thursday unveiled 30 projects to be presented during a four-day round of one-on-one meetings and pitching sessions.
India’s Rima Das (“Tora’s Husband”) will pitch “Malti My Love.” Japan’s Fukada Koji will pitch “Nagi Notes.” Indonesia’s Makbul Mubarak (“Autobiography”) will pitch “Watch It Burn.”
Among the successful producers adding their weight to Apm contenders are: Patrick Mao Huang selling Peter Ho’s project “Appetite for Desire”; Jeremy Chua, pitching Rafael Manuel’s “Filipinana”; Ichiyama Shozo (“Ash Is Puirest White”) pitching Song Fang’s Japan-China collaboration “Full Moon”; Fran Borgia pitching Aakash Chhabra’s “I’ll Smile in September”; and Tan Chui Mui (“Barbarian Invasion”) pitching Jian Xiaoshuan’s “To Kill A Mongolian Horse.”
The project...
Apm organizers Thursday unveiled 30 projects to be presented during a four-day round of one-on-one meetings and pitching sessions.
India’s Rima Das (“Tora’s Husband”) will pitch “Malti My Love.” Japan’s Fukada Koji will pitch “Nagi Notes.” Indonesia’s Makbul Mubarak (“Autobiography”) will pitch “Watch It Burn.”
Among the successful producers adding their weight to Apm contenders are: Patrick Mao Huang selling Peter Ho’s project “Appetite for Desire”; Jeremy Chua, pitching Rafael Manuel’s “Filipinana”; Ichiyama Shozo (“Ash Is Puirest White”) pitching Song Fang’s Japan-China collaboration “Full Moon”; Fran Borgia pitching Aakash Chhabra’s “I’ll Smile in September”; and Tan Chui Mui (“Barbarian Invasion”) pitching Jian Xiaoshuan’s “To Kill A Mongolian Horse.”
The project...
- 8/3/2023
- by Patrick Frater
- Variety Film + TV
The Film Department of the Tokyo University of Arts has a high-profile council consisting of the directors Nobuhiro Suwa and Akihito Shiota, the screenwriters Michiko Oishi and Yuji Sakamoto, and from the production sector Shoji Masui and Shozo Ichiyama. Every year the department presents a body of work from its students. This year, nine students and three alumni from the university created 11 silent films spanning from mysteries, thrillers, monsters, samurai tales, and animation, which were released under the title “Silent Movie”. On the occasion of Japan Society's Japan Cuts Film Festival, the audience gets the opportunity to see the next generation of filmmakers play with cinema's past. Because all films are narrated by a so-called benshi, a storyteller that dubs the moving images. Renowned benshi Ichiro Kataoka picks up the old tradition and mixes modern with forgotten tradition.
Silent Movie is screening at Japan Cuts
Connected by the reoccurring theme of relationships,...
Silent Movie is screening at Japan Cuts
Connected by the reoccurring theme of relationships,...
- 7/31/2023
- by Alexander Knoth
- AsianMoviePulse
Further winners included Paul B. Preciado’s French documentary ‘Orlando, My Political Biography’.
There Is A Stone by Japanese filmmaker Tatsunari Ota and From You by Korea’s Shin Dongmin were awarded the top prizes at South Korea’s Jeonju International Film Festival on Wednesday (May 3).
There Is A Stone took the grand prize in the international competition, which included an award of KW20m. The meditative drama, which premiered at Tokyo Filmex before screening at the Berlinale in February, follows a woman and man who meet by a river and pass the time together before twilight.
Scroll down for...
There Is A Stone by Japanese filmmaker Tatsunari Ota and From You by Korea’s Shin Dongmin were awarded the top prizes at South Korea’s Jeonju International Film Festival on Wednesday (May 3).
There Is A Stone took the grand prize in the international competition, which included an award of KW20m. The meditative drama, which premiered at Tokyo Filmex before screening at the Berlinale in February, follows a woman and man who meet by a river and pass the time together before twilight.
Scroll down for...
- 5/3/2023
- by Silvia Wong
- ScreenDaily
Singapore-based film production outfit Potocol, whose “Tomorrow is a Long Time,” by Jow Zhi Wei bowed at the Berlin Film Festival’s Generation 14plus competition, has revealed a diverse Asian slate.
Potocol’s recent triumphs include Bangladeshi filmmaker Abdullah Mohammad Saad’s Cannes selection “Rehana Maryam Noor” and Indonesian director Makbul Mubarak’s Venice winner “Autobiography.” The company, led by Jeremy Chua who is currently at the Berlinale, has a growing reputation for championing the rise of young filmmakers from across Asia.
Potocol has four films in post-production and several more in development. Nicole Midori Woodford’s debut feature “Last Shadow at First Light” is a supernatural road trip drama that follows a Singaporean teenager tracing the footsteps of her missing mother in Japan and explores the ripple effects of a traumatic event subconsciously buried within the family unit.
A winner of several project development and market prizes at Seafic,...
Potocol’s recent triumphs include Bangladeshi filmmaker Abdullah Mohammad Saad’s Cannes selection “Rehana Maryam Noor” and Indonesian director Makbul Mubarak’s Venice winner “Autobiography.” The company, led by Jeremy Chua who is currently at the Berlinale, has a growing reputation for championing the rise of young filmmakers from across Asia.
Potocol has four films in post-production and several more in development. Nicole Midori Woodford’s debut feature “Last Shadow at First Light” is a supernatural road trip drama that follows a Singaporean teenager tracing the footsteps of her missing mother in Japan and explores the ripple effects of a traumatic event subconsciously buried within the family unit.
A winner of several project development and market prizes at Seafic,...
- 2/18/2023
- by Naman Ramachandran
- Variety Film + TV
This year, women directors – and their women-centric subjects – swept the awards at Sundance Film Festival. Three women directors – Madeleine Gavin, Maryam Keshavarz, and Noora Niasari – won Audience Awards for their films on North Korea (“Beyond Utopia”), intergenerational motherhood (“The Persian Version”), and custody in diaspora (“Shayda”). Portraits of masculinity were also celebrated as well. First-time feature filmmaker Sing J. Lee won the Directing Award for his touching portrait of masculinity and fatherhood in “The Accidental Getaway Driver,” while Sauvnik Kaur’s intimate documentary on brotherhood “Against The Tide” took home a Special Jury Award. After two years of isolation and virtual festival-ing, it seems that stories of tenderness appealed over aggressive storytelling at Park City this year.
“This year’s Festival has been an extraordinary experience,” said Joana Vicente, Sundance Institute CEO. “The artists that comprise the 2023 Sundance Film Festival have demonstrated a sense of urgency and dedication to excellence in independent film.
“This year’s Festival has been an extraordinary experience,” said Joana Vicente, Sundance Institute CEO. “The artists that comprise the 2023 Sundance Film Festival have demonstrated a sense of urgency and dedication to excellence in independent film.
- 2/1/2023
- by Grace Han
- AsianMoviePulse
Festival runs through January 29.
A.V. Rockwell’s A Thousand And One took the 2023 Sundance U.S. Grand Jury Prize: Dramatic prize and Charlotte Regan’s UK entry Scrapper earned the World Cinema Grand Jury Prize: Dramatic at the 2023 Sundance awards ceremony on Friday.
Audience award winners included Maryam Keshavarz’s The Persian Version in U.S. Dramatic Competition, Madeleine Gavin’s Beyond Utopia in U.S. Documentary, Mstylav Chernov’s 20 Days In Mariupol in World Cinema Documentary, and Noora Niasari’s Shayda in World Cinema Dramatic.
