Spanish horror superstar Paul Naschy has always been on my radar, yet for whatever reason, I’ve never taken the shot. (And sunk the ship? Metaphors are the worst.) So it is with great shame that I’ve spent far too long ignoring this international treasure as my inaugural Naschy, Javier Aguirre’s Hunchback of the Morgue (1973), is a cheeky Frankenstein riff that offers up its own twisted charms.
Released in its native Spain in July, it hit stateside in September of ’75 when Cinemation Industries (owned and run by Jerry Gross, legendary promoter. See: I Drink Your Blood. No, really, see it) added it to double and triple bills across the land. It…didn’t do very well, and that’s not a big surprise; it’s certainly not your traditional monster movie, with a plot that veers between soapy operatics, laboratory hijinks, and all tied together by Naschy’s...
Released in its native Spain in July, it hit stateside in September of ’75 when Cinemation Industries (owned and run by Jerry Gross, legendary promoter. See: I Drink Your Blood. No, really, see it) added it to double and triple bills across the land. It…didn’t do very well, and that’s not a big surprise; it’s certainly not your traditional monster movie, with a plot that veers between soapy operatics, laboratory hijinks, and all tied together by Naschy’s...
- 11/25/2017
- by Scott Drebit
- DailyDead
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