Ozu first wrote “There Was a Father”, along Tadao Ikeda and Takao Yanai, in early 1937, soon after the release of “The Only Son” in September 1936 and just before he was drafted for the first time. After he returned to Japan, he revised it thoroughly, and the result was a triumph, with the movie winning the Second Prize in Kinema Junpo and having considerable success in the box office. The surviving print, a version cut by General MacArthur's sensors for postwar rerelease, was also the one Criterion released on DVD in 2010, but this year, Venice is screening a restored version that is 5 minutes longer.
“There Was a Father” is screening in Venice International Film Festival
Shuhei Horikawa is a math teacher in middle school, who lives with his 10-year-old son, Ryohei, following his wife's death, with the boy studying in the same school. One day, while taking his class for an excursion,...
“There Was a Father” is screening in Venice International Film Festival
Shuhei Horikawa is a math teacher in middle school, who lives with his 10-year-old son, Ryohei, following his wife's death, with the boy studying in the same school. One day, while taking his class for an excursion,...
- 9/6/2023
- by Panos Kotzathanasis
- AsianMoviePulse
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Two of the most anticipated Japanese films showing at the Venice Film Festival this year — Kei Ishikawa’s mystery drama A Man (2022) and a digitally remastered version of Yasujirō Ozu’s timeless classic A Hen in the Wind (1948) — share a uniquely curious distinction. The two Japanese films, separated by 74 years, were both written in the exact same room.
Ozu, one of the great masters of cinema history, famously spent long stretches of the 1940s and 1950s — his most productive period — residing and working at Chigasaki-kan, a small ryokan, or traditional Japanese inn, located on a quiet stretch of coast to the southwest of Tokyo. Ozu’s hideaway within the inn was its “niban no oheya,” or “room 2.” A modest space befitting an Ozu drama, the room was designed in Japan’s traditional washitsu style: tatami mats, a simple floor-level table and sliding shoji...
Two of the most anticipated Japanese films showing at the Venice Film Festival this year — Kei Ishikawa’s mystery drama A Man (2022) and a digitally remastered version of Yasujirō Ozu’s timeless classic A Hen in the Wind (1948) — share a uniquely curious distinction. The two Japanese films, separated by 74 years, were both written in the exact same room.
Ozu, one of the great masters of cinema history, famously spent long stretches of the 1940s and 1950s — his most productive period — residing and working at Chigasaki-kan, a small ryokan, or traditional Japanese inn, located on a quiet stretch of coast to the southwest of Tokyo. Ozu’s hideaway within the inn was its “niban no oheya,” or “room 2.” A modest space befitting an Ozu drama, the room was designed in Japan’s traditional washitsu style: tatami mats, a simple floor-level table and sliding shoji...
- 9/1/2022
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
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