Sundance Institute CEO Joana Vicente said the selection “demonstrated a sense of...
A.V. Rockwell’s A Thousand And One took the 2023 Sundance U.S. Grand Jury Prize: Dramatic prize and Charlotte Regan’s UK entry Scrapper earned the World Cinema Grand Jury Prize: Dramatic at the 2023 Sundance awards ceremony on Friday.
Audience award winners included Maryam Keshavarz’s The Persian Version in U.S. Dramatic Competition, Madeleine Gavin’s Beyond Utopia in U.S. Documentary, Mstylav Chernov’s 20 Days In Mariupol in World Cinema Documentary, and Noora Niasari’s Shayda in World Cinema Dramatic.
Sundance Institute CEO Joana Vicente said the selection “demonstrated a sense of...
- 1/27/2023
- by Jeremy Kay
- ScreenDaily
A Thousand and One took the jury prize in the U.S. Dramatic Competition section at the 2023 Sundance Film Festival, with Going to Mars: The Nikki Giovanni Project taking the top prize in the U.S. Documentary Competition section.
A Thousand and One is directed by A.V. Rockwell and follows a mother who kidnaps her six-year-old son Terry from the foster care system, a secret that threatens their way of life as Terry gets older. The Focus Features title stars Teyana Taylor, Josiah Cross and Will Catlett.
“When I was writing this film, I was thinking about mother and son relationships. I was thinking about Black women and Black men relationships. I was thinking about marginalized people and their relationship to their homes,” said Rockwell, accepting the award. “Thank you to everyone for seeing all of those groups and for seeing me.” A tearful Jeremy O. Harris, who was a part of the dramatic jury,...
A Thousand and One is directed by A.V. Rockwell and follows a mother who kidnaps her six-year-old son Terry from the foster care system, a secret that threatens their way of life as Terry gets older. The Focus Features title stars Teyana Taylor, Josiah Cross and Will Catlett.
“When I was writing this film, I was thinking about mother and son relationships. I was thinking about Black women and Black men relationships. I was thinking about marginalized people and their relationship to their homes,” said Rockwell, accepting the award. “Thank you to everyone for seeing all of those groups and for seeing me.” A tearful Jeremy O. Harris, who was a part of the dramatic jury,...
- 1/27/2023
- by Mia Galuppo
- The Hollywood Reporter - Movie News
The Sundance Institute has announced the jurors for the 2023 Sundance Film Festival, which kicks off next week in Park City, Utah. Per usual, the teams tasked with selecting winners in the Dramatic, Documentary, World Cinema, and Short Film Competitions contain an eclectic mix of prominent artists working in film, theatre, book publishing, and visual arts.
Notable jurors include comedian Jim Gaffigan, “Slave Play” and “Zola” writer Jeremy O. Harris, and “Short Term 12” and “Shang-Chi and the Legend of the Ten Rings” director Destin Daniel Cretton.
“The jury plays a crucial role in the Festival by amplifying breakthrough works and providing the audience with further opportunities for discovery,” Sundance Institute CEO Joana Vicente said in a statement. “We thank them for their dedication to artistic excellence and their thoughtful lens on cinematic expression and all that independent film offers.”
“We are thrilled to welcome these esteemed and accomplished visionaries to the Festival as our jury,...
Notable jurors include comedian Jim Gaffigan, “Slave Play” and “Zola” writer Jeremy O. Harris, and “Short Term 12” and “Shang-Chi and the Legend of the Ten Rings” director Destin Daniel Cretton.
“The jury plays a crucial role in the Festival by amplifying breakthrough works and providing the audience with further opportunities for discovery,” Sundance Institute CEO Joana Vicente said in a statement. “We thank them for their dedication to artistic excellence and their thoughtful lens on cinematic expression and all that independent film offers.”
“We are thrilled to welcome these esteemed and accomplished visionaries to the Festival as our jury,...
- 1/11/2023
- by Christian Zilko
- Indiewire
Jeremy O. Harris, Eliza Hittman, and Marlee Matlin have been named the jurors of the U.S. Dramatic Competition section at the 2023 Sundance Film Festival. Harris was at Sundance in 2020 with Zola, the same years Hittman screened her film Never Rarely Sometimes Always. Matlin starred in 2021 Sundance winner Coda.
W. Kamau Bell, Ramona Diaz, and Carla Gutierrez are the jurors for the U.S. Documentary Competition; Shozo Ichiyama, Annemarie Jacir, and Funa Maduka for World Cinema Dramatic Competition; and Karim Amer, Petra Costa, and Alexander Nanau for World Cinema Documentary Competition. Madeleine Olnek is the juror for the Next competition section, Destin Daniel Cretton, Marie-Louise Khondji, and Deborah Stratman will judge the Short Film Program Competition.
The jury for Alfred P. Sloan Feature Film Prize is Dr. Heather Berlin, Jim Gaffigan, Dr. Mandë Holford, Shalini Kantayya, and Lydia Dean Pilcher, and have already awarded the prize to Sophie Barthes’ The Pod Generation.
W. Kamau Bell, Ramona Diaz, and Carla Gutierrez are the jurors for the U.S. Documentary Competition; Shozo Ichiyama, Annemarie Jacir, and Funa Maduka for World Cinema Dramatic Competition; and Karim Amer, Petra Costa, and Alexander Nanau for World Cinema Documentary Competition. Madeleine Olnek is the juror for the Next competition section, Destin Daniel Cretton, Marie-Louise Khondji, and Deborah Stratman will judge the Short Film Program Competition.
The jury for Alfred P. Sloan Feature Film Prize is Dr. Heather Berlin, Jim Gaffigan, Dr. Mandë Holford, Shalini Kantayya, and Lydia Dean Pilcher, and have already awarded the prize to Sophie Barthes’ The Pod Generation.
- 1/11/2023
- by Mia Galuppo
- The Hollywood Reporter - Movie News
Sundance has announced the 16 jurors granting awards at this year’s film festival, ranging from playwright Jeremy O. Harris to Oscar winner Marlee Matlin.
This year’s Sundance Film Festival will take place from Jan. 19-29 in Utah, marking its first return to Park City since the pandemic. The awards ceremony will take place on Jan. 27, with grants bestowed for feature and short films.
Jurors are Harris, Matlin and Eliza Hittman for U.S. dramatic competition; W. Kamau Bell, Ramona Diaz and Carla Gutierrez for U.S. documentary competition; Shozo Ichiyama, Annemarie Jacir and Funa Maduka for world cinema dramatic competition; Karim Amer, Petra Costa and Alexander Nanau for world cinema documentary competition; Madeleine Olnek for the Next competition section; and Destin Daniel Cretton, Marie-Louise Khondji and Deborah Stratman for the short film program competition.
“The jury plays a crucial role in the festival by amplifying breakthrough works and providing...
This year’s Sundance Film Festival will take place from Jan. 19-29 in Utah, marking its first return to Park City since the pandemic. The awards ceremony will take place on Jan. 27, with grants bestowed for feature and short films.
Jurors are Harris, Matlin and Eliza Hittman for U.S. dramatic competition; W. Kamau Bell, Ramona Diaz and Carla Gutierrez for U.S. documentary competition; Shozo Ichiyama, Annemarie Jacir and Funa Maduka for world cinema dramatic competition; Karim Amer, Petra Costa and Alexander Nanau for world cinema documentary competition; Madeleine Olnek for the Next competition section; and Destin Daniel Cretton, Marie-Louise Khondji and Deborah Stratman for the short film program competition.
“The jury plays a crucial role in the festival by amplifying breakthrough works and providing...
- 1/11/2023
- by Rebecca Rubin
- Variety Film + TV
The Sundance Institute has today named the jurors who will preside over awards for the 2023 Sundance Film Festival. The 16-person lineup features everyone from Coda star Marlee Matlin to We Need To Talk About Cosby‘s W. Kamau Bell, Shang-Chi and the Legend of the Ten Rings filmmaker Destin Daniel Cretton and actor-comedian Jim Gaffigan.
Matlin will assess the awards potential amongst titles in U.S. Documentary Competition with Slave Play creator Jeremy O. Harris and Never Rarely Sometimes Always filmmaker Eliza Hittman. Bell, meanwhile, will oversee U.S. Documentary Competition, being joined in that arena by filmmaker Ramona S. Diaz (A Thousand Cuts) and editor Carla Gutiérrez (Julia).
While Wild Nights with Emily filmmaker Madeleine Olnek will preside alone over the Next section, Cretton has been assigned to the Short Film Program Competition, being joined there by artist-filmmaker Deborah Stratman and Marie-Louise Khondji, who founded the free streaming platform,...
Matlin will assess the awards potential amongst titles in U.S. Documentary Competition with Slave Play creator Jeremy O. Harris and Never Rarely Sometimes Always filmmaker Eliza Hittman. Bell, meanwhile, will oversee U.S. Documentary Competition, being joined in that arena by filmmaker Ramona S. Diaz (A Thousand Cuts) and editor Carla Gutiérrez (Julia).
While Wild Nights with Emily filmmaker Madeleine Olnek will preside alone over the Next section, Cretton has been assigned to the Short Film Program Competition, being joined there by artist-filmmaker Deborah Stratman and Marie-Louise Khondji, who founded the free streaming platform,...
- 1/11/2023
- by Matt Grobar
- Deadline Film + TV
Click here to read the full article.
In his second year as programming director, industry veteran Shozo Ichiyama believes he has taken another step closer to realizing his vision for the Tokyo International Film Festival.
A producer known for working with China’s Jia Zhangke, Japan’s Takeshi Kitano and Taiwan’s Hou Hsiao-hsien, Ichiyama is striving to make TIFF a gateway between the Japanese and global film worlds, and raise the level of the content screened.
Ichiyama’s delight at the return of overseas guests for this edition is palpable. And he says he’s been particularly encouraged at the number of people who have been prepared to pay their own way to Tokyo to attend the festival with their films.
Another positive for Ichiyama and the festival, this time on the domestic front, is the higher number of Japanese films in all the major sections this year.
“Last year,...
In his second year as programming director, industry veteran Shozo Ichiyama believes he has taken another step closer to realizing his vision for the Tokyo International Film Festival.
A producer known for working with China’s Jia Zhangke, Japan’s Takeshi Kitano and Taiwan’s Hou Hsiao-hsien, Ichiyama is striving to make TIFF a gateway between the Japanese and global film worlds, and raise the level of the content screened.
Ichiyama’s delight at the return of overseas guests for this edition is palpable. And he says he’s been particularly encouraged at the number of people who have been prepared to pay their own way to Tokyo to attend the festival with their films.
Another positive for Ichiyama and the festival, this time on the domestic front, is the higher number of Japanese films in all the major sections this year.
“Last year,...
- 10/26/2022
- by Gavin J Blair
- The Hollywood Reporter - Movie News
‘Fragments Of The Last Will’ opened 35th edition.
The 35th Tokyo International Film Festival (TIFF) has launched with its first full-scale red carpet in three years.
At the Takarazuka Theatre in the festival’s new main area of Hibiya-Yurakucho-Ginza, relocated last year from Roppongi, international competition jury president and US director Julie Taymor spoke from the red carpet: “It’s an incredible time now that – since Covid – you’re able to have many more international guests, which is so critical at a time in the world which is so divisive.”
TIFF was only able to host eight foreign guests last year,...
The 35th Tokyo International Film Festival (TIFF) has launched with its first full-scale red carpet in three years.
At the Takarazuka Theatre in the festival’s new main area of Hibiya-Yurakucho-Ginza, relocated last year from Roppongi, international competition jury president and US director Julie Taymor spoke from the red carpet: “It’s an incredible time now that – since Covid – you’re able to have many more international guests, which is so critical at a time in the world which is so divisive.”
TIFF was only able to host eight foreign guests last year,...
- 10/24/2022
- by Jean Noh
- ScreenDaily
Click here to read the full article.
The Tokyo International Film Festival revealed Friday that Mexican auteur Alejandro González Iñárritu and Japan’s own Koji Fukada will both receive the Kurosawa Akira Award at the event’s upcoming 35th edition later this month. The Tokyo festival decided to revive the honor in 2022 after a 14-year hiatus. Presented to filmmakers “who are making extraordinary contributions to world cinema and are expected to help define the film industry’s future,” the prize was previously awarded to film luminaries such as Steven Spielberg, Yoji Yamada and Taiwan’s Hou Hsiao-hsien.
This year’s honorees were chosen by a selection committee including director Yoji Yamada, acclaimed actor Tatsuya Nakadai, veteran actress Mieko Harada, film critic Saburo Kawamoto and Tokyo’s programming director Shozo Ichiyama.
The committee said it chose to award this year’s prize to Iñárritu, “as his debut film...
The Tokyo International Film Festival revealed Friday that Mexican auteur Alejandro González Iñárritu and Japan’s own Koji Fukada will both receive the Kurosawa Akira Award at the event’s upcoming 35th edition later this month. The Tokyo festival decided to revive the honor in 2022 after a 14-year hiatus. Presented to filmmakers “who are making extraordinary contributions to world cinema and are expected to help define the film industry’s future,” the prize was previously awarded to film luminaries such as Steven Spielberg, Yoji Yamada and Taiwan’s Hou Hsiao-hsien.
This year’s honorees were chosen by a selection committee including director Yoji Yamada, acclaimed actor Tatsuya Nakadai, veteran actress Mieko Harada, film critic Saburo Kawamoto and Tokyo’s programming director Shozo Ichiyama.
The committee said it chose to award this year’s prize to Iñárritu, “as his debut film...
- 10/7/2022
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
The 35th edition of the festival is set to take place in-person from October 2 to November 2.
Takahisa Zeze’s Japanese prisoner of war drama Fragments Of The Last Will is set to world premiere as the opening film of the Tokyo International Film Festival, which runs October 24 to November 2.
The festival will close with Oliver Hermanus’s UK drama Living, starring Bill Nighy, an adaptation of Akira Kurosawa’s 1952 Japanese drama Ikiru with a revised screenplay by Kazuo Ishiguro, whose credits include Remains Of The Day and Never Let Me Go.
Fragments Of The Last Will is based on the true story of Hatao Yamamoto,...
Takahisa Zeze’s Japanese prisoner of war drama Fragments Of The Last Will is set to world premiere as the opening film of the Tokyo International Film Festival, which runs October 24 to November 2.
The festival will close with Oliver Hermanus’s UK drama Living, starring Bill Nighy, an adaptation of Akira Kurosawa’s 1952 Japanese drama Ikiru with a revised screenplay by Kazuo Ishiguro, whose credits include Remains Of The Day and Never Let Me Go.
Fragments Of The Last Will is based on the true story of Hatao Yamamoto,...
- 9/12/2022
- by Michael Rosser
- ScreenDaily
Click here to read the full article.
Tokyo International Film Festival (TIFF) will open on Oct. 24 with Takahisa Zeze’s postwar drama Fragments of the Last Will, while Oliver Bill Hermanus’s Living, a reinterpretation of an Akira Kurosawa classic, will bring proceedings to a close on Nov. 2.
Takahisa’s film, based on real events, tells the story of a Japanese prisoner of war played by who battles to keep hope alive for himself and his fellow inmates in a Siberian gulag after his nation’s defeat in 1945. Fragments of the Last Will stars Kazunari Ninomiya, former member of boyband Arashi.
Living is set in Britain in 1952, the same year Kurosawa’s Ikiru, on which it is based, was released. Bill Nighy plays a staid bureaucrat who is inspired to change his life after receiving shocking news.
“Living is the story of an ordinary man, reduced by years of oppressive...
Tokyo International Film Festival (TIFF) will open on Oct. 24 with Takahisa Zeze’s postwar drama Fragments of the Last Will, while Oliver Bill Hermanus’s Living, a reinterpretation of an Akira Kurosawa classic, will bring proceedings to a close on Nov. 2.
Takahisa’s film, based on real events, tells the story of a Japanese prisoner of war played by who battles to keep hope alive for himself and his fellow inmates in a Siberian gulag after his nation’s defeat in 1945. Fragments of the Last Will stars Kazunari Ninomiya, former member of boyband Arashi.
Living is set in Britain in 1952, the same year Kurosawa’s Ikiru, on which it is based, was released. Bill Nighy plays a staid bureaucrat who is inspired to change his life after receiving shocking news.
“Living is the story of an ordinary man, reduced by years of oppressive...
- 9/12/2022
- by Gavin Blair
- The Hollywood Reporter - Movie News
The 70th Berlin International Film Festival has unveiled its juries.
Joining president Jeremy Irons on the international jury is actress Bérénice Bejo (Argentina / France), producer Bettina Brokemper (Germany), director Annemarie Jacir (Palestine), plawright and director Kenneth Lonergan (USA), actor Luca Marinelli (Italy) and film critic and director Kleber Mendonça Filho (Brazil).
They will award prizes including the Golden and the Silver Bears to the 18 films in this year’s Competition line up.
Berlin dropped one of its awards, the Silver Bear Alfred Bauer prize, which goes to a film that “opens new perspectives on cinematic art”, after Nazi collaborator accusations emerged against its namesake in German press this week. No word yet on whether the prize will be reintroduced with a new moniker.
The festival’s new competitive section Encounters will see Dominga Sotomayor (Chile), Eva Trobisch (Germany) and Shôzô Ichiyama (Japan) award three prizes: Best Film, Best Director and a Special Jury Award.
Joining president Jeremy Irons on the international jury is actress Bérénice Bejo (Argentina / France), producer Bettina Brokemper (Germany), director Annemarie Jacir (Palestine), plawright and director Kenneth Lonergan (USA), actor Luca Marinelli (Italy) and film critic and director Kleber Mendonça Filho (Brazil).
They will award prizes including the Golden and the Silver Bears to the 18 films in this year’s Competition line up.
Berlin dropped one of its awards, the Silver Bear Alfred Bauer prize, which goes to a film that “opens new perspectives on cinematic art”, after Nazi collaborator accusations emerged against its namesake in German press this week. No word yet on whether the prize will be reintroduced with a new moniker.
The festival’s new competitive section Encounters will see Dominga Sotomayor (Chile), Eva Trobisch (Germany) and Shôzô Ichiyama (Japan) award three prizes: Best Film, Best Director and a Special Jury Award.
- 2/4/2020
- by Tom Grater
- Deadline Film + TV
'Beat Takeshi' goes rogue cop in his first self-directed feature, as Takeshi Kitano. It's excellent, a brutal tale with a fascinating lead character and a directorial style that compels one to watch -- it's never easy to know what will happen next. Violent Cop Blu-ray Film Movement 1989 / Color / 1:85 widescreen / 103 min. / Sono otoko, kyobo ni tsuki / Street Date October 11, 2016 / 39.95 Starring Beat Takeshi, Maiko Kawakami, Makoto Ashikawa, Shiro Sano, Shigeru Hiraizumi, Mikiko Otonashi, Hakuryu. Cinematography Yasushi Sasakibara Film Editor Nobutake Kamiya Original Music Daisaku Kume Written by Hisashi Nozawa, Takeshi Kitano Produced by Shozo Ichiyama, Toshio Nabeshima, Takio Yoshida Directed by Takeshi Kitano
Reviewed by Glenn Erickson
I'm always on the lookout for certain movies I've heard recommended, or that have descriptions that intrigue me. When I saw a reference to Takeshi Kitano's Violent Cop, I knew I'd want to take a look. As happens so often with Japanese pictures,...
Reviewed by Glenn Erickson
I'm always on the lookout for certain movies I've heard recommended, or that have descriptions that intrigue me. When I saw a reference to Takeshi Kitano's Violent Cop, I knew I'd want to take a look. As happens so often with Japanese pictures,...
- 10/11/2016
- by Glenn Erickson
- Trailers from Hell
Selection committee also announced for Southeast Asian projects lab.
Southeast Asia Fiction Film Lab (Seafic), the script development initiative that launched earlier this year, has joined forces with France’s Produire au Sud producer training workshop.
The move will merge Seafic’s nine-month script development programme with Produire au Sud’s long-running producers’ workshop in Bangkok.
Titled Seafic x Pas, the pact will consolidate both programme’s calls for entries.
The five projects eventually selected for Seafic will be automatically be enrolled in Produire au Sud’s Southeast Asia workshop.
The directors and screenwriter will also attend Seafic’s script development lab, while in parallel the producers of those same projects shall attend Produire au Sud, held at he Festival des 3 Continents in Nantes, France.
Previously held annually in Bangkok in November, Produire au Sud’s Southeast Asia lab will now move to Chiang Mai, Thailand and will run concurrently with Seafic’s first session (Oct 23-...
Southeast Asia Fiction Film Lab (Seafic), the script development initiative that launched earlier this year, has joined forces with France’s Produire au Sud producer training workshop.
The move will merge Seafic’s nine-month script development programme with Produire au Sud’s long-running producers’ workshop in Bangkok.
Titled Seafic x Pas, the pact will consolidate both programme’s calls for entries.
The five projects eventually selected for Seafic will be automatically be enrolled in Produire au Sud’s Southeast Asia workshop.
The directors and screenwriter will also attend Seafic’s script development lab, while in parallel the producers of those same projects shall attend Produire au Sud, held at he Festival des 3 Continents in Nantes, France.
Previously held annually in Bangkok in November, Produire au Sud’s Southeast Asia lab will now move to Chiang Mai, Thailand and will run concurrently with Seafic’s first session (Oct 23-...
- 7/7/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Southeast Asia’s first ever script lab – the Southeast Asian Fiction Film Lab (Seafic) – is launching in Thailand and Singapore this year with support from the Purin Foundation, Singapore Film Commission and French Ministry of Foreign Affairs.
Each year, Seafic will select five Southeast Asian filmmakers – working on their first, second or third feature film scripts – to work with script consultants over a period of nine months. The filmmakers will be invited to three lab sessions in Chiangmai, Thailand (October 23-30), Chiangmai again in late February 2017 and Singapore in late June 2017.
During the final session in Singapore, the five filmmakers will take part in a pitch session, after which one project will be awarded a cash prize of $15,000.
Seafic’s selection committees and award juries will comprise leading industry figures such as Cannes Film Festival’s Christian Jeune, producer Shozo Ichiyama and Thai filmmaker Pen-ek Ratanaruang. A representative from TorinoFilmLab will take part in the Seafic selection...
Each year, Seafic will select five Southeast Asian filmmakers – working on their first, second or third feature film scripts – to work with script consultants over a period of nine months. The filmmakers will be invited to three lab sessions in Chiangmai, Thailand (October 23-30), Chiangmai again in late February 2017 and Singapore in late June 2017.
During the final session in Singapore, the five filmmakers will take part in a pitch session, after which one project will be awarded a cash prize of $15,000.
Seafic’s selection committees and award juries will comprise leading industry figures such as Cannes Film Festival’s Christian Jeune, producer Shozo Ichiyama and Thai filmmaker Pen-ek Ratanaruang. A representative from TorinoFilmLab will take part in the Seafic selection...
- 3/14/2016
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Read More: San Sebastian Film Festival Announces 2015 Competition Titles The 63rd San Sebastian Film Festival will have a retrospective focusing on independent cinema produced in Japan over the last 15 years. The category will include works from both first-time directors as well as some of the country's most experienced. The "Japanese Independent Cinema 2000-2015" retrospective is organized by the San Sebastian Festival, CulturArts-ivac (Valencia), the Filmoteca Vasca, the San Telmo Museum and the San Sebastian European Capital of Culture 2016. The retrospective will also be accompanied by the publication of a book by Shozo Ichiyama, a Japanese producer and director of programming at the Tokyo Filmex International Film Festival. The titles for the retrospective include: 1. "H Story" (2001)- Directed by Nobuhiro Suwa 2. "Sora no ana" ("Hole in the Sky") (2001)- Directed by Kazuyoshi Kumakiri 3. "Border...
- 8/19/2015
- by Kaeli Van Cott
- Indiewire
Takeshi Kitano’s Office Kitano to receive Premio Raimondo Rezzonico award.
Takeshi Kitano’s production company Office Kitano is to be feted at Locarno with the Premio Raimondo Rezzonico award, bestowed upon a risk-taking independent producer or company.
Office Kitano officially became a production company in 1991, producing actor-director Kitano’s third feature, A Scene at the Sea. All of Kitano’s films have been produced under the label since.
Office Kitano president Masayuki Mori began producing films with other directors in 1998, beginning with Ikinai, directed by Hiroshi Shimizu, and in 2000 the company began collaborating with director Jia Zhangke, as well as producer Shôzô Ichiyama.
The outfit also launched Tokyo FILMeX in 2000, a film festival that aims to highlight independent cinema
President Moro and producer Ichiyama will be present at Locarno to receive the award and speak to the public, and the festival will screen three films in tribute: Hana-bi (1997) and Dolls (2002), both directed by Kitano, and Unknown...
Takeshi Kitano’s production company Office Kitano is to be feted at Locarno with the Premio Raimondo Rezzonico award, bestowed upon a risk-taking independent producer or company.
Office Kitano officially became a production company in 1991, producing actor-director Kitano’s third feature, A Scene at the Sea. All of Kitano’s films have been produced under the label since.
Office Kitano president Masayuki Mori began producing films with other directors in 1998, beginning with Ikinai, directed by Hiroshi Shimizu, and in 2000 the company began collaborating with director Jia Zhangke, as well as producer Shôzô Ichiyama.
The outfit also launched Tokyo FILMeX in 2000, a film festival that aims to highlight independent cinema
President Moro and producer Ichiyama will be present at Locarno to receive the award and speak to the public, and the festival will screen three films in tribute: Hana-bi (1997) and Dolls (2002), both directed by Kitano, and Unknown...
- 7/22/2015
- by mantus@masonlive.gmu.edu (Madison Antus)
- ScreenDaily
More than 50 Australian producers and screen industry representatives are heading to China for the 5th Australia-China Film Industry Forum (Acfif) and the Beijing International Film Festival and Beijing Film Market.
That.s the largest ever delegation from Australia, including VFX and post-production businesses and federal and state government officials.
Screen Australia CEO Graeme Mason and Ausfilm CEO Debra Richards are leading the mission to pursue co-production opportunities with China.
Co-hosted by Ausfilm and Screen Australia, the forum is part of the Beijing Film Market.s Industry Conversations program.
Two panels of Australian, Chinese and international producers and screen industry decision makers will discuss opportunities for co-production, locations, studios, facilities and visual effects, and. focus on Australia.s federal and state incentives for international production.
The participants will include Ellen Eliasoph, president/CEO of Village Roadshow Pictures Asia, director/producer Pauline Chan, Alex Sangston, Screen Australia.s senior manager, producer offset and co-productions,...
That.s the largest ever delegation from Australia, including VFX and post-production businesses and federal and state government officials.
Screen Australia CEO Graeme Mason and Ausfilm CEO Debra Richards are leading the mission to pursue co-production opportunities with China.
Co-hosted by Ausfilm and Screen Australia, the forum is part of the Beijing Film Market.s Industry Conversations program.
Two panels of Australian, Chinese and international producers and screen industry decision makers will discuss opportunities for co-production, locations, studios, facilities and visual effects, and. focus on Australia.s federal and state incentives for international production.
The participants will include Ellen Eliasoph, president/CEO of Village Roadshow Pictures Asia, director/producer Pauline Chan, Alex Sangston, Screen Australia.s senior manager, producer offset and co-productions,...
- 4/15/2015
- by Don Groves
- IF.com.au
Mountains May Depart
Director: Jia Zhangke // Writer: Jia Zhangke
A preeminent figure in the Sixth Generation movement of Chinese cinema, Jia Zhangke is arguably one of the most renowned auteurs working in cinema today. Famously independently producing his early works, such as Pick Pocket (1997), Platform (2000) and Unknown Pleasures (2002), which were considered underground films, Zhangke was given unprecedented approval for his 2004 film The World (2004), which found the director’s domestic and international renown expand, leading to one of his most celebrated titles, 2006′s Still Life, which took home the Golden Lion at Venice. His next film, 2008′s 24 City was less well received, and Zhangke focused on documentary projects (including the 2010 title I Wish I Knew which premiered at Cannes in Un Certain Regard). Zhangke saw his most notable acclaim yet with 2013′s A Touch of Sin, which took home Best Screenplay at Cannes, depicting four tales of violence ripped from modern day headlines.
Director: Jia Zhangke // Writer: Jia Zhangke
A preeminent figure in the Sixth Generation movement of Chinese cinema, Jia Zhangke is arguably one of the most renowned auteurs working in cinema today. Famously independently producing his early works, such as Pick Pocket (1997), Platform (2000) and Unknown Pleasures (2002), which were considered underground films, Zhangke was given unprecedented approval for his 2004 film The World (2004), which found the director’s domestic and international renown expand, leading to one of his most celebrated titles, 2006′s Still Life, which took home the Golden Lion at Venice. His next film, 2008′s 24 City was less well received, and Zhangke focused on documentary projects (including the 2010 title I Wish I Knew which premiered at Cannes in Un Certain Regard). Zhangke saw his most notable acclaim yet with 2013′s A Touch of Sin, which took home Best Screenplay at Cannes, depicting four tales of violence ripped from modern day headlines.
- 1/9/2015
- by Nicholas Bell
- IONCINEMA.com
Laura Citarella & Verónica Llinás represent Argentina with their directorial debut “La Mujer de los Perros”. Festival director Rutger Wolfson made the announcement that the ‘Hivos Tiger Awards Competition’ includes projects from Latin America, Thailand, U.K. & U.S.
The 44th International Film Festival Rotterdam (Iffr) will be held January 21 to February 1, 2015, overlapping this year with Sundance (January 22 – 31) which is coming later than usual
Iffr’s line-up for the Hivos Tiger Awards Competition 2015 consist of 13 projects by first and second time feature filmmakers from across the world competing for three prizes of €15,000 each, awarded by the Festival’s five Tiger jury members. From its inception in 1995, the Competition has been dedicated to discovering, celebrating and awarding emerging international film talent. Eleven of the 13 competing films are World Premieres and the remaining two are International Premieres.
Contenders, “La Mujer de los Perros” and “Vanishing Point” were both partly financed by Iffr’s Hubert Bals Fund (Hbf) as were “Another Trip to the Moon” by Ismail Basbeth, “La Obra del Siglo” by Carlos Quintela and “Videophilia (and Other Viral Syndromes” by Juan Daniel Fernández Molero.
The Hivos Tiger Awards jury is comprised of acclaimed stage and screen actress Johanna ter Steege, director of the Filmoteca Española Jose Maria Prado Garcia, Dutch born, Australian auteur Rolf de Heer, award winning Japanese producer Shozo Ichiyama and former Tiger Award winning director Maja Miloš. The winners, selected by the jury, will be announced at the Hivos Tiger Award Ceremony on Friday, January 30th.
Hivos Tiger Awards Competition Full Line-Up
“Above and Below” by Nicolas Steiner (Switzerland/ Germany) – International Premiere
The film is a rough and rhythmic roller coaster ride seating five survivors in their daily hustle through an apocalyptic world. A mind-blowing, cinematic exploration of contemporary existence in the U.S.
Trip to the Moon" by Ismail Basbeth (Indonesia) – World Premiere
The magical surrealist journey of Asa, daughter of a shaman, who confronts her own mother, fighting for her own life and freedom.
“Bridgend" by Jeppe Rønde (Denmark) – World Premiere
Over a five-year period in Bridgend, Wales, 79 people, many of them teenagers, committed suicide without leaving any clue as to why. This is the starting point for this mysterious social drama. Hannah Murray convinces as the 'new girl in town' in Danish Rønde’s feature debut.
“Gluckauf" by Remy van Heugten (The Netherlands) – World Premiere
Social drama about the oppressive relationship between a father and a son who, as modern outlaws, struggle to survive in the depleted Dutch province of Limburg.
“Haruko’s Paranormal Laboratory” by Lisa Takeba (Japan) – World Premiere
Haruko is a girl who prefers to cuddle up to her old-fashioned TV set. In this wondrous story, a television can transform into a man: and this is by no means the end of the strange cheerfulness.
“Impressions of a Drowned Man” by Kyros Papavassiliou (Cyprus/ Greece/ Slovenia) – World Premiere
A man who doesn’t know who he is meets his former love. She tells him he is a famous poet, Kostas Karyotakis, who killed himself in 1928. Every year he returns on the anniversary of his death.
“La Mujer de los perros” (Dog Lady) by Laura Citarella & Verónica Llinás (Argentina) – World Premiere
The protagonist of Dog Lady is a woman who lives in a poor area with a pack of dogs, in a house like so many other humble shacks in the urban sprawl of Greater Buenos Aires.
“Norfolk” by Martin Radich (U.K.) – World Premiere
As a man's unspeakable past starts to catch up with him, two very different worlds collide and he is finally forced to confront what is right and what is wrong in order to protect his family's future.
“La Obra del siglo” (Work of the Century” by Carlos Quintela (Cuba/ Argentina/ Germany) – World Premiere
Three Cuban men, obliged by circumstance to live together under the same roof, pass their days in the ElectroNuclear City.
“Parabellum” by Lukas Valenta Rinner (Argentina/ Austria/ Uruguay) – World Premiere
In the company of housewives, professionals and a retired tennis instructor, Hernán is part of a middle-class community that is preparing for the eventual arrival of the end of the world at a holiday resort in the marshy Tigre delta.
“Tired Moonlight” by Britni West (U.S.) – International Premiere
Combustible dreams fail to ignite as a lonely, middle-aged woman is confronted by lost love in a glorified-pit-stop town.
“Vanishing Point” by Jakrawal Nilthamrong (Thailand) – World Premiere
A drama depicting life in different paths. As two men delve deep down in search for what could heal their pains, through the path of imagination, they see themselves in each other.
“Videophilia (And Other Viral Syndromes) by Juan Daniel Fernández Molero (Peru) – World Premiere
Internet cafés and slackers, not-so-innocent schoolgirls and amateur porn using Google Glass: things in Lima, the Peruvian capital, are pretty similar to contemporary reality, virtual or otherwise, in the rest of the world. Cinema meets digital psychedelia.
International Film Festival Rotterdam (Iffr) offers carefully selected fiction and documentary feature films, short films and media art. The festival's Tiger Awards Competitions, Bright Future, Spectrum and Limelight sections contain new work by auteurs from all over the world including many World Premieres. In the Signals section, Iffr presents retrospectives and themed programmes. Iffr actively supports new and adventurous filmmaking talent through numerous industry initiatives including co-production market CineMart, its Hubert Bals Fund and Rotterdam Lab.
The 44th International Film Festival Rotterdam (Iffr) will be held January 21 to February 1, 2015, overlapping this year with Sundance (January 22 – 31) which is coming later than usual
Iffr’s line-up for the Hivos Tiger Awards Competition 2015 consist of 13 projects by first and second time feature filmmakers from across the world competing for three prizes of €15,000 each, awarded by the Festival’s five Tiger jury members. From its inception in 1995, the Competition has been dedicated to discovering, celebrating and awarding emerging international film talent. Eleven of the 13 competing films are World Premieres and the remaining two are International Premieres.
Contenders, “La Mujer de los Perros” and “Vanishing Point” were both partly financed by Iffr’s Hubert Bals Fund (Hbf) as were “Another Trip to the Moon” by Ismail Basbeth, “La Obra del Siglo” by Carlos Quintela and “Videophilia (and Other Viral Syndromes” by Juan Daniel Fernández Molero.
The Hivos Tiger Awards jury is comprised of acclaimed stage and screen actress Johanna ter Steege, director of the Filmoteca Española Jose Maria Prado Garcia, Dutch born, Australian auteur Rolf de Heer, award winning Japanese producer Shozo Ichiyama and former Tiger Award winning director Maja Miloš. The winners, selected by the jury, will be announced at the Hivos Tiger Award Ceremony on Friday, January 30th.
Hivos Tiger Awards Competition Full Line-Up
“Above and Below” by Nicolas Steiner (Switzerland/ Germany) – International Premiere
The film is a rough and rhythmic roller coaster ride seating five survivors in their daily hustle through an apocalyptic world. A mind-blowing, cinematic exploration of contemporary existence in the U.S.
Trip to the Moon" by Ismail Basbeth (Indonesia) – World Premiere
The magical surrealist journey of Asa, daughter of a shaman, who confronts her own mother, fighting for her own life and freedom.
“Bridgend" by Jeppe Rønde (Denmark) – World Premiere
Over a five-year period in Bridgend, Wales, 79 people, many of them teenagers, committed suicide without leaving any clue as to why. This is the starting point for this mysterious social drama. Hannah Murray convinces as the 'new girl in town' in Danish Rønde’s feature debut.
“Gluckauf" by Remy van Heugten (The Netherlands) – World Premiere
Social drama about the oppressive relationship between a father and a son who, as modern outlaws, struggle to survive in the depleted Dutch province of Limburg.
“Haruko’s Paranormal Laboratory” by Lisa Takeba (Japan) – World Premiere
Haruko is a girl who prefers to cuddle up to her old-fashioned TV set. In this wondrous story, a television can transform into a man: and this is by no means the end of the strange cheerfulness.
“Impressions of a Drowned Man” by Kyros Papavassiliou (Cyprus/ Greece/ Slovenia) – World Premiere
A man who doesn’t know who he is meets his former love. She tells him he is a famous poet, Kostas Karyotakis, who killed himself in 1928. Every year he returns on the anniversary of his death.
“La Mujer de los perros” (Dog Lady) by Laura Citarella & Verónica Llinás (Argentina) – World Premiere
The protagonist of Dog Lady is a woman who lives in a poor area with a pack of dogs, in a house like so many other humble shacks in the urban sprawl of Greater Buenos Aires.
“Norfolk” by Martin Radich (U.K.) – World Premiere
As a man's unspeakable past starts to catch up with him, two very different worlds collide and he is finally forced to confront what is right and what is wrong in order to protect his family's future.
“La Obra del siglo” (Work of the Century” by Carlos Quintela (Cuba/ Argentina/ Germany) – World Premiere
Three Cuban men, obliged by circumstance to live together under the same roof, pass their days in the ElectroNuclear City.
“Parabellum” by Lukas Valenta Rinner (Argentina/ Austria/ Uruguay) – World Premiere
In the company of housewives, professionals and a retired tennis instructor, Hernán is part of a middle-class community that is preparing for the eventual arrival of the end of the world at a holiday resort in the marshy Tigre delta.
“Tired Moonlight” by Britni West (U.S.) – International Premiere
Combustible dreams fail to ignite as a lonely, middle-aged woman is confronted by lost love in a glorified-pit-stop town.
“Vanishing Point” by Jakrawal Nilthamrong (Thailand) – World Premiere
A drama depicting life in different paths. As two men delve deep down in search for what could heal their pains, through the path of imagination, they see themselves in each other.
“Videophilia (And Other Viral Syndromes) by Juan Daniel Fernández Molero (Peru) – World Premiere
Internet cafés and slackers, not-so-innocent schoolgirls and amateur porn using Google Glass: things in Lima, the Peruvian capital, are pretty similar to contemporary reality, virtual or otherwise, in the rest of the world. Cinema meets digital psychedelia.
International Film Festival Rotterdam (Iffr) offers carefully selected fiction and documentary feature films, short films and media art. The festival's Tiger Awards Competitions, Bright Future, Spectrum and Limelight sections contain new work by auteurs from all over the world including many World Premieres. In the Signals section, Iffr presents retrospectives and themed programmes. Iffr actively supports new and adventurous filmmaking talent through numerous industry initiatives including co-production market CineMart, its Hubert Bals Fund and Rotterdam Lab.
- 1/9/2015
- by Sydney Levine
- Sydney's Buzz
Hivos Tiger Awards Competition includes films from Latin America, Thailand, the UK and Us.Scroll down for full list of titles
International Film Festival Rotterdam (Iffr) has confirmed its line-up for the Hivos Tiger Awards Competition 2015, with 13 projects by first and second time feature filmmakers from across the world competing for three prizes of €15,000 each.
Eleven of the 13 competing films will receive their world premieres at Iffr with the remaining two films screening as international premieres.
The five Tiger jury members include actress Johanna ter Steege; Filmoteca Española director Jose Maria Prado Garcia; Dutch born, Australian auteur Rolf de Heer; Japanese producer Shozo Ichiyama; and former Tiger Award winning director Maja Miloš.
The winners will be announced at an awards ceremony on Jan 30.
The selection includes La Mujer De Los Perros, from Argentinan filmmakers Laura Citarella and Verónica Llinás, which centres on a woman who lives on the outskirts of Buenos Aires with a pack of dogs...
International Film Festival Rotterdam (Iffr) has confirmed its line-up for the Hivos Tiger Awards Competition 2015, with 13 projects by first and second time feature filmmakers from across the world competing for three prizes of €15,000 each.
Eleven of the 13 competing films will receive their world premieres at Iffr with the remaining two films screening as international premieres.
The five Tiger jury members include actress Johanna ter Steege; Filmoteca Española director Jose Maria Prado Garcia; Dutch born, Australian auteur Rolf de Heer; Japanese producer Shozo Ichiyama; and former Tiger Award winning director Maja Miloš.
The winners will be announced at an awards ceremony on Jan 30.
The selection includes La Mujer De Los Perros, from Argentinan filmmakers Laura Citarella and Verónica Llinás, which centres on a woman who lives on the outskirts of Buenos Aires with a pack of dogs...
- 1/6/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Hivos Tiger Awards Competition includes films from Latin America, Thailand, the UK and Us.Scroll down for full list of titles
International Film Festival Rotterdam (Iffr) has confirmed its line-up for the Hivos Tiger Awards Competition 2015, with 13 projects by first and second time feature filmmakers from across the world competing for three prizes of €15,000 each.
Eleven of the 13 competing films will receive their world premieres at Iffr with the remaining two films screening as international premieres.
The five Tiger jury members include actress Johanna ter Steege; Filmoteca Española director Jose Maria Prado Garcia; Dutch born, Australian auteur Rolf de Heer; Japanese producer Shozo Ichiyama; and former Tiger Award winning director Maja Miloš.
The winners will be announced at an awards ceremony on Jan 30.
The selection includes La Mujer De Los Perros, from Argentinan filmmakers Laura Citarella and Verónica Llinás, which centres on a woman who lives on the outskirts of Buenos Aires with a pack of dogs...
International Film Festival Rotterdam (Iffr) has confirmed its line-up for the Hivos Tiger Awards Competition 2015, with 13 projects by first and second time feature filmmakers from across the world competing for three prizes of €15,000 each.
Eleven of the 13 competing films will receive their world premieres at Iffr with the remaining two films screening as international premieres.
The five Tiger jury members include actress Johanna ter Steege; Filmoteca Española director Jose Maria Prado Garcia; Dutch born, Australian auteur Rolf de Heer; Japanese producer Shozo Ichiyama; and former Tiger Award winning director Maja Miloš.
The winners will be announced at an awards ceremony on Jan 30.
The selection includes La Mujer De Los Perros, from Argentinan filmmakers Laura Citarella and Verónica Llinás, which centres on a woman who lives on the outskirts of Buenos Aires with a pack of dogs...
- 1/6/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
More than 20 festival heads and programmers have signed a statement in support of the Beijing Independent Film Festival, which was shut down by Chinese authorities last weekend.
The statement expresses deep concern over the closure of the festival and a raid on the offices of the festival’s organiser, the Li Xianting Film Fund, during which the organisation’s complete archives of independent films and related research materials were confiscated.
Signatories to the statement include festival chiefs such as Rotterdam’s Rutger Wolfson, Sydney’s Nashen Moodley, Torino Film Festival’s Emanuela Martini and New York Film Festival’s Kent Jones, along with prominent artistic directors and programmers and the Film Society of Lincoln Center’s programming director Dennis Lim (see full statement and list of signatories below).
The Beijing Independent Film Festival aims to showcase the work of independent Chinese filmmakers, working outside the government-sanctioned mainstream film industry. It was scheduled to hold its 11th edition...
The statement expresses deep concern over the closure of the festival and a raid on the offices of the festival’s organiser, the Li Xianting Film Fund, during which the organisation’s complete archives of independent films and related research materials were confiscated.
Signatories to the statement include festival chiefs such as Rotterdam’s Rutger Wolfson, Sydney’s Nashen Moodley, Torino Film Festival’s Emanuela Martini and New York Film Festival’s Kent Jones, along with prominent artistic directors and programmers and the Film Society of Lincoln Center’s programming director Dennis Lim (see full statement and list of signatories below).
The Beijing Independent Film Festival aims to showcase the work of independent Chinese filmmakers, working outside the government-sanctioned mainstream film industry. It was scheduled to hold its 11th edition...
- 8/27/2014
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
More than 20 festival heads and programmers have signed a statement in support of the Beijing Independent Film Festival, which was shut down by Chinese authorities last weekend.
The statement expresses deep concern over the closure of the festival and a raid on the offices of the festival’s organiser, the Li Xianting Film Fund, during which the organisation’s complete archives of independent films and related research materials were confiscated.
Signatories to the statement include festival chiefs such as Rotterdam’s Rutger Wolfson, Sydney’s Nashen Moodley, Torino Film Festival’s Emanuela Martini and New York Film Festival’s Kent Jones, along with prominent artistic directors and programmers and the Film Society of Lincoln Center’s programming director Dennis Lim (see full statement and list of signatories below).
The Beijing Independent Film Festival aims to showcase the work of independent Chinese filmmakers, working outside the government-sanctioned mainstream film industry. It was scheduled to hold its 11th edition...
The statement expresses deep concern over the closure of the festival and a raid on the offices of the festival’s organiser, the Li Xianting Film Fund, during which the organisation’s complete archives of independent films and related research materials were confiscated.
Signatories to the statement include festival chiefs such as Rotterdam’s Rutger Wolfson, Sydney’s Nashen Moodley, Torino Film Festival’s Emanuela Martini and New York Film Festival’s Kent Jones, along with prominent artistic directors and programmers and the Film Society of Lincoln Center’s programming director Dennis Lim (see full statement and list of signatories below).
The Beijing Independent Film Festival aims to showcase the work of independent Chinese filmmakers, working outside the government-sanctioned mainstream film industry. It was scheduled to hold its 11th edition...
- 8/27/2014
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Jia Zhangke has revealed details of his next project, Mountain River Old Friend (working title), which he plans to film in China and Australia.
Announced at a press conference in Cannes on Monday (May 19), the film will be co-produced by Jia’s Xstream Pictures and Shanghai Film Group. France’s MK2 is also backing the project, which will have Shozo Ichiyama of Japan’s Office Kitano on board as producer.
The story begins with a young couple in 1990s China, who split up and then meet much later when the woman is divorced and her son is living in Australia. It then takes up the story of the son in Australia in the future.
Jia’s wife Zhao Tao, who has appeared in several of the director’s films, will star in his new project, which is scheduled to start shooting in October.
Xstream Pictures, Shanghai Film Group and Office Kitano produced Jia’s last film, A...
Announced at a press conference in Cannes on Monday (May 19), the film will be co-produced by Jia’s Xstream Pictures and Shanghai Film Group. France’s MK2 is also backing the project, which will have Shozo Ichiyama of Japan’s Office Kitano on board as producer.
The story begins with a young couple in 1990s China, who split up and then meet much later when the woman is divorced and her son is living in Australia. It then takes up the story of the son in Australia in the future.
Jia’s wife Zhao Tao, who has appeared in several of the director’s films, will star in his new project, which is scheduled to start shooting in October.
Xstream Pictures, Shanghai Film Group and Office Kitano produced Jia’s last film, A...
- 5/19/2014
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Jia Zhangke has revealed details of his next project, Mountain River Old Friend (working title), which he plans to film in China and Australia.
Announced at a press conference in Cannes on Monday (May 19), the film will be co-produced by Jia’s Xstream Pictures and Shanghai Film Group. France’s MK2 is also backing the project, which will have Shozo Ichiyama of Japan’s Office Kitano on board as producer.
The story begins with a young couple in 1990s China, who split up and then meet much later when the woman is divorced and her son is living in Australia. It then takes up the story of the son in Australia in the future.
Jia’s wife Zhao Tao, who has appeared in several of the director’s films, will star in his new project, which is scheduled to start shooting in October.
Xstream Pictures, Shanghai Film Group and Office Kitano produced Jia’s last film, A...
Announced at a press conference in Cannes on Monday (May 19), the film will be co-produced by Jia’s Xstream Pictures and Shanghai Film Group. France’s MK2 is also backing the project, which will have Shozo Ichiyama of Japan’s Office Kitano on board as producer.
The story begins with a young couple in 1990s China, who split up and then meet much later when the woman is divorced and her son is living in Australia. It then takes up the story of the son in Australia in the future.
Jia’s wife Zhao Tao, who has appeared in several of the director’s films, will star in his new project, which is scheduled to start shooting in October.
Xstream Pictures, Shanghai Film Group and Office Kitano produced Jia’s last film, A...
- 5/19/2014
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Above: From left to right, Tokyo FilmEx festival directors Kanako Hayashi and Shozo Ichiyama; and Nobuteru Uchida's prize-winning film, Love Addition.
Last November, I had a conversation with Tokyo FilmEx Festival directors Shozo Ichiyama and Kanako Hayashi. For more than a decade, this duo has helmed Japan’s most serious festival, one dedicated to independent cinema from Asia. Office Kitano, Takeshi Kitano’s production company, has remained its key partner over the years, and helped Japan’s support of Iranian directors as well as groundbreaking figures from China, most notably Jia Zhangke, a regular at FilmEx from the beginning. The festival also revealed the fragile state of art cinema in and from Japan and how a very small, centralized community that has been determining what fits into this category, and what is not allowed in; a community that’s aged while being unable to neither find nor form new heirs.
Last November, I had a conversation with Tokyo FilmEx Festival directors Shozo Ichiyama and Kanako Hayashi. For more than a decade, this duo has helmed Japan’s most serious festival, one dedicated to independent cinema from Asia. Office Kitano, Takeshi Kitano’s production company, has remained its key partner over the years, and helped Japan’s support of Iranian directors as well as groundbreaking figures from China, most notably Jia Zhangke, a regular at FilmEx from the beginning. The festival also revealed the fragile state of art cinema in and from Japan and how a very small, centralized community that has been determining what fits into this category, and what is not allowed in; a community that’s aged while being unable to neither find nor form new heirs.
- 3/9/2011
- MUBI
The 11th Tokyo Filmex opened with Apitchatpong Weerasethakul’s beguiling Uncle Boonmee, Who Can Recall His Past Lives (pictured left). The opening film set the tenor of the week to come — experimental, personal, willing to take chances. At the opening ceremony festival director Kanako Hayashi gave a shout out to the man who pretty much put Japanese film on the Western critical map, Donald Richie. All eyes in the audience turned toward the frail, but unbowed, man who graciously acknowledged the accolades. Over the last year the 86-year old Richie has been conspicuously absent from the film scene that he helped create, floored by age and illness. The fact that he appeared almost daily during the festival to watch films made the film-going experience for all a bit more profound. And when Abbas Kiarostami, who showed up for the Japanese premiere of Certified Copy, gave his kudos to Mr. Richie,...
- 2/27/2011
- by Nicholas Vroman
- Filmmaker Magazine - Blog
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